Experiencing the Chapterhouse in the Benedictine Abbey at Pomposa
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spring Newsletter
New Camaldoli Hermitage SPRING 2017 CONTEMPLATION IN ACTION “The mysticism of compassion does not aim at a blind experience of God that is devoted exclusively to one’s own interiority, but to the disruptive experience that occurs when dealing with others, in the dynamics of interpersonal encounters, face to face. This is an experience that is mystical and political at the same time.” ~ Johann Baptist Metz pages 2–7 IN THIS ISSUE 2 Message from the Prior: A Time of Need and Gratitude 2 In Memoriam: Br. Emmanuel Wassinger, OSB Cam 3 Br. Emmanuel: Stories Gathered Along the Way 4 Contemplation in Action 5–6 Subversive Orthodoxy—Robert Inchausti 7–9 Reflections on a Comtemplative Life in Action 10 Becoming Shelter—Deborah Smith Douglas 11 Spirituality with Open Eyes—Prior General Alessandro Barban quoting Johann Baptist Metz 12 World Day of Peace—Fr. Cyprian Consiglio 13 Oblates and Contemplation in Action— Fr. Robert Hale 13 Vita Monastica 14 Monastery of the Risen Christ 14 Development 15 Activities and Visitors 62475 Highway 1, Big Sur, CA 93920 • 831 667 2456 • www.contemplation.com 62475 Highway 1, Big Sur, CA 93920 • 831 667 2456 • www.contemplation.com Message From the Prior In Memoriam: Br. Emmanuel A Time of Need and Gratitude Wasinger, OSB Cam As many of you know by now, the central coast of California was walloped by an atmospheric river of rain this winter, which destroyed sections of Highway 1 and badly damaged our own entrance road. Our property is right in the middle of the most fragile part of the coast, and the worst damage to Highway 1, called Paul’s Slide, was just south of our own entry road. -
The Old Deanery Garden and King's Orchard and Cloister Garth
The Kent Compendium of Historic Parks and Gardens for Medway The Old Deanery Garden and King’s Orchard and Cloister Garth, Rochester January 2015 The Old Deanery Garden and King’s Orchard and Cloister Garth Rochester, Kent TABLE OF CONTENTS INTRODUCTION STATEMENT OF SIGNIFICANCE SITE DESCRIPTION LIST OF FIGURES FIGURE 1: Boundary map - Cloister Garth FIGURE 2: Boundary map – The Old Deanery Garden and King’s Orchard FIGURE 3: Key views map FIGURE 4: Aerial photograph FIGURE 5: OS Map 1st Edition 25” (1862-1875) FIGURE 6: OS Map 2nd Edition 25” (1897 - 1900) FIGURE 7: OS Map 3rd Edition 25” (1907 - 1923) FIGURE 8: OS Map 4th Edition 25” (1929 - 1952) FIGURE 9: The Deanery Garden Rochester, a watercolour by George Elgood in Gertrude Jekyll, Some English Gardens, Longmans, Green and Co. 1904. FIGURE 10: Precinct Garden and Old Deanery 2014. FIGURE 11: Entrance to Old Deanery through the teahouse at the east end 2014. FIGURE 12: Old Deanery garden looking towards the City wall at the SE end of the garden 2014. FIGURE 13: King's Orchard and City ditch 2014 FIGURE 14: Very old Medlar tree in King's Orchard with City wall beyond 2014 FIGURE 15: Cloister Garth facing Frater doorway 2014. FIGURE 16: Cloister Garth from the NW. Spring 2014. FIGURE 17: Looking through the Chapterhouse site to the Cloister Garth 2014. Planted with roses in Dean Hole's time. FIGURE 18: Lower level of the Cloister Garth at the East end 2104. FIGURE 19: Copper Beech tree adjacent to the Cloister Garth facing the Refectory doorway 2014. -
Abbot Suger's Consecrations of the Abbey Church of St. Denis
DE CONSECRATIONIBUS: ABBOT SUGER’S CONSECRATIONS OF THE ABBEY CHURCH OF ST. DENIS by Elizabeth R. Drennon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University August 2016 © 2016 Elizabeth R. Drennon ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Elizabeth R. Drennon Thesis Title: De Consecrationibus: Abbot Suger’s Consecrations of the Abbey Church of St. Denis Date of Final Oral Examination: 15 June 2016 The following individuals read and discussed the thesis submitted by student Elizabeth R. Drennon, and they evaluated her presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Lisa McClain, Ph.D. Chair, Supervisory