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Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova
Compiled by Irina Kuzmina Marina Medkova English version Olga Perevezentseva Dmitry Osipenko Digital version Dmitry Osipenko Graphic Design Lilia Garifullina Theatre Union of the Russian Federation Strastnoy Blvd., 10, Moscow, 107031, Russia Tel: +7 (495) 6502846 Fax: +7 (495) 6500132 e-mail: [email protected] www.stdrf.ru Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova. Moscow, Theatre Union of Russia, April 2016 A reference book with information about the structure, locations, addresses and contacts of organisers of theatre festivals of all disciplines in the Russian Federation as of April, 2016. The publication is addressed to theatre professionals, bodies managing culture institutions of all levels, students and lecturers of theatre educational institutions. In Russian and English. All rights reserved. No part of the publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher. The publisher is very thankful to all the festival managers who are being in constant contact with Theatre Union of Russia and who continuously provide updated information about their festivals for publication in electronic and printed versions of this Guide. The publisher is particularly grateful for the invaluable collaboration efforts of Sergey Shternin of Theatre Information Technologies Centre, St. Petersburg, Ekaterina Gaeva of S.I.-ART (Theatrical Russia Directory), Moscow, Dmitry Rodionov of Scena (The Stage) Magazine and A.A.Bakhrushin State Central Theatre Museum. 3 editors' notes We are glad to introduce you to the third edition of the Russian Theatre Festival Guide. -
By Zukhra Kasimova Submitted to Central European University Department of History Supervisor
ILKHOM IN TASHKENT: FROM KOMSOMOL-INSPIRED STUDIO TO POST-SOVIET INDEPENDENT THEATER By Zukhra Kasimova Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Charles Shaw Second Reader: Professor Marsha Siefert CEU eTD Collection Budapest, Hungary 2016 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection 1 ABSTRACT This thesis aims to research the creation of Ilkhom as an experimental theatre studio under Komsomol Youth League and Theatre Society in the late Brezhnev era in Tashkent, the capital of Uzbek SSR. The research focuses on the controversies of the aims and objectives of these two patronage organizations, which provided an experimental studio with a greater freedom in choice of repertoire and allowed to obtain the status of one of the first non-government theaters on the territory of former Soviet Union. The research is based on the reevaluation of late- Soviet/early post-Soviet period in Uzbekistan through the repertoire of Ilkhom as an independent theatre-studio. The sources used include articles about theatre from republican and all-union press. CEU eTD Collection 2 ACKNOWLEDGEMENTS I am grateful to my research advisor, Professor Charles Shaw, for encouraging me to focus on Soviet theatre developments in Central Asia, as well as for his guidance and tremendous support throughout the research process. -
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Advances in Social Science, Education and Humanities Research, volume 232 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018) The Modern Scenography in Eastern Siberia Problems and Perspectives of Development Maria Voronova Department of Humanitarian and Social Disciplines Krasnoyarsk State Institute of Arts Krasnoyarsk, Russia E-mail: [email protected] Abstract—The article includes a survey of scenography in Despite the fact that the first steps in this direction were Eastern Siberia, and of Krasnoyarsk and Irkutsk theatres in made in the capital theatres yet in the 1920s in theatrical particular. It analyzes historic and modern aspects. The experiments of plastic Avant-guard masters, in regions aesthetic particularity is determined on examples of manifests of futurists and constructivists were embodied in a domination of visual and literary bases in different cities of the modified form much later. Only in the 1930s staffs of the so- region. There are problems of scenographic decor marked in called TRAMs 1 and RABTEMASes2, decorating such stage the 1990s – a critical period for the country. Trends in development of the theatre decor art and scenography are plays as “Girls of the year 1917” (1932) and “Girls of Our identified and its probable ways are supposed on the base of Country” (1933, by A. Mikitenko), displayed elements of particular stage plays of the latest 5 years. Avant-guard trends. The decorations were made according to constructivism, using grounds – “tools” of geometrical Keywords—scenography; theatre decor art; Krasnoyarsk shapes, round and rectangular, of various height, set on the theatres; Irkutsk theatres; the artist’s theatre; decorations; stage area under different angles. -
M O S C O W Russia and Church Bells Easter in Russia the Collapse Of
