2013 Next Wave Festival OCT 2013

George Segal, Torso: Hand on Thigh, 1978

Published by: BAM 2013 Next Wave Festival sponsor BAM 2013 Next Wave Festival #DavidDorfmanDance

Brooklyn Academy of Music

Alan H. Fishman, Chairman of the Board

William I. Campbell, Vice Chairman of the Board

Adam E. Max, Vice Chairman of the Board and Karen Brooks Hopkins, President Come, Joseph V. Melillo, Executive Producer Back Again

David Dorfman Dance Conceived and directed by David Dorfman Choreography and text by David Dorfman Dance

BAM Harvey Theater Oct 16—19 at 7:30pm Approximate running time: 60 minutes; no intermission

Musical direction by Sam Crawford Media design by Shawn Hove Set installation by Jonah Emerson-Bell in consultation with Callie Curry aka Swoon Portraits by Callie Curry aka Swoon Lighting design by Seth Reiser Costume design by Kristi Wood Dramaturgy by Anne Davison Creative consultant David Kyuman Kim Production manager Brian Jones BAM 2013 Next Wave Festival sponsor Performers David Dorfman, Samson Race Dorfman, Raja Kelly, Kendra Portier, Lisa Race, Karl Rogers, and Whitney Tucker

The presentation of Come, and Back Again Band Sam Crawford, Aaron Diskin, David Dorfman, is made possible by the New England Foun- Zeb Gould, Christopher Lancaster, Liz de Lise, dation for the Arts’ National Dance Project Anthony Mascorro, and Timothy Quigley

Major support for dance at BAM provided by: Music Smoke, Patti Smith, Traditional The Harkness Foundation for Dance The SHS Foundation Photo: Adam Campos Come, and Back Again

From David Dorfman

Come, and Back Again has followed a lovely, twisted road of passionate pursuit for me as well as for the company and collaborators. We began with an exploration of poetic rock and roll as epitomized by Patti Smith, among others. We’ve ended our journey with a dance about mess, joy, loss, and the persistence of love. Our questions have centered on metaphors of quantifica- tion—How much? How long? How far? And ultimately, how to deal with the mess we leave behind—both the beautiful and ugly parts of it. Our sonic road map is the live reinterpretation of the soulful, brutally honest music of the late Benjamin Smoke, for whom Ms. Smith wrote her raw and wrenching anthem, “Death Singing.” Our hope is that you see parts of your own mess somewhere during this hour.

Thanks for being here.

MUSIC All rights and permissions administered by the remaining members of Smoke and Warner-Tamerlane Publishing Corp. All Rights Reserved. This evening’s performance will include selections from the following songs:

Used by permission: “Awake” (Smoke) © 1994 Long Play Records “Wouldn’t Mind Dying” (Traditional) “That Look” (Smoke) © 1995 Long Play Records “Hank Aaron (lyrics by Dana Kletter)” (Smoke) © 1994 Long Play Records “Curtains” (Smoke) © 1994 Long Play Records “Friends (Lyrics by Dana Kletter)” (Smoke) © 1995 Long Play Records “Blue Exception” (Opal Foxx Quartet) © 1994 Long Play Records “Death Singing” (Patti Smith) © 1997 Druse Music Inc./Yam Gruel Music (ASCAP) “Beeper Will” (Smoke) © 1994 Long Play Records “Sleep” (Opal Foxx Quartet) © 1994 Long Play Records “I Don’t” (Smoke) © 1995 Long Play Records “Dream (For Dana)” (Smoke) © 1995 Long Play Records “Clean White Bed (Lyrics by Tracy Snow)” (Opal Foxx Quartet) © 1995 Long Play Records “M.T.M.” (Opal Foxx Quartet) © 1994 Long Play Records “Train Song” (Smoke) © 1995 Long Play Records Photo: Adam Campos Who’s Who

David Dorfman Dance Come, and Back Again is an evening-length Since its founding in 1985, David Dorfman elegiac exploration of the virtuosity of daily Dance (DDD) has promoted the appreciation life, vulnerability, and mortality. Driven by the and critical understanding of dance by realizing charged poetry and unapologetic, raw ferocity of the creation of new works by choreographer the underground 90s Atlanta band, Smoke, five David Dorfman and his artistic collaborators. In dancers and a band of musicians embark on a advocating his mission “to get the whole world kinetic anthem of reckless personal abandon— dancing,” Dorfman’s work has enjoyed broad taking on time, and how memory influences and and diverse audiences nationally and interna- manages our slippery, elastic existence. tionally. Dorfman creates dance that seeks to de-stigmatize the notion of accessibility and in- Initial work on Come, and Back Again began in teraction in post-modern dance and add positive April 2011 with Sam Crawford and DDD. This challenges to audiences. By sustaining a vision piece has previewed at Connecticut College, to create innovative, inclusive, movement-based SUNY Brockport, and recently at MASS MoCA. performance that is radically humanistic, DDD Come, and Back Again has been commissioned maintains a core commitment to examine and by BAM. This work will become a featured part unearth issues and ideas that enliven, incite, and of the company’s touring repertoire through excite audiences in dialogue, debate, and social 2015. change. Other recent creative projects include: Prophets DDD has performed extensively throughout North of Funk, which is currently touring nationally and South America, Great Britain, Europe, and and internationally (inspired by the popular and in New York City at major venues, including populist music of Sly and the Family Stone, BAM, the Joyce Theater, The Kitchen, Danspace premiered February 2011); Disavowal (inspired Project/St. Mark’s Church, La MaMa ETC, and by radical abolitionist John Brown, premiered The Duke on 42nd Street. David Dorfman, the September 2008); underground (inspired by company’s dancers, and DDD’s artistic col- the Weather Underground, appeared in 2006 at laborators have been honored with eight Bessie BAM’s Next Wave Festival); Older Testaments Awards. For over 25 years, DDD has effectively (2005, set to music by composer/trumpeter engaged audiences worldwide, with community- Frank London of the Klezmatics); Lightbulb based projects playing an important role in the Theory (2004, original commissioned score by 1990s. In Out of Season (The Athletes Project) Michael Wall); Impending Joy (2004, original and Familiar Movements (The Family Project), commissioned score by Chris Peck); and See the members of the company rehearsed and Level (2003, original commissioned score by performed with groups of volunteer athletes or Chris Peck and visual design by Samuael Topi- family members selected in the communities to ary). Lightbulb Theory and Impending Joy will which the company toured. In No Roles Barred, be remounted in March during a residency at the DDD examined the personal roles assumed, 92nd Street Y in Manhattan. formed, and interwoven in our modern social construct. These projects have been enjoyed not DDD is company-in-residence at Connecticut only by athletes and family members but also by College, has its own summer intensive at the groups ranging from corporate executives and college, a winter intensive in New York City, and “at-risk” youths to college administrators, doc- appears annually at the Tisch School of the Arts tors, carpenters, and social dance enthusiasts. Dance Summer Residency Program at New York The company’s three community projects have University. been presented over 30 times in 18 states and two foreign countries. DDD will take Come, and Back Again to Clarice Smith Performing Arts Center at the Univer- sity of Maryland and to Montgomery County Who’s Who

Community College in Bluebell, PA in January friend/collaborator Dan Froot, most recently in 2014. Prophets of Funk will tour to Alabama, New York City and at the Harare International Mississippi, Tennessee, and Louisiana as part of Festival of the Arts in Zimbabwe. As a performer, a DTI/South Arts presentation. DDD is proud to he toured internationally with Kei Takei’s Moving represent the US Department of State’s Bureau Earth and Susan Marshall & Co. Dorfman hails of Educational and Cultural Affairs in a program from Chicago and holds a BS in business admin- produced by BAM, in Turkey, Turkmenistan, istration from Washington University in St. Louis. and Uzbekistan as part of DanceMotionUSAsm With love, he thanks long-time mentors Martha in April-May of 2014. A US-based cultural Myers and the late Daniel Nagrin, his late folks exchange component will bring a Central Asian Jeanette and Oscar, and his in-house family dance ensemble to the United States for collabo- project Lisa Race and Samson Race Dorfman, ration with David Dorfman Dance in late 2014. his most influential daily teachers.

The Company RAJA FEATHER KELLY is a company member with DDD, Reggie Wilson/Fist and Heel Perfor- DAVID DORFMAN, artistic director of DDD since mance Group, zoe | juniper (SEA), RaceDance, 1985, has been professor of dance, and now Squint Productions (BE), and PEARSONWIDRIG chair, at Connecticut College since 2004. He Dance Theater. Kelly created the feath3r theory received a Guggenheim Fellowship in 2005 to in 2009 to present his own performance proj- continue his research and choreography in the ects, and holds a BA with honors in dance and topics of power and powerlessness, including English from Connecticut College. activism, dissidence, and underground movements, culminating in DDD’s underground, KENDRA PORTIER is a performer, teacher, and which toured for four years (including the 2006 dance-maker based in New York. Thrilled to be BAM Next Wave Festival and CSPAC in 2008) part of DDD, Portier additionally performs with engaging community dance casts in each Vanessa Justice Dance; teaches as faculty at venue. In 2012, Dorfman appeared on several Dance New Amsterdam and Mark Morris Dance episodes of A Chance to Dance, a reality show Group; and creates under the moniker BAND- on OvationTV starring his friends, the Ballet portier. Originally from Ohio, she was born and Boyz. The Ballet Boyz also invited DDD to make raised commune style, trained and performed a short video for BBC Channel 4 Random Acts. with BalletMet, and received a BFA in dance (We Don’t Own a Dog can be seen at balletboyz. from the Ohio State University. She has had com/videos/we-dont-own-a-dog-c4-random- the fortune of working with and learning from act/. Dorfman has also been honored with four brilliant beings, including collaborations with fellowships from the National Endowment for the Launch Movement Experiment. Additionally, Arts, three New York Foundation for the Arts fel- Portier has been a guest artist at and/or commis- lowships, an American Choreographer’s Award, sioned by numerous colleges, festivals, dance fa- the first Paul Taylor Fellowship from The Yard, cilities, tattoo shops, and galleries for her creative and a Bessie Award for DDD’s community-based works spanning from fine arts to choreography. project Familiar Movements (The Family Project). His work has been commissioned widely in the KARL ROGERS is a dancer, choreographer, and US and in Europe, most recently by AXIS Dance dance scholar. In addition to dancing for DDD Company (Oakland), Bosoma Dance Company since 2005, Rogers is artistic director of Red Dirt (Boston), Bedlam Dance Company (London), d9 Dance. His company has presented work and Dance Collective (Seattle), Eisenhower Dance been commissioned across the country, including Theatre (Detroit), and the Prince Music Theater a recent performance at the Multi-Use Com- in Philadelphia for the musical Green Violin, munity Cultural Center in Rochester, NY. Rogers’ for which he won a 2003 Barrymore Award for performance credits include projects with Terry best choreography. Dorfman tours an evening of Creach, Paul Matteson, Colleen Thomas, Heidi solos and duets, Live Sax Acts, with with dear Henderson, Meghan Durham-Wall, and many Who’s Who Photo: Adam Campos

