DOCSLIB.ORG

Highsmith Cites Need to Reestablish Goals Images Is Underway

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

the ridgerunner • monday, december 20, 1971 restructuring: Highsmith Cites Need Images is Underway To Reestablish Goals from page 1 Cohen. forms are encouraged. from page 1 The “magazine” will take a “Hopefully, the new format rather different form this year. of Images, as shown in the are due to similar changes in received generous “windfall” tended to judge Library Instead of the traditional book new styling and different types the building of the Social funding while in the develop­ expenditures on a per-capita approach, the literature and of paper, will create a greater Sciences Building. mental stages. But the fin­ basis, as it has in many other art will be presented in a loose interest in the Fine Arts Maga­ It had been originally plann­ ancing has been cut in half areas and that this tends to leaf fashion and boxed. Parch­ zine here at UNC-A,” Miss ed that some 4,000 square feet this year. The Chancellor create moves among institu­ ment and Heavy-weight paper Cohen added. of the original proposed build­ stated, “We’ve been treated tions toward populations will be used in this experi­ Contributers in Literature ing would be devoted to Learn­ very generously and I can’t rather than quality. mental “book”. should contact Lesley Cohen ing Resources. In the budget, complain about much of any­ Art Editor, Diane Hargus or Mr. Dean Cadle through therefore, were plans not only thing except this Library Prospectus stated that art is still being the Library or mail contri­ for the space itself but equip­ cut.” UNC-A faces budget jostl­ accepted through the Art butions to Images, c/ o UNC-A, ment requests as well. The The^ State Board of Edu­ ing when the B (operational department, and although University Heights, Asheville, equipment requests were cut cation stated that to support budget) and C (Capital con­ there will be no color this year, N.C. along with the original budget the type of program UNC-A struction) Budgets come under paintings are still needed. Art contributers should con­ cut, which finally left UNC-A purports to present, the very the scrutiny of the Board of Lesley Cohen stressed that tact Mr. Eugene Bunker, Mr. with 2/3 of a Social Sciences minimum number of volumed Governors. Highsmith stress­ all forms of art will be ac­ Tucker Cooke, or Diane Har­ Building and plans to build needed would be about ed that the Administration is cepted and that drama and gus through the Art Depart­ the final third wing later. 140,000. The number of waiting for a clearer reading music as well as any other art ment. volumes in the Library at Pre­ of the board’s guidelines. Computer Center sent is closer to 75,000. “We still don’t know what The Computer Center is The Chancellor exolained their attitudes are going to also suffering a financial that the Legislature has be in certain areas,” the PENTAGON pinch, but this, according to Chancellor added. SUPPRESSES RAND Highsmith, is also due to rea­ CORP STUDY sons other than strictly budge­ tary. The Center was originally (CPS) — The Pentagon Is movement resulted from funded through a grant from suppressing a Rand high ideological moti­ the National Science Founda­ Corp. study on the vation and implied that tion with an agreement that indoctrination and the policy of “Viet- the state would take over namizing” the war was when the grant was exhausted. tactics of the National The grant eventually ended Liberation Front, the futile. and the state never took over West German news The U. S. government’s responsibility and so the pro­ magazine Der Spiegel doctrine is that terror gram is short-moneyed at said. The 281-page study, tactics are responsible present. “We’ll just have to featuring Pinehurst Candles, Soap Balls and InjEense' Largest Candle Selection in Western North Carolina based on interviews for enemy battlefield find money somewhere for the success, Der Speigel continuation of that prograJn, with NLF deserters, “added Highsmith. concluded that battle­ said. Open year round with unusual decorative candle; There is one other area of field successes of the the campus also laboring un­ and holders, all scents, all colors, sachets and arrangements. 101 Tunnel Road - Peggy andi der a serious shortage of funds Blanton Wright. and that is the D. Hiden Ram­ UNC-A Film Schedule sey Library. (Admission: 55 cents) In the past, the Library Tuesday, Jan, 4 “Joe with Peter Boyle and Dennis Patrick 7 p.m. Lipinsky Aud. Sunday, Jan. 9 “The Rain People" with Shirley Knight, James Caan, Robert Duvall 7 p.m. Lipinsky Aud. Friday, Jan. 14 “The Wild Bunch” with William Holden, Ernest Borgnine, Robert Ryan 8 p.m. Lipinsky Aud. Tuesday, Jan. 25 “The Heart is a Lonely 3M Hunter" with Alan Arkin 7 p.m. Lipinsky Aud. Friday, Jan. 28 “Bullitt" with Steve Mc­ Queen and Jacqueline BIsset 8 p.m. Lipinsky Aud. Sunday, Feb. 6 “Up The Down Staircase" with Sandy Dennis 7 p.m. Lipinsky Aud. Friday, Feb. 11 “Naked Under Leather” with Marianne Faithfull 8 p.m. Lipinsky Aud. Sunday, Feb. 20 “The Sergeant" with Rod Steiger, John Phillip Law 7 p.m. Lipinsky Aud. Friday, Feb. 25 “The Great Bank Robbery” with Zero Mostel, Kim Novak and Clint Walker 8 p.m. Lipinsky Aud. Friday, March 3 “Bonnie and Clyde” with Warren Beatty, Faye Dun­ away and Michael Pollard 8 p.m. Lipinsky Aud. Sunday, March 12 “Giant” with James Dean, Elizabeth Taylor and Rock Hudson 7 p.m. Lipinsky Aud. Friday, March 17 “The Damned” - Directed by Luchino Visconti — With Dick Bogarde 8 p.m. HLH Tuesday, April 4 “The Sea Gull” with Van­ essa Redgrave, James Mason, David Warner 7 p.m. Lipinsky Aud. Friday, April 7 “Performance” with Mick Jagg^r 8p.m Lipinsky Aud. Friday, April 14 “The Illustrated Man" with Rod Steiger and Claire Bloom 8 p.m. Lipinsky Aud. Friday, April 21 “Camelot” with Richard Harris, Vanessa Redgrave and David Hemmings 8 p.m. Lipinsky Aud. Friday, April 28 “Blow Hot, Blow Cold” with BIbl Anderson and Gunnar Bjornstrand 8 p.m. Lipinsky Aud. Friday, May 5 "The Ballad of Cable Hogue” with Jason Rob- 0 ards, Stella Stevens, David Warner 8 p.m. Lipinsky Aud. Friday, May 12 "Who's Afraid of Virginia Wolfe” with Richard Bur­ ton and Elizabeth Taylor 8 p.m. HLH Sunday, May 21 "The Arrangement” with Kirk Douglas, Deborah Kerr, Faye Dunaway, Richard Boone 7 p.m. Lipinsky Arud..
Recommended publications
  • Filmvilág Mikrokozmoszának Mű- Vészi, Morális És Etikai Kérdésein Keresztül Vizs- Gálja Mélységesen Allego- Rikus Elfenpontozással

