Welcome to Our Cienna Lookbook for Winter 2021

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2021 winter Welcome to our Cienna Lookbook for Winter 2021 Our knits are made from a Mohair / Acrylic Blend - so not only are they very warm, they’re also incredibly soft to wear - and not at all scratchy on the skin. These knits are not mass produced - they are created by hand with the old traditional knitting machines in Indonesia. We love supporting this family who have been making our knitwear for the past 15 years! We hope you love our designs as much as we do! Fern Green Mustard Braid Top - Colours: Dark Rust, Fern Green, Mustard, Rust, Oat, Charcoal Oat Oat Braid Top - Colours: Dark Rust, Fern Green, Mustard, Rust, Oat, Charcoal Charcoal Rust Braid Top - Colours: Dark Rust, Fern Green, Mustard, Rust, Oat, Charcoal Mustard Navy Lush Cardi - Colours: Mustard, Navy, Khaki, Oat, Wine, Khaki Oat Wine Lush Cardi - Colours: Charcoal, Mustard, Rust, Navy, Khaki, Oat, Wine, Blush Sunset Comfy Cardi - Colours: Sunset, Blush Juanita Cardi - Anita Dress - Mixed Wrap - Stripe Cardi - Stripe Poncho - Naudic Poncho - Grey - Boho Poncho - Rust Oat Rib Poncho - Colours: Fern Green, Wine, Oat, Rust Mustard Khaki Cable Poncho - Colours: Mustard, Khaki, Navy, Black Blush Poncho - Sky Poncho - Ember Cardi - Ember Jumper - Ember Snood - Ember Wrap - Heart Jumper - Star Jumper - Lumi Jumper - Colours: Oat, Khaki, Mustard Khaki Mustard Lumi Jumper - Colours: Oat, Khaki, Mustard Jumper - Sunset - Iclyn Wrap - Iclyn Snood - Iclyn Jumper - Iclyn Cardi - Beanies, Caps, Scarves and Gloves Mustard Rust Khaki Oat Neck Scarves - Colours: Dark Rust, Oat, Mustard, Black, Khaki, Charcoal, Wine, Fern Green, Navy Triangle Scarf - Colours: Mustard, Dark Rust, Black, Fern Green, Wine, Oatmeal Gloves - Colours: Dark Rust, Oat, Mustard, Black, Khaki, Charcoal, Fern, Wine, Navy Mustard Oat Button Hat - Colours: Fern Green, Charcoal, Black, Wine, Mustard, Khaki, Oat Charcoal Khaki Button Hat - Colours: Fern Green, Charcoal, Black, Wine, Mustard, Khaki, Oat Grey Rust Mustard Pom Pom Hat - Colours: Grey, Mustard, Rust Oat Navy Rib Beanie - Colours: Dark Rust, Oat, Mustard, Charcoal, Black, Fern Green, Wine, Khaki, Navy Cap - Colours: Khaki, Dark Rust, Wine, Black, Oat, Charcoal, Fern Green, Mustard Khaki Dark Rust Cap - Colours: Khaki, Dark Rust, Wine, Black, Oat, Charcoal, Fern Green, Mustard Wine Black Cap - Colours: Khaki, Dark Rust, Wine, Black, Oat, Charcoal, Fern Green, Mustard Oat Mustard Cap - Colours: Khaki, Dark Rust, Wine, Black, Oat, Charcoal, Fern Green, Mustard Bilgola Clothing 4/13 Ponderosa Pd, Warriewood NSW 2102 [email protected] www.bilgolaclothing.com.au • Tel: 61 2 9979 7215 Photos are available for your use; for your websites or social media. Customers have permission to use photos provided Cienna Designs is stated or tagged. Please get in touch ! .

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The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves.