others. He has taught at colleges and festivals school teacher, implementing a movement around the world; most notably he serves as program for prostituted women, and maintaining co-director for the Young Dancers Workshop for a writing practice. She thanks Dorfman and all pre-professional teens at the Bates Dance Festi- current and prior members of DDD, as well as val. Rogers holds an MFA in choreography and is Simon, Kuan, Abbie, and her family for getting pursuing a PhD in critical dance studies from the her to the here and now. Ohio State University. He is an assistant professor in the department of dance at the College of DESIGNERS AND COLLABORATORS Brockport, where he teaches composition, impro- visation, modern dance technique, repertory and JONAH EMERSON-BELL (set installation) is dance history, aesthetics, and culture. a sculptor who lives and works in Brooklyn. He uses a variety of materials including found WHITNEY RIPPLEMEYER-TUCKER has had objects, bronze, and neon in making room-sized the fortune to collaborate with Nita Little, Wire installations and constructing experiential aspects Monkey Dance, Tiffany Mills Company, Heather in his work. He was part of the Shadow Shop ex- McArdle’s Blueprint Violation, Mimi Garrard, and hibition at the San Francisco Museum of Modern the Ballet Boyz’s BBC Channel 4 Random Acts. Art and his work was featured on the cover of When not dancing, she can be found working the summer 2010 issue of Bookforum. He was for reproductive justice with the Doula Project or involved in the Music Box project that was part in the role of co-founder and Pilates instructor/ of Prospect II in New Orleans. personal trainer at the eco-friendly fitness and wellness Studio 26. Relevant prior experiences SAM CRAWFORD (musical direction) completed include growing up on the border of a national both his BA in English and AS in audio technolo- forest and living on a sheep farm, being a public gy at Indiana University in 2003. A move to New Who’s Who

York City led him to Looking Glass Studios where worked independently and in collaboration with he worked as an assistant engineer on film the collective Transformazium on community projects with Philip Glass and Björk. These early based projects in the town of Braddock, PA. In experiences shaped his thoughts on music and 2010 and 2011 Curry constructed first a com- music-making profoundly, inspiring a process munity center and then a home in earthquake that relies on instinct to generate raw material devastated Haiti, bringing the creative process and methods to refine that material into finished into the reconstruction effort with the group Kon- works. A multi-instrumentalist on electric guitar, bit Shelter. Currently she is working toward the lap steel, banjo, piano, organ, and trumpet and construction of a musical house, entitled Dithy- called one of “a fiercely intelligent, talented crew rambalina, in New Orleans with New Orleans of players” by The New York Times, Crawford’s Airlift. Alongside community-based projects, compositions and designs have included works Curry has a studio and installation based practice for the Bill T. Jones/Arnie Zane Dance Company of drawing, printmaking, and the construction of (Another Evening, Venice 2010), Yin Mei Dance architectural installations and sculptures. (Scent of Time, 2010), Kyle Abraham/Abraham. In.Motion (Pavement, 2012), Martha Clarke ANNE DAVISON (dramaturgy) is a New York- (Angel Reapers, 2011), Jennifer Nugent (2010), based dramaturg and casting director. Recent and DDD (Prophets of Funk, 2011). Crawford’s dramaturgy projects include Alex Timbers’ and Bessie Award-winning work (Chapel/Chapter, Michael Friedman’s Love’s Labour’s Lost, a New 2006) with the Bill T. Jones / Arnie Zane Dance Musical (Shakespeare in the Park) and Bloody Company led to an invitation to be a featured Bloody Andrew Jackson (Public Theater and performer at Jones’ Kennedy Center Honors Broadway), Doug Elkins’ Mo(or)town/Redux, induction in 2010, where he had the honor of Jane Comfort and Company’s Beauty, and playing to an audience that included President Elkins’ Fräulein Maria co-directed by Barbara Barack Obama and First Lady Michelle Obama, Karger and Michael Preston. Upcoming projects and was later broadcast on CBS. Crawford cur- include Doug Elkins’ Hapless Bizarre and Mark rently resides in Brooklyn where he works as a Gindick’s one-man clown show Wing-Man. freelance composer, designer, and engineer. He Recent casting projects include the indepen- also performs in various groups in New York and dent films Elbow Grease (dir. Jason Shirley), abroad, including Bowery Boy Blue (Brook- Concussion (dir. Stacie Passon) and Milkshake lyn) and the country and western trio Corpus (dir. David Andalman and Mariko Munro), short Christi (Rome). He is also currently completing films Elliot King is Third (dir. Rose Troche) and A a collaborative record of lyrical composites and Queen Without His Crown (dir. Carmen Pelaez), instrumental improvisations with fellow compos- the NBC series Deception, the HBO film Game ers Ted Coffey and Zeb Gould, scheduled for Change, and four seasons of Law & Order: Crimi- release in 2013. nal Intent. Davison is an artistic associate of Obie Award-winning theater company Les Freres CALLIE “SWOON” CURRY (visual artist) has Corbusier. She has an MFA in dramaturgy and spent the last 13 years in an ongoing exploration dramatic criticism from Yale School of Drama. of the relationship of people to their built environ- ment. Curry began as a classically trained visual SHAWN HOVE (media design), artistic director artist and printmaker, and has an continuing of shove gently dance/theatre, received his MFA project wheat-pasting portraits to walls in cities in choreography and dance technology from the around the world. This initial impetus to create Ohio State University and his BFA in dance from interventions in the urban landscape has contin- Cornish College of the Arts. He is a multidisci- ued to unfold in a variety of ways. From 2006 to plinary dance artist investigating and working 2009, Curry constructed and navigated flotillas in dance as a choreographer, dancer, collabo- of rafts made from recycled materials down the rator, educator, lighting designer, and media Mississippi and Hudson rivers, and across the artist. From 2005—10, he was on faculty/staff Adriatic Sea to Venice. Since 2008 she has at OSU’s department of dance. For 10 years Who’s Who Photo: Adam Campos

he served as co-video director alongside Peter lighting for the American Dance Festival, Jacob’s Richards at the Bates Dance Festival, where Pillow Dance Festival, and the Lincoln Center he helped document the festival’s events. He is Festival. His lighting designs for dance have currently on staff at BDF as a media consultant. included regular works with Amy Seiwert and Hove has worked with artists Wade Madsen, Kate Weare, and have premiered at New York Deborah Wolf, Crispin Speath, Norah Zuniga City Center’s Fall For Dance Festival, the Joyce Shaw’s, Meghan Durham, Noelle Chen, Elephant Theater and Joyce Soho, as well as Washington Jane, Race Dance, and many others. John Muel- Ballet, Jacob’s Pillow, and Yerba Buena Center ler’s Dance Film Archived has commissioned for the Arts. Hove to help create DVDs on Loie Fuller’s Fire Dance, Leonide Massine’s Gaîté Parisien and DAVID KYUMAN KIM (creative consultant) is Symphonie Fantastique. Hove is currently on associate pProfessor of religious studies and faculty at Connecticut College where he teaches American studies at Connecticut College. In dance production and dance media-based 2006, Kim became a board member, cre- courses, and serves as production coordinator. ative consultant, and scholar-in-residence for This is Hove’s first collaboration with DDD and is DDD. Kim has collaborated with Dorfman on honored and privileged to be working with such Disavowal, Prophets of Funk, and Come, and wonderful people and artists. Back Again. From 2009 to 2012, he served as senior advisor at the Social Science Research BRIAN JONES (production manager) has over a Council (SSRC) and is also editor-at-large of The decade of touring both nationally and internation- Immanent Frame, the SSRC’s blog on secular- ally with dance companies. He has held lighting ism, religion, and public life. Kim is the author supervisor positions with Smuin Ballets, Ballet of Melancholic Freedom: Agency and the Spirit Hispanico, and four years with the Paul Taylor of Politics (Oxford 2007), and is co-editor of the Dance Company. He has coordinated festival Stanford University Press series RaceReligion Who’s Who

with John L. Jackson, Jr. and Rudy Busto, and In addition to his work with the plastic arts he co-editor of a special issue of The Annals of the can be found performing with his various bands: American Academy of Political and Social Sci- Golem, Lycaon Pictus, Predator Prey, and Flying ence on race, religion, and late democracy. Kim Teeth. serves on the board of directors of the American Academy of Religion and of Erik Ehn’s Soulog- ZEB GOULD, a New York-based composer and raphie Project. His current book project is The guitarist, was born and bred in Indianapolis, IN Public Life of Love. where he began playing the guitar at a young age. After graduating from Indiana University SETH REISER (lighting designer) designs for in 2003 he moved to New York City and took theater, dance, music, and installations across a position at the recording studio of composer the country. Recent work includes: A Raisin in Philip Glass. Soon after, he began creating and the Sun and Clybourne Park (Dallas Theatre performing his own music as a solo artist and Center); Be a Good Little Widow (The Old with his bands, Stereofan and Bowery Boy Blue. Globe); King Lear (Dallas Theater Center); An In addition to performing with DDD, he has also Iliad (Playmakers Repertory); The Agony and composed music for Young Soon Kim’s White the Ecstasy of Steve Jobs (The Public Theater); Wave Ensemble. Tigers be Still (Dallas Theater Center); The Bad Guys (Second Stage); The Whale (Denver Center CHRISTOPHER LANCASTER is an electro- Theatre); Radio Play (PS 122); the Obie Award- acoustic cellist composer living in Brooklyn. He winning The Lily’s Revenge (HERE Arts Center); trained as a classical cellist, but is expanding the Transition, by Tommy Smith and Reggie Watts; ideas of what a cello can be and what sounds and Middlemen (Human Animals Collective). it can create. His compositions are performed Reiser has also designed for Woolly Mammoth, live using a wide array of effects, samplers, Berkeley Rep, Juilliard Opera, Seattle Rep, On and speaker sculptures to create encompass- the Boards, and the Eugene O’Neill Theater ing cinematic and otherworldly sounds. He has Center, among others. He received his MFA from composed extensively for concert dance, theater New York University and lives with his wife Mary and film, and his work has focused on live cello and daughter Marion. sethreiserdesign.com performance. Lancaster has composed for the Bill T. Jones/Arnie Zane Dance Company and KRISTI WOOD (costume designer) has designed Staccato Contemporary Dance Company in Rio for Kyle Abraham/Abraham.In.Motion (Live! di Janeiro. He had the privilege of performing The Realist MC and Quiet Dance), Camille A. his music for President Obama at the Kennedy Brown (How We Process), August Wilson Dance Center Honors in 2010. He also devoutly loves Ensemble (Time Stands Still), and the films The his bands Loving You and Tranimal. Way of Water and Peel. Costume production credits include: The Metropolitan Opera (cur- LIZ DE LISE graduated from Connecticut College rently assistant costume production supervisor in 2013 with a degree in cultural anthropology. for new operas); on Broadway: War Horse and She currently works as a studio assistant with A Chorus Line; dance: Pilobolus, Jacob’s Pillow, her father, Louis de Lise, at deLise Studios in and Les Ballets Trockadero de Monte Carlo. TV Cherry Hill, NJ. Additionally, de Lise is work- credits include America’s Next Top Model, All ing on an EP of six songs inspired by her field My Children, and Damages. Wood also designs research in Portland, OR, with nomadic street and tailors couture gowns for elite drag queens. kids (to be released this fall; lizdelise.com). She She would like to dedicate her work to her father, continues to play with her Connecticut College Joseph Earnest Wood (1956—2007). band, Camp, as the front-woman and guitarist. She has had the honor of performing with DDD MUSICIANS since 2011. ANTHONY MASCORRO lives in New York City AARON DISKIN lives and works in New York. where he has performed and recorded with Who’s Who Photo: Adam Campos

