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Kol Nidre: Variations on a Theme a GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT
Kol Nidre: Variations on a Theme A GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT Teachers’ Guide This guide accompanies resources that can be found at: http://teachgreatjewishbooks.org/resource-kits/kol-nidre-variations- theme. Introduction Kol Nidre is a legal formula recited in the evening service that begins the holiday of Yom Kippur, the Jewish day of atonement. This ritual recitation may have been developed in the early medieval period as a response to Jews being forced to convert, either to Christianity or Islam. The text absolves those who recite it from vows in God’s name made under duress, so that the breaking of such vows is not counted as a sin. Its dramatic recitation and musical setting lend it an emotional intensity that has allowed the prayer to develop resonances beyond the stated meaning of the text. The High Holidays—the celebration of the new year on the Jewish calendar, which includes Rosh Hashanah and Yom Kippur—have in general come to signify a return to tradition and to religious duties that may have been neglected over the past year, and Kol Nidre serves as a climactic moment of this return. This kit gathers together examples of the use of Kol Nidre in modern Jewish literature, music, and film, asking students to consider how the prayer has come to stand for adherence to and return to Jewish tradition, and what precisely that return entails. Cover image: Cover of sheet music for an arrangement of Kol Nidre by Solomon Schenker, 1913. Courtesy of the Center for Jewish History, https://www.flickr.com/photos/center_for_jewish_history/4991049347. -
T H E E L E C T R I C P R U N
THE ELECTRIC PRUNES The James Lowe interview The rock and roll section of Los Angeles' Walk of Fame on the cold annotated concrete of Hollywood Boulevard would be incomplete without a prominent star representing the Electric Prunes. Although they may not have had as many hits as Love, the Seeds, the Doors or the Leaves other homegrown Smogtown combos from the same era the mindshattering strains of the Prunes' "I Had Too Much To Dream Last Night" is enough to forever assure their place in pop music history. The band had five albums released on Reprise, but only the first two their selftitled debut and Underground are truly representative of the Electric Prunes. The third, Mass In F Minor, was an idea that didn't quite get off the ground, and Lowe hit the bricks soon after its release. By the time album five, Just Good Old Rock And Roll, poked its shaggy head out of the nursery, the band was composed of four guys named Moe with no original members left. Lead singer James Lowe was never content to take the motorway when he could spend all day poking along on roads that aren't even listed on the map. "I wanted to make freeform garage music," he told me recently, explaining why the Mass album convinced him his tenure as a Prune was up. Though still incredulous that anybody could possibly care about music he created thirty years ago, Lowe agreed to shed some light on a band that's been skulking in the dusty corners of the attics of your mind for far too long. -
The Life and Works of Beatrice Elvery, 1881-1920
Nationalism, Motherhood, and Activism: The Life and Works of Beatrice Elvery, 1881-1920 Melissa S. Bowen A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May 2015 Copyright By Melissa S. Bowen 2015 Acknowledgments I am incredibly grateful for the encouragement and support of Cal State Bakersfield’s History Department faculty, who as a group worked closely with me in preparing me for this fruitful endeavor. I am most grateful to my advisor, Cliona Murphy, whose positive enthusiasm, never- ending generosity, and infinite wisdom on Irish History made this project worthwhile and enjoyable. I would not have been able to put as much primary research into this project as I did without the generous scholarship awarded to me by Cal State Bakersfield’s GRASP office, which allowed me to travel to Ireland and study Beatrice Elvery’s work first hand. I am also grateful to the scholars and professionals who helped me with my research such as Dr. Stephanie Rains, Dr. Nicola Gordon Bowe, and Rector John Tanner. Lastly, my research would not nearly have been as extensive if it were not for my hosts while in Ireland, Brian Murphy, Miriam O’Brien, and Angela Lawlor, who all welcomed me into their homes, filled me with delicious Irish food, and guided me throughout the country during my entire trip. List of Illustrations Sheppard, Oliver. 