2016-Artist-Handbook.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

2016-Artist-Handbook.Pdf 2016 SYDNEY FRINGE FESTIVAL ARTIST HANDBOOK ARTIST HANDBOOK CONTENTS Registration ............................................ 3 Venues ............................................... 5 Artist Opportunities .......................................6 Ticketing .............................................. 11 Budgeting..............................................13 Marketing and Publicity.....................................17 The Business Side of Things..................................24 2 1. REGISTRATION KEY DATES us know about it in this Step. Registrations open: 1st March YOU’RE THEN BLOCKED FROM GOING ANY FURTHER. At this point in time, you Registrations close: 31st March pay your participation fee and once we have Branding strips available from Fringe received it, we will start working hard to website: 31st May find the right venue for your event. You will Sydney Fringe Festival: 1 – 30th September be contacted during March or April by our Artist Liaison to discuss your event. Festival Awards Night: Friday 30th September STEP 5: Sessions Once you have a venue you will be able to REGISTRATION PROCESS proceed to Step 5. You will have discussed your contract and fees with your venue and The Sydney Fringe is an open access event. can now enter in the Session (dates and The process to register and communicate times) that you have agreed on. If your event with the festival and the venues happens is ticketed, this is also the place where you mostly in a custom built online environment set the ticket categories and prices. designed specifically by the Sydney Fringe for our artists. We did this to make things as STEP 6: Approval automated and easy as possible for you. In Step 6 you will be able to sign off on our You will need to consider your answers event. carefully as the information will be used to populate your event page when the site FRINGE EVENT REGISTRATION SITE goes live to our ticket buying audience. (FERS) We won’t delve into too much detail here, as The Sydney Fringe is an open access event. you will be prompted online, but once you The process to register and communicate have created an account through our online with the festival and the venues happens registration portal, the main steps are: mostly in a custom built online The Fringe Event Registration Site (FERS) is STEP 1: Presenter Information our online portal for entering all your event You provide your name and contact details details. STEP 2: Production Company To register your event: Enter the name of your Production Company 1. Head to sydneyfringe.com (It may be the same 2. Click the Register Now Button name as your Presenter!) 3. Create a username and password STEP 3: Event You provide us with all of your event details STEP 4: Venue Essentials This is where you provide us with all the relevant information so that we can match you to a venue. The Sydney Fringe plays an active role ensuring that works are matched to the right venue. If you already have a venue in mind, there is an opportunity to let ARTIST HANDBOOK 3 EVENT CATEGORIES When you register your event you’ll need to What does my fee get me? select from two categories: • An event listing/tile in the Sydney Performing Arts Fringe printed guide (30,000 distributed throughout metropolitan Genres under this category are: Sydney) Comedy • A unique show page with ticket Music buying click-through on Fringe Theatre Website sydneyfringe.com Musical Theatre and Cabaret • Ticketing and box office management provided by the Sydney Fringe Dance • Possible listing opportunities in Poetry, Literature and Spoken Word designated magazine special editions Physical Theatre and Circus and wraparounds where possible Kids Fringe • Access to discounted advertising through Fringe Sponsors where Visual Art possible This category includes all visual art and • Free access to all Artist Masterclasses design including photography, sculpture, installation and film, solo and group • The potential to be highlighted in exhibition. Fringe features and advertising, in media partner publications and Please ensure that you select your genre online, where possible category carefully as this will inform where your event is categorized and presented in the Festival Guide and on our program online Please note: Artists are responsible for all of the presentation and production costs relating to their events PARTICIPATION FEES Your event is not official until payment is Our 2016 fees are: received. SESSION 0-3 SESSIONS 4+ SESSIONS PERFORMANCE 180 280 VISUAL ARTS 80 Participation Fees are GST Inclusive 4 2. VENUES OUR UNIQUE VENUE MATCHING PROCESS While we’re an open access Festival, we take on the role of matching artists to their venue. This ensures that artists find the right space for their event and have a greater chance