several groups and productions including One tions with such talents as legendary clarinetist/ Ring Zero, the Pumpkin Pie Show, Las Rubias mandolinist Andy Statman, the late poet Allen del Norte, Matt Van Winkle Band, Violens, Ginsberg, Jon Birdsong (Beck, Smokey & Miho) Long Windows, and Michael Hearst’s Songs For and Ryan Francesconi (Rf, Joanna Newsom). Unusual Creatures. His music appears in films, television, and documentaries including Morgan Spurlock’s The TIMOTHY QUIGLEY is a drummer, percussion- Simpsons 20th Anniversary Special – In 3-D! On ist, and composer living in Brooklyn. He has Ice! Currently Quigley leads his own group Small performed all over the world and has been at Army, Brooklyn Rhythm!, a percussion ensemble the heart of the New York music scene for over for kids, and teaches percussion master classes a decade, a driving force behind the rhythm in New York City and beyond. sections Chicha Libre, Romashka, One Ring Zero, Las Rubias del Norte, Bombay Rickey, and Maeandros Ensemble. His distinct sound, versatility, and quick ear have led to collabora- Who’s Who

DAVID DORFMAN DANCE/ ART SWEATS, INC. Board of Directors Consider making a tax-deductible donation to David Dorfman DDD (checks payable to “Art Sweats, Inc.” at Michael Howett 140 Second Ave #503, New York, NY 10003 or David Kyuman Kim online at daviddorfmandance.org) Paul O’Neil Exclusive tour representation: Advisory Board H-ART Management Chloe Carlson 481 Eighth Avenue, Suite 834 Rudy Nickens New York, NY 10001 212.868.2134 | h-artmanagement.com Artistic Director: David Dorfman Executive Director: Larry Henry Company Manager: Farrah Crane Development Associate: Emily Miller Marketing Associate: Michael Abbatiello Creative Consultant & Scholar-in-Residence: David Kyuman Kim

Come, and Back Again is supported by a generous grant from the National Endowment for the Arts – Art Works program; the Harkness Foundation for Dance; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and Friends of David Dorfman Dance. this program is supported, in part, by public funds from the New York City Depart- ment of Cultural Affairs in partnership with the City Council.

Come, and Back Again was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and additional funding from the Andrew W. Mellon Foundation., the MetLife Foundation, and the National Endowment for the Arts.

Choreographic material for Come, and Back Again was developed, in part, during residencies at the Tisch Dance Summer Residency Program at New York University, Bates Dance Festival, the Com- pany’s bi-annual intensives in NYC and New London, CT, and as Company-in-Residence at Connecticut College.

Share your thoughts and experiences of Come, and Back Again by e-mailing info@daviddorfmandance.org.

SPECIAL THANKS: DD and DDD gives special thanks to the spectacular Joseph V. Melillo, Karen Brooks Hopkins, and the entire staff at BAM for hosting us so generously once again; Brian Halloran, Bill Taft and the rest of the Smoke gang for supporting this project; Jem Cohen and Pete Sillen for bringing Smoke to light with their inspiring documentary, Benjamin Smoke; Alex Timbers, Jerome Begin, Danny Motta, Lauren Agnelli, James Finucane, Venlo Odom, Alison Clancy, Chris Hoffman, and all who have con- tributed to the evening along the way; to each and every one of our unbelievably talented collaborator/ performers for their grace and vision; and to all of you for joining us for an evening of live movement- based art tonight! BAM

BAM Marquee sponsor

Salutes BAM

BAM 2013 Next Wave Festival sponsor

Salutes Oct 2013

Contents

Water, Great Connector Beauty, Ever Ephemeral Britain’s Filter Theatre illuminates the fragility and necessity of that life-sustaining liquid by Rob Weinert-Kendt

Ballet Preljocaj—Unchaining the Devil

Peter James and Andrée Lachappelle. Photo: Yves Renaud

The classic tale of Beauty and the Beast is supercharged by Lemieux Pilon 4D Art in La Belle et la Bête by Brian Scott Lipton Photo: JC Carbonne

Angelin Preljocaj is sparked by the apocalypse in And then one thousand years of peace by Susan Yung

Cover Artist

George Segal (1924—2000), a native New Yorker who showed with the Pop artists in the 1960s, was one of the most recognized sculptors of the 20th century. He was represented by the Sidney Janis Gallery for over 30 years and his signature plaster figures are in museum collections throughout the world. His best known bronze public commissions include the FDR Memorial, 1991 (Washington, DC); The Commuters, 1980 (Port Authority Bus Terminal, New York); and the commemorative bronze, Gay Liberation, 1980, in Sheridan Square, New York. In 1999 Segal received the National Medal of Honor from President Clinton. The artist’s many museum exhibitions include retrospectives at the Whitney Museum and Jewish Museum in New York and the Hirshhorn Museum and Sculpture Garden, Smithsonian Institu- tion in Washington, DC. Segal has been praised for the delicacy and intimacy of his figures and for the range of themes he has undertaken. Casting directly from his models, as the artist stated, his sculptures retain an indelible element of the sitter’s spirit and uniqueness. The fragment shown here, Torso: Hand on Thigh, conveys the complex mood, gesture, and sensuality of a woman.

The proceeds from the sale of this work benefit BAM. To purchase, contact BAMart at 718.636.4101 or email us at George Segal, Torso: Hand on Thigh, 1978. Painted plaster, 22”x13”x7”. Art © The George & Helen Segal Foundation / Licensed by VAGA, NY. [email protected]. Water Photo: Simon Kane

Water, Great by Rob Weinert-Kendt Connector

Theater is found not only in words and action but comes to the BAM Harvey from November 13 to also in space—in the way humans move through 17. A transatlantic mystery with climate change it and occupy it, the way our physical environ- as a thematic backdrop, Water has characters ment brings us together and keeps us apart. staring into laptops, moving hurriedly through As our contemporary lives have become more desolate airports, speaking through disembodied isolated and modular—awash in cheap, dispos- microphones, or, if they’re feeling particularly able conveniences and screens everywhere, delivering bits of information, connecting us less to each other than to the means of communica- “There’s humor, mischief, and even a tion themselves—theater artists attuned to these little anarchy. And suspense. I love changes have plenty of fresh material. suspense.” — David Farr

Britain’s Filter Theatre seems particularly alert to the way we live now. In shows like Faster and forward, addressing us directly with a slide pre- Silence, as well as in freewheeling adaptations sentation on the molecular structure of H2O. The of classics, the company has employed a pared- world around may be warming, but the world of down, seam-showing aesthetic. As co-artistic Water feels distinctly chilly. director Ferdy Roberts describes it, “The idea is that the rehearsal room ends up onstage.” “This piece’s preoccupation is the fluidity and loneliness of our modern lives,” says director That’s certainly true of the look and feel of Filter’s David Farr, an associate director at the Royal intimate but wide-ranging work Water, which de- Shakespeare Company, who worked with Filter buted at London’s Lyric Hammersmith in 2007, to devise the piece. “And the show’s strangely was revived in 2011 at the Tricycle Theatre, and minimal, stripped quality accentuates this Water

melancholic solitude. We intended this. In other to preach. It was always our intention to make shows the same aesthetic can feel really rather the issues resonate deeply on a personal scale. gregarious, almost wild, but here it serves a The anxieties and dangers for the characters are different function. It’s a sad show, no question. far more dramatic than the raw science behind But we throw in other countervailing moods global warming. Even the impassioned scientific too. There’s humor, mischief, and even a little lecture delivered by Peter Johnson in the early anarchy. And suspense. I love suspense.” 80s of the play is loaded with profound personal resonance for him.” Though it addresses global concerns, Water—as with all the troupe’s work—was born from more For Farr, Water’s personal stories of isolation and personal sources. In a joint email, co-artistic disconnection led quite naturally to its being “a directors Roberts and Ollie Dimsdale trace the political narrative about connection, about the germ of the idea to “a simple exchange...about threat of climate change and the need to connect vivid personal childhood memories connected to to understand and address it. This needed to be the power of water,” among themselves and their delicate; we are not scientists, nor do we claim co-artistic director, Tim Phillips. It was Phillips, to be. But we went there and we are proud we in particular, whose recollections provided one of did.” the show’s key inspirations. Rob Weinert-Kendt is senior editor at American Theatre “Tim remembered being taken out by his dad on magazine, and writes regularly for The New York Times and Time Out New York. a boat when he was a boy, lying on the floor of the boat while his dad told him about the stars and constellations in the night sky,” said Dims- dale and Roberts.

This filial bonding over the natural world

bloomed into the show’s central fictional rela- Photo: Simon Kane tionship between a pioneering British marine biologist, Peter Johnson, and his estranged son Graham. Peter’s clarion warnings about the dangers of climate change reverberate through the play on many levels. One character, Claudia, is a well-meaning political aide for the British government who hopes to broker a deal on climate change at an international conference, while her sometime lover Phil is a deep-sea cave diver intent on breaking the world’s depth record. If the larger concept of legacy, of the sort of world we’ll leave to our children, ripples naturally out of the Peter and Graham story, it is in Phil’s daredevil stunts that Water “explores the human desire to push further and further, sometimes overreach- ing ourselves,” as Dimsdale and Roberts put it— another link to the global-warming theme.

