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Rethinking the Urban Bath House for Contemporary Society

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Rethinking the Urban Bath House for Contemporary Society Syracuse University SURFACE School of Architecture Dissertations and Architecture Senior Theses Theses Spring 2012 Just Add Water: Rethinking the Urban Bath House for Contemporary Society Audrey Snare Follow this and additional works at: https://surface.syr.edu/architecture_theses Part of the Architecture Commons Recommended Citation Snare, Audrey, "Just Add Water: Rethinking the Urban Bath House for Contemporary Society" (2012). Architecture Senior Theses. 65. https://surface.syr.edu/architecture_theses/65 This Thesis, Senior is brought to you for free and open access by the School of Architecture Dissertations and Theses at SURFACE. It has been accepted for inclusion in Architecture Senior Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. J U S T A D D W A T E R J U S T A D D W A T E R RETHINKING THE URBAN BATH HOUSE FOR CONTEMPORARY SOCIETY J U S T A D D W A T E R J U S T A D D W A T E R RETHINKING THE URBAN BATH HOUSE FOR CONTEMPORARY SOCIETY RESEARCH DOCUMENT AS PREPARATION FOR THE DESIGN THESIS IN ARCHITECTURE ADVISORS: RICHARD ROSA MARK ROBBINS SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE AUDREY SNARE B.ARCH DECEMBER 2011 CONTENTS 9 SYNOPSIS 11 THESIS STATEMENT 13 EVERYTHING BATHS AND BATHING - HISTORY OF BATHS AND BATHING - NY STATE PUBLIC BATH LAWS 27 SITE - HISTORY - ANALYSIS 51 CATALOQUE - BATHS THROUGH HISTORY - NYC BATHS - ANALYSIS 61 PROGRAM...JUST ADD WATER 71 BATHING IN ART 85 RELATED ISSUES 96 ENDNOTES 98 BIBLIOGRAPHY ENDNOTES | BIBLIOGRAPHY page 6 The cult of the bath reflects the attitudes that the bathers held toward their bodies, sin, nudity relaxation, and religion. While most societies developed different ways of creating physical contact with water, incorporating the philosophy and temperment of their people and their environment, they always seemed to have the same elements in common - spiritual, hygienic, therapeutic, a n d s o c i a l . - ALEV LYTLE CROUTIER | Taking The Waters page 7 page 8 SYNOPSIS The history of bathing and the bath is incredibly rich, diverse, and complex. While most societies developed different ways of creating physical contact with water, incorporating the philosophy and temperament of their people and their environment, they always seemed to have the same elements in common - spiritual , hygienic, therapeutic, and social. They were institutions that reflected a holistic conception of health. The cult of the bath reflects the attitudes that the bathers held toward their bodies, sin, nudity, relaxation, and religion. The bath as we know it in contemporary culture, is therefore a great impoverishment upon this legacy. Bath culture was transformed and transgressed to a Spa culture, a leisure and passive experience from a once active experience. This contrast between passive and active calls for thinking of the bathhouse as a programmatic mash-up or a hybrid organization which can lend itself to more than a place for bathing. Program- matic hybridity is key to understanding the spectacle and richness of bathhouse cultures; it was customary to have libraries, lecture halls, reading rooms, barbers, galleries and promenades. Such programmatic hybridity created not only complex spatial organizations but made the bathhouses truly public institutions of the time. While the bathhouse in antiquity represented the collective, political and social aspirations of a people, they were also intensely personal, sensorial and physical. A bathhouse is experienced not just through the sense of vision but also through the senses of touch, smell, taste and sound. As a result of globalization, our cities have become locus points for the production of ideas. Central to the success and the production of the city is proximity. The internet is no substitute for face-to- face interaction, when we interact with each other we communicate with more than just words; we can read oral, visual, and olfactory clues given off by our fellow humans. page 9 page 10 THESIS STATEMENT There is a need, and an opportunity now to rethink and reintroduce the public bathhouse in the contemporary urban city, and bathhouse is a ripe typology for invention and interpretation when considered against with the trend of exclusive spas . I content that a new conception of urban public bathhouse can initiate new social dynamics, new social opportunities, and new public behavior. page 11 page 12 E V E R Y T H I N G B A T H S A N D B A T H I N G “I must go have a bath. Yes, it’s time. I leave; I get myself some towels and follow my servant. I run and catch up with the others who are going to the baths and I say to them one and all, ‘How are you? Have a good bath! Have a good supper!’” These beguiling words taken from the pages of a schoolboy’s