of covering all their costs. Our team uses their knowledge of the industry to work with producers and to find the right space. This process has also proven very successful with interstate and international artists who aren’t familiar with the Sydney scene. As part of your online registration you will need to document all of your venue requirements. The Sydney Fringe will use this information to match you to an appropriate venue. Our Artist Liaison will also contact each producer individually to discuss his or her venue needs. You may already have a venue in mind for your event or already be in converstion with a venue. If that’s the case you’ll have the opportunity to let us know during the registration process. EMERGING ARTIST HUB As part of our commitment to supporting first-time artists and producers, the Sydney Fringe will operate an Emerging Artist Hub to provide a safe home for new producers to bring their work to life in a supported environment. The Hub will also provide an opportunity for audiences seeking emerging experimental work to find it in one home. You can nominate for your show to be considered for the Emerging Artist Hub during the registration process in ‘Step 4: Venue Essentials’. ARTIST HANDBOOK 5 3. ARTIST OPPORTUNITIES We’re interested in the long-term Artist who attended the masterclasses sustainability of the Independent arts and in 2015 found them to be invaluable and are committed to supporting artists in as offered very positive feedback about how many ways as we can. the workshops directed benefited their event’s bottom line. We highly recommend you make time to attend these sessions. PRODUCER MASTERCLASSES AND NETWORKING NIGHTS And why stop there? We’re hosting all masterclasses in one easy to get to location. An 8-part Masterclass series is designed Each masterclass will be followed by the to provide detailed hands-on advice to opportunity to network with other artists guide you through producing your event. over a drink from the bar, and then enjoy We will provide you with additional printed some free live entertainment from 8pm. resources, worked examples, and an opportunity to ask questions and hear from guest industry experts. The masterclasses align with key festival dates to provide the support you need as you work toward target deadlines. WORKSHOP 1: Budgeting Essentials Notes When: 9th May 2016 Where: Old 505 Theatre, 5 Eliza Street Newtown Free to Fringe Artists Successfully managing a budget is essential to producing arts events. This workshop will guide you line-by-line through your budget, give you tips for reducing your costs and optimising your revenues, and leave you feeling confident about the financial control of your project. Key ideas covered: • How to accurately estimate ticket revenue • Strategies for reducing expenses • What is a budget contingency? • How to budget for performer fees and profit share • What are my tax and legal obligations? • What records should I keep? • How should I budget for sponsorship and philanthropy? 6 WORKSHOP 2: Funding Strategies Notes Corporate Sponsorship, Crowd-funding, Grants and Philanthropy When: 23rd May 2016 Where: Old 505 Theatre, 5 Eliza Street Newtown Free to Fringe Artists This workshop will assist you to create a funding strategy by taking an in-depth industry look at your funding options. You will be armed with practical ‘how-to’ advice and printed resources. Key Ideas covered: • How to create a funding strategy • How to approach potential philanthropists • Should I bother with government grants and if so, which ones? • How to make my grant applications more competitive • How to confidently approach corporate sponsors • How to create a successful crowd-funding campaign Industry Guests: Local, State or Federal Grants Expert WORKSHOP 3: Marketing Intensive All three Marketing Workshops (Marketing, When: 6th June 2016 Publicity and Social Where: Old 505 Theatre, 5 Eliza Street Newtown Media are designed Free to Fringe Artists to fall by end of June and July so that artists The first of three workshops dedicated to marketing, this have 2 months (Jul and workshop will equip you with Marketing essentials and focus Aug) to implement on creating a marketing campaign and creating strong marketing campaigns marketing collateral. consistent with the Key Ideas covered: producing cycle • Identifying your target audience • How to share the load – your marketing partners • What are the secrets to great marketing images/ photographs • Should I pay for advertising? • Promotional strategies Industry Guests: Local, State or Federal Grants Expert ARTIST HANDBOOK 7 WORKSHOP 4: Publicity Intensive (including Outside-the- Box publicity strategies) When: 20th June 2016 Where: Old 505 Theatre, 5 Eliza Street Newtown Free to Fringe Artists
Recommended publications
  • Particpant Bios
    CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’.