Committee Erik J. Hadley, Ph.D. Member, Supervisory Committee Katherine V. Huntley, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by Lisa McClain, Ph.D., Chair of the Supervisory Committee. The thesis was approved for the Graduate College by Jodi Chilson, M.F.A., Coordinator of Theses and Dissertations. DEDICATION I dedicate this to my family, who believed I could do this and who tolerated my child-like enthusiasm, strange mumblings in Latin, and sudden outbursts of enlightenment throughout this process. Your faith in me and your support, both financially and emotionally, made this possible. iv ACKNOWLEDGEMENTS I would like to thank Dr. Lisa McClain for her support, patience, editing advice, and guidance throughout this process. I simply could not have found a better mentor. -
Ferrara Di Ferrara
PROVINCIA COMUNE DI FERRARA DI FERRARA Visit Ferraraand its province United Nations Ferrara, City of Educational, Scientific and the Renaissance Cultural Organization and its Po Delta Parco Urbano G. Bassani Via R. Bacchelli A short history 2 Viale Orlando Furioso Living the city 3 A year of events CIMITERO The bicycle, queen of the roads DELLA CERTOSA Shopping and markets Cuisine Via Arianuova Viale Po Corso Ercole I d’Este ITINERARIES IN TOWN 6 CIMITERO EBRAICO THE MEDIAEVAL Parco Corso Porta Po CENTRE Via Ariosto Massari Piazzale C.so B. Rossetti Via Borso Stazione Via d.Corso Vigne Porta Mare ITINERARIES IN TOWN 20 Viale Cavour THE RENAISSANCE ADDITION Corso Ercole I d’Este Via Garibaldi ITINERARIES IN TOWN 32 RENAISSANCE Corso Giovecca RESIDENCES Piazza AND CHURCHES Trento e Trieste V. Mazzini ITINERARIES IN TOWN 40 Parco Darsena di San Paolo Pareschi WHERE THE RIVER Piazza Travaglio ONCE FLOWED Punta della ITINERARIES IN TOWN 46 Giovecca THE WALLS Via Cammello Po di Volano Via XX Settembre Via Bologna Porta VISIT THE PROVINCE 50 San Pietro Useful information 69 Chiesa di San Giorgio READER’S GUIDE Route indications Along with the Pedestrian Roadsigns sited in the Historic Centre, this booklet will guide the visitor through the most important areas of the The “MUSEO DI QUALITÀ“ city. is recognised by the Regional Emilia-Romagna The five themed routes are identified with different colour schemes. “Istituto per i Beni Artistici Culturali e Naturali” Please, check the opening hours and temporary closings on the The starting point for all these routes is the Tourist Information official Museums and Monuments schedule distributed by Office at the Estense Castle. -
Rethinking Savoldo's Magdalenes
Rethinking Savoldo’s Magdalenes: A “Muddle of the Maries”?1 Charlotte Nichols The luminously veiled women in Giovanni Gerolamo Savoldo’s four Magdalene paintings—one of which resides at the Getty Museum—have consistently been identified by scholars as Mary Magdalene near Christ’s tomb on Easter morning. Yet these physically and emotionally self- contained figures are atypical representations of her in the early Cinquecento, when she is most often seen either as an exuberant observer of the Resurrection in scenes of the Noli me tangere or as a worldly penitent in half-length. A reconsideration of the pictures in connection with myriad early Christian, Byzantine, and Italian accounts of the Passion and devotional imagery suggests that Savoldo responded in an inventive way to a millennium-old discussion about the roles of the Virgin Mary and Mary Magdalene as the first witnesses of the risen Christ. The design, color, and positioning of the veil, which dominates the painted surface of the respective Magdalenes, encode layers of meaning explicated by textual and visual comparison; taken together they allow an alternate Marian interpretation of the presumed Magdalene figure’s biblical identity. At the expense of iconic clarity, the painter whom Giorgio Vasari described as “capriccioso e sofistico” appears to have created a multivalent image precisely in order to communicate the conflicting accounts in sacred and hagiographic texts, as well as the intellectual appeal of deliberately ambiguous, at times aporetic subject matter to northern Italian patrons in the sixteenth century.2 The Magdalenes: description, provenance, and subject The format of Savoldo’s Magdalenes is arresting, dominated by a silken waterfall of fabric that communicates both protective enclosure and luxuriant tactility (Figs. -