1908. Roisin Dua. St. Stephen's Green, Dublin. 2 Orpen, R.C. 1908. 1909 Seal. The Royal Institute of the Architects of Ireland, Dublin. -
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political, -
Pete Townshend White City (A Novel) Mp3, Flac, Wma
Pete Townshend White City (A Novel) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: White City (A Novel) Country: Canada Released: 1985 Style: Art Rock MP3 version RAR size: 1176 mb FLAC version RAR size: 1532 mb WMA version RAR size: 1440 mb Rating: 4.9 Votes: 163 Other Formats: AA DTS TTA WAV AHX MP3 RA Tracklist Hide Credits A1 Give Blood 5:44 A2 Brilliant Blues 3:06 A3 Face The Face 5:51 A4 Hiding Out 3:00 A5 Secondhand Love 4:12 B1 Crashing By Design 3:14 B2 I Am Secure 4:00 White City Fighting B3 4:40 Written-By – Dave Gilmour*, Pete Townshend B4 Come To Mama 4:40 Companies, etc. Manufactured By – WEA Music Of Canada, Ltd. Distributed By – WEA Music Of Canada, Ltd. Credits Arranged By [Kick Horns] – Kick Horns* Backing Vocals – Emma Townshend, Jackie Challenor, Lorenza Johnson, Mae McKenna Design, Art Direction [Direction], Photography By [Inner Sleeve] – Richard Evans Engineer [Assistant] – Chris Ludwinski, Dave Edwards , Jules Bowen Performer – Chucho Merchan, Clem Burke, Dave Gilmour*, John (Rabbit) Bundrick*, Mark Brzezicki, Pete Townshend, Peter Hope-Evans*, Phil Chen, Pino Palladino, Simon Phillips, Steve Barnacle, Tony Butler Performer [Kick Horns] – Dave Sanders, Peter Thoms, Roddy Lorimer, Simon Clarke , Tim Sanders Performer [Recitation] – Ewan Stewart Photography By [Front Cover] – Alex Henderson Photography By [Inner Sleeve] – Malcolm Heywood Producer – Chris Thomas Recorded By – Bill Price Written-By – Pete Townshend Notes Recorded at Eel Pie Studio, Twickenham; Eel Pie Studio, Soho, London; A.I.R. Studios, London. ℗© 1985 Eel Pie Recording Productions Ltd. Released with a printed inner photo/credits/lyrics-sleeve Distinct from release Pete Townshend - White City (A Novel) due to variation in the centre label image. -
Blitz - the Rock and Roll Magazine
blitz - the rock and roll magazine for thinking people wednesday about me ELECTRIC PRUNES INTERVIEW BlitzMagazine United States Blitz Magazine was founded in 1975. Editor/Publisher Michael McDowell moved operations to Los Angeles, California in 1980. Please check the How To Reach Us link for current contact information. View my complete profile previous posts BITS AND PIECES - NEWS ABOUT YOUR FAVORITE ARTISTS... THE SHAPE OF THINGS TO COME (REISSUES AND ANTHOLOG... THE SHAPE OF THINGS TO COME (NEW RELEASES) By Mich... NEVER HAD IT BETTER: In the past year and a half, Electric Prunes co-founder HOW TO REACH US and front man, James Lowe (pictured above, earlier this year) has weathered the passing of bandmate and bassist Mark Tulin, as well as his own quadruple bypass surgery, and is now preparing for the next phase of the legendary first generation garage band's career with the release of a new Electric Prunes live CD, recorded in Stockholm. Lowe discusses this and more with Blitz Editor/Publisher Michael McDowell below (Click on above image to enlarge). REWIRED: THE ELECTRIC PRUNES’ JAMES LOWE DISCUSSES HIS JOURNEY FROM TRAGEDY TO TRIUMPH “Since the death of our bass player and co-founder of the band, Mark Tulin last year, we have been in a shambles. I guess you don't expect anyone to die. But Mark was so full of life and such an important part of the band, it was as if one of the legs had been sawed off a three legged stool. We miss Mark daily. The band must go on, and we know that is what Mark would have wanted.” So said Electric Prunes front man, James Lowe in a statement on the fourteenth of May. -