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Fall/Winter 2020
FALL/WINTER 2020 MISSION STATEMENT SINCE 1880 FRAAS HAS PROVIDED INNOVATIVE PRODUCT CONCEPTS USING OUR OWN IN-HOUSE DESIGN TEAMS, VERTICALLY INTEGRATED STATE-OF-THE-ART PRODUCTIONS, AND WORLDWIDE DISTRIBUTION FACILITIES. SCARVES ARE OUR TRADITION, OUR PASSION AND OUR HERITAGE. FOR MORE THAN 130 YEARS, WE AT FRAAS HAVE UPHELD A FAMILY TRADITION OF MANUFACTURING HIGH QUALITY SCARVES. IT IS OUR MISSION TO PROVIDE EXCEPTIONAL ACCESSORIES AND IMPECCABLE CUSTOMER SERVICE, TO ENSURE YOUR BUSINESS ENDEAVORS ARE SUCCESSFUL. THANK YOU FOR CHOOSING FRAAS. TABLE OF CONTENTS FW20 TRENDS 3 FASHION SCARVES 4-10 EVENING 11 PONCHOS 12 RUANAS 13-14 CASHMINK 15-19 CASHMINK OVERSIZED 20 CASHMERE 21 KNIT COORDINATES 22-25 MENS CASHMINK 26-27 HOME 28-30 CONTACT INFO 32 FALL | WINTER 2020 TRENDS 3 FASHION SCARVES 750 KHAKI 10 WHITE 210 PEACH 990 BLACK 612100 LIPSTICK LOVE 612102 DITZY FLORAL 520 BLUE 100% SILK / 53 X 53CM 100% SILK / 53 X 53CM $14.00 / MSRP $38.00 $14.00 / MSRP $38.00 750 KHAKI 280 BRICK 710 LIME 210 PEACH 760 OLIVE 180 CAMEL 612168 CLASSIC DOTTIE NECKIE 612103 BORDER ANIMAL 590 ROYAL 100% SILK / 53 X 53CM 990 BLACK 100% SILK / 53 X 53CM $14.00 / MSRP $38.00 $14.00 / MSRP $38.00 140 OCHRE 140 OCHRE 560 ROYAL 560 ROYAL 632000 PATCHWORK EQUESTRIAN 632001 RAINBOW HOUNDSTOOTH 100% SILK / 88 X 88CM 100% SILK / 88 X 88CM $28.75 / MSRP $78.00 $28.75 / MSRP $78.00 4 FASHION SCARVES 690 PETROL 450 PINK 450 PINK 360 CLASSIC RED 602001 PUNK PATCHWORK 602002 VIVID ANIMAL 960 MID GREY 710 LIME 100% POLYESTER / 90 X 180CM 100% POLYESTER / 90 X 180CM $13.75
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Autumn Winter 2021 Oardmans Are the Uk’S Leading Fashion Accessories Supplier for Hats, Scarves and Gloves
AUTUMN WINTER 2021 OARDMANS ARE THE UK’S LEADING FASHION ACCESSORIES SUPPLIER FOR HATS, SCARVES AND GLOVES. At Boardmans, our mission is to create the The addition of delicate embellishments adds perfect accessories to complete every outfit. that special finishing touch. Our market trend research has shown a rise in popularity in For our brand new Autumn/Winter 2021 bucket hats and baker boy styles featuring collection we have focused on developing teddy fur and boucle fabrics, which you will a number of designs using recycled yarns, also see included in the new collection. reinforcing our commitment to improving sustainability across all of our ranges. Our Mens range also features the use of bold colours across the collection, with our beanie Our Ladies collection has a range of cosy hats designed to colour match our scarf styles designs, from beanies and snoods to our to create a more cohesive overall look. We signature superfluffy scarves. This season’s have also introduced the snood to our Mens on-trend colours include neutral camel collection for AW21 in both fashion and basic shades, soft powder blues and cool mint styles. Following our trend research we are green. Not forgetting our bright and beautiful featuring more fashion fabrics in both the flat selection with pops of Cobalt, Pink and Plum. cap and baker boy styles, giving traditional base colours a contemporary twist with bright pops of colour. 03 KELLY HAT KELLY GLOVE KELLY SCARF AVAILABLE IN Black, Grey, Raspberry, Rust, Plum, Oatmeal, Mint 03 KELLY HAT KELLY GLOVE KELLY SCARF KELLY HAT KELLY GLOVE KELLY SCARF KELLY HAT KELLY GLOVE KELLY SCARF 04 BELLA HAT BELLA MITT BELLA SCARF AVAILABLE IN Baby Pink, Camel, Powder Blue, Navy, Khaki BELLA HAT BELLA MITT BELLA SCARF BELLA HAT BELLA MITT BELLA SCARF BELLA HAT BELLA MITT BELLA SCARF 05 CARLA HAT CARLA GLOVE CARLA SCARF AVAILABLE IN Camel, Berry, Black, Lilac CARLA HAT CARLA GLOVE CARLA SCARF WE INVEST IN MARKET INTELLIGENCE AND TREND PREDICTION, THEN CONVERT THOSE MARKET INSIGHTS INTO PRODUCTS THAT SELL.
