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The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Autumn Winter 2021 Oardmans Are the Uk’S Leading Fashion Accessories Supplier for Hats, Scarves and Gloves
AUTUMN WINTER 2021 OARDMANS ARE THE UK’S LEADING FASHION ACCESSORIES SUPPLIER FOR HATS, SCARVES AND GLOVES. At Boardmans, our mission is to create the The addition of delicate embellishments adds perfect accessories to complete every outfit. that special finishing touch. Our market trend research has shown a rise in popularity in For our brand new Autumn/Winter 2021 bucket hats and baker boy styles featuring collection we have focused on developing teddy fur and boucle fabrics, which you will a number of designs using recycled yarns, also see included in the new collection. reinforcing our commitment to improving sustainability across all of our ranges. Our Mens range also features the use of bold colours across the collection, with our beanie Our Ladies collection has a range of cosy hats designed to colour match our scarf styles designs, from beanies and snoods to our to create a more cohesive overall look. We signature superfluffy scarves. This season’s have also introduced the snood to our Mens on-trend colours include neutral camel collection for AW21 in both fashion and basic shades, soft powder blues and cool mint styles. Following our trend research we are green. Not forgetting our bright and beautiful featuring more fashion fabrics in both the flat selection with pops of Cobalt, Pink and Plum. cap and baker boy styles, giving traditional base colours a contemporary twist with bright pops of colour. 03 KELLY HAT KELLY GLOVE KELLY SCARF AVAILABLE IN Black, Grey, Raspberry, Rust, Plum, Oatmeal, Mint 03 KELLY HAT KELLY GLOVE KELLY SCARF KELLY HAT KELLY GLOVE KELLY SCARF KELLY HAT KELLY GLOVE KELLY SCARF 04 BELLA HAT BELLA MITT BELLA SCARF AVAILABLE IN Baby Pink, Camel, Powder Blue, Navy, Khaki BELLA HAT BELLA MITT BELLA SCARF BELLA HAT BELLA MITT BELLA SCARF BELLA HAT BELLA MITT BELLA SCARF 05 CARLA HAT CARLA GLOVE CARLA SCARF AVAILABLE IN Camel, Berry, Black, Lilac CARLA HAT CARLA GLOVE CARLA SCARF WE INVEST IN MARKET INTELLIGENCE AND TREND PREDICTION, THEN CONVERT THOSE MARKET INSIGHTS INTO PRODUCTS THAT SELL. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Roman Clothing and Fashion
ROMAN CLOTHING AND FASHION ALEXANDRA CROOM This edition published 2010. This electronic edition published 2012. Amberley Publishing The Hill, Stroud, Gloucestershire GL5 4EP www.amberley-books.com Copyright © Alexandra Croom 2010, 2012 The right of Alexandra Croom to be identified as the Author of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing from the Publishers. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN 978-1-84868-977-0 (PRINT) ISBN 978-1-4456-1244-7 (e-BOOK) CONTENTS List of Illustrations Acknowledgements 1 - Introduction 2 - Cloths and Colour 3 - Men’s Clothing 4 - Women’s Clothing 5 - Children’s Clothing 6 - Beauty 7 - Provincial Clothing 8 - Conclusions Pictures Section Glossary References Weaving Terminology Bibliography LIST OF ILLUSTRATIONS TEXT FIGURES 1 - The costume of goddesses 2 - Woman spinning 3 - Tunic forms 4 - A clothes press 5 - Tunics of the first and second centuries 6 - Tunics of the third and fourth centuries 7 - Tunic decorations 8 - Portrait of Stilicho 9 - Tunics 10 - Togas of the first to fourth centuries 11 - The ‘Brothers’ sarcophagus 12 - Togas of the fifth and sixth centuries 13 -
Hikaru Noguchi AW13-14 Ladies's Collection
hikaru noguchi AW13-14 Ladies's collection PHOTO: KUMI SAITO MODEL: ISOBEL hikaru noguchi AW13-14 Ladies's collection SCFI-14 CHUNKY FAIEISLE POMPOM SCARF GLFI-14 CHUNKY FAIRISLE GLOVES HAFI-14 CHUNKY FAIRISLE BERET BLACK / GREEN / WINE / CREAM 100% LAMBS WOOL / MADE IN SCOTLAND hikaru noguchi AW13-14 Ladies's collection SH-17 GLOW CELL SHAWL SC-1 GEO FLOWER SCARF SC-17 GLOE CELL SCARF CHOCO BLUE KHAKI / GREY NAVY BRICK BERRY / EARTH / MID NIGHT BROWN YELLOW GREEN / CHOCO ORANGE RUBY 100% LAMBS WOOL / MADE IN ENGLAND 100% LAMBS WOOL / MADE IN ENGLAND hikaru noguchi AW13-14 Ladies's collection SC-11 TWEEDY MIX COLOUR SCARF HA-11 TWEEDY MIX COLOUR DEEP HAT SN-11 TWEEDY MIC COLOUR SNOOD GL-11 TWEEDY MIX COLOUR ARM WARMERS PURPLE BERRY / GOLD / POPPY