{PDF EPUB} Kingship and Unity Scotland 1000 - 1306 by G.W.S
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Macbeth Informational Text: the Real Story
Name ________________________________________ Period _______ Macbeth Informational Text: The Real Story It is interesting to note that Shakespeare‘s play Macbeth was based loosely on true stories about real people. In fact, it is believed that Shakespeare wrote the play for King James I and VI, who was king of both England and Scotland at the time. Allegedly using the Chronicles of England, Scotland, and Ireland (1587) by Raphael Holinshed as his source of information, Shakespeare set out to create a realistic fictional drama based on a true story. The real King Duncan I (Donnchad mac Crínáin), nicknamed ―the sick‖ was the King of Scotland (called Alba) from 1034 to 1040. He was the grandson of Malcolm II, who was killed in battle in 1034. Duncan had two sons, Malcolm III, and Donald III. According to records, Duncan was young and weak and was seen as a terrible and ineffective leader. His ascension to the throne at age 17 caused turmoil in the family, as the kingship was to have alternated between the two branches of the royal line. Many believed his cousin, Macbeth (Mac Bethad mac Findlaích), should have had claim to the throne through his mother. This caused strife in the family, which would continue for hundreds of years. After Duncan was killed in battle by Macbeth in 1040, Macbeth took the throne and became King of Scotland. Macbeth reigned successfully for 17 years, and he was said to be a powerful and strong leader. However, Duncan‘s son Malcolm wanted revenge against Macbeth, and felt that he should have inherited the throne after his father‘s death. -
Scotland: Bruce 286
Scotland: Bruce 286 Scotland: Bruce Robert the Bruce “Robert I (1274 – 1329) the Bruce holds an honored place in Scottish history as the king (1306 – 1329) who resisted the English and freed Scotland from their rule. He hailed from the Bruce family, one of several who vied for the Scottish throne in the 1200s. His grandfather, also named Robert the Bruce, had been an unsuccessful claimant to the Scottish throne in 1290. Robert I Bruce became earl of Carrick in 1292 at the age of 18, later becoming lord of Annandale and of the Bruce territories in England when his father died in 1304. “In 1296, Robert pledged his loyalty to King Edward I of England, but the following year he joined the struggle for national independence. He fought at his father’s side when the latter tried to depose the Scottish king, John Baliol. Baliol’s fall opened the way for fierce political infighting. In 1306, Robert quarreled with and eventually murdered the Scottish patriot John Comyn, Lord of Badenoch, in their struggle for leadership. Robert claimed the throne and traveled to Scone where he was crowned king on March 27, 1306, in open defiance of King Edward. “A few months later the English defeated Robert’s forces at Methven. Robert fled to the west, taking refuge on the island of Rathlin off the coast of Ireland. Edward then confiscated Bruce property, punished Robert’s followers, and executed his three brothers. A legend has Robert learning courage and perseverance from a determined spider he watched during his exile. “Robert returned to Scotland in 1307 and won a victory at Loudon Hill. -
Family Tree Maker
Ancestors of Ulysses Simpson Grant Generation No. 1 1. President Ulysses Simpson Grant, born 27 Apr 1822 in Point Pleasant, Clermont Co., OH; died 23 Jul 1885 in Mount McGregor, Saratoga Co., NY. He was the son of 2. Jesse Root Grant and 3. Hannah Simpson. He married (1) Julia Boggs Dent 22 Aug 1848. She was born 26 Jan 1826 in White Haven Plantation, St. Louis Co. MO, and died 14 Dec 1902 in Washington, D. C.. She was the daughter of "Colonel" Frederick Fayette Dent and Ellen Bray Wrenshall. Generation No. 2 2. Jesse Root Grant, born 23 Jan 1794 in Greensburg, Westmoreland Co., PA; died 29 Jan 1873 in Covington, Campbell Co., KY. He was the son of 4. Noah Grant III and 5. Rachel Kelley. He married 3. Hannah Simpson 24 Jun 1821 in The Simpson family home. 3. Hannah Simpson, born 23 Nov 1798 in Horsham, Philadelphia Co., PA; died 11 May 1883 in Jersey City, Coventry Co., NJ. She was the daughter of 6. John Simpson, Jr. and 7. Rebecca Weir. Children of Jesse Grant and Hannah Simpson are: 1 i. President Ulysses Simpson Grant, born 27 Apr 1822 in Point Pleasant, Clermont Co., OH; died 23 Jul 1885 in Mount McGregor, Saratoga Co., NY; married Julia Boggs Dent 22 Aug 1848. ii. Samuel Simpson Grant iii. Orville Grant iv. Clara Grant v. Virginia "Nellie" Grant vi. Mary Frances Grant Generation No. 3 4. Noah Grant III, born 20 Jun 1748; died 14 Feb 1819 in Maysville, Mason Co., KY. He was the son of 8. -
King James's Daemonologie: the Evolution of the Concept Of
