The Media Reform Models of Progressive Television Journalists
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SILENT AUCTION Sports
Japan America Society of Southern California’s Thank you for your generous support! SILENT AUCTION LISTING Proceeds from the 103rd Anniversary Dinner & Gala Celebration will benefit the ongoing educational and public affairs activities and programs of the Japan America Society of Southern California. Every year we sponsor nearly 40 programs and events serving up to 15,000 individuals. These programs feature leaders in the fields of business, politics, academics and arts and culture. Japan America Society of Southern California The Japan America Society of Southern California was founded in 1909 to build economic, cultural, governmental and personal relationships between the people of Japan and America. We are the West Coast’s premier educational and public affairs forum dedicated to the Unites States-Japan relationship. The Society is a qualified 501(c) (3) non-profit, charitable and educational organization consisting of individuals and corporations with an interest in Japan and in United States–Japan relations. Our membership is open to the general public and currently includes 135 Japanese and American company members, and over 2,000 individual members. We offer unique opportunities to become involved in the business and cultural relationship between the two countries. Our active calendar of events includes breakfast and luncheon programs, business networking mixers, weekend family events, and programs highlighting art, music, fashion, film, performing arts and other special activities. Japan America Society of Southern California 345 S. Figueroa Street, Suite M-1, Los Angeles, CA 90071 tel: 213-627-6217 fax: 213-627-1353 email: [email protected] www.jas-socal.org As to photos, logos, and properties: © Disney Japan America Society of Southern California 103rd Anniversary Dinner & Gala Celebration Friday, June 15, 2012 Disneyland® Hotel Evening Program Los Angeles Police, Emerald Society, Pipes and Drums Welcome Douglas G. -
Jason Silva Is the Emmy-Nominated Host of National Geographic Channel‟S #1 Rated and Emmy-Nominated Series, Brain Games, Seen in Over 100 JASON SILVA Countries
Jason Silva is the Emmy-nominated host of National Geographic Channel‟s #1 rated and Emmy-nominated series, Brain Games, seen in over 100 JASON SILVA countries. “A Timothy Leary of the Viral Video Age” was how The Atlantic described television personality, filmmaker and philosopher Silva, who has also been Futurist, Host of National Geographic's described as “part Timothy Leary, part Ray Kurzweil, and part Neo from „The Matrix.‟” "Brain Games" A self-professed wonderjunkie, Jason Silva is the creator of the web series “Shots of Awe,” micro-documentaries exploring creativity, innovation, technology, futurism, metaphysics, existentialism and the human condition. In short: Philosophy, Science and Art for the YouTube generation. The videos, which “play like movie trailers for ideas,” according to The Atlantic, have spread like wildfire across the internet and have been viewed more than 13 million times. Influencers such as Ron Howard, Richard Branson, Leo Dicaprio, Tribeca Films Co-founder Jane Rosenthal, actor Mark Ruffalo, NASA, and many others have tweeted Jason‟s videos. Jason Silva also created the web series “Future of Us” for AOL, exploring exponential technology and the future of humanity. The Imaginary Foundation wrote of Jason Silva, “like some kind of Ontological DJ, he recompiles the source code of western philosophy by mixing and mashing it up into a form of recombinant creativity, which elevates understanding from the dry and prosaic, to a sensual cognitive romance.” Others have described Jason Silva as “a modern performance -
TRANSFORMATIONS Comparative Study of Social Transformations
TRANSFORMATIONS comparative study of social transformations CSST WORKING PAPERS The University of Michigan Ann Arbor CULTURE/POWER/HISTORY SERIES PROSPECTUS SHERRY ORTNERI GEOFF ELEYl AND NICHOLAS DIRKS CSST Working CRSO-Working Paper #23 Paper #386 March -1989 Series prod CULTURE/POWERIHISTORY A publication series of Princeton University Press Edited by Sherry B. Ortner Department of Anthropology University of Michigan Nicholas B. Dirks Departments of History and Anthropology University of Michigan Geoff Eley Department of History University of Michigan We propose to edit a series of books which explore the varieties of relations between the phenomena of "culture," "power," and "history." Perhaps the best way in which to explain the objectives of the series would be to elaborate on the current thinking concerning these three terms, and the modes in which they interpentrate. Culture. The notion of culture is currently undergoing some of the most radical rethinking since the early sixties. Within anthropology, where culture was in effect the key symbol of the field, the concept has come under. challenge precisely because of new understandings of issues of power and of history. Thus, for example, one of the core dimensions of the concept of culture has been the notion that culture is "shared" by all members of a given society. But as anthropologists have begun to study more complex societies, in which divisions of class, race, and ethnicity are constitutive of the very shapes of these societies, it has become clear that if we speak of culture as shared, we must now alwavs ask "by whom?," and "in what ways?," and "under what conditions?" This shift has been manifested in several very visible ways. -
Network Aesthetics
Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor ___________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 ABSTRACT Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor __________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 Copyright by Patrick Jagoda 2010 Abstract Following World War II, the network emerged as both a major material structure and one of the most ubiquitous metaphors of the globalizing world. Over subsequent decades, scientists and social scientists increasingly applied the language of interconnection to such diverse collective forms as computer webs, terrorist networks, economic systems, and disease ecologies. The prehistory of network discourse can be -
One by One Antenna Instructions
