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Fall 2008 Mackinaw City!
O P E N E N T R Y Volume 36 Newsletter of the Michigan Archival Association No. 2 http://www.maasn.org Fall 2008 Mackinaw City! Wayne State staffers know how to party at MAA’s 50th Anniversary Reception, June 12, 2008! Left to right: Elizabeth Clemens, Mary Wallace, Kristen Chinery (all from the Walter P. Reuther Library) and Suzan Altieri (Purdy/ Kresge Library). The reception at the Annual Meeting was generously sponsored by Graphic Sciences and University Products. HIGHLIGHTS 3 President’s Corner 4 Philip P. Mason AASLH Award Winner 8 Michigan Collections 12 Annual Meeting Retrospective Mackinaw City 22 Marshall: Looking Forward to 2009 26 MAA Pride - CafePress Online Store Open Entry Fall 2008 1 Table of Contents http://www.maasn.org Board Members 2 President’s Corner 3 Philip P. Mason AASLH Award Winner 4 Connections and Collaborations: Undergraduates as Interns 5 New Board Members 6 MAA Scholarship Award Winner 7 Michigan Collections 8 Archive Media Partners Advertisement 8 Annual Meeting Retrospective Mackinaw City 2008 12 Grant Program Guidelines 21 Marshall: Looking Forward to MAA 2009 22 Donate to Annual Raffle 23 Archives and Paper Conservation Information 24 Michigan Oral History Association 25 Cultural Emergency Response Team 25 MAA Election Results 25 Open Entry is a biannual publication of the MAA Pride - CafePress Online Store 26 Michigan Archival Association New Dues Structure for 2009 26 Editor, Robert Garrett Production Editor, Cynthia Read Miller Dues Renewal Form for 2009 27 All submissions should be directed to: Calendar of Events: 2008-2009 28 Robert Garrett at [email protected] Photograph Sources 28 Archives of Michigan 702 W. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2013 "Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957 Kayla D. Meyers College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Studies Commons Recommended Citation Meyers, Kayla D., ""Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957" (2013). Undergraduate Honors Theses. Paper 767. https://scholarworks.wm.edu/honorstheses/767 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Obscene Odes on the Windows of the Skull”: Deconstructing The Memory of the Howl Trial of 1957 A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William and Mary by Kayla Danielle Meyers Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Charles McGovern, Director ________________________________________ Arthur Knight ________________________________________ Marc Raphael Williamsburg, VA December 3, 2013 Table of Contents Introduction: The Poet is Holy.........................................................................................................2 -
Exhibition Catalogue
Work for the People (or Forget about Fred Hampton) "If you ever think about me, & if you ain’t gonna do no revolutionary act, forget about me. I don’t want myself on your mind if you’re not gonna work for the people." — Fred Hampton Work/Play, More Power to the People Introduction On August 23rd, 1968, the eve of the Democratic National Convention in Chicago, members of the Youth International Party nominated a pig for president of the United States. The ring leaders of this gesture, the Chicago Seven, were put on trial for disorderly conduct in what has since become one of the most iconic farces of criminal justice in United States history. On August 23rd, 2018, the trial was restaged at Maria’s Packaged Goods & Community Bar in Bridgeport. 50 years after her nomination, Pigasus flew again. So too would the memories, lessons, riots, murders, celebrations, & mournings of her age. A few blocks down Morgan Street, a small group of gallerists were planning their own tribute to the year nineteen hundred & sixty-eight. Local & national artists & revolutionaries occupied the Co-Prosperity Sphere via body & object from August 31st to September 30th - a month of unearthing pasts, undermining presents, & conjuring futures. This document hopes to bring these objects & happenings into one of these futures: one where they are unnecessary - redundant - dated; a future which learns from futures past & present; a prescient future; & a future which allows anniversaries to become celebrations. - Luke Cimarusti Participating Artists: Brandon Alvendia, Sofia Córdova, Jim DeRogatis, Jim Duignan, Chris Duncan, Lise Haller Baggesen, Robby Herbst, the Justseeds Artists’ Cooperative, Jason Lazarus, Jesse Malmed, Nicole Marroquin, Jennifer Moon, Josh Rios + Anthony Romero + Matthew Joynt, Emilio Rojas, Dan S. -
DOC510 Prisons the Freedom Archives [email protected]