    [Show full text]
  • Issue 1, 2013
    Issue 1, 2013 Welcomehe lifestyle guide is an informative As many residents will agree, there are many publication for inner-city residents things they have yet to discover about their who are surrounded by so many beautiful city. We would like to help you find Tfabulous lifestyle choices. out more about your charming community, introducing you to quality local businesses and Having specialised in the inner city for almost services that our international guests sample on 20 years, we are excited to share our a daily basis. knowledge and passion for this precinct, ensuring you are kept up to date with the If you would like to contribute to the guide or let property market, local businesses in the us know what content you’d like to read about, community, helpful information for residents please email [email protected] and articles relevant to living the high life. In our second issue, you will find articles on the Enjoy! Barangaroo development, a City of Sydney update, opportunities to invest, the inner city’s hidden bars, outdoor training and what to do Carlie Ziri and where to eat as well as property-related Director, articles and results. lifestyle property agency 2 lifestyle guide contents 4 City of Sydney plans 20 Restaurant review: Mr Wong 6 lifestyle property agency launch 22 Food & bar guide 8 Update on overseas executive rentals 23 Small bars 10 Developments at Barangaroo 27 DIY super 12 Business profile: BarCycle 29 Online guide 14 Getting fit 30 Local charity: City of Sydney PCYC 16 Development profile: Walsh Bay 32 What’s on guide 18 Executive leasing 34 Services guide 20 29 32 16 23 Team Publisher Carlie Ziri lifestyle guide Editor Jane-Anne Lee 140 Cathedral St, East Sydney NSW 2011 Designer FLUXX • fluxx.com.au Tel 9380 2255 [email protected] Advertising Michelle Seale thelifestyleguide.com.au Tel 0498 647 459 • Fax 9876 8558 [email protected] lifestyle guide is registered with Australia Post.
    [Show full text]
  • Cultural Policy Discussion Paper
    Cultural Policy Discussion Paper Sydney2030/Green/Global/Connected CreativeCity Cultural Policy Discussion Paper March 2013 Sydney2030/Green/Global/Connected 1 Cover image: Forgotten Songs by Michael Thomas Hill for By George! Hidden Networks, 2009, Angel Place / Paul Patterson Above: Tsunami by Janet Echelman, George Street Sydney, Art & About Sydney 2011 / Paul Patterson Section Contents Lord Mayor’s Message 02 01 Executive summary 04 02 Our approach 06 03 Scope – ‘defi ning’ culture 08 04 The value of culture 10 05 Demographic and social context 14 06 The role and limits of capital city government 27 07 Policy context – Sustainable Sydney 2030 28 08 Taking stock – Council’s current role in supporting Sydney’s cultural life 31 09 What does success look like? 34 10 Foundation principles 36 11 Eight directions 43 Direction 1: Improving Access, Creating Markets 44 Direction 2: New Avenues for Creative Participation 47 Direction 3: A Vibrant Creative Economy 51 Direction 4: Fostering Precinct Distinctiveness 54 Direction 5: A Partner for Big Ideas 57 Direction 6: Sector sustainability: Surviving and Thriving 60 Direction 7: Sharing Knowledge 63 Direction 8: Global Engagement 66 12 Next steps 68 13 References 70 1 Creative City Lord Mayor’s Message From museums, galleries, festivals and concert halls It’s a timely discussion as federal and state governments to street art, shops, hackers and hole-in-the-wall venues develop cultural policies and strategies. Local Government – some of the best things about our city are bound NSW reports 55 per cent of the state’s councils now have up in its cultural life.