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Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
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Roman Clothing and Fashion
ROMAN CLOTHING AND FASHION ALEXANDRA CROOM This edition published 2010. This electronic edition published 2012. Amberley Publishing The Hill, Stroud, Gloucestershire GL5 4EP www.amberley-books.com Copyright © Alexandra Croom 2010, 2012 The right of Alexandra Croom to be identified as the Author of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing from the Publishers. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN 978-1-84868-977-0 (PRINT) ISBN 978-1-4456-1244-7 (e-BOOK) CONTENTS List of Illustrations Acknowledgements 1 - Introduction 2 - Cloths and Colour 3 - Men’s Clothing 4 - Women’s Clothing 5 - Children’s Clothing 6 - Beauty 7 - Provincial Clothing 8 - Conclusions Pictures Section Glossary References Weaving Terminology Bibliography LIST OF ILLUSTRATIONS TEXT FIGURES 1 - The costume of goddesses 2 - Woman spinning 3 - Tunic forms 4 - A clothes press 5 - Tunics of the first and second centuries 6 - Tunics of the third and fourth centuries 7 - Tunic decorations 8 - Portrait of Stilicho 9 - Tunics 10 - Togas of the first to fourth centuries 11 - The ‘Brothers’ sarcophagus 12 - Togas of the fifth and sixth centuries 13
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Hikaru Noguchi AW13-14 Ladies's Collection
hikaru noguchi AW13-14 Ladies's collection PHOTO: KUMI SAITO MODEL: ISOBEL hikaru noguchi AW13-14 Ladies's collection SCFI-14 CHUNKY FAIEISLE POMPOM SCARF GLFI-14 CHUNKY FAIRISLE GLOVES HAFI-14 CHUNKY FAIRISLE BERET BLACK / GREEN / WINE / CREAM 100% LAMBS WOOL / MADE IN SCOTLAND hikaru noguchi AW13-14 Ladies's collection SH-17 GLOW CELL SHAWL SC-1 GEO FLOWER SCARF SC-17 GLOE CELL SCARF CHOCO BLUE KHAKI / GREY NAVY BRICK BERRY / EARTH / MID NIGHT BROWN YELLOW GREEN / CHOCO ORANGE RUBY 100% LAMBS WOOL / MADE IN ENGLAND 100% LAMBS WOOL / MADE IN ENGLAND hikaru noguchi AW13-14 Ladies's collection SC-11 TWEEDY MIX COLOUR SCARF HA-11 TWEEDY MIX COLOUR DEEP HAT SN-11 TWEEDY MIC COLOUR SNOOD GL-11 TWEEDY MIX COLOUR ARM WARMERS PURPLE BERRY / GOLD / POPPY RED / BLACK / PINK / DK NATURAL 90% LAMBS WOOL 10% CASHMERE / MADE IN SCOTLAND hikaru noguchi AW13-14 Ladies's collection SH-15 MEGA FAIRISLE SHAWL SC-15 MEGA FAIRISLE SCARF CHOCO DARK PINK / BLUE YELLOW / PASTEL MIX / ORANGE BLUE / NATURAL GREY 100% LAMBS WOOL / MADE IN ENGLAND hikaru noguchi AW13-14 Ladies's collection MOPON-20 BRUSHED MOHAIR PONCHO BLACK / CHARCOAL / PINEVIEW / NAVY 79% EXTRA FINE KID MOHAIR 21% ACRYLIC / MADE IN SOUTH AFRICA hikaru noguchi AW13-14 Ladies's collection GLST-14 STRIPE GLOVES SH-18 MULTI STRIPE SCARF BLUE / RED / YELLOW CHOCO DARK PINK / BLACK BLUE / NATURAL GREY / PASTEL 100% LAMBS WOOL / MADE IN SCAOTLAND 100% LAMBS WOOL / MADE IN ENGLAND hikaru noguchi AW13-14 Ladies's collection SH-16 HONEYCOMB GATHERED SHAWL SN-16 HONEYCOMB GATHERED SNOOD SC-16 HONEYCOMB
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The Opinion Shoestrings Have Been Produced on Larger Budgets
The Opinion Shoestrings have been produced on larger budgets. http://www.wmitchell.edu/studentlife/organizations/opinion.asp Vol. 21, No. 2 October 2007 College Names Vice Dean Eric faculty and staff members. Mitchell, he noted, is considered Minnesota‘s law school. Janus as New Interim However, recent changes to the area‘s legal President and Dean education market may force Mitchell to re- examine its image and development strategies By Kate Johansen over the next few years, according to Janus. The school can continue to cultivate its For nearly two and a half decades, Professor Minnesota roots to the exclusion of wider Eric Janus has been a prominent figure in markets, he said, or it can seek to strengthen Mitchell classrooms. Starting this fall, he will its reputation as a national and even be occupying yet another important room on international leader in legal education. campus: the dean‘s