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea King James’s Daemonologie: the evolution of the concept of witchcraft in Scotland Relatore Laureando Prof. Alessandra Petrina Stefano Melta n° matr.1038982 / LMLCC Anno Accademico 2018 / 2019 1 Table of Contents FOREWORD ...................................................................................................................... 5 CHAPTER I: The Scottish social and political situation in the second half of the sixteenth century............................................................................................................................... 13 I.I. A social geography of the Reformation in Scotland .......................................... 13 I.II. Witchcraft as an enemy of the State ................................................................... 17 I.III. The shaping of the new Kirk and the concept of authority ................................ 21 CHAPTER II: Biographical background .......................................................................... 25 II.I The political situation in the 70s and 80s ........................................................... 28 II.II Marriage and witches ......................................................................................... 35 CHAPTER III: The books behind Daemonologie ............................................................ 41 CHAPTER IV: Daemonologie -
Printed: 2020/05/13 16:49 Page 1 /Users/Giovanni/Documents/Gen/Hannah20120513.Rtf "Cenl Enda Two Distinct Territories Are Mentioned
/Users/giovanni/Documents/Gen/Hannah20120513.rtf Hanna, Hannah, Hannay, A'Hannay, aHannay, Hannagh, d'Annethe, O’Hannaidh, O'Hannaith, Ó hAnnaidh, O'hEighnigh, O'hEanaigh, O'hEanna [and connected families, Park/Parks/Parker, Patterson, Oulrey, Ford, McKinley, Scott, Vance, Davidson, Streeter, Lyle, Snodgrass, Boyd, Craighill/Craghill, Gill, Smith, Stewart, McKie] - - - - - - - - https://en.wikipedia.org/wiki/List_of_Irish_clans https://en.wikipedia.org/wiki/List_of_Irish_clans_in_Ulster#Cen.C3.A9l_Eanna http://www.enotes.com/topic/List_of_Irish_clans clan name (tuath): Cinel Eanna, progenitor: Eanna (Enda), the sixth son of Conall Gulban [there's some confusion because the 3rd son of Niall had the same name... or almost the same name], septs (finte): Hanna, Hainey, Haney, Heaney (O'hEighnigh) (Ó hAnnaidh), location: Kings of Magh Ith, Tir Eanna and Fanad in present day County Donegal. Cineal (kinship): Cenél Conaill - - clan name (tuath): Ui Meith Macha alias Ui-Meith Tire prognitor: Imar mac Muircertaich mac Duibdarac mac Scannlain mac Indrachtaich mac Gairbid mac Ainbeith mac Mailbrigti mac Duibinnracht mac Taidg mac Innreachtaich mac Muiredaich mac Mailimuchair mac Scannlain mac Fingin mac Aedha mac Fiachrach mac Fiachrach mac Eogain mac Briuin mac Muiredaic Meith (a quo H. Meith) mac Imcadha mac Colla Da Crich mac Eachach Doimlen hereditary chief: Ó hInnreachtaigh (O'Hanratty) septs (finte): Ó hAinfeith (HANVEY, HANNAY, HANNEY), Ó Mael Brigdhe (MULREADY, MULBREEDY, MULBRIDE, MULREEDY, MURREADY, MULREDDY), Ó Gairbith (GARVEY), Ó hUarghuis -
Renaissance and Reformation, 1998
Intertextual Madness in HILAIRE Hamlet: The Ghost's KALLENDORF Fragmented Performativity Summary: This essay establishes King James I's Daemonologie and Regi- nald Scot's Discouerie of Witchcraft as intertexts for Hamlet. It demonstrates how the diabolical linguistic register borrowed from these intertexts both heightens the verisimilitude ofHamlet 's madness and expands the performative potential of the Ghost. Performativity has often been discussed as a theme for this play, but usually only in relation to Hamlet himself This essay avoids the reductionism of the "Ghost critics" and extends the performativity theme to the Ghost as well by offering him a diabolical mask to try on in addition to his many others, Performativity is "a specular technique that breaks up the action into acting-out, rehearsals and try-outs for a dramatic action that endlessly threatens (or promises) to revert to its theatrical origins, to collapse into theatricality."^ In a play such as Hamlet, where performativity is arguably one of the primary themes of the work, there are dramatic resources and resonances which would not be possible without the intertextual use of a diabolical linguistic register. The madness in Hamlet becomes more verisim- ilar because it is associated intertextually with demonic possession, and the Ghost appears more frightening because one of his intertextual masks is devilish. The purpose of this essay will be to demonstrate the intertextual use of the demonic register in the play and to explore the theme of per- formativity as one of its ramifications. Let us pause for a moment at the outset to reflect on the nature of intertextuality and how it can illuminate our understanding of a play involved Renaissance and Reformation / Renaissance et Réforme, XXII, 4 (1998) /69 70 / Renaissance and Reformation / Renaissance et Réforme in this process. -
Macbeth Navigator: Excerpts from Holinshed's Chronicles, Volume V