RED / BLACK / PINK / DK NATURAL 90% LAMBS WOOL 10% CASHMERE / MADE IN SCOTLAND hikaru noguchi AW13-14 Ladies's collection SH-15 MEGA FAIRISLE SHAWL SC-15 MEGA FAIRISLE SCARF CHOCO DARK PINK / BLUE YELLOW / PASTEL MIX / ORANGE BLUE / NATURAL GREY 100% LAMBS WOOL / MADE IN ENGLAND hikaru noguchi AW13-14 Ladies's collection MOPON-20 BRUSHED MOHAIR PONCHO BLACK / CHARCOAL / PINEVIEW / NAVY 79% EXTRA FINE KID MOHAIR 21% ACRYLIC / MADE IN SOUTH AFRICA hikaru noguchi AW13-14 Ladies's collection GLST-14 STRIPE GLOVES SH-18 MULTI STRIPE SCARF BLUE / RED / YELLOW CHOCO DARK PINK / BLACK BLUE / NATURAL GREY / PASTEL 100% LAMBS WOOL / MADE IN SCAOTLAND 100% LAMBS WOOL / MADE IN ENGLAND hikaru noguchi AW13-14 Ladies's collection SH-16 HONEYCOMB GATHERED SHAWL SN-16 HONEYCOMB GATHERED SNOOD SC-16 HONEYCOMB -
The Opinion Shoestrings Have Been Produced on Larger Budgets
The Opinion Shoestrings have been produced on larger budgets. http://www.wmitchell.edu/studentlife/organizations/opinion.asp Vol. 21, No. 2 October 2007 College Names Vice Dean Eric faculty and staff members. Mitchell, he noted, is considered Minnesota‘s law school. Janus as New Interim However, recent changes to the area‘s legal President and Dean education market may force Mitchell to re- examine its image and development strategies By Kate Johansen over the next few years, according to Janus. The school can continue to cultivate its For nearly two and a half decades, Professor Minnesota roots to the exclusion of wider Eric Janus has been a prominent figure in markets, he said, or it can seek to strengthen Mitchell classrooms. Starting this fall, he will its reputation as a national and even be occupying yet another important room on international leader in legal education. campus: the dean‘s office. When former Dean Allen Easley announced his resignation for personal reasons late this summer, Janus was a natural choice to fill the position of interim president and dean; after all, he has served as the college‘s vice dean since 2004. A graduate of Carleton College and Harvard Law School, Janus is also a nationally-renowned expert on the interaction between law and psychiatry and has authored several publications on laws affecting sex offenders. He began his career at Mitchell in 1984 and has since taught required courses, such as civil procedure and constitutional law Image courtesy of William Mitchell College of Law as well as seminars on health law and race and the law. -
Class D02 Apparel and Haberdashery 700 701 702
CLASS D02 APPAREL AND HABERDASHERY D02 - 1 700 UNDERGARMENT, SLEEPWEAR, OR 738 ..Nether specific (i.e., trunks LOUNGING APPAREL or shorts) 701 .Support or foundation-type (1) 739 .Professional, ceremonial, or 702 ..Corset or girdle (2) occupational uniform 703 ...With shoulder straps 740 ..With apron (e.g., waitress 704 ...Bifurcated uniform, etc.) (7) 705 ...Element or attachment 741 .National, regional, ethnic, or 706 ..Brassiere (3) novelty costume 707 ...Crossover straps or panels at 742 .Bifurcated (i.e., pants) front center 743 ..Combined with torso garment or 708 ...With halter, shoulder straps, suspenders (9) or provision therefor 744 ...With stirrup, bootee, or 709 ....Separable at front center ribbed cuff (i.e., snow or ski suit, etc.) 710 ....Flower or bow detail at front center 745 ...Child specific 711 ..Athletic supporter or cup 746 ....Simulative 712 .Bifurcated 747 ..With stirrup, bootee, or ribbed cuff 713 ..Combined (4) ..Trapezoidal, square, or 714 ...With torso garment or 748 triangular leg in cross- suspenders (5) section 715 ....Overblouse or jacket 749 .Knit or crocheted (10) 716 ..With pocket or simulated pocket 750 ..Torso garment (e.g., sweater, 717 .T-shirt-type vest, jacket, etc.) 718 .Sleeping garment 751 ...Plural or combined 719 ..Enveloping (i.e., sleeping bag, 752 ....With skirt bunting for infant, etc.) 753 ...Simulative detail 720 ..Nightgown, nightshirt, or 754 ....Front closure (e.g., hospital patient gown (6) cardigan-type, etc.) 721 .Slip 755 ...Front closure (e.g., cardigan- 722 ..Half slip (i.e., -
Operational Definitions