    [Show full text]
  • No. 398 the Sydney Fringe Festival
    Submission No 398 SYDNEY'S NIGHT TIME ECONOMY Organisation: The Sydney Fringe Festival Date Received: 2 July 2019 Table of Contents TERMS OF REFERENCE: 2 EXECUTIVE SUMMARY 2 THE CURRENT LANDSCAPE 6 GOVERNMENT INVESTMENT IN SMALL-MEDIUM SIZED PERFORMANCE SPACES THAT ARE OPEN ACCESS AND AVAILABLE FOR ALL ARTISTS TO HIRE. 7 INCLUSION OF NEW CULTURAL INFRASTRUCTURE IN MAJOR STATE INFRASTRUCTURE PROJECTS 9 REGULATORY REFORM RECOMMENDATIONS 10 CASE STUDY: 469 KING STREET NEWTOWN – GLITTERBOX HAIR SALON 11 GROWING TRENDS FOR MULTI-PURPOSE SPACE 13 RESTRICTIONS ENCOUNTERED IN ACTIVATING BUILDINGS FOR MULTI-PURPOSE CREATIVE USE 14 PRIVATE SECTOR PARTNERSHIPS TO ACTIVATE SPACE 15 INDEPENDENT ANALYSIS OF SUBMISSIONS TO LICENSING APPLICATIONS 16 STATE GOVERNMENT LEGISLATION TO UNLOCK TEMPORARY AND PERMANENT CULTURAL INFRASTRUCTURE IN MAJOR PRIVATE SECTOR DEVELOPMENTS 16 LOCK OUT LAWS AND THE IMPACT ON INCOME STREAMS VITAL FOR SUSTAINABILITY OF CULTURAL BUSINESSES 17 CONCULSION ERROR! BOOKMARK NOT DEFINED. 1 PARLIAMENT OF NEW SOUTH WALES JOINT SELECT COMMITTEE ON SYDNEY'S NIGHT TIME ECONOMY Prepared by: Kerri Glasscock - Sydney Fringe Festival Director & CEO Terms of Reference: That the Committee inquire and report into Sydney’s night time economy, including any measures required to: 1. (a) maintain and enhance community safety; 2. (b) maintain and enhance individual and community health outcomes; 3. (c) ensure existing regulatory arrangements in relation to individuals, businesses and other stakeholders, including Sydney's lockout laws, remain appropriately balanced; 4. (d) enhance Sydney’s night time economy; and any other directly relevant matters. Executive Summary The Sydney Fringe Festival is now the largest independent arts festival in NSW. Each year we provide performance opportunities for over 2000 independent artists from all genres including performing arts, live music, visual arts, arts education, art making, multi-media and experimental arts.
    [Show full text]
  • Audience Outlook Monitor 2021
    AUDIENCE OUTLOOK MONITOR Audience Outlook Monitor 2021 Participating organisations ACMI (Bathurst Regional Circa Council) Adelaide Festival Circus Oz Centre Belconnen Arts Centre Colac Otway Adelaide Fringe Bell Shakespeare Performing Arts & Cultural Centre Adelaide Symphony Belvoir St Theatre (COPACC) Orchestra Bendigo Venues & Country Arts SA Art Gallery of Ballarat Events Dancehouse ART ON THE MOVE Black Swan State Theatre Co Darwin Aboriginal Art Arts Centre Melbourne Fair Foundation Ltd Brisbane Festival Artspace Design Tasmania Brisbane Multicultural Australian Arts Centre Dionysus / Art, Not Brandenburg Apart Orchestra Brown's Mart Theatre Drum Theatre Australian Centre for Campbelltown Arts Dandenong Contemporary Art Centre (ACCA) Electronic Music Canberra Theatre Conference Pty Ltd Australian Festival of Centre Chamber Music Empire Theatres Canberra Youth Australian Museum Theatre Feast Festival Australian Theatre for Carriageworks Footscray Community Young People (ATYP) Arts Centre Centre for Bangarra Dance Contemporary Forge Theatre and Arts Theatre Photography Hub (East Gippsland Shire Council) Bathurst Memorial Chunky Move Entertainment Centre Frankston Arts Centre 1 AUDIENCE OUTLOOK MONITOR Geelong Arts Centre Melbourne Theatre Powerhouse Museum Company Geelong Gallery Queensland Art Merrigong Theatre Gallery | Gallery of History Trust of South Company Modern Art Australia Mildura Arts Centre - Queensland Ballet HOTA, Home of the Mildura Rural City Arts Queensland Museum Council Network Information + Cultural Museums Victoria
    [Show full text]
  • 2016 Sydney Fringe Comedy Program
    Sydney’s Best Value Comedy Show 10 COMEDIANS FOR $10 2016 PROGRAM A DIFFERENT LINE-UP OF COMEDIANS EVERY SHOW! ‘10 Comedians for $10’ Shows at 2016 Sydney Fringe Our 2016 Fringe Comedy Shows are at The Bat & Ball Hotel, 495 Cleveland St, Redfern. Click here to get tickets for our Sydney Fringe Comedy Shows. Click on a comedian’s name to view his/her profile. Click on links in right column to see other Fringe shows these comedians are performing. Sally Kimpton Sally Kimpton delights with stand-up that’s clever, edgy and hilarious! Sally has performed at the Melbourne International Comedy Festival in ‘Extreme Blonde’, followed by her one woman show ‘Sally Kimpton - MyStar’ at the Sydney Comedy Festival. She has appeared on and written material for national radio programmes, including on Triple J and Triple M. Sally’s TV appearances include The Comedy Channel’s ‘Headliners’ and ‘Stand-up Australia’. She was a quarter finalist in NBC’s ‘Last Comic Standing’ filmed at the Miami Improv in 2008. She has also been spotted on Network TEN’s ‘Thursday Night Live’ and Channel 7’s ‘Today Tonight’ (don’t ask!) In June 2012 Sally was invited to perform with Rove McManus and Wil Anderson in an Aussie comedy showcase in Los Angeles. Sally specialises as a Master of Ceremonies, Acts in Television and Film Productions and is finalising details for her first comedy book. A popular Headliner and a skilled MC, She has been making them laugh at fine, and not so fine comedy venues nationally and internationally for over 15 years! Website: sallykimpton.com Facebook: fb.com/The.Sally.Kimpton Youtube: youtube.com/sallykimpton 3 CJ Delling CJ is a comedian, cartoonist, podcaster and maker of stuff for the easily amused.
    [Show full text]
  • White Rabbit's Beyond the Frame
    Artwrite 47 ISSN: 1038-3719 Thank you to... Anna Lutkajtis Sub Editor The Art of Corporate Identity Joanna Mendelssohn Anna Lumsden Gokcen Altinok Short Pieces Co Editor PDF Team Sub Editor Sub Editor Australia Could Benefit From Some Ther- apy David Lyndon PDF Team Aleema Ash Sub Editor Why Art Goes Underground Copyright Team Sub Editor When Past and Present Goes Hand In Elka Okawa Hand Sub Editor Del Kathryn Barton - Satellite Fade-Out Amy Bortolazzo Nina Pether Image Team Whip Sub Editor A World of Unknown Becomes Everyone’s Sub Editor Politics on Display Story Renay Ringma Maragrett Cortez Copyright Team Image Team Sub Editor The Real National Cultural Policy Debate Sub Editor Performance Artist Runs Rings Around the Rest Dale Maxwell-Smith PDF Team Elisha Donath Sub Editor We’ve Lost Our Good Old Mama Articles for Children Editor Sub Editor Sophie Todd Letters Editor Amalie Frederiksen Sub Editor The Mad Square: The Impact of the Nazis Sub Editor Addressing the Problem of an Empty Life in a Developed Consumer Economy Marietta Zafirakos Letters Editor Skye Gibson Sub Editor Beyond the Storage Space: White Rabbit’s Short Pieces Co Editor Beyond The Frame Sub Editor The Sculptor Who Challenged Everything Special Acknowledgements Simonette Gill Sub Editor The Contemporary Art Gallery: Equal Dean Sewell, Tamara Dean, White Rabbit Gallery, Access for All? Art Gallery of New South Wales, Roslyn Oxley9, Sydney, Bronek Kozka, Niagara Galleries (Melbourne), Megan Hillyer Serial Space, Fran Barrett, Tom Smith, Valentina Whip Schlute, Arthouse
    [Show full text]
  • Damien Power Comedian/Writer/Actor
    DAMIEN POWER COMEDIAN/WRITER/ACTOR Three-time Melbourne Comedy Festival Barry Award nominee Damien Power is widely regarded as the most exhilarating voice on the Australian comedy circuit. Damien’s material ranges from personal stories about his brother Will Power (a famous IndyCar driver) to impassioned and absurdist socio-political commentary. After just a handful of years playing festivals, he’s racked up awards, nominations and rave reviews as well as selling out rooms across the country. But it’s not just locals that are talking about Damien. He was hand-picked to support Tenacious D’s last tour around Australia and has subsequently supported Doug Stanhope and Maz Jobrani, as well as live-tweeting his brother Will's IndyCar Championship win to an international audience of motoring and comedy enthusiasts, gaining attention from USA Today, NBC and Fox Sports, as well as IndyCar HQ. This year he captured the attention of Hollywood comedy royalty Bob Odenkirk (Better Call Saul, Tim and Eric Show, Great Job!) who named him as one to watch. Damien toured his raw, assured I Can’t Believe I Cared to audiences around Australia and the world in 2015. He took the 2016 festival scene by storm with Sell Mum Into Slavery, and was filmed as part of ABC-TV’s Next Gen series. In Australia, Damien is also a member of the “True Australian Patriots” – winners of the Director’s Choice award at the 2016 Melbourne International Comedy Festival. He stars in fellow True Australian Patriot performer Anne Edmonds’ new show for ABC TV, The Edge Of The Bush, had his own segment – “Power to the People” – on The Project and featured in the ABC series Fancy Boy.