Lest Water sound like a heavy environmentalist treatise, Roberts and Dimsdale were quick to note, “From very early on in the devising process, we were keen not to be overly didactic or polemical in the piece. We certainly didn’t want And then one thousand years of peace

Photo: JC Carbonne

Unchaining by Susan Yung the devil Ballet Preljocaj, the name of Angelin Preljocaj’s this laboratory experience and use it for some- company based in Aix-en-Provence, France, thing more narrative. I think it’s like in the field pinpoints his stylistic roots. Yet his movement, of science. You have the fundamental research while maintaining the elegant lines of ballet and on the one hand, and on the other hand, the an inherent structural grace, is hardly limited to fundamental research is completely abstract— the ancient dance form. Thematically, as well, numbers, mathematics. Then later come things the French choreographer ranges widely, from that can maybe help people, like technology classic story to pure form. From November 7 to and medicine.” The studio becomes a lab to 9, Preljocaj’s And then, one thousand years of make building blocks that fascinate on their peace will be performed at the BAM Howard own, or become the solid foundation on which Gilman Opera House. The work takes cues from to stack a story. the Book of Revelation (the Apocalypse of St. John) without becoming literal or linear. It shares DNA, but contrasts sharply with the company’s “Certain words or phrases come down last BAM presentation in 2010, Empty Moves I with this very soft radicality in our soul, & II, a pared-down evening of riveting movement like chains falling from the sky.” experimentation. — Angelin Preljocaj

Such variety can be an artistic catalyst. “I need to stimulate my creativity to go to the extreme The many sections comprising one thousand limit of my style,” said Preljocaj in a recent inter- years propel the dance surehandedly. Tender or view. “Let’s say that I have a kind of laboratory brazen duets to Beethoven’s Moonlight Sonata work on one hand, for example, in the work of are interleaved with bold ensemble sections (to Empty Moves, to the music of John Cage—I an evocative soundscape by Laurent Garnier) also sometimes like to use all that I learn from in which the company’s 21 dancers are often arrayed in orderly lines or grids. “The idea ity in our souls, like chains falling from the sky.” behind this order is that there is something to Flags of different nations feature prominently in hide,” said Preljocaj. “The meaning of apoca- the finale, as do a pair of wooly lambs. lypse comes from the Greek: ‘apos’ means to take off, and ‘calypse’ is the veil. The idea of Preljocaj’s work will also be seen this fall at apocalypse is to reveal something which is New York City Ballet in a shorter-length premiere. behind the illusion, behind something very He noted, “I like to work with different compa- organized, very structured.” The concept could nies; it’s a source of inspiration for me. All the apply to a number of large institutions, be they different companies are really like tribes, with religious, political, or social. their own traditions.”

While Preljocaj has shown his skill with purely His accomplished company/tribe to be sure has formal constructs, he duly embraces the highly its own legacy, growing richer and more diverse theatrical aspects of performance. Objects each year since its founding in 1984. Prior to become metaphors for larger concepts, in addi- Empty Moves, Ballet Preljocaj had performed tion to being neat visual and/or aural twists, at BAM several times, each visit memorable in such as lengths of chain that plummet to the its own way: Romeo & Juliet (1998), whose stage. “In the apocalypse, the Devil is suposed fascist-state setting underscored the desperate to be unchained, and there is a moment he situation of the young lovers; Helikopter and becomes free from his chains. I use the idea Rite of Spring (2002), a two-part evening show- of the chains as a kind of metaphor for that,” ing the choreographer’s sure hand with dance Preljocaj explained. “Also, sometimes I mix cer- both hypnotically abstract and searingly narra- tain ideas, like the chains... In the Book of the tive; and Near Life Experience (2004), which Apocalypse, they say that from the sky will come pushed him to the theatrical end of the spectrum the thunder and the deluge. For me, I imagine while touching on universal themes. And then, this falling of chains really like thunder coming one thousand years of peace is yet another into our world. Also, sometimes certain words or intriguing dance-theater chapter in Preljocaj’s phrases come down with this very soft radical- growing history at BAM.

Photo: JC Carbonne BAM

Official hotel for BAM Salutes Thanks to our Next Wave Festival supporters

BAM 2013 Next Wave Festival sponsor New and expanded programming and Next Wave Festival supporters: capital initiatives at BAM made possible by Rose M. Badgeley Residuary major operating, capital and endowment Charitable Trust support from The Irene Diamond Fund brigitte nyc Support for new presentations in the BAM Brooklyn Community Foundation Fisher provided by the Rockefeller Brothers Epstein Teicher Philanthropies Fund The Harkness Foundation for Dance Suzie & Bruce Kovner Programming in the BAM Howard Gilman Leadership support for Next Wave Art Leon Levy Foundation Opera House is supported and endowed provided by Agnes Gund and Toby Devan Frederick Loewe Foundation, Inc. by The Howard Gilman Foundation. Lewis McKinsey & Company, Inc. Programming in the BAM Harvey Theater The Ambrose Monell Foundation is endowed by the Doris Duke Charitable The Rolex Institute supports emerging Henry and Lucy Moses Fund, Inc. Foundation. Programming in the BAM artists at BAM Samuel I. Newhouse Foundation, Inc. Lepercq Space is supported by The The Reed Foundation Lepercq Charitable Foundation. Diverse Voices at BAM sponsored by: The Morris and Alma Schapiro Fund The SHS Foundation The Steinberg Screen at the BAM Harvey The Shubert Foundation, Inc. Theater is made possible by The Joseph S. The Skirball Foundation and Diane H. Steinberg Charitable Trust Zero Calorie Sweetener of the The Harold and Mimi Steinberg Next Wave Festival: Charitable Trust Leadership support for opera at The Winston Foundation, Inc. BAM provided by The Andrew W. Ann Ziff Mellon Foundation, The Peter Jay Sharp Foundation, and Proud supporter of BAM

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Major support for opera at BAM The BAM facilities are owned by the provided by Aashish & Dinyar Devitre. City of New York and benefit from public funds provided through the New York City Additional support provided by The BAMcafé Live sponsor: Francena T. Harrison Foundation Trust. Department of Cultural Affairs with support from Mayor Michael R. Bloomberg; Cultural Affairs Commissioner Kate D. Levin; the Leadership support for War Sum Up New York City Council including Council provided by The Barbro Osher Pro Speaker Christine C. Quinn, Finance Suecia Foundation Endowed funds supporting the Next Wave Committee Chair Domenic M. Recchia Jr., Festival: The Howard Gilman Foundation; Cultural Affairs Committee Chair Jimmy Global Connections at BAM sponsored by: Lila Wallace-Reader’s Digest Endowment Van Bramer, the Brooklyn Delegation of the Fund for Community, Educational, and Council, and Councilwoman Letitia James; and Brooklyn Borough President Marty Public Affairs Programs at BAM; The Markowitz. BAM 2013 Music Sponsor: SHS Foundation; The Andrew W. Mellon Foundation Fund for Opera and Music- Title sponsor for BAM Rose Cinemas and Theater; The Peter Jay Sharp Fund for BAMcinématek: Leadership support for music commissions Opera and Theater; The Ford Foundation at BAM provided by The Virginia B. Fund to Support Collaborative Creativity Toulmin Foundation Among U.S. Artists; Estate of Richard B. BAM Rose Cinemas are named in recognition of a major gift in honor of Leadership support for Sider provided by Fisher; BAM Fund to Support Emerging Jonathan F.P. and Diana Calthorpe Rose, The Jerome Robbins Foundation, Inc. and Local Musicians; The Starr Foundation; and have been generously supported by Next Wave Forward Fund: Altria Group, The Peter Jay Sharp Foundation and the The presentation of Come, and Back Again Inc./Founding Sponsor “Supporting the Estate of Richard B. Fisher and Play/Pause is made possible Spirit of Innovation”; and The Devitre Fund. by the New England Foundation for the Programming in the BAM Lepercq Space Arts’ National Dance Project is supported by The Lepercq Charitable BAM Marquee sponsor: Foundation Support for The Humans provided by Agnes Gund BAM would like to thank the Brooklyn Delegations of the New York State Support for new dance presentations in the Assembly, Joseph R. Lentol, Delegation BAM Fisher provided by the Mertz Gilmore Official hotel for BAM: Leader; and New York Senate, Senator Foundation Velmanette Montgomery, Delegation Leader.

Your tax dollars make BAM programs Official piano for BAM: possible through funding from: Beauty, ever ephemeral “Then we found out that it was based on a short wefoundoutthatitwasbased onashort “Then La BelleetlaBête 4D Art co-founders MichelLemieux co-founders andVictor 4D Art 21st-century technology.21st-century And there’s always a moral. They’re designed And there’s alwaysamoral. They’re a richbutuglyman. Allofthesebedtimestories adult novelbyMme. deVilleneuve,written15 our parentstellus, theybecameourmyths. of the classic 18th-century fairy talewith fairy of theclassic18th-century children byMme.DeBeaumontin the 1750s. ster whoisreallyaprince.Now, Lemieux Pilon It’s very popularinFrance,”It’s very saysLemieux. House November21to23,blendselements Pilon Belleet aredeliveringtheir owntake.La years earlier. Itwastopreparewomen marry Enchanted byJeanCocteau’sclassic 1946film, Beauty andtheBeastmaybeataleasold history. “We firstreadthe versionwrittenfor the pair decided to dig deeper into the story’s the pairdecidedtodigdeeperinto the story’s their own ways of telling the story oftheshy,their ownwaysoftellingthestory fromfinding time, butthathasn’t stoppedartists beautiful girlwhofallsinlovewiththeuglymon- la Bête,attheBAMHowardGilmanOpera “The beautyisawomanfromtoday;“The she’sa “Our beastisnotanuglyoldman, butaman another person?” ances inaworldwhere imagesaresoimportant? against allodds,andfallinlove.And thatleads ofdramainourlives.Sowe all havesomesort and Pilon, Tempête whoseproductionofLa was possible tofallinlovewithouttheidea ofcon- seen at BAM in 2006, crafted theirownstory.seen atBAMin2006,crafted who wasinloveandabandonedbythatlove. Is itpossibletogo deeperandseewhat’sinside dealing withthedeathofhermother. Likethe destiny ofourselves.” He’s kindofsexybutdisfigured,”says Lemieux. ventional beauty? Can welookbeyondappear whohasissues young, intelligent,visualartist, Using plotdetailsfrombothversions,Lemieux have thesetwocharacterswhoare broken, meet to thequestionswewantexplore: Isitstill tellusthetragic to tellushowliveandoften beast, she’s kind of hurt herself.beast, she’skindofhurt Thefact iswe by BrianScottLipton -

François Papineau and Bénédicte Décary. Photo: Yves Renaud Those issues also extend to the third major As Pilon admits, doing a show in this fashion character in the piece, called La Dame, a fairy can be a great challenge to the actors onstage. who fell in love with the Prince and then put “They don’t see the projections, so it takes a lot of the spell on him when he rejected her. However, time to integrate their work with the projections,” she has stuck around the castle to take care of he says. “But it’s worth it, because we know him—and is not happy when La Belle shows up. you don’t touch people with just technology. You “She wants to be the beauty in the house, even touch them with actors who believe in these though she’s 60,” says Lemieux. “She still loves projections.” the prince for who he is inside. So, it becomes a triangle, but not in a conventional sense.” “Many of the scenes are like being in a painting,” says Lemieux. “Victor takes photographs from What makes this version particularly unusual, around the world—especially a lot of Romantic however, is that only those three characters are architecture—and they work their way into the played by onstage actors, while everyone else projections. All of the technology is quite magical, in the tale—including Belle’s sister—is embodied to be sure. I say our show is like a jewel box, but by projections with whom the stars interact. it’s the actors who are the jewels.” Indeed, while projection technology plays a major role in all aspects of this production, it Since it premiered in Canada in 2010, the pro- is not the raison d’être. duction has toured internationally and in the US. “It’s always exciting to us to see how different “We do use technology, but we do it so we can audiences react from place to place,” says Pilon. more freely talk about human issues,” says Still, Lemieux notes that most audiences share Lemieux. “In watching theater, adults can be one common reaction. “A lot of people tell us very critical. But when you create something they become so absorbed in the story that they magical, adults open themselves to this world feel like they’re in a dream and that they only of wonder. Even it’s just for the first 30 seconds, wake up when they realize the show has ended.” this little door opens in the mind—the door that was opened when they were children. And they immediately become less critical. And then we Brian Scott Lipton was editor-in-chief of TheaterMania. can talk to them in ways other than through their com and currently covers theater for IN New York, Where, intellect. We can talk to their souls.” Edgeonthenet.com, TDF Stages, and Cititour.com. Peter James and Andrée Lachappelle. Photo: Yves Renaud Peter BAM