DOC510 Prisons Organizational Body Subjects ABC Anarchist Black Cross; Anarchist Prisoners' Legal Aid Network; Critical Resistance; Green Anarchy; Barricada Collective; Attica Committee to Free Black Liberationl Civil Rights; Dacajeweiah; Attica Defense Committee; National Lawyers Guild; Women of Youth Against War & Fascism; National Coalition of Concerned Legal Drugs; Human Rights; Professionals; Black Cat Collective, Nightcrawler ABC; Paterson anarchist Collective; Arm the Spirit; Bulldozer; Buffalo Chip; California Prison focus; Break Indiginous Struggle; Native The Chains Collective; Human Rights Research Fund; National Task Force for COINTELPRO Litigation & Research; Youth Law News; American Friends Service American; Political Prisoners; Committee; Prisoners Rights Union; Brothers for Awareness; Committee to Close MCU; Amnesty International; Health Committee of the Campaign to Prison; Women; Anti- Abolish Lexington Control Unit; Spear & Shield; International concerned Family and Friends of Mumia Abu Jamal; Pacifica Campaign; Free the Five Imperialism; Anti-Racism; Committee; Miami Coalition Against the US Embarcargo of Cuba; Free the Five Committee; New Orleans Time Pcayuue; Organizatio in Solidarity with the COINTELPRO; Resistance; Peoples of Africa, Asia and Latin America; Western Region United Front to Free All Political Prisoners; Tear down the Walls; The Jericho Movement; Unions; Torture California Coalition for Women Prisoners; Legal Services for Prisoners with Children; Families Against Mandatory Minimums, Lindesmith Center-Drug -
1 Before London Started Swinging: Representing the British Beatniks David Buckingham This Essay Is Part of a Larger Project
Before London started swinging: representing the British beatniks David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays can be found at: https://davidbuckingham.net/growing-up-modern/. In his autobiography, Personal Copy, the journalist and broadcaster Ray Gosling describes a feeling of imminent change that was shared by many young people at the very end of the 1950s: There was just this feeling… that we were important, that something was going to happen. How, and in what direction, we didn’t know. And we didn’t much care. It was a very, very, very odd feeling, but we felt it. Gosling himself came from a frugal working-class background in the provincial English city of Northampton. In 1959, he dropped out of university and set up a youth centre in Leicester that was run autonomously by a committee of young people. The academic Richard Hoggart – the author of The Uses of Literacy, who was soon to become the founding director of the Centre for Contemporary Cultural Studies (CCCS) at Birmingham University – was on his management committee. Although Gosling’s youth centre collapsed, he developed the argument for youth-led welfare provision in a pamphlet for the Fabian Society; and he went on to build a career as a writer and public speaker, offering an insider’s perspective on the emerging youth culture of the time. He became associated with the New Left, and began to mix in the more cosmopolitan culture of London’s coffee bars, making friends with Stuart Hall (then the editor of the New Left Review) and the novelist Colin MacInnes, whom he described as his ‘mentor’. -
Research for the Worcester Writers IQP “City
Kevin Curley Worcester Writers IQP 2009-2010 Worcester Polytechnic Institute Interdisciplinary Qualifying Project Summery: Research for the Worcester Writers IQP “City of Words” Website 1 Abstract The City of Words IPQ Project group is with the goal of creating a web site featuring writers associated with Worcester. It is based on the web site Worcester Area Writers, which was created by WPI faculty and students some years ago. We are placing heavy emphasis on bringing living writers to the new site, creating a multi-media platform that includes videos of writers reading their works, interviews, audio, and photographs of places in Worcester connected with their work. The group continually seeks creative and original ways to display the site‟s content. Students are required to produce these materials as well as write biographies and critical analyses of the writers for which they are responsible. 2 Contents Abstract ............................................................................................................................................................. 2 IQP Research Methods....................................................................................................................................... 5 Abbie Hoffman Biographical Writing .................................................................................................................. 7 Abbie Hoffman Analytical Composition ............................................................................................................ 14 References ...................................................................................................................................................... -
National FUTURE FARMER