Summer 2021 (PDF)
+ PAX July 2021 Abbey of Our Lady of Ephesus Gower, MO Hats off to our neighbors and local officials who closed Mac Road for our safety! Benedictines of Mary. Queen of Apostles Dear Family, Friends and Benefactors, was broken. Our local law enforcement took im- We want to begin by thanking you for all the support, prayers and mediate action, and the investigation continues. concern that flooded the Abbey since the unfortunate incidents that Please join us in praying for the soul of the person took place here during Lent. For those of you who aren’t on our e-mail or persons who showed such animosity toward list or have not heard from news stories, there was a series of shootings Our Lord, even firing shots directly at the church. here at the Abbey in Gower over a period of a few weeks. In the final With the generous response of so many, we incident, a bullet from a high-powered rifle entered into my cell sev- quickly raised the funds to build a wall across eral feet from by bed, passed through an interior wall, and was finally the front of the property (though we still await stopped by a shower wall. Thanks be to God and His holy angels, no the construction due to delays in manufactur- one was hurt. And in spite of the many shots fired, not even a window ing.) Our neighbors, quite upset about the inci- dent, suggested and supported the idea of closing One of our neighbors the portion of Mac Road that runs alongside our invites us to property, which has unfortunately been the site of pick delicious many other incidents of harassment over the past cherries each ten years. -
The Church Impotent, by Leon J Podles, 6
6 The Foundations of Feminization EN AND WOMEN, as far as we can tell, participated equally in Christianity until about the thirteenth century. If anything, men were more prominent in the Church not Monly in clerical positions, which were restricted to men, but in religious life, which was open to both men and women. Only around the time of Bernard, Dominic, and Francis did gender differences emerge, and these differences can be seen both in demographics and in the quality of spirituality. Because these changes occurred rapidly and only in the Latin church, innate or quasi- innate differences between the sexes cannot by themselves account for the increase in women’s interest in Christian- ity or the decrease in men’s interest. In fact, the medieval feminization of Christianity followed on three movements in the Church which had just begun at the time: the preaching of a new affective spirituality and bridal mysticism by Bernard of Clairvaux;1 a Frauenbewegung, a kind of women’s movement; and Scholasticism, a school of theology. This concurrence of trends caused the Western church to become a difficult place for men. Bernard of Clairvaux and Bridal Mysticism Like the light pouring through the great windows of Chartres, the 02 The Foundations of Feminization 03 brilliance of the High Middle Ages is colored by the personality of Bernard of Clairvaux. Like many great men, Bernard contained multitudes. As a monastic who united prayer and theology, he looked back to the patristic era, especially to Augustine. A monk who renounced the world, he set in motion the Crusades, whose effects are still felt in the geopolitics of Europe and the Middle East. -
Castle of the Teutonic Order in Malbork