Whats Purple and Goes Buzz Buzz?: a Conversation with the Electric Prunes’ James Lowe
A Quinn Martin Production Subscribe to feed ABOUT Whats Purple and Goes Buzz Buzz?: A Conversation with The Electric Prunes’ James Lowe Sam Tweedle: The Electric Prunes are one of the great 60’s groups that sat on the fringes of SAM TWEEDLE – THE POP CULTURE ADDICT the rock n’ roll scene. Sam Tweedle is a writer and pop James Lowe: Well, I was culture addict who has been surprised that anybody knew entertaining and educating fans of about us when we came back the pop culture journey for a decade. and started playing again. His writing has been featured in The National Post, CNN.com, and Sam: Really? Why is that? Filmfax magazine. James: I think essentially THE POP CULTURE ADDICT AND because the people that we were FRIENDS! involved with made us feel that what we did, when we did it, was Visit the gallery to see more photos a failure. So I never admitted that of Sam Tweedle and his close I was in The Electric Prunes for a encounters! lot of years. [The label] expected us to be like The Beatles and sell a lot of records, but we didn’t do “I was surprised that anybody knew about us when we came that. I’m kind of surprised that we back and started playing again…. I never admitted that I was have fans. in The Electric Prunes for a lot of years.” Sam: Well I always put The Electric Prunes in the same league with some of the era’s cult favourites, like The Velvet Underground or The New Colony Six. -
Enjoy the Spooktacular Stories!
HAPPY GRAND COUNTY LIBRARY DISTRICT SCARY STORY WINNERS ENJOY THE SPOOKTACULAR STORIES! THEY ARE UNEDITED TO MAINTAIN ORIGINALITY Page 2 Grand County Library District Scary Story Winners October 29, 2020 Grand Gazette www.GrandGazette.net into a hundred pieces. So Josh took 3rd Place Kremmling/HSS the treasure and went home. The Puppy That Said Boo! Kremmling/HSS K-2nd grade by Critter Wood 3rd grade 2nd Place 1st Place The Ghost and Skelly Once upon a time, there was a dog 1st Place Josh’s Scary Halloween by Brynlie Vrbas that said Boo! The dog loved to say Treasure of Ascaban Adventure Boo! He loved to say Boo to every by Danica Rector person in town. He also loved to scare by Grayson Rector Once upon a time, there was a skeleton named Skelly. He loved them when he growled Grrrr!!! He It all started on a cloudy, but warm Josh was at his house on a to scare people because he wanted loved to say “Boo and Grrr!!!” He Friday, October 16th. Jack’s mom Halloween night, he was getting his the whole neighborhood to himself. loved to scare people because he was said that he was going to go boating costume out but he decided to go When he scared everyone, they all a Halloween puppy. He really loved with his grandpa Alfred and best find a golden treasure to make his ran away to the desert. The people to scare his Mommy! He would put friend Jayson. Jack was so excited he costume with golden on it to make met Skelly in the desert and then a out his fangs and stick out his tongue. -
AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got
AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St. -
First Bus to Woodstock. No Modern Music Girl (Series 1, E
MODERN' MUSIC IN THE ENDEAVOUR SERIES. EPISODE SONG ARTIST/BAND Pilot: First Bus to Woodstock. No Modern Music Girl (Series 1, Episode 1) No Modern Music Fugue (Series 1, Episode 2) No Modern Music Rocket (Series 1, Episode 3) No Modern Music Home (Series 1, Episode 4) Dance With You Rachel D’Arcy I Need Some Rock and Roll Rachel D’Arcy The Entertainer Rachel D’Arcy Trove (Series 2, Episode 1) No Modern Music Nocturne (Series 2, Episode 2) No Modern Music Sway (Series 2, Episode 3) Mucho Mamba Sway Dean Martin Neverland (Series 2, Episode 4) No Modern Music Ride (Series 3, Episode 1) Sunday Morning THE VELVET