MOSCOW APRIL 2010 www.passportmagazine.ru Russia and Church Bells Easter in Russia The Collapse of the Offi ce Market Consumerism in Russia April_covers.indd 1 22.03.2010 09:57:20 April_covers.indd 2 22.03.2010 09:57:47 Contents 3, 6-8 Previews: The Great Lent and Easter in Russia France in Russia/Russia in France year 4 What’s On in April 10 Theatre Review 6 A Person from La Mancha The Breath of Life Barefoot in the Park 12 The 1970s in Art 14 Culture Church Bell Ringing Transcendental Meditation 14 18 Travel Kolomna 22 Russian reflections, a Personal View Consumerism in Russia The Olympics 22 26 Real Estate The Collapse of the Office Market 29 Your Moscow The Babayevsky Chocolate Factory Kolomenskoye and Tsaritsyno 32 Recipe 26 Beef Stroganoff – The Right Way 33 Restaurant Review Druzhba Chinese Restaurant 36 Out & About HOLI festival in Moscow! Ambassadors make Art RBCC Real Estate Seminar Brian Wilson at the British Lifestyle Exhibition 36 40 Columns Flintstone, Anth Ginn, Deidre Dares 43 Book Reviews ‘Gengis Khan’, ‘Absurdistan’. 45 Family Pages 45 Another ‘Lisa & Friends’ story April 2010 3 April_covers.indd 2 22.03.2010 09:57:47 Letter from the Publisher Easter this year in Russia is on April the 4th, which is a Sunday. This follows six weeks of fasting which Russian Orthodox Christians observe with a varying degree of abstinence. Olga Slobodkina explains in her article on Lent and Easter in Russia. This Easter, as every year now, church bells will ring out, pronouncing the news that ‘Christ has risen indeed’. -
Reading for the Masses: Popular Soviet Fiction, 1976-80. Research Report
DOCUMENT RESUME ED 213 025 CS 206 741 AUTHOR Friedberg, Maurice TITLE Reading for the Masses: Popular Soviet Fiction, 1976-80. Research Report. SPONS AGENCY International Communication Agency, Washington, D.C. REPORT NO R-13-81 PUB DATE 25 Jun 81 NOTE 112p. EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Content Analysis; Drama; *Fiction; Government Role; Literary Criticism; Literary History; *Literature; *Periodicals; Poetry; *Political Influences; Social Environment; *Social Indicators; Social Problems IDENTIFIERS *USSR ABSTRACT Noting that Soviet prose, drama, and poetry reveal the nuances of the moods and policies fostered by the Soviet government while reflecting the Soviet reading public's interests and aspirations, this report describes a study of the values and attitudes by which the Soviets live as reflected in the literature published in Soviet literary magazines between 1976 and 1980. Following an overview of the project, the first section of thereport discusses each of the seven Soviet literary journals studied. The remaining portion of the report discusses topics found in Soviet literature as follows: (1) vocal Soviet patriotism, (2) positive hero, (3) industrial deve]opment and its rural 'variants,(4) the vanishing Russian village, (5). the Soviet city, (6) Russian history, (7) World War II,(8) the exotic, (9) equality and elitism, (10) ethics, (11) crime and antisocial behavior, (12) the aexual revolution, (13) the shaky Soviet family, (14) religion, (15) the senior citizen, and 16) .erica. A concluding section discusses -
Opinions of Film Critics and Viewers
Alexander Fedorov 100 most popular Soviet television movies and TV series: opinions of film critics and viewers Moscow, 2021 Fedorov A.V. 100 most popular Soviet television movies and TV series: opinions of film critics and viewers. Moscow: "Information for all", 2021. 144 p. What does the list of the hundred most popular Soviet television films and TV series look like? How did the press and viewers evaluate and rate these films? In this monograph, for the first time, an attempt is made to give a panorama of the hundred most popular Soviet television films and serials in the mirror of the opinions of film critics, film critics and viewers. The monograph is intended for high school teachers, students, graduate students, researchers, film critics, film experts, journalists, as well as for a circle of readers who are interested in the problems of cinema, film criticism and film sociology. Reviewer: Professor M.P. Thselyh. © Alexander Fedorov, 2021. 2 TABLE OF CONTENTS Introduction ………………………………….................................................................................... 4 100 most popular Soviet television movies and TV series: opinions of film critics and viewers ……………………………........................................................................................... 5 Interview on the release of the book "One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers"…………………………………………………………….. 119 List of "100 most popular Soviet television films and TV series.......................................... 125 About -
In This Issue