Macbeth Navigator: Excerpts from Holinshed's Chronicles, Volume V: Scotland [Shakespeare's primary source for Macbeth was Raphael Holinshed's Chronicles of England, Scotland and Ireland, first published in 1577. The outlines of Shakespeare's story are derived from Holinshed's account of Kings Duncan and Macbeth. In addition, Shakespeare seems to have taken many particulars from Holinshed's account of King Duffe, who died eighty years before Macbeth did.] Source of these excerpts: Holinshed, Raphael. Holinshed's Chronicles of England, Scotland, and Ireland, 5. London: J. Johnson, et al, 1808. Index: King Duncan and King Macbeth: • from page 264: Duncan's ascension to the throne of Scotland. | The kinship between Duncan and Macbeth. • page 265: The characters of Duncan and Macbeth compared. | The defeat of Macdonwald by Banquo and Macbeth. • from page 266: Macbeth's cruelty to Macdonwald. | The arrival in Scotland of Sweno. • from page 267: Sweno defeated by Duncan's trick. • from page 268: Macbeth and Banquo repel an invasion by King Canute of England, who pays them "a great summe of gold" to be allowed to bury his dead at "saint Colmes Inch." | Macbeth and Banquo encounter "thrée women in strange and wild apparell." • page 269: Macbeth becomes Thane of Cawdor | Duncan proclaims Malcom Prince of Cumberland | Macbeth and Banquo slay King Duncan, and Macbeth ascends the throne. | Malcolm and Donalbain flee. | Macbeth sets the kingdom to rights, punishing evildoers. • from page 270: Macbeth's good deeds as king. • from page 271: Macbeth has Banquo murdered, but Fleance escapes. | How Fleance's descendants become Kings of Scotland. -
A Post-Colonial Analysis of Shakespeare's Macbeth
YOU TAKE THE HIGH ROAD, AND I’LL TAKE THE LOW ROAD: A POST-COLONIAL ANALYSIS OF SHAKESPEARE’S MACBETH ALLISON M. DOBBS-BUCHANAN Bachelor of Arts in English Cleveland State University May 2006 Submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN ENGLISH Cleveland State University December 2013 We hereby approve this thesis of ALLISON M. DOBBS-BUCHANAN Candidate for the Master of Arts in English degree for the Department of ENGLISH and the CLEVELAND STATE UNIVERSITY College of Graduate Studies by _________________________________________________________________ Thesis Chairperson and Director of Graduate Studies in English, Dr. James Marino _____________________________________________ Department & Date _________________________________________________________________ Thesis Committee Member, Dr. Rachel Carnell _____________________________________________ Department & Date _________________________________________________________________ Thesis Committee Member, Dr. Julie Burrell _____________________________________________ Department & Date Student’s Date of Defense: November 26, 2013 DEDICATION This thesis is dedicated to my daughter, Ella: “You are braver than you believe, Stronger than you seem, Smarter than you think, and Loved more that you’ll ever know” – From Winnie-the-Pooh, A. A. Milne iii THE HIGHS AND LOWS OF SHAKESPEARE’S MACBETH: A POST-COLONIAL ANALYSIS ALLISON M. DOBBS-BUCHANAN ABSTRACT Post-colonial studies reveal a great deal about the treatment of Scotland in Macbeth. Shakespeare’s only Scottish play reflects specific English cultural ideologies, which had positioned Scotland as an enemy Other in opposition to England. When James VI of Scotland became James I, the King of England, he manipulated England’s xenophobic attitudes: James I redefined the Lowland Scots’ cultural identity as English, and he forced Highland Scots into the position of enemy Other by emphasizing Highlanders Gaelic heritage. -
The Theme of Ambition Macbeth Play Pjaee, 17 (10) (2020)
THE THEME OF AMBITION MACBETH PLAY PJAEE, 17 (10) (2020) THE THEME OF AMBITION MACBETH PLAY Rafed Kawan Mohammed 1, Waad Adil Lateef 2, Liwaa Ahmed Abdullah 3 1I'mam Aladham Gollege 2University of Samarra 3Ministry of Education [email protected]@[email protected] Rafed Kawan Mohammed, Waad Adil Lateef, Liwaa Ahmed Abdullah. The Theme Of Ambition Macbeth Play-- Palarch’s Journal Of Archaeology Of Egypt/Egyptology 17(10), 724-733. ISSN 1567-214x ABSTRACT In this research, we wanted to show that Shakespeare in writing Macbeth, shows the bad side of the human being and the factors that help to increase the ambition and evilness inside man. Among these factors is Macbeth's ambition which blinded him from seeing the bloody future. This paper is divided into three sections with a conclusion; section one deals with Shakespeare's life and his work. Section two is devoted to Macbeth, the play, and the source of Macbeth than the conclusion that summarizes the findings of the paper. INTRODUCTION We follow Macbeth and Lady Macbeth in their tragic play write 'Macbeth,' as their ambition turns from good ambition to loving their country and struggles for their King, to evil ambition by performing bad deeds, such as killing and deception. Macbeth is determined at the beginning of the plays, to do good works so that he is well known and remembered. Then the ambition of Lady Macbeth for the crown makes her very manipulative. She convinces her husband to do evil, and once Macbeth does what she wishes, it becomes a spiral of evil deeds. -