The National \Oj:c .V'A uture «^ 'Vihlished b Future Farmers of America Fel)ruarv-Marcli 1961 "don't sacrifice the PERMAMEMT on the altar of the IMMEDMtE should make the best possible preparation for a life of effective service To neglect or postpone your for his Lord. education for some present inducement, whether it be a job that '^^pays good money," a desire to ^^gef married right now," or anything else, is to fail to put first things first. If you sincerely want your life to count for God, the can train and equip you for successful service. THE TIME TO GET YOUR BOB JONES UNIVERSITY TRAINING IS NOW. Music, speech, and arl without additional BOB JONES cost above regular academic tuition. Institute of Christian Service, Academy, UNIVERSITY and seventh and eighth grades in connection. GREENVILLE, SOUTH CAROLINA Grdiliitilt' Sriiool of Reliix'ion Gnuludte School of Fine Arts Rancher David James of Joplir, Montana Farmers you look to as leaders look to Firestone for farm tires Farmers around Joi^lin, Montana, look to David James as an energetic pace- setter. When it comes to producing huge grain yields in the rugged northern-border country, Mr. James really knows his business. And for this he's recognized as one of Liberty County's leading ranchers. He also finds time to play a leading role in vital state affairs. Mr. James's brand of success calls for good farming practices and the right equipment to keep thousands of acres producing at peak efficiency. From long experience he knows he can always depend on Firestone tires. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Beatnik Fashion
Greater Bay Area Costumers Guild Volume 12, Number 5 September-October 2014 Beatnik Fashion Not every member of the Beat Generation wore a beret BY KALI PAPPAS s any fan of the Beat Generation writers will tell The Beatnik. When most people hear the word “beatnik,” you, there’s a chasmic difference between the they probably imagine bored-looking bohemian gals in A beret-wearing, bongo-beating “beatnik” of berets and guys in turtlenecks and weird little goatees. These popular imagination and the people who created stereotypes are rooted in truth, but like the term “beatnik” and lived the Beat philosophy in the 1940s, 50s, and 60s. In itself, they’re not really very representative of the movement defined by the “Beat Generation” nor the people inspired by its counterculture philosophy. The reality is that the intellectuals, artists, and anti- bourgeois iconoclasts of mid-twentieth century America dressed a lot like everyone else. Legendary San Fig. 1: Spoofing beatnik stereotypes Fig. 2: Jack Kerouac Francisco columnist Herb Caen created the anticipation of our “On the Road” event in November, I’ve term “beatnik” in 1958, a portmanteau of “beat” and compiled a short list of looks - for both men and women - that “Sputnik” (as in the Soviet satellite) that - in conjunction combine standard 1950s fashions with enough bohemian with a short report about freeloading hep cats helping sensibility to help you fit in without looking like a stereotype themselves to booze at a magazine party - was meant to (unless you really want to). poke fun at common perceptions of the counterculture. -
The British Underground Press, 1965-1974: the London Provincial Relationship, and Representations of the Urban and the Rural
THE BRITISH UNDERGROUND PRESS, 1965-1974: THE LONDON PROVINCIAL RELATIONSHIP, AND REPRESENTATIONS OF THE URBAN AND THE RURAL. Rich�d Deakin r Presented as part of the requirement forthe award of the MA Degree in Cultural, Literary, andHistorical Studies within the Postgraduate Modular Scheme at Cheltenham and Gloucester College of Higher Education June 1999 11 DECLARATIONS This.Dissertation is the product of my own work and is. not the result of anything done in collaboration. I agreethat this. Dissertationmay be available forreference and photocopying,. at the discretion of the College. Richard Deakin 111 ABSTRACT Whateverperspective one takes, contradictions in the relationship between the capital and the provinces have always been evident to some extent, and the British undergroundpress of the late 1960s and early 1970s is no exception. The introductoryfirst chapter will definethe meaning of the term 'underground' in this context, and outline some of thesources used and the methodologies employed. Chapter Two will show how the British underground press developed froman alternative coterie of writers, poets, and artists - often sympathisers of the Campaign forNuclear Disarmament movement. It will also show how having developed from roots that were arguably provincial the undergroundadopted London as its base. The third chapter will take a more detailed look at the background of some London and provincial underground publications andwill attempt to see what extent the London undergroundpress portrayed the provinces, and vice-versa. In Chapter Four actual aspects of lifein urbanand rural settings, such as communes, squats, and pop festivals,will be examined in relation to the adoption of these lifestylesby the wider counterculture and how they were adapted to particular environments as part of an envisioned alternativesociety.