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MASTER CLASSES BAMCINEMATÉK Ballet Preljocaj | in conjunction with And then, one REPERTORY, CLASSICS, FESTIVALS, PLUS SPECIAL GUESTS thousand years of peace | Nov 8 at 12pm Nordic Noir: Kjell Sundvall | Nov 1 & 2 Hofesh Shechter Company | with Hofesh Shechter Jan Nemec | Nov 8—14 in conjunction with Sun | Nov 15 at 11am Bruce Dern | Nov 16—27 | Dern in person! Susan Marshall & Company | with Kristen Hollinsworth in conjunction with Play/Pause | Nov 21 at 12pm Art Song Forward: For Singers and Composers BAMCAFÉ LIVE with Christopher Burchett and Julian Wachner FREE MUSIC FRI & SAT NIGHTS. BAR OPENS AT 6PM in conjunction with 21c Liederabend, op. 3 The Irrepressibles | Nov 1 & 2 at 9pm Nov 23 at 10:30am Jenny Owen Youngs | Nov 8 at 9pm The Mala Waldron Project | Nov 9 at 9pm War Sum Up. Photo: Gunars Janaitis Guitars N Bandanaz | Nov 15 at 9pm Tai Allen’s Tribute to Oscar Lee Brown | Nov 16 at 9pm Water Seed | Nov 22 at 9pm Earl McIntyre Birthday Celebration | Nov 23 at 9pm Akim Funk Buddha Hip Hop Holiday| Nov 29 & 30 at 9pm

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BAM Endowment A great institution is built upon on a secure future. At BAM, a growing endowment is the foundation for expansive programming that continues to set new standards for artistic daring and excellence. The BAM Endowment provides the financial underpinning to launch new artistic initiatives, plan for future years, seize opportunities for institutional advancement, and confront unanticipated challenges. BAM sincerely thanks those listed below for their generous support in securing BAM’s future.

$5,000,000 and above $500,000 and above $100,000 and above Richard B. Fisher & Jeanne The Campbell Family Foundation Michael Bailkin, Marvin Levine, Donovan Fisher The Devitre Fund Jesse Masyr, David Stadtmauer The Howard Gilman Foundation Judith R. & Alan H. Fishman Robert & Joan Catell Fund for The Peter Jay Sharp Foundation Charles J. & Irene F. Hamm Education Programs Lila Wallace-Reader’s Digest Maribelle & Stephen Leavitt Neil D. & Kathleen M. Chrisman Endowment Fund for Community, Diane & Adam E. Max Mr. & Mrs. Henry Christensen III Educational, & Mary & Jim Ottaway Jr. in honor of Madison S. Finlay Public Affairs Programs Ruth Blackburne Ottaway Francena T. Harrison Rockefeller Brothers Fund Performance Fund $1,000,000 and above Jonathan F.P. & Diana V.C. Rose Rita K. Hillman Altria Group, Inc./Next Wave Martha A. & Robert S. Rubin HSBC Bank USA, N.A. Forward Fund Nora Ann Wallace & Jack Nusbaum Independence Community Bank BAM Fund to Support Emerging Stephanie & Tim Ingrassia and Local Musicians $250,000 and above Mr. & Mrs. Edgar A. Lampert Brooklyn Community Foundation The Bohen Foundation Annie Leibovitz & Studio The Irene Diamond Fund The Jessica E. Smith and Kevin R. Leo Burnett, USA Doris Duke Charitable Foundation Brine Charitable Trust James McLaren & Lawton Fitt Emily H. Fisher The Charles & Valerie Diker Dance Sarah G. Miller & Frank L. Coulson The Ford Foundation Fund to Endowment Fund The Morgan Stanley Community Support Collaborative Creativity The Horace W. Goldsmith Foundation and Educational Fund Among U.S. Artists Michael Bancroft Goth Endowed J.P. Morgan & Co. Incorporated The Andrew W. Mellon Foundation Annual Performance Fund The Jerome Robbins Foundation, Inc. Fund For Opera & Music-Theater William Randolph Hearst May & Samuel Rudin Family Bruce C. Ratner Endowment for Education and Foundation William Boss Sandberg Humanities Programs Mr. & Mrs. Ame Vennema The Peter Jay Sharp Fund for Opera The Rita & Alex Hillman Foundation Verizon Communications and Theater Carole & Irwin Lainoff The Isak and Rose Weinman The SHS Foundation Maxwell Family Fund in Community Foundation in honor of Madame The Starr Foundation Funds, Inc. Lilliana Teruzzi The Geraldine Stutz Trust, Inc. The Winston Foundation Anonymous

As of July 1, 2013

Photo: Peter Jay Sharp Building, by Ben Cohen Securing BAM’s Future

Planned Giving Another way to help BAM prepare for the future is by making a provision in your estate plans. You create a legacy for many generations to come and ensure BAM’s excellence continues for the next 150 years. Existing options for planned giving include making a bequest in your will, and naming BAM as a beneficiary in your retirement plan or insurance policy, among others. Unless otherwise specified by a donor, it is BAM’s policy to apply planned gifts toward its endowment. Individuals who have made such gifts are recognized in the select group of patrons known as BAM Angels.

Our special thanks to the foresight of the charitable BAM Angels listed below.

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For more information on the BAM Endowment or on Planned Giving opportunities please contact Denis Azaro at 718.636.4193 or [email protected]. All inquiries will remain strictly confidential. BAM Supporters & Patrons

BAM wishes to thank our patrons for all the operating, capital, and endowment support you’ve given us over the past year. (List represents gifts between August 1, 2012—August 1, 2013)