    Filmvilág Mikrokozmoszának Mű- Vészi, Morális És Etikai Kérdésein Keresztül Vizs- Gálja Mélységesen Allego- Rikus Elfenpontozással

    A színész mint filmhős A film sokszínű vilá- témaválasztásuk — tyán, Bunbury stb.) va- gában játszódó, a film- mindkét mű hősei színé- lamint magyarországi lá- gyártás mindig izgalmas szek, — miatt érdemlik togatása alkalmából sze- kulisszatitkait leleplező meg az ismertetést, ha- mélyesen is megismert regényekről, színdara- nem ezen túl még azért angol Shakespeare-szí- bokról és filmekről ír- is, mivel az egyikből ké- nész, Michael Redgrave tam e hasábokon néhány szült filmet már be is első és egyetlen regénye: héttel ezelőtt. Ebbe a mutatták, a másik pedig The Mountebank's Tale kategóriába tartozik az rövidesen az író fősze- (A sarlatán története.) az angol regény és az az replésével kerül filmsza- Redgrave új regénye amerikai színdarab is, lagra. egy rejtélyes sorsú, ho- amelyek nemcsak a Az angol mű a film- mályos — állítólag ma- film világából merített jeiből (Tövis és boros- gyar — származású nagy színész életútját meséli el az első világháború utáni Bécstől Párizson és Londonon át a new yorki Broadway-ig és Holly- woodig. Maga a szorosan vett mese, a már sokszor megírt, de a színpadi háttér előtt különösen izgalmas Doppelgánger- motivum. A regény tervbe vett angol film- változatában a pará- dés kettős filmszere- pet természetesen Red- grave maga játssza, leá- nyát pedig — aki a re- gényben egyforma tö- kéllyel alakítja Violát és Sebastiant, Mirandát és Lady Macbethet — a színész-író színésznő- leánya: Vanessa Red- grave alakítja, aki egyéb- ként kiváló Shakespeare- alakításaiért 1961-ben -az év legjobb angol' szí- nésznője« címet nyerte el. Tennessee Williams legújabb drámája, Az if- júság édes madara (Sweet Bird of Youth) ugyancsak a filmvilág mikrokozmoszának mű- vészi, morális és etikai kérdésein keresztül vizs- gálja mélységesen allego- rikus elfenpontozással Vanessa Redgrave a »Cym- bellne- egyik Jelenetében Ed Begley és Shirley Knight az "Ifjúság édes madará- ban egy egész társadalom nyek közé.
  • 31 Days of Oscar® 2010 Schedule

