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Comments & Controversies Brain injury: More clues to symptom validity I appreciate Current Psychiatry’s asked these injured individuals to emphasis on sharpening one’s psy name their favorite movie and actor. chiatric diagnostic skills (“Neuro The Godfather: Part II and/or the film’s cognitive impairment: Feigned, actors Robert De Niro, Al Pacino, and exaggerated, or real?” Current James Caan were chosen by 85% of Psychiatry, August 2007, p. 1937). patients from a certain generation. I have found a few additional ques One possible reason for this choice tions may help validate symptoms of was suggested by a 14year veteran neurocognitive impairment during of the Canadian Forces, who felt that a psychiatric interview. These ques the motion picture allowed one to tions were developed as a result of fantasize about striking out at others my informal survey of individuals without harming oneself. Positive an with head injuries, usually months swers to 1 or more of these questions after the injury. suggested symptom validity. Ask about a patient’s job. Sig The psychologist’s documenta nificant changes in employment sta tion of an organic cause of the neuro tus—such as job loss or changes in job cognitive impairment compared responsibilities or how others relate favorably to an abnormal finding on to the individual in the workplace— a computerized brain mapping electro usually occur in the first 6 months af encephalogram (EEG). The recent ter an injury. computerization of multiple EEGs will Has the patient thought about or allow physicians to identify abnormal obtained a gun permit? In response patterns of electrical activity and sug to their perceived weaker status, gest a diagnosis. A finding of 2 stan many patients acquired weapons. dard deviations from average may I have no knowledge if these guns indicate neurocognitive impairment. were misused. Leonard R. Friedman, MD Revere, MA In an informal survey, I also Current Psychiatry To comment on articles in this issue or other topics, send letters in care of Erica Vonderheid, 8 November 2007 CURRENT PSYCHIATRY, 110 Summit Avenue, Montvale, NJ 07645, [email protected] or visit CurrentPsychiatry.com and click on the “Contact Us” link..

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CLE On-Demand
Garden State CLE 2000 Hamilton Ave. Hamilton, N.J. 08619 (609) 584-1924 (609) 895-1899 Fax www.gardenstatecle.Com [email protected] CLE On-Demand View and record the “Secret Words” Print this form and write down all the “secret Words” during the program: (Reporting the words is a required step in getting CLE Credit) Word #1 was: Word #2 was: Word #3 was: Word #4 was: Garden State CLE presents: A Pop Corn CLE: "An Offer You Can't Refuse" Winning Negotiating Techniques as Portrayed in Cinema Lesson Plan Part I - Negotiation as a Process Two Critical Process Issues: 1.) Get your adversary to invest time and effort in the process. The more time, energy & resources invested, the harder it will be for him to walk away. 2.) Build a foundation of consensus by agreeing to as many (usually smaller, insignificant) things as possible early on in the process and leave the highly disputed matters until the end. -------------------------------------------------- The following film is not about war. It is about the process of negotiation. The Bridge on the River Kwai (1957) William Holden Alec Guinness Jack Hawkins Sessue Hayakawa Negotiating Issues: Recognition of negotiation as a process; Note mistake of revealing key data early in the process; Zero-sum game; Note the use of all negotiator styles: analytical, practical, amiable, extrovert; The power of time/deadlines – investing and effort time; Late counter offer meets the needs of both parties; Note how emotion & pride clouds judgment & delays resolution. Part II - BATNA The person with the best alternative to a negotiated settlement (BATNA) has the most leverage.
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Godfather Part II by Michael Sragow “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
The Godfather and The Godfather Part II By Michael Sragow “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author Although Francis Ford Coppola has often been depicted president.” — and loves to depict himself — as primarily an emotion- Kay re- al and intuitive director, “The Godfather” is a film filled sponds, with correct choices, painstakingly thought out and pas- “You know sionately carried through. Part of what made it a break- how naïve through as a crime move is that it’s about gangsters who you sound? make choices too and aren’t propelled simply by blood- Senators lust and greed. They’re battling for position in New York’s and presi- Five Families, circa 1945-1946. If Don Vito Corleone dents don’t (Marlon Brando) and his successor Michael (Al Pacino) have men come off looking better than all the others, it’s because killed.” In a they play the power game the cleverest and best — and line that Marlon Brando as Don Vito Corleone. the game is sordidly exciting. marked a Courtesy Library of Congress breakthrough For all the movie’s warmth, you could never confuse the for mainstream political awareness when the film premi- Corleones or their allies and competitors for fun-loving ered in 1972, Michael wearily answers, “Who’s being ethnic types. The first scene shows the Don exacting naïve, Kay?” deadly patronage, coercing an undertaker named Bonasera into vows of love and pledges of unmitigated But when Michael says his father’s way of doing things is loyalty in exchange for a feudal bond than can’t be bro- finished, he is being naïve.
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HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
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Hail, Caesars!