UNDERGROUND & NICO I Had Too Much to Dream (Last Night) THE ELECTRIC PRUNES* You're Gonna Miss Me 13TH FLOOR ELEVATORS* Puppet On a String SANDIE SHAW A Taste of Honey HERB ALPERT & THE TIJUANA BRASS* The End of the World JULIE LONDON All Tomorrow's Parties THE VELVET UNDERGROUND & NICO Arcadia (Series 3, Episode 2) For What It's Worth BUFFALO SPRINGFIELD Misirlou MARTIN DENNY Prey (Series 3, Episode 3) And more again LOVE Going Home JAMES LAST AND HIS ORCHESTRA Coda (Series 3, Episode 4) Silence Is Golden THE TREMELOES Game (Series 4, Episode 1) White Rabbit JEFFERSON AIRPLANE Canticle (Series 4, Episode 2) Kiss Me (feat. Sharlette Henry) CAST SINGERS Turn Into Earth THE YARDBIRDS Red House JIMI HENDRIX Jennifer Sometimes CAST SINGERS I Feel Free CREAM Lazaretto (Series 4, Episode 3) Charmaine MANTOVANI As Time Goes By (feat. Petula Clark) THE MANTOVANI ORCHESTRA Glad All Over THE DAVE CLARK FIVE I Get Along Without You Very Well -
Ken Williams of the Electric Prunes at Page 1 of 7
Interview with Ken Williams of The Electric Prunes at www.thepsychedelicguitar.com Page 1 of 7 thepsychedelicguitar.com is honored to present a few words with Ken Williams of the The Electric Prunes circa 1967. Ken is at left. http://thepsychedelicguitar.com/williams.htm 22/02/2007 Interview with Ken Williams of The Electric Prunes at www.thepsychedelicguitar.com Page 2 of 7 Here is a guy laid up recovering from back surgery and he E-answers some questions. Is that dedication to his fans and the music or what? Thepsychedelicguitar.com thanks Ken for his words, his years of music, and wishes him a speedy recovery and best of luck with all his endeavors! Was there a particular moment that guitar music or music in general grabbed you, shook you to the core, and said "This is your life's path"? There was no particular moment where I (knew) music was what I wanted to do with my life. While I have always been interested in lots of things, playing music was at the very top. When I first started playing it was the power of the music that attracted me. Turning up the amps and playing good old rock and roll was the high I like the best. It was the best way I knew for me to express myself. Would you talk a little about the scene that birthed the Prunes, and bands you shared stages with. The band started out with Mark Tulin, myself and another guitar player. We were all guitar players, with no bass or drums. -
Electric Prunes Interview" by Lucy Hell and "Electric Prunes: Feedback Review" by Bradley Mason Hamlin © 2007 Mystery Island Publications
THE ELECTRIC PRUNES Back row, left to right, Mark Tulin (bass), Ken Williams (guitar), James Lowe (vocals), and seated in front--Quint the drummer. The current performing members of the band are James Lowe, Mark Tulin, Steve Kara, Jay Dean, and Walter Garces. Aloha, fellow Castaways. This week Lucy Hell caught up with Mark Tulin of The Electric Prunes for an exclusive Mystery Island Interview. The Electric Prunes are of course the band that gave us the legendary psychedelic hit “I Had Too Much To Dream Last Night,” truly, one of the greatest songs of the 1960’s acid rock era. They have kept themselves busy over the years, producing albums when the mood is right, and in fact, have a new CD available called: FEEDBACK. Stay tuned and read my review after the interview. Bradley Mason Hamlin LUCY HELL interviews MARK TULIN of the ELECTRIC PRUNES! LUCY: You guys experienced firsthand the last days of real rock & roll in the 1960s, the explosion of psychedelic music, and the ongoing revolution of punk and garage music from the Los Angeles perspective. What was it like performing “I Had Too Much To Dream” on the Dick Clark Show? Dick referred to the song as a “gassy thing.” You gotta love that. MARK: He was talking about the song? I thought it was a personal comment about Weasel. “Gassy thing” was probably a euphemism for “I don’t have the faintest idea what the song is about.” But Dick Clark was always supportive and kind to the bands on his shows, so he can call it anything he likes.