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The Aeroflex Foundation Mattis Family Foundation Pepsi-Cola Bottling Company The Joseph S. and Diane Anonymous Roger Alcaly & Helen Mr. & Mrs. Hamish Maxwell of New York Inc. H. Steinberg Charitable Bodian Scott C. McDonald The Peter Jay Sharp Trust $25,000 Susan L. Baker & Michael Constance & H. Roemer Foundation Joseph A. Stern The Achelis Foundation R. Lynch McPhee Martha A. & Robert S. Rubin Target Jody & John Arnhold The Barker Welfare Medgar Evers College Gifts The SHS Foundation Time Warner Inc. BNY Mellon Foundation and Grants The Starr Foundation Pedro Jose Torres and Rose M. Badgeley The Howard Bayne Fund Joyce F. Menschel United States Department Cecilia Picon Residuary Charitable Tony Bechara Merrill Lynch & Co. of State, Bureau of The Virginia B. Toulmin Trust Roger & Brook Berlind Foundation, Inc. Educational and Cultural Foundation Mercedes T. Bass Best of Brooklyn, Inc Edward S. Moore Affairs Robert L. Turner Anne H. Bass The Bloomingdale’s Fund of Foundation Viacom John Blondel the Macy’s Foundation Morgan Stanley $250,000 The Winston Foundation, Inc. The Brooklyn Brewery Mr. & Mrs. Anthony Bowe Charles M. Nathan & Alisa American Express Goldman Sachs Gives at Donald Capoccia in F. Levin Bank of America $50,000 the recommendation of memory of Felicia Garcia New England Foundation Bloomberg Rose M. Badgeley Residuary R. Martin Chavez Amita & Purnendu for the Arts’ National Estate of Richard B. Fisher Charitable Trust Linda & Adam Chinn Chatterjee Dance Project Jeanne Donovan Fisher Banco Santander S.A. Mr. & Mrs. Henry Simon & Sarah Collier New York State Office of Judith R. & Alan H. Fishman Barclays Nets Community Christensen III Carol Yorke & Gerard Conn Parks, Recreation and Suzie & Bruce Kovner Alliance Citi Foundation Credit Suisse Historic Preservation Leon Levy Foundation Frances Bermanzohn & Alan Condé Nast Publications Joan K. Davidson (The J.M. The O’Grady Foundation The Andrew W. Mellon Roseman The Corinthian Foundation Kaplan Fund) William J. & Dorothy K. Foundation Gordon Bowen Corinthian Media, Inc. Diageo O’Neill Foundation Alfred P. Sloan Foundation Betsy and Ed Cohen/Areté Constans Culver Foundation Mark Diker and Deborah Jim & Mary Ottaway The Wall Street Journal Foundation Cravath, Swaine & Moore Colson Michael Palm Foundation The Robert W. Wilson Con Edison DeWitt Stern Disney Worldwide Services, Paramount Publishing Charitable Trust Ide & David Dangoor William A. Douglass Inc Pfizer Inc. Anonymous The Gladys Krieble Delmas Andre & Stephanie Dua DLA Piper LLP (US) Pia Car Limo Foundation Epstein Teicher Philanthropies Dow Jones & Company, Maya Polsky $100,000 Beth Rudin DeWoody Beth & Gary Allen Glynn Inc. Estate of Marie D. Powers Altman Foundation Charles & Valerie Diker The Grand Marnier Carol & Roger Einiger Related Companies William I. Campbell & Brendan & Barbara Dugan Foundation Mallory & Elizabeth Factor The Grodzins Fund Christine Wächter- Thérèse M. Esperdy & The William and Mary The French-American William D. & Susan Kahan Campbell Robert G. Neborak Greve Foundation Fund for Contemporary Rifkin Chase Essence Charles Hayden Foundation Theater, a program Max Rifkind-Barron Robert Sterling Clark Steven & Susan Felsher Penn & Diane Holsenbeck of FACE Quentin Roach Foundation Jacques and Natasha David L. Klein, Jr. Foundation Fribourg Family Foundation Mr. & Mrs. Theodore C. Simon & Eve Colin Gelman Foundation Dan & Abbe Klores Fried, Frank, Harris, Shriver Rogers Foundation, Inc. Mertz Gilmore Foundation Frederick Loewe Foundation & Jacobson LLP Ropes & Gray LLP Brooklyn Community GGMC Parking, LLC Gary Lynch & Kate Hall Ann and Gordon Getty Andrew & Barbra Rothschild Foundation Agnes Gund Laurie Mallet/Ozone Foundation Bette & Richard Saltzman Della Rosa Family Foundation H3 Hardy Collaboration Design, Inc. 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Jean Stein William Patrick McMullan & Daniel Baldini Winther Thomas Scott Rachel McPherson John & Samantha Hunt Tatiana Serafin Tony Randall Theatrical Mr. & Mrs. Richard L. David Bank & Jason R. Jan Inscho & Seymour Ted & Mary Jo Shen Fund Menschel Stone Miles Professor Stuart Sherman Michael Tuch Foundation, Martin F. & Selma E. Mertz Leah & Benjamin Barber Irwin Fritchie Urquhart & Gil Shiva Inc. Stephen Nelson Jayne H. Baum Moore, LLC Shook, Hardy & Bacon, LLP Wendy vanden Heuvel Consulate General of The Martin Baumrind Scott Irwin & Victoria Irwin Barbara Simmons Madeline Weinrib Netherlands in New York Jim & Lisa Bedell Douglas Jaffe & Kristin Patricia J. S. Simpson Williams & Connolly LLP New York City Dept. for Beldock Levine and Heavey Ellynne Skove Jennifer Carlson & Andrew the Aging Hoffman LLP Dwight James and June Congresswoman Louise Zolli New York State Education Leslie & Alan Beller Delano Slaughter Anonymous Department George E. Berger & Donna & Carroll Janis Mike & Janet Slosberg Brian & Stephanie Nigito Associates LLC Michele & David Joerg Stephen Smith & Ford $5,000 Joey O’Loughlin & Michael Elaine S. Bernstein Randy & Mill Jonakait Rogers The American Chai Trust Haddad Paul Blackman & Sharon Conor Jordan Joan & Laurence Sorkin Matthew & Krista Stephen Palmese Rowlands Barbara Julius & Marc Robert Soros & Melissa Annenberg William & Laura Taft Patricia Blanchet Silberberg Schiff Soros David Ashen Paulsen Alison Blood Ms. Susan B. Kaplan & Annie & Elyse Steingold Denise Bernardo & Eddie Peck Stacpoole Foundation Emma Bloomberg & Nancy and Mark Belsky Tom & Wendy Stephenson Muentes Laura Pels International Christopher Frissora J. J. Kasper Jr. Dr. Susan Stewart JJ & Michelle Berney Foundation for Theater Mr. & Mrs. James P. Gerri Kay The Dorothy Strelsin Paula & Earl Black Penguin Group (USA) Bodovitz Philip Kearns & Sid Ray Foundation Bradley Arant Boult Diana Elzey Pinover & Dr. & Mrs. Jeffrey S. Borer Kikkerland Coral Surgeon Cummings LLP Eugene A. Pinover Gary N. Boston & Dr. Helen Kim-Bordes Daniel & Toby Talbot Samy Brahimy & Lizanne Bradley Radoff Charles Lee Louise Klinke Alexander Tarakhovsky & Merrill Linda Randall and Gerald Matthew & Caryn Bregman Alan & Susan Kolod Anne Schaefer Lawrence Chanen Hazelbauer Frances A. Alida Brill Joan Kreiss Juliet Taylor & James Walsh Mr. Jim Chervenak Resheske Virgina Brody Mark Krueger Charitable Peter C. Trent Timothy & Carol Cole Tracey & Phillip Riese Brooklyn Nets Fund of Tides Susan Unterberg Rebekah Coleman & Ian Hon. Annette Robinson, Andrew D. Brown Foundation Vanetta Vancak Rusten New York State Channing Daughters Winery Miodrag Kukrika Bernardette Vaskas The Aaron Copland Fund Assembly Stuart H. Coleman Solange Landau Patricia Voight & Rachel for Music, Inc. E. John and Patricia Ranny Cooper & David Nancy N. Lassalle Wolff Stuart D. Freedman & Carla Rosenwald Smith Melva Bucksbaum & Victoria Westhead & John E. Craig Rush Philanthropic Arts Breukelein Institute/Dennis Raymond Learsy Levy Crunch Foundation Corrado Jonathan Lehman Peter Wright & Sally Dricks Bonni & Peter Curran Jack Sanderson The Cowles Charitable Trust Julius Leiman-Carbia & Richard & Mary Anne The Max and Victoria Season of Cambodia Kimberly Cox Kyle Smith Yancey Dreyfus Foundation, Inc. Elizabeth Sidamon-Eristoff The Criterion Collection Hon. Stephen Levin, New Nurten Goksu Yolac David Edelstein & Hunter Lewis Tim & Cecelia Crowhurst York City Council James & Pia Zankel Robert and Mercedes Leslie Smith and Michael Peter & Katharine Darrow The Family of Wilbur Matthew & Myra Eichholz Foundation Uzer Dave’s Coffee A. Levin Zuckerbraun Dwight W. and Ann C. Ellis Steinway & Sons Robert Davoli & Eileen Carol & Joel Levy Anonymous Samuel Feldman and Jeanne & Steven Stellman McDonagh Marion Leydier Marilyn Meyerhoff Stop & Stor Charitable Fund Elizabeth De Cuevas Simon Lipskar & Kate $1,500 Mr. & Mrs. Jim Fonzi Elizabeth Stribling Jennie & Richard Descherer Zuckerman Hon. Peter J. Abbate In honor of Bob Greenberg The Moody’s Foundation Frederick N. & Michele Elizabeth & Matthew Jr., New York State from Frankfurt Kurnit The Perseus Books Group Oka Doner Luckett Assembly Klein & Selz Michael Thomas Fiona Morgan Fein & Lynford Family Charitable Lauren Abend Laurie Garrett Hon. Roger Tilles Harvey Fein Trust Denny Abrams David Geiger Jane Timken Barbara J. Fife Dianne MacKenzie Brice Acosta Nomi Ghez Foundation Alice Tisch Britton & Melina Fisher Anne Mackinnon Caroline P. Addison Francis Goelet Charitable Jane and Robert Toll David Fitts Marks Paneth & Shron LLP Affirmation Arts Fund Lead Trusts Pedro Torres Jr. Andrew & Blake Foote Jan Marks Cherylyn & Chris Ahrens Mr. & Mrs. Douglas Gray Travelers Foundation Robert L. Forbes John Martinez & Andrea Ronald & June Ahrens Regina M. Griffin Teresa Tsai Mr. & Mrs. Austin T. Bozzo Tahsin Alam and Naadia Dennis and Carrie Gross Jo Vanderbeek Fragomen, Jr. Richard J. Massey Quader Scott & Ellen Hand Victor R. Wright Foundation MaryAnne Gilmartin William McGinty & Bianca Douglas & Carla Albrect Cecilia & James Herbert Margo & Anthony Viscusi Francis Greenburger & Orlando Daniel Algrant DuBose and Dorothy Watkins & Eager PLLC Isabelle Autones Jack McGowan & Kathy Tim Allen Heyward Memorial Fund The Richard & Gertrude M. Derene & Julius Frazier Muscato Robert & Allison Blinken Dr. Natalie J. Hubbard Weininger Foundation Cultural Services of the Sharon & Curt Mechling Donald Allison & Sumiko Ito Richard Hulbert Jill Weinstein French Embassy in the Norma & Randy Moore Mark Almeida & Theresa John P. & Anne Welsh John R. Wellschlager & United States Peter & Jenna Nashel Galvin McNulty Foundation Elizabeth D. McDermott Paul A. Gangsei & Susan Michael Newhouse Kristina Anderson & Nathan Linda & Lawton Johnson Francis H. Williams Herman Linda Nochlin Pommer Ophardt Kabalab LLC Robert & Elisabeth Wilmers Garth Fagan Dance Christopher A. Noey & Margo Anderson Julia Kahr & Brian Colton John D. Winter Lynn Gilbert Ghiora Aharoni Virginia Anderson Mary Kantor Nina Winthrop Virginia Gliedman David & Janet Offensend Milton & Sally Avery Arts Will & Prattana Kennedy Carolyn & H.L. 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Alan Berenbaum & Eileen Richard & Florence Kenneth Kail & Ivy Hwang Maria Montoya Simon Sinek Lach Fabricant Alex and Ada Katz Kathy Morton & David Michele Singer Judith Berg Thomas Faust Aaron & Jacquie Katzel Nadelman Loren & Marlene Skeist Thérèse D. Bernbach Andrew & Audrey Feiner Kevin Keating Nancy Abraham & Arnold skinnyskinny Raphael & Jane Bernstein/ Ronald E. Feiner Esq. Susan Kellman Moss Elaine Sloan Parnassus Foundation Judy Fell & Barry Okun Suzanne Greene & John Edward Nahem Nancy Smid & John King Susan V. Berresford Edith Ferber Kelly Marguerite Nougué-Sans Matthew Patrick Smyth Stefanie Birkmann & Sunil Richard Feuring & Charles Dennis Klejna Tiffany Nowell Susan Snodgrass Savkar Krewson Jayme Koszyn & Thomas James C. & Marie Nugent- Lavinia Branca Snyder Robert & Adrienne Katherine & Luke Fichthorn O’Handley Head Marlas Kenneth Soehner Birnbaum Joan Salwen Fields The Krumholz Foundation NYC & Company James Sollins Dr. David Biro Arthur & Susan Fleischer Drs. John & Judie LaRosa Roger W. Oliver Andrew P. Solomon & Simon Black Lydia Foo Tom Le & Joseph Canale Jane Ormerod & Peter Elizabeth Bartman Jeffrey Blair Katherine Franke Matthew & Sabrina Leblanc Darrell Richard & Mimi Somerby Jennie & Jake Blair Oliver L. Frankel Helena Lee & Richard Ilana Pachter & William Jeffrey Soref Sheldon & Jill Bonovitz Katherine Freygang Klapper Wynn Annaliese Soros Bill Bragin & Lisa Philp Friars Foundation Roseanne Legrand Meredith Palmer Jonathan & Jennifer Soros Dominique Bravo & Eric Effie & Robert Fribourg Bruce Leibstone Cheryl Paradis & Gene Dr. Rogelio Sosnik & Dr. Sloan Steven Friedlander Richard Levy & Lorraine McCullough Irene Cairo Brooklyn Gin Ms. Eleanor Friedman Gallard Gwenevere Parker Sovereign Bank Donnaldson Brown Todd & Treacy Gaffney Jeffrey Lewis & Karin Estelle Parsons Mark Spatola Jacqueline Bryant Duane McLaughlin & M. Miller-Lewis Kirk & Susan Patrick Andre Spears & Anne Rosen Norman & Terri Buchan Salomé Galib Kitty C. Linder Nancy Pedot Barbara Stanton James Burke Al Garner Seen Lippert & Frederick Judith Perez Gillian Steel Elizabeth Butson Lynda & Marvin Geller Landman Amy Perry Michael & Marjorie Stern Laura E. Butzel & David Dr. Peter L. Geller Keith Lloyd Antonia Pew Deborah Stewart & James Berg Patricia Gift Rachel Loeb & Zachary Marnie S. Pillsbury Mintz William & Regina Cahill Michael J. Gillespie Block Carl Podwoski & Virginia Gail Stone & Matt Fishbein Mr. Charles Cahn and Dr. Shellie Gillespie Kevin Longrie Lovejoy Harvey & Danna Stone Nancy Maruyama James Gill Susan Lorence Lisa Pollock John Strasswimmer Sol W. & Hermina Cantor Susan Goldberg & Simon Joseph Lovett & James Sandra Pierson Prior Leila & Mickey Straus Foundation Liu Cottrell Leslie & David Puth Kathryn Taras & Anthony Capezio/Ballet Makers Elaine Goldman Ann M. & Mitchell A. Jacob Remes Elitcher Dance Foundation, Inc. Amy Kern & John M. Lowenthal Richmond Hills High Julie Tarney Charles Carberry Goldsmith Jane MacAn School Josephine & Philip Teverow Marie Carney I. Michael Goodman & Ann MacDonald & Charles Rucola Theatrical Wardrobe Union, Carolina Carvalho-Cross Judith Uman Raubicheck Richard Lynn & Joseph Local 764 Herbert and Beverly Chase Sally Gordon John Macintosh Evall Charlotte L. Thorp Natalia Chefer Joan Gould Macro Sea Inc. Juergen Riehm & Jody Irena Tocino Lori Chemla & Shelley James & Nicola Grant John Madden & Elizabeth Oberfelder Coralie Toevs Sonnenberg Jane & Jean-Marie Grenier Cooke Katherine E. Ringer Michael Toledano Pedro Chomnalez Cynthia Griffin & Stephen Edward Mafoud Ann Rittenberg Valery & Chauncey Upson Neil & Kathleen Chrisman Haller Hon. Alan Maisel, New John Rockwell & Linda Sashi & Nicholas Valtz Constance M. Cincotta Terry Grossman & Kathy York State Assembly Mevorach Dino Veronese Joan Hardy Clark Speer Dr. Robert Maki Carole & Alex Rosenberg Diana Viñoly Interiors Imogen and William Cline David Gruber Ronald Daignault & Teresa James & Eliza Rossman Jonathan Wachsman Dr. Anders Cohen Gunilla Haac Maloney Jack & Rebecca Rucker David Wagner Frederick & Jan Cohen Patricia Hallstein & Axel John Manlutac & James Lisa & Jonathan Sack Cynthia Wainwright & Joel Cohen & Karyn Zieve Kramer Jaeger S. Saliman & Raymond Stephen Berger John Colborn Happy Family Maps.com Vallejo Marcus Wainwright & Michele & Terry Cone David Hariton & Thomas Andrea Marber Samuel Samore Glenna Neece Marina Couloucoundis Lippy Phillip Marriott & Susannah Mina Samuels & David Howard & Ruth Warshower Catherine C. Cox The Haupt Foundation, Taylor Foster Seth Washinsky Peter & Mary Coy Inc., in memory of Stuart Frank Martinez Nikki Sanditen Janet C. Waterhouse PhD Benjamin Crane Haupt Mia Mather Lori Saperstein Kathy and Bill Weigel Michele Cubic & Raymond Douglas & Jessica Healy Jerri & Tom Mayer Margaret Sarkela & John Sandra & George Weiksner Velazquez Joanna Hedge Liese & Peter Mayer Curtis Laurie & David I. Weiner Sebastian Cucullu John Heilemann Deborah McAlister & Douglas & Ans Schickler Earl & Gina Weiner Ellen & John Curtis Kris Heinzelman Christopher Jones Ellen Schleifer & Jordan Charlene Magen Weinstein David Darby Jillian & Sam Herschkowitz Joseph McDonagh Katz Elaine Weinstein Scott Delman Samuel & Hagit Hertz Dale McDonald Anthony Schlesinger & Jonathan & Jane Weld Linda Dennery Charlotte Herzele Kathryn A. McDonald Anne Forward Dr. Sylvia Welsh & Dr. Marie Derosa & Richard Manuela Herzer Ms. Sharon McGinnis & Mr. Elizabeth Schneider Howard Welsh McNeil Adam and Sita Hess Howard Mandel Roberta & Irwin David F. Wertheimer Rohit & Katherine Desai Adria & Donald Hillman Paul McIsaac & Ricki Roer Schneiderman Marcia Whitaker Edwin & Paula DeYoung The Hoffman Law Firm Larysa McKenna Laura Schwartz & Arthur Harry White & Esther Diana Diamond & John Lily & Joel Hoffman Gordon McLeod and Jussel Redmount Alschuler Frank Holozubiec Melanie Grisanti Richard Schwartz Heather White & Mark Hester Diamond Katherine Hosford & Elizabeth McMahon & Ralf Schwieger Procopio Trey Ditto Christopher Welch Patrick Burns Elisabeth Searles and Susan Whiting & Bruce Anne & John Dockery Karen Howitt Me & Ro Richard Friedberg Van Dusen John Doherty Michael Huber & Lauren Lalise & Jerry Melillo Lori Seegers Michael Whittingham Dr. Jack Downhill Jr. Seikaly Ashley & Brittany Melone Laura Sejen James Wilentz & Robin Pamela Drexel Betty Lou Hudson Claudine & Aeric Meredith- Ann Settel Maxwell James Duffy Dr. Lois Jackson Goujon Rena Shagan Nancy Workman & Violet & Christopher Eagan Steven & Susan Jacobson Pamela Michaelcheck Susan & Jeremy Shamos Jonathan Miller William S. Ehrlich & Ruth David & Amy Jaffe Franny Milberg Ms. Makeda Shaw Cynthia Young & George Lloyds T. Radey Johnson & Jane Hon. Joan Millman, New Michael Shea & Armen Eberstadt Suzan & Fred Ehrman Platt York State Assembly Marsoobian Jennifer Zaslow Erica’s Rugelach Christopher Johnson Donald & Gwen Moffat Vivien & Michael Shelanski Frank & Arrien Zinghini Gail Erickson & Christa Rice General Judd and Cristina Adrian Mojica Olatokumbo & Sheethal Anonymous Lorren Erstad & David Casanas-Judd Mary Moloney & Robert Shobowale Lerner Genevieve Kahr & Dan Barocci Melanie Shugart As of August 1, 2013 Freedberg Michael & Ginger Montel Larry & Ashley Silverman

