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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
Sloane Drayson Knigge Comic Inventory (Without
Title Publisher Author(s) Illustrator(s) Year Number Donor Box # 1,000,000 DC One Million 80-Page Giant DC NA NA 1999 NA Sloane Drayson-Knigge 1 A Moment of Silence Marvel Bill Jemas Mark Bagley 2002 1 Sloane Drayson-Knigge 1 Alex Ross Millennium Edition Wizard Various Various 1999 NA Sloane Drayson-Knigge 1 Open Space Marvel Comics Lawrence Watt-Evans Alex Ross 1999 0 Sloane Drayson-Knigge 1 Alf Marvel Comics Michael Gallagher Dave Manak 1990 33 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 1 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 2 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 3 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 4 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 5 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 6 Sloane Drayson-Knigge 1 Aphrodite IX Top Cow Productions David Wohl and Dave Finch Dave Finch 2000 0 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 600 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 601 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 602 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 603 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. FROM 'AMBIGUOUSLY GAY DUOS' TO HOMOSEXUAL SUPERHEROES: THE IMPLICATIONS FOR MEDIA FANDOM PRACTICES A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Screen and Media At The University of Waikato By GEMMA CORIN The University of Waikato 2008 Abstract Despite traversing the fine line between homosocial and homosexual (Brooker, 2000) in his controversial text Seduction of the Innocent, Fredric Wertham’s (1954) description of Batman and Robin as a ‘wish dream of two homosexuals living together’ (Lendrum, 2004, p.70) represents one of the first published queer readings of superhero characters. This text can also be interpreted as the commencement of, and subsequent intense interest in the way superhero characters often portray a ‘camp’ sensibility (Medhurst, 1991) representative of a queer performative identity (Butler, 1993). -
Peter David Greg Land Jay Leisten Frank D'armata
$4.99 0 0 1 1 1 RATED US T 7 5 9 6 0 6 0 9 9 4 4 3 BONUS DIGITAL EDITION – DETAILS INSIDE! FRANK D’ARMATA LEISTEN JAY GREG LAND PETER DAVID 1 KNULL, THE PRIMORDIAL AND MALICIOUS GOD OF THE SYMBIOTES, HAS BEEN FREED FROM HIS PRISON AT THE EDGE OF THE GALAXY. AFTER THE FIRST SECRET WARS, PETER PARKER RETURNED OLDER THAN MEMORY AND IMPRISONED FOR MILENNIA, THE GODKING OF THE HOME TO NEW YORK CITY WITH A BRAND-NEW COSTUME ABYSS HAS LED A HORDE OF HUNDREDS OF THOUSANDS OF SYMBIOTE DRAGONS HE THOUGHT HAD BEEN CRAFTED BY ALIEN TECHNOLOGY. ACROSS THE COSMOS WITH A TRAIL OF DESTRUCTION AND DEATH IN THEIR WAKE. IT COULD RESPOND TO HIS EVERY THOUGHT, SHAPE-SHIFT TO MIMIC HIS CIVILIAN CLOTHING AND EVEN GENERATE A NOW, THEY HAVE ARRIVED TO EARTH -- THE GALAXY’S FINAL LINE OF DEFENSE AGAINST SEEMINGLY ENDLESS SUPPLY OF HIS UNIQUE WEBBING! THE KING IN BLACK. NOW, IN HIS SLEEK ALL-BLACK COSTUME, PETER PARKER BALANCES HIS PERSONAL LIFE, HIS PHOTOGRAPHY JOB FOR THE DAILY BUGLE AND HIS SUPER-HEROICS AS HE SWINGS THROUGH THE CITY AS THE AMAZING FRIENDLY NEIGHBORHOOD SPIDER-MAN! THOUGH UNBEKNOWNST TO PETER, HIS ALIEN COSTUME MAY BE MORE THAN MEETS THE EYE… THE SWORD AND THE SPIRIT PART ONE PETER DAVID WRITER // GREG LAND PENCILER JAY LEISTEN INKER// FRANK D’ARMATA COLORIST VC’s JOE SABINO LETTERER GREG LAND & FRANK D’ARMATA COVER ARTISTS ALEX SAVIUK & CHRIS SOTOMAYOR; SYMBIOTE SPIDER-MAN: GEOFF SHAW & FRANK MARTIN; KING IN BLACK No. -
2013 ALA Guide to Arcs & Signings
ALA Guide to 2013 ARCs & Signings For children’s, young adult and school librarians, compliments of School Library Journal Welcome to the Windy City 1820 Lerner Publishing Group for the American Library Association’s 137th Annual Conference. “Transformng Our IN-BOOTH SIGNINGS / BOOK GIVEAWAYS Libraries Ourselves” is the theme of the June 28 conference that will take place at Chicago’s 6–7 PM Carla Killough McClafferty, Fourth Down and Inches: McCormick Place June 27–July 2. From the Concussions and Football’s Make-or-Break Moment. Evi- opening general session on June 28, through dence is showing that football as it’s played today may the Newbery, Caldecott, Wilder