Liotard, Lady Anne Somerset and Lady Hawke
Neil Jeffares, Pastels & pastellists Two English portraits by Liotard: Lady Anne Somerset and Catherine, Lady Hawke NEIL JEFFARES1 Jean-Étienne Liotard Lady Anne Somerset, later Countess of NORTHAMPTON (1741–1763) Zoomify Pastel on vellum, 61 x 47 cm 1755 Trustees of the Chatsworth Settlement PROVENANCE: Countess of Lichfield, née Dinah Frankland (c.1719–1779), until 1779; given by her executor, Lady Pelham, later Countess of Chichester, née Anne Frankland (1734–1813), to Elizabeth, Duchess of Beaufort (1719–1799), mother of the sitter; bequeathed under the Duchess of Beaufort’s will, 1799, to her son, the 5th Duke of Beaufort; by descent to David, 11th Duke of Beaufort; acquired by James Fairfax, Sydney, 1986; New York, Christie’s, 25 January 2012, Lot 134 reproduced, attributed to Liotard; acquired by the Duke of Devonshire for Chatsworth EXHIBITED: Jean-Étienne Liotard, Edinburgh, Scottish National Gallery; London, Royal Academy of Arts, 2015–16, no. 45 LITERATURE: Truffle hunt with Sacheverell Sitwell, London, 1953, p. 7; Catherin Fisher, “James Fairfax: a remarkable collector of old masters”, Apollo, CXXXVIII/388, .VI.1994, pp. 3–8 (“looking fetching and virginal with her rosebud cheeks”), repr. p. 8; Neil Jeffares, Dictionary of pastellists before 1800, London, 2006 (“Jeffares 2006”), p. 349 repr., and online editions; Marcel Roethlisberger & Renée Loche, Liotard, Doornspijk, 2008 (“R&L”) R49, rejected, fig. 820; Neil Jeffares, review of M. Roethlisberger & R. Loche, Liotard, Burlington magazine, CLI/1274, .V.2009, pp. 322–23, “no alternative to Liotard is convincing”; Terry Ingram, “Fairfax portrait yields double the money”, Australian financial review, 2 February 2012, p. 57; Marcel Roethlisberger, “Liotard mis à jour”, Zeitschrift für schweizerische Archäologie und Kunstgeschichte, LXXI/2-3, 2014, p.
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