Operational Definitions The operational definitions that follow are intended to aid the reader in understanding the review of literature, particularly those sections pertaining to dress. The definitions were gathered through review of literature, as well as analysis of the poetry. Definitions that are marked with an asterisk indicate that they were mentioned in the poetry that was analyzed. Arisaid – a long garment reaching from neck to ankles, pleated and fastened at the breast with a large brooch or buckle, and belted at the waist; worn by Scottish Highland women (Bain, 1954; Stewart, 1974). Balloon hat –a hat style that women wore after 1740; also known as a lunardi (Maxwell & Hutchison, 1958). *Belted plaid – a Scottish Highland male garment created from a piece of tartan two yards in width and six yards in length. A man would center the plaid over a belt laid on the ground; he would then pleat the lower section of the plaid, while leaving the side and upper sections unpleated. The belt was fastened at the waist and the unpleated upper section of the plaid was thrown over one shoulder and held in place with a brooch. Also called a breacan-feile (Bain, 1954; Wilson, 1990). Bicorne hat – man’s hat of the Napoleonic era in shape of a crescent, with front and back brims pressed against each other making points on either side. Frequently trimmed with a cockade (Calasibetta, 1998). *Bonnet – headcovering for women, children, and infants usually fitting over back and top of head and tying with strings under chin. Bonnets were first worn in the Middle Ages. -
A Backpacker Habitus: the Body and Dress, Embodiment and the Self
RANZ1159138 Techset Composition India (P) Ltd., Bangalore and Chennai, India 3/3/2016 ANNALS OF LEISURE RESEARCH, 2016 http://dx.doi.org/10.1080/11745398.2016.1159138 5 A backpacker habitus: the body and dress, embodiment and the self AQ1 Michael O’Regan AQ2 ¶ ¶ Bournemouth University, Dorset, UK AQ3 10 ¶ ABSTRACT ARTICLE HISTORY As all cultures ‘dress’ the body through clothing, tattooing and Received 2 March 2015 other forms of body adornment such as cosmetics, dress offers Revised 23 February 2016 a useful lens through which to explore the ways in which Accepted 24 February 2016 identities are constituted in modern leisure and tourism cultures. KEYWORDS 15 An analysis of the dress and embodied subjectivity of western fi Dress; Bourdieu; body; backpackers in Nepal nds that dress is constitutive of self- backpacking; habitus; identity and the ways backpackers imagine themselves. This socialization; cultural capital study argues that dress remains an important aspect of a secondary socialization that, in an evolving process, leads to specific (western) backpacker habitus. The use of Pierre Bourdieu 20 as a theoretical resource unravels the relationship between body and dress, embodiment and the self and shows how dress embellishes the body by adding an array of meanings within backpacking culture. 25 CE: JR QA: Coll: Introduction Our awareness of large-scale movements of people over social and geographic space 30 has increased due to the speed of communication and the mobility of images and ideas, with mobile figurations and their practices filling our Smartphone and television screens, literature, imagination and discussions. From the itinerant-worker, globetrotter, transnational criminal, international student, terrorist, second home owner, migrant, business person, sports star and refugee to the soldier, it seems larger numbers of 35 people are moving or are being forced to move. -
Welcome to Our Cienna Lookbook for Winter 2021
2021 winter Welcome to our Cienna Lookbook for Winter 2021 Our knits are made from a Mohair / Acrylic Blend - so not only are they very warm, they’re also incredibly soft to wear - and not at all scratchy on the skin. These knits are not mass produced - they are created by hand with the old traditional knitting machines in Indonesia. We love supporting this family who have been making our knitwear for the past 15 years! We hope you love our designs as much as we do! Fern Green Mustard Braid Top - Colours: Dark Rust, Fern Green, Mustard, Rust, Oat, Charcoal Oat Oat Braid Top - Colours: Dark Rust, Fern Green, Mustard, Rust, Oat, Charcoal Charcoal Rust Braid Top - Colours: Dark Rust, Fern Green, Mustard, Rust, Oat, Charcoal Mustard Navy Lush Cardi - Colours: Mustard, Navy, Khaki, Oat, Wine, Khaki Oat Wine Lush Cardi - Colours: Charcoal, Mustard, Rust, Navy, Khaki, Oat, Wine, Blush