In this issue ICLM Chair’s address – P. 1 ICLM Conference in Irkutsk – Programme – P. 2–5 Proposals for the ICLM Conference 2015 – P. 6 ICLM Publications – P. 7 Dear colleagues, dear friends, After our fantastic ICOM General Conference in Brazil we are moving to Eastern Siberia, to the Lake Baikal, and in two weeks, on July 26–31, our annual Conference “Writer, Composer, Museum and Environment” will be held in Irkutsk. More than fifty participants are coming to Irkutsk from Russia, Germany, Norway, Italy, Croatia, Sweden, Latvia, Azerbaijan, Armenia, Kazakhstan, USA. This Conference is organized with the support of the Ministries of Culture of Russian Federation and of the Irkutsk Region. We would like to express our gratitude to our colleagues in the Irkutsk Museum of the Decembrists for their great work in organizing this ICLM event, we greatly appreciate the tremendous efforts of Elena Dobry- nina, the Director of the Decembrists Museum, and Ol’ga Akulich, its Deputy Director! We would like to extend our special gratitude to Mr. Sergey Eroshchenko, the Governor of the Irkutsk Region and to Dr. Vitaly Baryshnikov, the Minister of Culture and Archives of the Irkutsk Region. We are very happy that in the annual Conference 2014 some new ICLM members from Armenia, Kazakhstan, Norway, Russia will be participating! There are two candidate locations for the ICLM Conference 2015: Tbilisi (Georgia) and Dubrovnik (Croatia). In Irkutsk we will have to decide about the host city for our next conference. I wish you a safe and pleasant trip to Irkutsk! Looking forward to seeing you there, With warm regards, Yours sincerely, Dr. -
Record Holders of the Banned Soviet Cinema (1951-1991) in the Mirror of Film Criticism and Viewers' Opinions
ALEXANDER FEDOROV Record holders of the banned Soviet cinema (1951-1991) in the mirror of film criticism and viewers' opinions Fedorov, A. Record holders of the banned Soviet cinema (1951- 1991) in the mirror of film criticism and viewers' opinions. Moscow: “Information for all”. 2021. 102 p. The monograph provides a wide panorama of the opinions of film critics and viewers about full-length feature Soviet films (1951-1991), which were banned for a long time (over five years) from being shown in cinemas and on television or stopped while filming. For higher education teachers, students, graduate students, researchers, film critics and historians, journalists, as well as a wide range of readers interested in the history of cinematography, the problems of cinema, film criticism and film sociology. COPYRIGHT © 2021 BY ALEXANDER FEDOROV [email protected] ALL RIGHT RESERVED. 10 9 8 7 6 5 4 2 1 FEDOROV, ALEXANDER. 1954-. RECORD HOLDERS OF THE BANNED SOVIET CINEMA (1951-1991) IN THE MIRROR OF FILM CRITICISM AND VIEWERS' OPINIONS /ALEXANDER FEDOROV. INCLUDES BIBLIOGRAPHICAL REFERENCES. 1. SOVIET MOVIES. 2. BANNED FILMS. 3. FILM STUDIES. 4. CINEMA. 5. USSR. 6. FILM CRITICISM. 7. SCREEN. 8. IDEOLOGY. 9. VIEWERS. 10. OPINIONS. 11. RUSSIA. 12. FILM HISTORY. 13. RUSSIAN CINEMA. 14. AUDIENCE. 15. JOURNALS. 2 Table of contents Introduction …………………………………………………………………………………………………….... 4 1. Record holders of the banned Soviet feature films (1951-1991), who have been on the "shelf" for over five years or stopped while filming………………………….. 9 2. Soviet full-length feature films (1951-1991), released only to the republican film distribution …………………………………………………………..69 Appendices ………………………………………………………………………………………………………..73 Stereotypes of the Soviet cinematographic image of the war and Valentin Vinogradov’s film "Eastern Corridor" (1966) ………………………………………74 Alexander Ivanov: “How I played a major role in the destroyed movie "The Moment of Truth" ("In August of 1944")".......…………………………………………. -
Evolution of the City of Irkutsk Economic-Geographic Position in Various Scales
P r a c e Ko m i s j i Ge o G r a f i i Pr z e m y s ł u Nr 16 WARSZA W A –KRA K Ó W 2010 ANATOL JA K OBSON Irkutsk State Railway University, Russia Evolution of the city of Irkutsk economic-geographic position in various scales The well-known notion of economic-geographic position seems to be a good instrument of regional analysis, although qualitative. The two principal peculiarities of this method are, according to the classics (Nikolay Nikolayevich Baransky [1], Isaak Moiseyevich Mayergoyz [2]), “playing scales” and historical, evolutionary approach. An interesting idea was suggested not long ago by Professor Andrey Treyvish (Mayergoys’s direct disciple) [3]. He notes that, unlike a historian or an economist, a geo- grapher cannot concentrate the investigation on some given scale: only studying the object in various dimensions, can he or she make conclusions and, at all, see the object more or less adequately. Let us try these ideas on the example of a concrete case. Analyzing the problems and prospectives of Irkutsk, a 600-thousand (although steadily depopulating – and this is one of the problems) city in East Siberia (see fig. 1), to understand them comprehensively, we meet the necessity of differentiated evolutionary approach considering various aspects and scales. Fig. 1. Geographic macro-position of Irkutsk 10 ANATOL JA K OBSON Irkutsk in Europe. Geographically located in Asia, it is, culturally and mentally, a Russian city, and Russia is a European country. The latter idea, shared by the author of this article, is not unanimously adopted, either in Russia, or in Western Europe, and the discus- sions on this item are of political significance.