exercise book, used roughly 1,800 years ago, vividly express the importance of bathing in Roman civilization. FIKRET K YEGUL | Baths and Bathing in Classical Antiquity page 13 THE ELEMENT WATER Water always played an important role in civilization, not just as element of survival, but in culture as well; “water has always been celebrated as a source of energy - physical and metaphysical”.1 It has manifested itself in myths and legends in the form of creatures, deities, heroes, and people. “While most societies developed different ways of creating physical contact with water, incorporating the philosophy and temperament of the people and their environment, they always seemed to have the same elements in common - spiri- tual, hygienic, therapeutic, and social”.2 GRECIAN BATHS The Greeks were among the first to create public baths in the effort to provide water for the masses and promote cleanliness. The baths were part of the gymnasium centers which promoted sport and education; after strenuous exercise in the gymnasium it was es- sential to bath before entering the discussion halls. THERMAE ET BALNEA It is in Rome that we see bathing at its highest point of splendor. It could be said that this level of grandeur and importance for bathing has not been surpassed since, they “...deserve the credit for combining the spiritual, social, and therapeutic values of bathing and exalt- ing it to an art”.3 They had a holistic understanding of health that encompassed the physical and the social. These bathing facilities, called thermae and balnea, were developed around the 4th or 5th to 1st century BC, and they were an integral part of urban life that page 14 offered relaxation, social gathering, and worship. For many it developed into a daily regimen after work; it was easy to spend several hours at the bath. SEQUENCE “when the inward heart had been cooled to refreshment they stepped into the bathtubs smooth-polished, and bathed here, and after they had bathed and anointed themselves with olive oil they sat down to dine”.4 The public baths were built around three principle rooms: the caldarium (hot bath), the tepidarium (warm bath) and the frigidarium (cold bath). Some of the baths also featured a sudatorium (moist steam bath) and a laconicum (dry steam bath). The baths generally opened around 1:00 PM announced by the ringing of ringing of a bell. The first stop in the bath would have been the dressing room where they could undress and leave their clothes (much like our contemporary locker room). After undressing bathers would move into the tepidarium as a way to acclimate and prepare their bodies before entering the caldarium. If there was a laconicum this would have been the next stage of the sequence where they would have sweated as much as possible. After the caldarium or laconicum bathers would take a plunge in the frigidarium which closed the pores and rejuvenated the body. Once the bathing process was complete and the bathers felt relaxed they could socialize in the other facilities of the complex. BATH COMPLEX Adopted from the Greek palaestra, or gymnasium where sports took place, and connected to the baths, the Roman bath developed into page 15 a multifunctional complex incorporating libraries for studying, meeting rooms for lectures, poetry and music, and gardens for promenad- ing. “It was no accident that bathing was often regarded as a function as vital as eating, drinking, making love and laughing”.5 The ancient Roman baths might be compared to our contemporary community centers that include library, art gallery, mall, restaurant, gym and spa. THE NUDE FIGURE Originally men and women bathed separately, but soon it was acceptable for men and women to bath together. There were still sepa- rate facilities for people who preferred to bath in private but for the most part people preferred mixed bathing. One bather remarked “Baths, wine, and women corrupt our bodies, but these things make life itself”.6 Considering the evident popularity in Roman sculpture and the arts, which considered the human form an ideal, this “...indicates peoples who celebrated a healthy and beautiful body jus as much as they honored a quick and agile mind”.7 With the introduction of Christianity nudity and flesh were seen as a sin and the culture of bathing was lost until later on in history. Even today the reaction to nudity is mixed reaction around the world. HAMAMS In Turkey the baths are called Hamams which in Arabic means “spreader of warmth”. The Hamam is very closely related to the ancient Greek and Roman bath practices; it too was a place for both physical and spiritual purification and utilized a sequence of hot and cold page 16 baths. Islamic culture believed “...rejuvenation was a spiritual process requiring repose and solitude”.8 There were some adapta- tions: the gymnasium was replaced by massage and the exedrae by music and contemplation.
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