BAM greatly appreciates all contributions in support of our work. We apologize for any inaccuracies. Please contact the Development Department at [email protected] with any corrections. BAM Board

Brooklyn Academy of Music Beth Rudin DeWoody Anna Kuzmik Sampas Honorary Trustees Mark Diker Alberto Sanchez Robert L. Forbes BAM Board Chair Andre Dua Timothy Sebunya Charles J. Hamm Alan H. Fishman Brendan J. Dugan Adi Shamir Barbara B. Haws, C.A. Thérèse Esperdy Danny Simmons William Josephson BAM Board Vice Chairs Teri Everett Jessica Smith John Lipsky William I. Campbell Mallory Factor Brian Stafford Laurie Mallet Adam E. Max Ronald E. Feiner, Esq. Joseph A. Stern Cathy-Ann Martine Richard E. Feldman, Esq. Pedro J. Torres Hon. Franklin R. Weissberg President Steven G. Felsher John L. Usdan Vaughn C. Williams, Esq. Karen Brooks Hopkins Jeanne Donovan Fisher Brigitte Vosse Barry M. Fox Nora Ann Wallace BAM Endowment Trust Chair Secretary MaryAnne Gilmartin Elaine Weinstein Timothy J. Ingrassia Joseph V. Melillo Robert M. Greenberg Adam Wolfensohn G. Penn Holsenbeck Claire Wood Vice Chair Treasurer Anne Hubbard Andrew Zolli Norman L. Peck James I. McLaren Mark H. Jackson Derek Jenkins Ex Officio Treasurer President Emeritus Mary Kantor Hon. Michael R. Bloomberg Keith Stubblefield Harvey Lichtenstein Daniel A. Klores Hon. Christine C. Quinn Edgar A. Lampert Hon. Marty Markowitz Members Members François Letaconnoux Hon. Kate D. Levin William A. Douglass III Jeffrey H. Barker Gary Lynch Felice Forer Axelrod Elizabeth Holtzman Tony Bechara Martin F. Mertz Lela Goren James I. McLaren René Böttcher Patricia E. Michels Jamie Snow Markowitz Gabriel Pizzi Gordon Bowen Ahrin Mishan Alberto Sanchez Linda Chinn Donald R. Mullen Jr. Chairmen Emeriti Timothy Sebunya Henry Christensen III William A. Perlmuth Neil D. Chrisman R. Edward Spilka Pamela A. Codispoti David L. Ramsay, M.D., M.Ed. Seth S. Faison Nora Ann Wallace David E.R. Dangoor Frances A. Resheske Bruce C. Ratner Henry Christensen III, Ex Officio Cheryl Della Rosa Jonathan F.P. Rose Thérèse Esperdy, Ex Officio Dinyar S. Devitre Alan H. Fishman, Ex Officio