    31 Days of Oscar® 2010 Schedule

    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
  • Elizabeth Taylor: Screen Goddess

    Elizabeth Taylor: Screen Goddess

    PRESS RELEASE: June 2011 11/5 Elizabeth Taylor: Screen Goddess BFI Southbank Salutes the Hollywood Legend On 23 March 2011 Hollywood – and the world – lost a living legend when Dame Elizabeth Taylor died. As a tribute to her BFI Southbank presents a season of some of her finest films, this August, including Giant (1956), Cat on a Hot Tin Roof (1958) and Who’s Afraid of Virginia Woolf? (1966). Throughout her career she won two Academy Awards and was nominated for a further three, and, beauty aside, was known for her humanitarian work and fearless social activism. Elizabeth Taylor was born in Hampstead, London, on 27 February 1932 to affluent American parents, and moved to the US just months before the outbreak of WWII. Retired stage actress Sara Southern doggedly promoted her daughter’s career as a child star, culminating in the hit National Velvet (1944), when she was just 12, and was instrumental in the reluctant teenager’s successful transition to adult roles. Her first big success in an adult role came with Vincente Minnelli’s Father of the Bride (1950), before her burgeoning sexuality was recognised and she was cast as a wealthy young seductress in A Place in the Sun (1951) – her first on-screen partnership with Montgomery Clift (a friend to whom Taylor remained fiercely loyal until Clift’s death in 1966). Together they were hailed as the most beautiful movie couple in Hollywood history. The oil-epic Giant (1956) came next, followed by Raintree County (1958), which earned the actress her first Oscar nomination and saw Taylor reunited with Clift, though it was during the filming that he was in the infamous car crash that would leave him physically and mentally scarred.
  • J Ohn F. a Ndrews

    J Ohn F. a Ndrews

    J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors.
  • Commercial Films/Video Tapes on Teaching

    Commercial Films/Video Tapes on Teaching

    Commercial Films/Video Tapes On Teaching Prepared by Gary D Fenstermacher Three categories of film or video are included here, depending on whether teaching occurs in the setting of a school (Category I), in a tutorial relationship between teacher and student (Category II), or simply as a plot device in a comedy about or parody of teaching and schooling (Category III). Films described in Category I are listed alphabetically, within decade headings; it is the year the film was made, not the time period it depicts, that determines the decade in which the film is classified. Category I: Depicting Teachers in School Settings 1930's Goodbye, Mr. Chips (1939). Robert Donat, Greer Garson. British schoolmaster devoted to "his boys." Remade as musical in 1969, starring Peter O'Toole; remake received poor reviews. If you select this film, please do not use the remade version; use the original, 1939, film. It is a first-rate film. 1940's The Corn is Green (1945). Bette Davis, Nigel Bruce. Devoted teacher copes with prize pupil in Welsh mining town in 1895. (1 hr 35 min) Highly regarded remake in 1979 stars Katherine Hepburn in her last teaming with director George Cukor. OK to use either version (1945 or 1979). 1950's Blackboard Jungle (1955). Glenn Ford, Anne Francis. Teacher's difficult adjustment to New York City schools. First commercial film to feature rock music. 1960's The Prime of Miss Jean Brodie (1969). Maggie Smith. Eccentric teacher in British girls school. Smith wins Oscar for her performance. Remade as TV miniseries. To Sir With Love (1967, British).
  • June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace

    June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace

    No. 495 - June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace Nothing like a Dame (make that two!) The VW’s Shakespeare party this year marked Shakespeare’s 452nd birthday as well as the 400th anniversary of his death. The party was a great success and while London, Stratford and many major cultural institutions went, in my view, a bit over-bard (sorry!), the VW’s party was graced by the presence of two Dames - Joan Plowright and Eileen Atkins, two star Shakespeare performers very much associated with the Old Vic. The party was held in the Old Vic rehearsal room where so many greats – from Ninette de Valois to Laurence Olivier – would have rehearsed. Our wonderful Vice-President, Nickolas Grace, introduced our star guests by talking about their associations with the Old Vic; he pointed out that we had two of the best St Joans ever in the room where they would have rehearsed: Eileen Atkins played St Joan for the Prospect Company at the Old Vic in 1977-8; Joan Plowright played the role for the National Theatre at the Old Vic in 1963. Nickolas also read out a letter from Ronald Pickup who had been invited to the party but was away in France. Ronald Pickup said that he often thought about how lucky he was to have six years at the National Theatre, then at Old Vic, at the beginning of his career (1966-72) and it had a huge impact on him. Dame Joan Plowright Dame Joan Plowright then regaled us with some of her memories of the Old Vic, starting with the story of how when she joined the Old Vic school in 1949 part of her ‘training’ was moving chairs in and out of the very room we were in.
  • Foxcatcher Directed by Bennett Miller

    Foxcatcher Directed by Bennett Miller

    Sony Pictures Classics Presents An Annapurna Pictures Production Foxcatcher Directed by Bennett Miller Cannes Film Festival 2014 Telluride Film Festival 2014 Toronto International Film Festival 2014 New York Film Festival 2014 Winner - Best Director, Cannes Film Festival 2014 134 mins | Rated R | Opens 11/14/14 (NY/LA) East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street Blair Bender Maya Anand 12th floor 6100 Wilshire Blvd., 550 Madison Ave New York, NY 10036 Ste. 170 New York, NY 10022 212-277-7555 Los Angeles, CA 90048 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax FOXCATCHER The Cast John du Pont STEVE CARELL Mark Schultz CHANNING TATUM Dave Schultz MARK RUFFALO Jean du Pont VANESSA REDGRAVE Nancy Schultz SIENNA MILLER Jack ANTHONY MICHAEL HALL Henry Beck GUY BOYD Documentary Filmmaker DAVE “DOC” BENNETT The Filmmakers Director BENNETT MILLER Written by E. MAX FRYE DAN FUTTERMAN Producers MEGAN ELLISON BENNETT MILLER JON KILIK ANTHONY BREGMAN Executive Producers CHELSEA BARNARD RON SCHMIDT MARK BAKSHI MICHAEL COLEMAN TOM HELLER JOHN P. GUIRA Co-Producer SCOTT ROBERTSON Director of Photography GREIG FRASER Production Designer JESS GONCHOR Editor STUART LEVY CONOR O’NEILL JAY CASSIDY Costume Designer KASIA MAIMONE WALICKA Music ROB SIMONSEN Additional Music WEST DYLAN THORDSON Valley Forge Theme MYCHAEL DANNA Casting Director JEANNE McCARTHY Makeup Designer BILL CORSO Hair Department Head KATHRINE GORDON Wrestling Coordinator JOHN GUIRA Wrestling Choreographer JESSE JANTZEN 2 FOXCATCHER Synopsis Based on true events, FOXCATCHER tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers.
  • Shakespeare, William Shakespeare

    Shakespeare, William Shakespeare

    Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir.
  • Ashley Love Actor • Educator • Arts Administrator 2646 W Harris Avenue San Angelo, TX 76901 409.617.1917 • Ms.Ashleyannelove@Gmail.Com

    Ashley Love Actor • Educator • Arts Administrator 2646 W Harris Avenue San Angelo, TX 76901 409.617.1917 • [email protected]

    Love 1 Ashley Love Actor • Educator • Arts Administrator 2646 W Harris Avenue San Angelo, TX 76901 409.617.1917 • [email protected] EDUCATION/TRAINING Texas Tech University (Lubbock, TX)**NAST accredited Interdisciplinary Ph.D. Candidate in Fine Arts, ABD Emphasis on Acting/Directing and Arts Administration (Currently enrolled) Dissertation Chair: Dr. Bill Gelber Texas Tech University (Lubbock, TX) **NAST accredited M.A. in Theatre (August 2014) Thesis Advisor: Dr. Jonathan Marks Texas State University (San Marcos, TX) B.F.A. in Acting (May 2010)- Graduated Cum Laude Shakespeare, Process, Physical Acting (Laban, Viewpoints, Alexander Technique, etc.), Stage Combat, Voice (IPA, Diction, Fitzmaurice Method), Dialects (British, French, Standard American), Clownwork, Brestoff, Improv, Acting for the Camera, Mime, Mask, Movement. Shirley Knight- Acting Between Moments Shirley Knight and Kaitlin Hopkins- Acting for the Camera Elizabeth Wilson- Character in Action Mark Olsen- Mime/Mask (LeCoq) Rachel Hoffman and Phil Adelman- Auditioning TEACHING EXPERIENCE Angelo State University -Director of Theatre/Instructor of Theatre (San Angelo, TX) Duties include managing staff and faculty teams, serving on hiring committees, reading and selecting original student one acts for development and production, budget management, managing schedules and timesheets, creation and implementation of theatre policies, maintaining and improving curriculum quality, course design and implementation, obtaining rights and royalties, ordering necessary supplies
  • Hedda Gabler a Midsummer Night’S Dream Cyrano De Bergerac Once Upon a Midnight the Canterville Ghost