    [Show full text]
  • March 2018 Summary
    SYDNEY AS A 24-HOUR CITY MARCH 2018 SUMMARY In May 2017, the Committee for Sydney established a Commission on the Night-time Economy in Greater Sydney. The Commission was co-chaired by the Hon. Peter Collins and Michael Rose, Chair of the Committee for Sydney. Membership of the Commission included representatives from state and local governments, businesses, cultural institutions and peak bodies (a full list of organisations involved in the Commission can be found at the back of the document). The primary objective of the Commission was to explore and define the economic, social, cultural and civic potential of Greater Sydney as a 24-hour city. Our focus has been on Greater Sydney, not just the harbourside CBD. Our work reflects the fact that a successful night-time economy requires the coordination of multiple agencies and actors, effective planning and good governance and regulation. As such the Commission’s recommendations are grouped in four areas: Expanding the diversity of night-time activities Effective Governance and Regulation An integrated approach to Planning and Transport Promoting Greater Sydney as a 24-hour city Our contribution to this debate builds upon an extensive body of work from universities, state and local governments and other organisations. We recognise that there is no ‘silver bullet’ in creating a diverse, accessible and vibrant 24-hour city, however our report contains recommendations and examples of global best practice, which we feel will help Sydney achieve its potential as a 24-hour city. 02 SYDNEY AS A
    [Show full text]
  • Media Release
    MEDIA RELEASE HPG Australia welcomes Sydney Fringe Festival to Sydney Park, Alexandria HPG Australia announces principal partnership with Sydney Fringe Festival 2017 Sydney, 3 May 2017 – Local property developer, HPG Australia (HPG) and the Sydney Fringe Festival (Fringe) have today jointly announced a new partnership which will see HPG join City of Sydney as a Principal Partner. HPG’s partnership will see them freely providing 7,000sqm of empty warehouse space to house the Fringe’s headquarters and main venue for events, during 2017. In addition to the provision of the flexible space, HPG has also made a substantial cash contribution to assist the Fringe in delivering its annual marketing campaign. The warehouse, roughly the size of an airport hangar, is on the site of HPG’s future low-rise premium apartment development, currently being referred to as ‘Sydney Park Life’, which will be uniquely located directly adjacent to the south-eastern corner of the iconic community amenity, Sydney Park, in Alexandria. Sydney Fringe lodged a development application with City of Sydney Council to utilise the warehouse on the 22 December 2016 and is keenly awaiting council approval so the local arts community can take full advantage of such a rare opportunity. It is expected that Fringe administration will occupy the warehouse on Euston Road from May until the end of 2017, when it is scheduled for demolition. The partnership enables the festival to host its activities far earlier than its usual annual time of 1-30 September, with events and activations to be held monthly starting as early as late May.