office. When former Dean Allen Easley announced his resignation for personal reasons late this summer, Janus was a natural choice to fill the position of interim president and dean; after all, he has served as the college‘s vice dean since 2004. A graduate of Carleton College and Harvard Law School, Janus is also a nationally-renowned expert on the interaction between law and psychiatry and has authored several publications on laws affecting sex offenders. He began his career at Mitchell in 1984 and has since taught required courses, such as civil procedure and constitutional law Image courtesy of William Mitchell College of Law as well as seminars on health law and race and the law.
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Class D02 Apparel and Haberdashery 700 701 702
CLASS D02 APPAREL AND HABERDASHERY D02 - 1 700 UNDERGARMENT, SLEEPWEAR, OR 738 ..Nether specific (i.e., trunks LOUNGING APPAREL or shorts) 701 .Support or foundation-type (1) 739 .Professional, ceremonial, or 702 ..Corset or girdle (2) occupational uniform 703 ...With shoulder straps 740 ..With apron (e.g., waitress 704 ...Bifurcated uniform, etc.) (7) 705 ...Element or attachment 741 .National, regional, ethnic, or 706 ..Brassiere (3) novelty costume 707 ...Crossover straps or panels at 742 .Bifurcated (i.e., pants) front center 743 ..Combined with torso garment or 708 ...With halter, shoulder straps, suspenders (9) or provision therefor 744 ...With stirrup, bootee, or 709 ....Separable at front center ribbed cuff (i.e., snow or ski suit, etc.) 710 ....Flower or bow detail at front center 745 ...Child specific 711 ..Athletic supporter or cup 746 ....Simulative 712 .Bifurcated 747 ..With stirrup, bootee, or ribbed cuff 713 ..Combined (4) ..Trapezoidal, square, or 714 ...With torso garment or 748 triangular leg in cross- suspenders (5) section 715 ....Overblouse or jacket 749 .Knit or crocheted (10) 716 ..With pocket or simulated pocket 750 ..Torso garment (e.g., sweater, 717 .T-shirt-type vest, jacket, etc.) 718 .Sleeping garment 751 ...Plural or combined 719 ..Enveloping (i.e., sleeping bag, 752 ....With skirt bunting for infant, etc.) 753 ...Simulative detail 720 ..Nightgown, nightshirt, or 754 ....Front closure (e.g., hospital patient gown (6) cardigan-type, etc.) 721 .Slip 755 ...Front closure (e.g., cardigan- 722 ..Half slip (i.e.,
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Operational Definitions
Operational Definitions The operational definitions that follow are intended to aid the reader in understanding the review of literature, particularly those sections pertaining to dress. The definitions were gathered through review of literature, as well as analysis of the poetry. Definitions that are marked with an asterisk indicate that they were mentioned in the poetry that was analyzed. Arisaid – a long garment reaching from neck to ankles, pleated and fastened at the breast with a large brooch or buckle, and belted at the waist; worn by Scottish Highland women (Bain, 1954; Stewart, 1974). Balloon hat –a hat style that women wore after 1740; also known as a lunardi (Maxwell & Hutchison, 1958). *Belted plaid – a Scottish Highland male garment created from a piece of tartan two yards in width and six yards in length. A man would center the plaid over a belt laid on the ground; he would then pleat the lower section of the plaid, while leaving the side and upper sections unpleated. The belt was fastened at the waist and the unpleated upper section of the plaid was thrown over one shoulder and held in place with a brooch. Also called a breacan-feile (Bain, 1954; Wilson, 1990). Bicorne hat – man’s hat of the Napoleonic era in shape of a crescent, with front and back brims pressed against each other making points on either side. Frequently trimmed with a cockade (Calasibetta, 1998). *Bonnet – headcovering for women, children, and infants usually fitting over back and top of head and tying with strings under chin. Bonnets were first worn in the Middle Ages.