Hail, Caesars! SSA’s host hotel is home to some of the greatest moments in movies, television and sports. By Tom Comi If employees at the registration desk at Caesars Palace when they were filming that 2009 film, but those moments in Las Vegas were given a $100 chip every time a guest are actually pretty common at Caesars—which has hosted quoted a line from the blockbuster movie The Hangover, countless movies, TV shows and sporting events in its the odds are pretty good they’d be rich enough to retire. illustrious 46-year history. There’s something surreal about standing in the exact same So even if you are a first-time visitor who is checking into spot as Bradley Cooper, Zach Galifanakis and Ed Helms Caesars in September for the Self Storage Association’s Fall Conference & Trade Show, chances are likely that you will Mike Metzger jumped the fountain in 2006 as part of the Caesars Palace anniversary. See Caesars, page 16 PAGE 14 SSA GLOBE SEPTEMBER 2012 1-800-456-9955 1620 Kipling Street, Lakewood, CO 80215 USA www.sentinelsystems.com Sentinel-ISS042-FP4C.indd 1 1/31/12 10:44 AM Caesars, from page 14 Getting It Done experience a case of déjà vu like you have seen the registra- Shooting TV shows, movies and live events on location tion area, casino, fountains, pool area or The Colosseum® is never easy, but imagine the obstacles in doing so at a many times before. venue that never closes. A perfect example is the afore- mentioned registration scene in The Hangover, which had “We have been very fortunate that prestigious filmmakers to be filmed while guests were still checking in several feet and innovative television producers have made some away.
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East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 1-1-2016 Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the American Film Studies Commons, and the Film and Media Studies Commons Citation Information Hall, Kenneth Estes. 2016. Mountain Men on Film. Studies in the Western. Vol.24 97-119. http://www.westernforschungszentrum.de/ This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Mountain Men on Film Copyright Statement This document was published with permission from the journal. It was originally published in the Studies in the Western. This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/596 Peter Bischoff 53 Warshow, Robert. "Movie Chronicle: The Western." Partisan Re- view, 21 (1954), 190-203. (Quoted from reference number 33) Mountain Men on Film 54 Webb, Walter Prescott. The Great Plains. Boston: Ginn and Kenneth E. Hall Company, 1931. 55 West, Ray B. , Jr., ed. Rocky Mountain Reader. New York: E.P. Dutton, 1946. 56 Westbrook, Max. "The Authentic Western." Western American Literatu,e, 13 (Fall 1978), 213-25. 57 The Western Literature Association (sponsored by). A Literary History of the American West. Fort Worth: Texas Christian University Press, 1987.
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In Pittsburgh, ‘Fences’ and August Wilson’s Hill District MONDAY, MAY 1, 2017 37 A woman looks at an art work called “Papillon Monarque-Migration is Beautiful” by US artist Andrea Bowers, as part of the exhibition “La Terra Inquieta” (The Restless Earth) on migrants odissey organized by the Trussardi foundation during La Triennale di Milano on April 29, 2017. — AFP Iranian filmmaker imprisoned over his work released early Coppola and ‘Godfather’ cast reunite at Tribeca Film Fest ebilitating studio battles. One worst film ever made!” But Pacino said he miraculously still cat. Mooning con- was straightened out after a pep talk from Dtests between James Caan and Coppola, who showed him early footage of Marlon Brando. These were the memories his performance and told the struggling shared, 45 years later, on the making of Pacino “to get your chops together.” There “The Godfather” in a rare reunion of the were many such stories shared Saturday. All film’s cast and director Francis Ford marveled at the cat, roaming nearby, that Coppola at Radio City Music Hall. With the was thrust into one scene where it calmly stage decorated to resemble the library of burrowed in Brando’s lap. After the lengthy Brando’s Don Corleone, and a portrait of wedding scene, Pacino said, he and Keaton the actor hanging above, Coppola and cast “got so loaded, we were on the floor.” members Al Pacino, Robert De Niro, Robert During the same scene, Duvall said, “We Duvall, James Caan, Diane Keaton and Talia were all mooning each other and Brando Iranian filmmaker Shire, gathered together once again on took it very seriously.” Keywan Karimi.
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Films with 2 Or More Persons Nominated in the Same Acting Category
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Tyson a Film by James Toback
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For Immediate Release
‘GENERATION GAP’ CAST BIOS EDWARD ASNER (Bart Cahill) - Versatile, committed, eloquent and talented are all adjectives that describe actor/activist Ed Asner. Perhaps best known for his comedic and dramatic crossover as the gruff but soft-hearted journalist Lou Grant, the role he originated on the landmark TV news room comedy “The Mary Tyler Moore Show” and continued in the newspaper-set drama “Lou Grant” -- which earned him five Emmys® and three Golden Globe® Awards. Asner received two more Emmy® and Golden Globe® Awards for the mini-series’ “Rich Man, Poor Man” and “Roots.” His prolific and much honored acting career demonstrates a consummate ability to transcend the line between comedy and drama. One of the most honored actors in the history of television; Asner has been the recipient of seven Emmy® Awards and 16 nominations, as well as five Golden Globe® Awards and served as National President of the Screen Actors Guild for two terms. He was inducted into the TV Academy Hall of Fame in 1996. Asner received the Ralph Morgan Award from the Screen Actors Guild in 2000 -- presented periodically for distinguished service to the Guild's Hollywood membership. In March 2002, he was again honored by The Guild as the 38th recipient of the prestigious Life Achievement Award for career achievement and humanitarian accomplishment, presented annually to an actor who fosters the highest ideals of the profession. In addition to his professional versatility, Asner has consistently served and committed himself to the rights of the working performer in addition to advocating for human rights, world peace, environmental preservation and political freedom.
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