Literary Portrayals of King Malcolm III Canmore (R
From reformed barbarian to “saint-king”: literary portrayals of King Malcolm III Canmore (r. 1058-93) in Scottish historical narratives, c. 1100- 1449 by Marian Toledo Candelaria A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © Marian Toledo Candelaria, May, 2018 ABSTRACT From reformed barbarian to “saint-king”: literary portrayals of King Malcolm III Canmore (r. 1058-93) in Scottish historical narratives, c. 1100- 1449 Marian Toledo Candelaria Advisor: University of Guelph, 2018 Professor Elizabeth Ewan This dissertation examines the historiographical evolution of the literary portrayal of King Malcolm III Canmore (r. 1058-93) in the main historical narratives produced in Scotland between c. 1100 and 1449. The study considers how fundamental King Malcolm’s portrayal was to new and developing notions of Scottish kingship, sovereignty and identity, focusing on the underlying political developments that caused his portrayal to be manipulated and amended during the central and late medieval periods. It examines how King Malcolm went from being considered a barbaric king of Scots reformed by the influence of his second wife, Saint Margaret of Scotland (d. 1093), to the Scottish prince exiled in England by Macbeth (r. 1040-1057/8). It identifies three key developmental stages in the portrayal of King Malcolm and ties their development to contemporary political and dynastic circumstances. King Malcolm’s portrayal evolved because of a need to assert the sovereignty of the Scottish crown in light of internal threats to dynastic hegemony and external threats against regnal independence. -
Bibliography of Scottish Witchcraft Julian Goodare
Bibliography of Scottish Witchcraft Julian Goodare Introduction This is a bibliography of works on Scottish witchcraft and witch-hunting, primarily in the early modern period. The aim has been to produce a list that historians working on these topics today will find useful. It includes, not only works on Scottish witchcraft per se, but also works on closely-related topics that witchcraft scholars cannot ignore – two examples being torture and fairy belief. It omits works of purely historiographical interest and popular works that have no claim to originality. It also omits works concerned with the period after about 1800, unless they also shed light on beliefs and practices of earlier times. Finally, it omits works published before 1800; for these see the bibliographical article by John Ferguson, listed below. Whether a work is about ‘Scotland’ may sometimes be debated. A few works have been included because they are substantively about Scotland even though their title does not say so. Also included are works that discuss Scotland and another country (usually England) in a comparative context. On the other hand, works that use some Scottish material in the context of developing a more general case have been excluded. The bibliography is divided into four sections: 1. Lists of witchcraft cases 2. Published primary sources 3. Published secondary works 4. Unpublished theses In general, works are listed under the surname of the author. However, a given author’s works may be found in various places in the bibliography, partly because of the division into sections and partly because of the following conventions. -
Eyrbyggja Saga
Durham E-Theses Patterns of Nationalist Discourse in the Early Reception of the Icelandic Sagas in Britain SPRAY, THOMAS,EDWARD How to cite: SPRAY, THOMAS,EDWARD (2019) Patterns of Nationalist Discourse in the Early Reception of the Icelandic Sagas in Britain, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12964/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Patterns of Nationalist Discourse in the Early Reception of the Icelandic Sagas in Britain Thomas Edward Spray Ph.D. Department of English Studies Durham University 2019 Thomas Spray 2 Patterns of Nationalist Discourse Table of Contents Introduction: Tales of Many Nations ...................................................................................................... 5 1. Nationalism and Translation: Preliminary Definitions ....................................................................... 9 1.1. On Nationalism – or, Hvað er þjóð? .......................................................................................... 10 1.2. On Translation ........................................................................................................................... 15 2. Context: Old Norse in the Seventeenth and Eighteenth Centuries ..................................................