awards ban- be detrimental to brain health. A century ago the sport faced a similar crisis and narrowly avoided becoming quet on June 30, to the closing general session illegal. Can football be saved a second time? Sally M. Walker on July 2 featuring actress Octavia Spencer Sally M. Walker, Their Skeletons Speak: Kennewick Man discussing her forthcoming middle-grade and the Paleoamerican World. Blends science and his- novel, Randi Rhodes, Ninja Detective: The Case tory with firsthand accounts from scientists working to reveal the secrets lying buried with Kennewick Man, of the Time-Capsule Bandit (October 2013, S & discovered in Washington in the late 1990s. S), it promises to be an educational and fun June 29 meeting. The exhibit hall opens on Saturday, 3–4 PM June 29. To help you meet the challenge John Coy, Hoop Genius: How a Desperate Teacher and a of navigating the more than 800 exhibitors’ Rowdy Gym Class Invented Basketball. -
5 to 9 Years of Giving Marion Abrams ’77 Janet E
Donors who have given consistently to UMass Amherst are recognized as members of the Loyalty Circle. This Circle gratefully acknowledges those have made gifts for at least five years. Their generosity has provided invaluable support to all aspects of academic and student life. Following are Loyalty Circle members listed by years of giving: 5-9; 10-24; and 25+. * Deceased James & Aiche Abraham % % Parent Leonard & Kathleen Abraham > Current faculty, staff, or emeritus faculty Neal B. Abraham & Donna L. Wiley HA Honorary alumnus or alumna Allen & Pamela Abrahamson % HON Honorary degree recipient Fred and Donna Abrahamson % S Stockbridge alumnus or alumna Alan Abrams % & Laura Abrams % Arnold B. Abrams ’66 Kristin B. (Kanter) Abrams ’07 Linda J. Abrams ’76MEd 5 to 9 Years of Giving Marion Abrams ’77 Janet E. Aalfs ’79 Howard D. Abramson ’83, ’88MS % & Lisa I. Abramson % John & Sara Aalto % Rebecca A. (Crapser) Abramson ’96 Peter H. Aalto % & Margaret A. Aalto % Robert & Claudia Abramson % Ray Aaronian ’87 Jessica L. (Sciortino) Abreu ’02 Winifred R. Aaronian ’85 Paul M. Abreu ’90 Robert Abair & Mary M. Abair Matthew R. Abt ’02 Charles & Rosemary Abati % Victor H. Abularach ’79MS Janice M. Abatiello % Hayat N. Abuza Maureen (Duffy) Abber ’83 Mauro & Janet Accomazzo % Brandon R. Abbott ’93, ’09MS M. Ellen (Wilson) Accorsi ’62 Bruce J. Abbott % & Patricia Abbott % Bernardo E. Acebal ’85 & Zahira M. Acevedo-Crespo ’87 % Curtis T. Abbott % & Irene M. Fordon-Abbott % Diane C. Acerra ’89 Gordon Abbott, Jr. Dharma R. Acharya ’85MS Jessica L. Abbott ’03 Pamela Acheson Robert G. Abbott % & Sheila F. Abbott % Robert and Frances Acheson % Stephanie J. -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
2News Summer 05 Catalog
X-Men, Alpha Flight, and all related characters TM & © Marvel Characters, Inc. All Rights Reserved. 0 8 THIS ISSUE: INTERNATIONAL THIS HEROES! ISSUE: INTERNATIONAL No.83 September 2015 $ 8 . 9 5 1 82658 27762 8 featuring an exclusive interview with cover artists Steve Fastner and Rich Larson Alpha Flight • New X-Men • Global Guardians • Captain Canuck • JLI & more! Volume 1, Number 83 September 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Steve Fastner and Rich Larson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Jack Abramowitz Martin Pasko Howard Bender Carl Potts Jonathan R. Brown Bob Rozakis FLASHBACK: International X-Men . 2 Rebecca Busselle Samuel Savage The global evolution of Marvel’s mighty mutants ByrneRobotics.com Alex Saviuk Dewey Cassell Jason Shayer FLASHBACK: Exploding from the Pages of X-Men: Alpha Flight . 13 Chris Claremont Craig Shutt John Byrne’s not-quite-a team from the Great White North Mike Collins David Smith J. M. DeMatteis Steve Stiles BACKSTAGE PASS: The Captain and the Controversy . 24 Leopoldo Duranona Dan Tandarich How a moral panic in the UK jeopardized the 1976 launch of Captain Britain Scott Edelman Roy Thomas WHAT THE--?!: Spider-Man: The UK Adventures . 29 Raimon Fonseca Fred Van Lente Ramona Fradon Len Wein Even you Spidey know-it-alls may never have read these stories! Keith Giffen Jay Williams BACKSTAGE PASS: Origins of Marvel UK: Not Just Your Father’s Reprints. 37 Steve Goble Keith Williams Repurposing Marvel Comics classics for a new audience Grand Comics Database Dedicated with ART GALLERY: López Espí Marvel Art Gallery .