medieval Europe. The Great Refectory of the Middle Castle is another structure of exceptional value, even on a global scale. This is due to the superb systems of proportions and the innovatory artistic form of the vaulting, supported on slender columns. It is one of the most magnificent and elegant secular interiors that European Gothie architecture produced. The architectural and aesthetic qualities of Malbork Castle are heightened by its exceptionally picturesque location on the banks of the river Nogat. Identification Criteria i, ü, and iv Nomination The Castle of the Teutonic Order Malbork Castle is generally accepted as an in Malbork architectural work of unique character. Many of the methods used by its builders in handling technical Location Elblag Voivodate and artistic problems (among them the design and construction of the vaulting and portais and the use State Party Republic ofPoland of architectural sculpture) greatly influenced not only subsequent casties of the Teutonic Order but Date 19 July 1996 also other Gothie buildings in a wide region of north eastern Europe. Thus the Castle is incontestably one of the most important examples of Gothie brick architecture in ali Europe. Criterion ii Malbork Castle was built in such a way as to make Justification by State Party use of the rich repertoire of medieval defensive architecture on an exceptionally large scale. At the Malbork Castle is a coherent architectural same tirne it was an architecturally perfectly planned composition, which in its entirety possesses economie, military, and administrative centre not enormous artistic and historical-scientific value. only ofthe extensive Teutonic Order with branches Individual building groups within the complex are ali over Europe but also of the rnighty state that it also very important architectural monuments in their founded here. -
The Benedictine Monks of Christ in the Desert Monastery Amy Suzanne Gillespie
University of New Mexico UNM Digital Repository Music ETDs Electronic Theses and Dissertations 8-25-2016 Chant and Transformation: The Benedictine Monks of Christ in the Desert Monastery Amy Suzanne Gillespie Follow this and additional works at: https://digitalrepository.unm.edu/mus_etds Recommended Citation Gillespie, Amy Suzanne. "Chant and Transformation: The Benedictine Monks of Christ in the Desert Monastery." (2016). https://digitalrepository.unm.edu/mus_etds/12 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Music ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Amy Suzanne Gillespie Candidate Music Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Dr. Ana R. Alonso-Minutti, Chairperson Dr. Kristina M. Jacobsen Dr. David M. Bashwiner i CHANT AND TRANSFORMATION: THE BENEDICTINE MONKS OF CHRIST IN THE DESERT MONASTERY by AMY SUZANNE GILLESPIE BACHELOR OR ARTS, MATHEMATICS, 1975 MASTER OF MANAGEMENT, 1987 BACHELOR OF ARTS, CONTEMPORARY MUSIC, 2009 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of New Mexico Albuquerque, New Mexico July, 2016 ii ACKNOWLEDGMENTS I am forever grateful to the monks of Christ in the Desert for their willingness to engage in this project. Their unending hospitality, inseparable love for God and neighbor, forthright conversation, and friendship are a testimony to their solicitude to the Benedictine way of life. I am particularly grateful to Abbot Philip Lawrence, who was always willing to assist me with my interpretations and reflections and to Brother Leander Hogg, who, out of nowhere, would provide insight and inspiration at just the appropriate time. -
The Benedictines of Caldey Island," Six Thousand Copies Have Been Sold
EX U2u fornia BV nal t South UialFS 'Ehf-3slP0f(ralDi?y-: T\nlC9 long,- ^be IfiSettcMcttnes of CONTAINING THE HISTORY, PURPOSE, METHOD, AND SUMMARY OF THE RULE OF THE BENEDICTINES OF THE ISLE OF CALDEY, S. WALES (jforincrlv of ipainstborpc, ^ov\\) ILLUSTRATED PUBI,ISHED AT THE ABBEY, ISLE OF CALDEY, S. WALES SECOND EDITION REVISED I9I2 Eightk Tliouiand 2 First Edition . March 1907 SIX THOUSAND. Second Edition . June 191 TWELVE THOUSAND. Stack Annex "IF YOU CAxN PRAY, IF YOU HAVE IN ANY DEGREE ACQUIRED THE HOLY ART, THEN FOR GOD'S SAKE AND FOR MAN'S SAKE DO NOT DO ANYTHING ELSE. GIVE YOURSELF TO IT: CONTINUE ON THE MOUNT WITH HANDS UPRAISED — THERE WILL BE NO LACK OF FIGHTERS DOWN BELOW, WHO WILL TRIUMPH BY THE HELP OF YOUR PRAYERS." 