    [Show full text]
  • Attachment A
    Attachment A Recommended for Funding – Festivals and Events Sponsorships (Artform) Festivals and Events Sponsorship (Artform) 2019-20 Round 2 Recommended for Funding Festivals and Events Sponsorship (Artform) 2019-20 Round 2 Organisation Project Name Project Description $ Amount VIK Requested $ Amount VIK Conditions Name Requested Recommended Recommended RECOMMENDED FOR FUNDING Apocalypse La Femme A series of neo-burlesque $9,540 Nil $9,540 Nil Nil Theatre Company shows featuring local Incorporated performers at the Vanguard in Newtown exploring the representation of femme identities in popular culture and informed by Sydney icons and modern Australian narrative. Audiocraft Pty Ltd Audiocraft Podcast A three day podcasting $26,500 Nil $20,000 Nil Nil Festival festival at the Australian Film, Television and Radio School in Moore Park bringing together podcast producers for skills development, networking and knowledge sharing. Festivals and Events Sponsorship (Artform) 2019-20 Round 2 Organisation Project Name Project Description $ Amount VIK Requested $ Amount VIK Conditions Name Requested Recommended Recommended RECOMMENDED FOR FUNDING Australian Art Art Month Sydney A contemporary art $18,000 Street Banner $18,000 Street Banner Nil hire fee waiver to Events Foundation 2020 festival featuring Hire fee waiver exhibitions, talks, walking to the value of the value of and cycling tours, and $9,272 $9,272 workshops in Chippendale, East Sydney and Paddington with precinct activations through Waterloo, Green Square, and Newtown. Comedy Sydney Comedy A series of comedy Nil Venue Hire fee Nil Venue Hire fee Nil waiver to the Development Ltd Festival at Sydney events held at Sydney waiver to the Town Hall Town Hall placing special value of $26,475 value of $26,475 focus on children, families, emerging artist Street Banner Street Banner development and Hire fee waiver hire fee waiver to attracting new audiences to the value of the value of through innovative and $9,798 $9,798 accessible programming.
    [Show full text]
  • Newcastle Fringe Festival 2021
    Book Now 2021 Program 17th - 21st March BUY TIX: stickytickets.com.au/newcastlefringe/events WEBSITE: www.newcastlefringe.com.au #newcastlefringe #bingenewyfringe Photo credit: Alison Laird CONTENTS 2 WELCOME FROM THE DIRECTOR 4 Bang Bang Bandit Variety Show/Daydreamers Playhouse/Clark’s Nerdy Sydney Musical/ Make America Great Again 5 Disenchanted: A Cabaret of Twisted Fairy Tales/ Tom Witcombe: Amoral/ The Hunter Wind Quintet/ Zlatko’s Balkan Cabaret 6 Switch Witchetty’s Almanac of Everything/Do The Hibble Hop/Harry Jun: Erratic/ Jawbone 8 Girls to the Front/Who Let the Dyke Out? /Gaybies/ The Art of Falling in Love by Eddy Rockefeller. 9 Camino Man/WCB: Sigil/Red Orchestra/piss to EME 10 Moth/Nerds & Music/Samson 14 Maynard/Wine Mums: Live Laugh Love/Unplanned We’re Melodies Cabaret 15 OMG WTF/Bang Bang Bandit Variety Show/ The Music of Petty Nicks/The Nancy Sinatra & Lee Hazlewood Experience proud to be 17 Fringe pull-out program - Wednesday 17th and Thursday 18th March 18 Fringe pull-out program - Friday 19th and Saturday 20th March sponsors of the 19 Fringe pull-out program – Saturday 20th (cont.) and Sunday 21st March 20 Fringe pull-out program – Workshops Newcastle Fringe 22 Fringe For Families @ The Station 23 Free Weekend at the Station 24 Free Weekend at the Station 26 Newcastle Fringe Emerging Film Makers Festival Festival. 28 Circus Box/Pop Poetry 29 Black Starr Cabaret/OMG WTF 30 Mad Bitches Inc./Victor Martinez Parada with Our commitment to our Australian Lily Guerrero communities has been a passion for over 31 Jane Austen: The Good the Bad and the Ugly/Fever 180 years and as owner and operator of 32 Not for the Cultched/Failure to Launch the Newcastle Gas Storage Facility we’re 33 Binge Newy Fringe 36 Dubbo Fringe pleased to continue to support this new edition of the Newcastle Fringe Festival.
    [Show full text]