JFILM: FOUJITA Thursday, April 19 | 6:30 PM

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This is a preview email. JFILM: FOUJITA Thursday, April 19 | 6:30 PM The latest film from Kohei Oguri, the award winning director of Muddy River (Silver Prize 12th Moscow Int'l Film Festival) and The Sting of Death (Jury Grand Prize 43rd Cannes Film Festival) Paris in the early 1920s: the Japanese artist Tsuguharu Foujita is the darling of the capital. His very personal style, of naked women in delicate whites, surprises the Montparnasse art scene. In this relationships with many Parisiennes, and his friendships with Van Dongen, Kisling, Picasso, Modigliani and others, he lives a frenzied life in Paris. At the outbreak of WWII Foujita is back in his home country, Japan. His life and beliefs shaken by the war, he lives modestly in Aomori, a small town in Northern Japan, with his new Japanese wife, Kimiyo. Seeking refuge in the countryside, Foujita discovers a Japan he never knew. Starring Joe Odagiri, Miki Nakatani, Ana Girardot, Angèle Humeau, Marie Kremer In Japanese with English subtitles | Not Rated | 126 min | 2015 | Directed by Kohei Oguri Registration is required. Presented with Japan Commerce Association of Washington, D.C., Inc. This film contains mild sexual content and scenes of nudity. Recommended for ages 17+. You are invited to J-Film: FOUJITA Thursday, April 19th, 2018 from 6:30 PM to 9:00 PM (EDT) Japan Information & Culture Center, Embassy of Japan 1150 18th Street Northwest Suite 100 Washington DC 20036 US CLICK HERE TO REGISTER This event is free and open to the public, but registration is required. In the event of a cancellation, please contact us at [email protected]. Program begins at 6:30 PM. Doors open 30 minutes before the program. No admittance after 7:00 PM. Registered guests will be seated on a ﬁrst come, ﬁrst served basis. Please note that seating is limited and registration does not guarantee a seat. The JICC reserves the right to use any photograph/video taken at any event sponsored by JICC without the expressed written permission of those included within the photograph/video. 1150 18th Street NW, Suite 100 | Washington, D.C. 200363838 TEL: 2022386900 | FAX: 2028226524 | [email protected] © 19812018 Japan Information & Culture Center, Embassy of Japan Share this email: Manage your preferences | Opt out using TrueRemove™ Got this as a forward? Sign up to receive our future emails. View this email online. 1150 18th St NW Suite 100 Washington, DC | 20036 US This email was sent to [email protected]. To continue receiving our emails, add us to your address book..

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Takesada Matsutani BIOGRAPHY BIBLIOGRAPHY PRESS REVIEW takesadamatsutani.com Takesada Matsutani was born in 1937 in Ōsaka, Japan. From 1960 to the dissolution of the Gutai group in 1972, Matsutani participated in all Gutai ex- hibitions and officially became a member in 1963, the year he first showed his vinyl adhesive works at the Gutai Pinecoteca in Ōsaka. In 1954, Matsutani enrolled in the traditional painting (nihonga) class at the Ōsaka Municipal High School of Arts and Crafts Arts (Ōsaka Shiritsu Kogei Gakkō). Suffering from tuberculosis from 1951 to 1959, he was home-bound for long periods of time. It was at that time he discove- red Western contemporary art through books and magazines. In 1959 Matsutani met Sadamasa Motonaga (1922-2011) at a municipal school for drawing. A friendship began and Motonaga soon introduced Matsutani to Jirō Yoshihara (1905-1972), the Gutai group’s founder and mentor. Following Yoshihara’s motto: “Do what has never been done before”, Matsutani experimented with a banal and newly developed material — vinyl adhesive — which would become his primary medium. He covered his canvases with reliefs or bubbles that spread, sometimes literally bursting over the surface, developing a unique technique of breathing air into the material. Matsutani explained that the forms were inspired by organic shapes observed through a microscope in a friend’s laboratory. These highly sen- suous works are infused with a latent eroticism. In 1966, Matsutani was awarded a grant by the French government as a result of winning the First Prize of the 1st Mainichi Art Competition, organized with the Franco-Japanese Society the same year.
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