111 Contents PAGE List of Illustrations. ...... vii Preface to the Second Edition The Abbot of Caldey Preface to the First Edition . The Rev. W. R. Shepherd, Rectoy of Kirby Underdale, York XI Chronological Index ....... XV Synopsis ......... xvii Rhythm . Suggested by the design on the cover XX Introduction ........ History of the Community Edited by the Rev. E. Hermitage Day, D.D. .... 9 Caldey Abbey ........ 55 Our Purpose, ^Method, and Rule By Dom Aeh-ed Carlyle, O.S.B., Abbot of Caldey 67 S. Benedict the Abbot . S. Bernard of Tiron . S. Bride's Abbey, Milford Haven A Day at Caldey Horarium ..... " Pax," the Quarterly Paper of the Community The Guest House Contents PAGE The Confraternity of S. Benedict . .140 The Medal and Cross of S. Benedict . 142 Requirements for Postulants . -
Renaissance Art and Architecture
Renaissance Art and Architecture from the libraries of Professor Craig Hugh Smyth late Director of the Institute of Fine Arts, New York University; Director, I Tatti, Florence; Ph.D., Princeton University & Professor Robert Munman Associate Professor Emeritus of the University of Illinois; Ph.D., Harvard University 2552 titles in circa 3000 physical volumes Craig Hugh Smyth Craig Hugh Smyth, 91, Dies; Renaissance Art Historian By ROJA HEYDARPOUR Published: January 1, 2007 Craig Hugh Smyth, an art historian who drew attention to the importance of conservation and the recovery of purloined art and cultural objects, died on Dec. 22 in Englewood, N.J. He was 91 and lived in Cresskill, N.J. The New York Times, 1964 Craig Hugh Smyth The cause was a heart attack, his daughter, Alexandra, said. Mr. Smyth led the first academic program in conservation in the United States in 1960 as the director of the Institute of Fine Arts at New York University. Long before he began his academic career, he worked in the recovery of stolen art. After the defeat of Germany in World War II, Mr. Smyth was made director of the Munich Central Collecting Point, set up by the Allies for works that they retrieved. There, he received art and cultural relics confiscated by the Nazis, cared for them and tried to return them to their owners or their countries of origin. He served as a lieutenant in the United States Naval Reserve during the war, and the art job was part of his military service. Upon returning from Germany in 1946, he lectured at the Frick Collection and, in 1949, was awarded a Fulbright research fellowship, which took him to Florence, Italy. -
St Hugh & Eynsham Abbey
Front cover The two drawings are reproduced by courtesy of the Curator s of the Bodleian Library, Oxford. The figure of St.Hugh is from a 14th. century calendar in MS.Rawl.D.939. The west towers of Eynsham abbey are from Wood's 1657 drawing of the ruins in MS.Wood.E.1. Frontispiece Bishop Hugh and his famous swan: bronze by Arthur Fleischmann, F.R.B.S. At Buckden Towers, near Huntingdon, formerly a manor of the bishops of Lincoln: Hugh's body rested there, on the way from London to Lincoln. By courtesy of the sculptor, and of the Father Superior of the Claretian brothers, now at Buckden. by Eric Gordon sometime Bishop of Sodor and Man FOREWORD by Sir Walter Oakeshott sometime Rector of Lincoln College, Oxford Published by the Eynsham History Group: Occasional Paper No.3. 1986 © Eric Gordon and the Eynsham History Group Price: 50p. FOREWORD The selection at Eynsham (with Henry II himself presiding) of Hugh to be Bishop of Lincoln, eight hundred years ago, was nationally important. Conflict between King and Church had led, sixteen years before, to the murder of Becket by Henry's knights, in Canterbury Cathedral. As part of his penance, Henry had founded monasteries, over one of which (Witham in Somerset) he appointed Hugh, a Carthusian monk from France, to preside. It was a brilliant choice. Hugh was admired, trusted, and loved. Everyone, including Henry himself, knew that his integrity was beyond question. Hugh took steps to see that the actual election was made by the canons of Lincoln, technically their right, and an example of that sensitivity that was one of his characteristics as an administrator.