    Hedda Gabler a Midsummer Night’S Dream Cyrano De Bergerac Once Upon a Midnight the Canterville Ghost

    The Newsletter of New Farm Nash Theatre April 2014 Nash Notes All THE WORLD’S A STAGE…2014 The Maltese Falcon Hedda Gabler A Midsummer Night’s Dream Cyrano de Bergerac Once upon a Midnight The Canterville Ghost Mar 1 – 22 May 10 – 31 Jul 12 – Aug 2 Sept 13 – Oct 4 Oct 31 – Nov 22 Our Upcoming Production… Hedda Gabler Directed by Brenda White Opening Saturday 10 May 2014 at 7.30pm Production Details Then playing Fri 16, Sat 17, Fri 23, Sat 24, Fri 30 at 7.30pm Sun 18 at 2pm and Sunday 25 at 6pm Closing Saturday 31 May 2014 at 7.30pm Bookings: T: (07) 3379 4775 E: [email protected] W: www.trybooking.com/81752 Hedda comes to Nash! She’s mean at the beginning and even meaner at the end. A more repellent personality woud be hard to imagine, and yet Hedda Gabler is one of the eternal fascinators of the word stage. Since she sprang from the imagination of the Norwegian playwright Henrik Ibsen in 1890, this cold-hearted anti- heroine has maintained a tight grip on the attention of audiences across the globe. So what is the mystery of her attraction? No matter how many times we encounter her, Hedda remains strangely inscrutable. Hedda is trapped inside a conventional life: she married the scholar George Tesman but money is short, Tesman’s old rival Eilert Lövborg has turned up again, Judge Brack is visiting with alarming regularity and Hedda’s volcanic boredom is reaching boiling point. So begins a dangerous game as finding purpose in a purposeless existence.
  • SHIRCORE Jenny

    SHIRCORE Jenny

    McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films.
  • Modern Languages Videos Use the Find

    Modern Languages Videos Use the Find

    Modern Languages Videos Use the Find function to search this list Alpine Fire Director: Fredi M. Murer with Thomas Nock, Johanna Lier, Dorothea Moritz, Rolf Illig. 1986, 115 minutes, Romani with English subtitles. Surrounded by the beauty of the Swiss Alps, a family lives in sparse isolation from society. This is the story of a deaf-mute son and his sister who tries to teach him and tame his bad temper. Both are frustrated and going through adolescence without the usual emotional support of the parents. And so they turn to each other with hauntingly strange and tragic events. LLC Library CALL NO. MLFR 002 Castle: The Story of Its Construction – with book. With book. David MaCaulay. 1983, 60 minutes, English. LLC Library CALL NO. MLGP 029 Cathedral: The Story of Its Construction – with book. David MaCaulay: 1985, 60 minutes, English. LLC Library CALL NO. MLGP 030 Divine Renewal of Ise Shrine, The 198?, 60 minutes. Describes the ceremonies and rituals associated with the 60th reconstruction, moving, and dedication of the Grand Shrine of Ise in October, 1973. JCU Library CALL NO. BL2224.6.D58 Program 03&04 Program 03 Caravans of Gold. Program 04 Kings and Cities. LLC Library CALL NO. MLAF 002 Videos about Africa Cultural Comparisons La France, la Mauritania, et la Côte d’Ivoire LLC Library CALL NO. MLAF 007 Program 01&02 Program 01 Different But Equal. Program 02 Mastering a Continent. LLC Library CALL NO. MLAF 001 Program 05&06 Program 05 The Bible and the Gun. Program 06 This Magnificent African Cake. LLC Library CALL NO.