BAM Staff

Karen Brooks Hopkins, President Darrell M. McNeill, Associate Ryan Gastelum, Danielle Colburn, Wilbur Alvanza, Building Manager Joseph V. Melillo, Executive Producer, Music Michele Byrd-McPhee, Production Darryl Halickman, Project Manager Producer R. Michael Blanco, DanceMotion Coordinators Markee Glover, Mailroom Clerk USASM, Project Director Yeji Cha, Administrative Coordinator Ron London, Assistant Mailroom Alice Bernstein, Executive Vice Tanya Calamoneri, DanceMotion Quentin Mariano, Liz McGlone, Clerk President USASM, Project Manager Interns Jean Smith, Steve McDowell, Matthew Bregman, Vice President Sophia Shackleton, DanceMotion Building Services Associates for Development USASM, Project Coordinator Stage Crew Alysha Wright, Building Operations Stephanie S. Hughley, Vice Leigh Beaulieu, DanceMotion Thomas Paulucci, Crew Chief Coordinator President of Education & USASM Intern Cyrus Similly, Head Carpenter, OH Humanities Danny Kapilian, Producer, R&B Timothy Fuller, Flyman, OH Building Maintenance Soo Pak, Vice President of Festival, MetroTech James D’Adamo, Head Electrician,OH Anthony Shields, Maintenance Marketing & Communications Steven Serafin, Special Consultant Amy Domjan, Assistant Electrician, Supervisor Keith Stubblefield, Chief Financial & Editor, BAM: The Complete OH Carl Blango, Calvin Brackett, Officer and Vice President of Works Bill Horton Jr., Master of Properties, Ronald Hunter, Maintainers Finance & Administration OH Archives Marc Putz, Sound Engineer, OH Security President’s Office Sharon Lehner, Director of Archives James Kehoe, Head Carpenter, HT Melvin Patterson, Manuel Taveras, Alexandra Siladi, Project Coordinator Sarah Gentile, Digital Project John Manderbach, Head Supervising Attendant Guards Grace Eubank, Administrative Archivist Electrician, HT Kenneth Aguillera, Collie Dean, Assistant Louie Fleck, Archives Coordinator Edward Donohue, Master of Senior Attendant Guards Ryan Evans, Joseph Bradshaw, Properties, HT Marlon Desouza, Felix Jusino, BAM Rose Cinemas Karyn Anonia, Processing Archivists Alison Dabdoub, Sound Engineer, HT Kevin Lemon, Teonia Smith, Andel Efi Shahar, Cinema Executive Anita Goss, Volunteer Librarian Joe Werner, Assistant Carpenter, HT Thomas, Michael Whyte, Attendant Manager Arielle Cohen, Bree Midavaine, Oscar Gruchalski, Utility Man Guards Michael Katz, Projectionist Interns Richard Wurzbach, Utility Man Adam Goldberg, Assistant Manager Larysa McKenna, Jonna Pressman, Mary Lou Houston, Wardrobe Custodial Services Andreea Drogeanu, Davina Roberts, Volunteers Supervisor Ramon Cabassa, Custodial Anthony Shields Jr., Head Floor Staff Supervisor General Management Artist Services Allan Boyce, Ludlow Chamberlain, BAMcinématek Patrick J. Scully, General Manager Mary Reilly, Director of Artist Services Isaias Flores, Mayra Guillen, Gabriele Caroti, Director Sarah Bierenbaum, Assistant Rachel Katwan, Artist Services Brezhnev Mesa, Ron Rathan, Akeon Nellie Killian, David Reilly, General Manager Manager Thomas, Custodians Programmers Kevin Condardo, GM Budget Stacey Dinner, Artist Services Lisa Thomas, Publicist Manager Coordinator Development Andrew Chan, Marketing Coordinator Molly Rodino, GM Coordinator, Jeannine Baca, Artist Services Individual Giving Jesse Trussell, Programming Budgets & Contracts Representatives William Lynch, Director of Assistant Jaclyn Bouton, Sara Danielsen, Britany Polites, Fisher Representative Leadership Gifts Hannah Thomas, Publicity & Project Managers Barbara Cummings, Director of Marketing Assistant Liana Agredo, Project Coordinator Theater Management Development Michael Hurst, Assistant Morgan Green, Administrative Christine M. Gruder, Theater Manager Glenn Alan Stiskal, Director of Assistant John L. Jones, Associate Theater Major Gifts Artistic Programming Dakota Scott, Intern Manager Gwendolyn Dunaif, Associate Stonie Darling, Department Sonia Clayton, Jacqueline David, Director, Major Gifts & Patron Manager Production Leroy Houston, Theater Staff Programs Ross Marshall, Manager of Artistic Neil Kutner, Director of Production Supervisors Richard Serrano, Research Manager Planning Don Coleman, Production Manager Spider Duncan Christopher, Holly Shen Chaves, BAMart Manager Hannah Rubashkin, Intern Josh Escajeda, Associate BAMbus Manager Ben Lasser, Major Gifts Coordinator Production Manager Elizabeth Sarkady, Administrative Programs & Curatorial Paul Bartlett, Jennifer Grutza, Building Operations Coordinator Nick Schwartz-Hall, Line Producer Audrey Hoo, Dylan Nachand, Cameron Christensen, Director of Travis Calvert, Major Gifts Assistant Amy Cassello, Associate Producer, Elizabeth Moreau, Production Building Operations Catherine Charnov, Major Gifts Next Wave Festival Supervisors Samuel Velez, Security Manager Intern BAM Staff

Membership Education Digital Media Fiscal Katherine King, Director of John P. Tighe, Assistant Director Stephen Litner, Director of Digital Kozue Oshiro, Fiscal & Operations Membership Programs John S. Foster, Education Manager Media Director Sarah Mischner, Membership Eveline Chang, Verushka Wray, Jacob Strauss, Digital Marketing Adam Sachs, Fiscal Manager Manager Program Managers Manager Douglas Fischer, Fiscal Coordinator Bruce Smolanoff, Telefund Victoria Collado, Education Intern Aaron Weibel, Digital Product Manager Coordinator Government & Community Cheryl-Lyn Miller, Membership Humanities Nicholas Breul, Digital Production Affairs Assistant Violaine Huisman, Director of Assistant Tamara McCaw, Director of Jessica Benton, Allison Bodwell, Humanities Benjamin Cohen, Manager of Government & Community Danielle Davenport, Jennifer Molly Silberberg, Humanities Video & Media Production Affairs Douglas, Jahna Ferron-Smith, Coordinator Alexander Guns, Catherine Lee, Dewonnie Frederick, Community Benjamin Gansky, David Alix Rosenfeld, Humanities Intern Video Production Assistants Affairs & Bazaar Coordinator Goldstein, Justin Gray, Kelley Victor Rodriguez, Government & Green, Allie Harris, Kimberly LEAD INSTRUCTORS Marketing Community Affairs Assistant Howard, Samantha Inniss, Joshua Cabat, Young Film Critics Gillian Fallon, Director of Melissa Krzywicki, Stephanie Michael LoMonico, Shakespeare Marketing Human Resources Lane, Jacklyn Lawrence, Anthony Teaches Teachers Raphaele de Boisblanc, Claire Seth Azizollahoff, Director of Marino, Emilie McDonald, Gwendolyn Kelso, Young Frisbie, Marketing Managers Human Resources Rhonda Merrill, Christie Neptune, Shakespeare Robert Wood, Copywriter Jenny Rodriguez, Human Adrienne Reynolds, Matthew Jenny Rocha, Dancing into the Jenny Choi, Copy Editor Resources Manager Savarese, Naomi Schegloff, Future Lily Friedman, Operations Cynthia Smith, Payroll Manager Joshua Smilovitz, Amanda Wilder, Pat Hall, BAM/Restoration Manager Teisha Stallings, Benefits Specialist Stephen Williams, Saarah Zebede, DanceAfrica Coordinator Britt Aronovich, Marketing Analyst Sajal Javid, Recruiting Coordinator Membership Representatives Mo Beasley, Arts & Justice Allison Kadin, Marketing Program Coordinator Information Technology INSTITUTIONAL GIVING Jamie Kraus, Marketing Projects William Allen Lee III, Director of Clemente Luna, Director of TEACHING ARTISTS Coordinator Information Technology Institutional Giving Sarah Abrams, Harold Rhea Daniels, Intern Thomas Brown, Tessitura Bethany Basile, Institutional Akyeampong, Sékou Alájé, Business Manager Giving Manager Jennifer Armas, Melissa Brown, Strategic Marketing Ira Sibulkin, Senior IT Manager Kailin Husayko, Grants Writer Mahogany Browne, Chia-Ti Chiu, Molly Meloy, Director of Strategic Chris Tusciuk, Web Development Kaitlyn McKeon, Institutional Darian Dauchan, Emily Davis, Marketing Manager Giving Coordinator Harris Eisenstadt, Imani Faye, Melanie Cherry, Justin Monsen, Timothy Assam, Systems Anthony Mercado, Intern Kimani Fowlin, Samara Gaev, Marketing Managers Administrator Ingrid Gordon, Lauren Keating, Jessica Goldschmidt, Copywriter Svetlana Mikhalevskaya, Database Corporate Relations Nicole Kempskie, Farai Malianga, Developer Chantal Bernard, Director of Geneva Manley, Hector Morales, Ticket & Customer Services Jason Q. Minnis, IT Project Corporate Relations Kwesi Nkroma, Lauretta Noble, G. Scott Kubovsak, Director of Manager Gwendolyn Pointer, Director, LeeAnet Noble, Gene Osborne, Ticket Services Matthew Taylor, Web Developer Corporate Sponsorships/New Pamela Patrick, Baba Wali Royda C. Venture, Ticket Services John Roshen, Jersy Rodriguez, Business Development Rahman, Mike Ramsey, Gwenyth Manager Network Analysts Mimi Meserve, Manager, Corporate Reitz, Najee Ritter, Victor Sanchez, Giovanny Lopez, Ticket Services Susan Bishop, Administrative Relations Robby Stamper, Rohiatou Siby, Coordinator Coordinator Mariam Rahmani, New Business Elizabeth Simmons, Karen Latasha McNeil, Assistant Manager Lucas Austin, Assistant Desktop Development Coordinator Thornton-Daniels, Leese Walker, Ryan Mauldin, Senior Ticket Analyst Rebecca Carew, Sponsorship Adia Whitaker Services Representative Assistant Brandii Banks, Anaïs Blin, Marketing & Monique Davis, Robert Ebanks, Audience Research & Analysis Patron Services Communications Miranda Gauvin, Joya Harris, George A. Wachtel Ramzi Awn, Director of Patron Box Office Sindy Jean, Katora Matthews, Services Fred Dorso, Treasurer Edgar Mendoza, Warren Ng, Elsie Bookseller Michael Kendrick, Manager of Marsha Rosenberg, First Assistant Pacella, Shanice Tulley, Noel Vega, Greenlight Bookstore Patron Services & Donor Relations Treasurer Althea Wilkinson, Ticket Services Jessica Hindle, Patron Services Kevin McLoughlin, Charlie Dolce, Representatives European Production Coordinator Russell Grier, Victor Jouvert, Representative Samantha Duffy, Patron Services Assistant Treasurers Finance & Administration On Tour Ltd., Roger Chapman Assistant Finance & Administration Rachel Cordeiro-Perez, Intern Publicity Ellen Leszynski, Administrative Film Buyer Sandy Sawotka, Director of Coordinator Adam Birnbaum Special Events Publicity Margaret Breed, Director of Joe Guttridge, Associate Director Finance Immigration Counsel Special Events of Publicity Brian Herrin, Controller Jonathan Ginsburg, Fettman, Marissa Neiman, Special Events Susan Yung, Publications Manager Tameka White, Accounting Tolchin and Majors, PC Manager Adriana Leshko, Sarah Garvey, Manager James Vause, Special Events Publicity Managers Claudia Bailey, Budget Manager Insurance Broker Coordinator David Hsieh, Monica Ortiz Rossi, Samuel Grello, Accounts Dewitt Stern Jessica Hackett, Paloma Wake, Publicists Receivable Coordinator Special Events Assistants Lauren Morrow, Publicity Assistant Brian Gee, Accounting Associate Legal Counsel James Sutton, Publications David McCullough, Accounts Ronald E. Feiner PC Endowment & Planned Assistant Payable Administrator Giving Medical Consultants Denis Azaro, Endowment & Design Special Projects Ahmar Butt, MD; Anders Cohen, Planned Giving Director Clara Cornelius, Director of Design Jeremy Dewey, Director, Project MD Alexandra Biss, Board Relations Adam Hitt, Patrick Morin, Senior Management Coordinator Designers Katie Dixon, Director, Special Restaurateur Ryan Rowlett, Senior Interactive Projects Great Performances Education & Humanities Designer Shana Parker, Director of Katie Positerry, Interactive Capital Projects 9.15.13 Operations for E&H Designer Jonathan Jones, Director, Capital Jennifer Leeson, Operations Casey Cleverly, Design Studio Projects Manager for E&H Coordinator Matthew Baclini, Capital Projects Nathan Gelgud, Box Office Michelle Angelosanto, Designer Analyst Manager Gen O’Keefe, Mariela Morel, Carl Gillen, Capital Projects Cathleen Plazas, Internship Interns Manager Coordinator Laura Grady, Capital Projects Tamar MacKay, Rebekah Gordon, Coordinator Administrative Assistants