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The Impact of World War II on Women's Fashion in the United States and Britain
UNLV Theses, Dissertations, Professional Papers, and Capstones 12-2011 The impact of World War II on women's fashion in the United States and Britain Meghann Mason University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Cultural History Commons, European History Commons, Fashion Design Commons, Industrial and Product Design Commons, and the United States History Commons Repository Citation Mason, Meghann, "The impact of World War II on women's fashion in the United States and Britain" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1390. http://dx.doi.org/10.34917/3290388 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE IMPACT OF WORLD WAR II ON WOMEN’S FASHION IN THE UNITED STATES AND BRITAIN By Meghann Mason A thesis submitted in partial fulfillment Of the requirements
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1860-1870 Fashions
1860-1870 Fashions Godey's Lady's Book, alternatively known as Godey's Magazine and Lady's Book, was a United States magazine published in Philadelphia and popular among women during the 19th century. In the 1860s Godey's considered itself the "queen of monthlies". Gowns Skirts reached ultimate width by early 1860, and by 1862 were less bell-shaped, flatter in front and bustled out in back. Sleeve were wide, belle-shaped (pagoda) and worn over undersleeves. Necklines were high with lace or tatted collars, or with chemisettes (v-shaped inserts covering cleavage). Evening dresses were less demure than day dresses, and had low necklines and short sleeves and were worn over large crinolines at balls and weddings. Ladies wore short gloves or fingerless mitts made of lace or crocheted. Bodices and skirts separate pieces and interchangeable, long-sleeved and high-necked for afternoon and short-sleeved and low-necked for evening. By the 1870s, sleeves narrowed and hoops decrease in size. Overskirts looped up to reveal underskirts, which later led to the bustle. To accommodate the full skits, women wore square shawls, folded into triangles, or they wore three-quarter length capes or hip-length jackets. Corsets, reinforced with strips of leather and whalebone, were tied tightly to place emphasis on the waist and hips. Hair was worn parted in the middle and smoothed, waved, or poofed over the ears, then braided or "turned up" and pinned into roll or low bun at the back of the neck. Such styling was usually maintained by the use of hair oils and pomades.
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Backstage Costume & Wardrobe Terminology
Costume: Clothing that is worn by anyone on the stage. Costume Designer: Person who creates the designs for the costumes in a production. Costume Parade: Review of costumes onstage. Costume Plot: Paperwork to track the placement and Costume and Wardrobe Terminology movement of costumes during a production. Costume Shop: Department responsible for the construction Accessory: Object not essential in itself but adding to the or acquisition and fitting of costumes, also the location where appearance or effectiveness of the costume this work takes place. Alter: Modify a pattern or garment to suit individual sizing or Costume Shop Manager: Person who is responsible for the design preference costume shop, including budgets and schedules, and supervises all costume employees. Synonym: Head of Shop Alteration: Changes made to the fit of a garment or mockup Cross-stitch: Hand stitches that cross to form an X. Applique: Pieces of fabric or trim attached to a background fabric in a decorative design Cutter: Person that cuts pieces of fabric from a pattern. Armseye: Opening in the body of a garment to accommodate Dart: V shaped, tapered adjustment to a pattern to allow for an arm. Synonym: Arm Hole more fullness in the bust area or less fullness. Basting: Large or long temporary stitch holding a hem or Drape: Manner in which fabric hangs and falls from the body. seam in place. Synonym: Tacking Draper: Person who creates patterns for costumes based on Bias: Stretchiest part on the fabric that runs diagonally to the designer's renderings, and performer's measurements. straight grain of the fabric.
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