Sunset Comfy Cardi - Colours: Sunset, Blush Juanita Cardi - Anita Dress - Mixed Wrap - Stripe Cardi - Stripe Poncho - Naudic Poncho - Grey - Boho Poncho - Rust Oat Rib Poncho - Colours: Fern Green, Wine, Oat, Rust Mustard Khaki Cable Poncho - Colours: Mustard, Khaki, Navy, Black Blush Poncho - Sky Poncho - Ember Cardi - Ember Jumper - Ember Snood - Ember Wrap - Heart Jumper - Star Jumper - Lumi Jumper - Colours: Oat, Khaki, Mustard Khaki Mustard Lumi Jumper - Colours: Oat, Khaki, Mustard Jumper - Sunset - Iclyn Wrap - Iclyn Snood - Iclyn Jumper - Iclyn Cardi - Beanies, Caps, Scarves and Gloves Mustard Rust Khaki Oat Neck Scarves - Colours: Dark Rust, Oat, Mustard, -
Rayon & Cotton Scarves & Shawls
RAYON & COTTON SCARVES & SHAWLS BOLIVIAN CO-OP N W RAYON HAND WOVEN EW ITH S WN WIT HANDWOVEN SE H ALPACA SHAWLS PLAIN TWILL JERSEY COTTON THREAD INFINITY COTTON Hand woven from RAYON THREAD 100% Alpaca wool. CHALLIS SCARF Soft. Luxurious. SCARF Fair Trade Made from product from Handwoven luxurious, silky Bolivia, so 100% Rayon soft, liquid the workers Challis draping get almost scarves & 100% every shawls are Rayon penny like a wool Jersey. of every challis Edge purchase. The but much seams are natural can be dyed softer! rolled & with Acid Dyes. Plain stitched. Hand wash. slightly A treat Natural twill to wear, Black Dark Green NOW IN weave. and cozy Red Light Brown Hand too! Purple Light Green COLORS! twisted fringe. #BHAS: undyed natural Continous circle with NO seam join at #BHASC: dyed colors the neck! Sewn with cotton thread. 76” long & 26” wide 69” all the way around & 19” wide New larger size: 24” x SOFT! 72”with a 5” fringe #ISR143 #BRJ416 WN WIT BAMBOO RAYON SCARF SE H RAYON RUANA FLOATING SCARF OR RAYON COTTON W SQUARES THREAD EWN IT SHAWL S H BLEND DESIGN SCARVES Drape & wear it COTTON Handwoven 100% in lots of ways. THREAD These 100% Rayon Challis bamboo rayon Overcast serged scarves & pearl edges. scarves are soft shawls are as heavily Great over like a wool a dress on buttered silk challis covered in summer but much nights or down feathers softer! Sort from a of a floating baby goose! weave Luscious, squares gorgeous design. 100% Super Bamboo soft! Hand Rayon twisted scarves with fringe. -
Culture Box of Colombia
COLOMBIA CONTENIDO CONTENTS Acknowledgments .......................3 Introduction .................................6 Items .............................................7 More Information ........................56 Contents Checklist ......................83 Evaluation.....................................84 AGRADECIMIENTOS ACKNOWLEDGMENTS Contributors The Culture Box program was created by the University of New Mexico’s Latin American and Iberian Institute (LAII), with support provided by the LAII’s Title VI National Resource Center grant from the U.S. Department of Education. Contributing authors include Latin Americanist graduate students Adam Flores, Charla Henley, Jennie Grebb, Sarah Leister, Neoshia Roemer, Jacob Sandler, Kalyn Finnell, Lorraine Archibald, Amanda Hooker, Teresa Drenten, Marty Smith, Maria Jose Ramos, and Kathryn Peters. Project management, document design, and editorial support were provided by LAII staff person Keira Philipp-Schnurer. María Clara Herrera Rekow generously collected materials for the Culture Box of Colombia. Sponsors All program materials are readily available to educators in New Mexico courtesy of a partnership between the LAII, Instituto Cervantes of Albuquerque, National Hispanic Cultural Center, and Spanish Resource Center of Albuquerque - who, together, oversee the lending process. To learn more about the sponsor organizations, see their respective websites: • Latin American & Iberian Institute at the University of New Mexico • Instituto Cervantes of Albuquerque • National Hispanic Cultural Center • Spanish Resource Center of Albuquerque SOUTH AMERICA COLOMBIA INTRODUCCIÓN INTRODUCTION Any attempt to box in a country’s culture is necessarily problematic. Colombia is no exception, and for many years, the country has been subjected to just that. In contemporary times, discussions of Colombia have been largely dominated by la Violencia, promulgating images of Colombia does provide a necessary context to many of the current issues in the country.