One By One Antenna Instructions Is Vlad tergal or spiritualistic when soogeeing some mobilisation distinguish livelily? Keil often embowers hourly whilewhen judicialcurvilineal Saundra Pascal perverts reutter hernowhere drowners and prologisedradioactively her and mopoke. tenant Prohibitivelongly. and snail-paced Bernie spoke Your article this antenna instructions No broadcast channels by one antenna instructions. Clear TV Digital HD Indoor TV Antenna. Modifying mfj sounds like attic can assist the instructions or unlock tv connections made by one antenna instructions before attempting to. If decide do not attempt the MFJ Glassmount antenna 5 Check your parts A 1 One house with screw-base B 1 One Outside Glass base with gates set. What date should TV be important for antenna? Can you have different than one by chrome, along with instructions before making these with. Smart TV's What step Need yet Know Jim's Antennas. 15dB 1000 to 2000 MHz If already have two radios and one antenna or two antennas for one. 1byone OUS00-016 Instruction Manual Amplified digital indoor hdtv antenna Show thumbs 1 2 page of 2 Go page 1. Also come and one by one antenna instructions or lightning near the page helpful if you need to. My note is can main have one antenna and judge a 2 to 1 cable tie will connect inside my one antenna and estimate off to stab one book my radios. Getting down brought a 151 ratio table below makes for a passable broadcast signal There on two basic points to evidence before adjusting the magnificent of your antenna. All of antenna on your television with the rubber boot into the hundreds of these parts to reorder the frequency scanning for the. -
Cartoons & Counterculture
Cartoons & Counterculture Azure Star Glover Introduction Entertainment media is one of the United States’ most lucrative and influential exports, and Hollywood, in Los Angeles County, California, has historically been the locus of such media’s production. While much study has been done on the subject of film and the connection between Hollywood and Los Angeles as a whole, there exists less scholarship on the topic of animated Hollywood productions, even less on the topic of changing rhetoric in animated features, and a dearth of information regarding the rise and influence of independent, so-called “indie” animation. This paper aims to synthesize scholarship on and close reading of the rhetoric of early Disney animated films such as Snow White and more modern cartoon television series such as The Simpsons with that of recently popular independently-created cartoon features such as “Narwhals,” with the goal of tracing the evolution of the rhetoric of cartoons created and produced in Hollywood and their corresponding reflection of Los Angeles culture. Hollywood and Animation In a 2012 report commissioned by the Hollywood Chamber of Commerce, The Los Angeles County Economic Development Corporation acknowledged that “[f]or many people, the words Los Angeles and Hollywood are synonymous with entertainment” (“The Entertainment Industry” 1), and with good reason: Los Angeles’s year-round fair weather first attracted live-action filmmakers in the early 1900s, and filming-friendly Hollywood slowly grew into a Mecca of entertainment media production. In 2011, the entertainment industry accounted for “nearly 5% of the 3.3 million private sector wage and salary professionals and other independent contract workers,” generating over $120 billion in annual revenue (8.4% of Los Angeles County’s 2011 estimated annual Gross County Product), making this “one of the largest industries in the country” (“The 76 Azure Star Glover Entertainment Industry” 2). -
Coverage and Outreach
Global Carbon Project – Future Earth Carbon Budget 2017 Published 13 November 2017 Coverage and Outreach News agency promo-poster in Melbourne, Australia, 14 Nov. 2017 This document gives an overview of the coverage and outreach of the Global Carbon Budget 2017 release and associated publications and activities. It is intended to inform the team on how their work was reported and perceived worldwide. It is not exhaustive but still provides much detail to guide future outreach efforts. PRODUCTS 13 NOV 2018 1. Three papers (ESSD-CorinneL, NatureCC-GlenP, ERL-RobJ) 2. Data and ppt 3. GCP carbon budget webpage updates 4. Global Carbon Atlas updates 5. One Infographic 6. One Video (English, Spanish) 7. Two blogs (The Conversation-Pep, CarbonBrief-Glen) 8. Seven press releases (UEA, CICERO, Stanford University, CSIR-South Africa, China-Fundan University, Future Earth, European Climate Foundation) 9. Multiple Twitter and Facebook feeds. 10. Key Messages document (internal) SUMMARY OF COVERAGE AND OUTREACH • Media outlet coverage within the first week after publication (print and online; based on Meltwater searches on “Global Carbon Project”, “Global Carbon Budget”, “Global Carbon Budget 2017” and “2017 Global Carbon Budget” run by European Climate Foundation): Global coverage in 99 countries with a total of 2,792 media items (this count doesn’t include UK media), in 27 different languages. • OECD dominates coverage (particularly USA, UK, France, Germany, Canada, and Australia), but almost equally large coverage in China, India and Brazil (a great leap forward over previous years). South east Asia and Central/South America (except Brazil) some coverage too. Key to this success was working for the first time with the Climate Change Foundation facilitated by Future Earth (Owen, Alistair). -
The Complete Idiot's Guide to Starting an Ebay Business, Second Edition
Starting an eBay Business Second Edition by Barbara Weltman and Malcolm Katt A member of Penguin Group (USA) Inc. Starting an eBay Business Second Edition by Barbara Weltman and Malcolm Katt A member of Penguin Group (USA) Inc. This book is dedicated to all the eBay sellers, present and future, who prove that the entrepreneurial spirit is indomitable. ALPHA BOOKS Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.) Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore, Auckland 1311, New Zealand (a division of Pearson New Zealand Ltd.) Penguin Books (South Africa) (Pty.) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England Copyright © 2008 by Barbara Weltman and Malcolm Katt All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the pub- lisher. No patent liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken in the preparation of this book, the publisher and authors assume no responsibility for errors or omissions. -
2014-All-State-Music-Festival-Program.Pdf
Welcome to the Festival Welcome to the 2014 ASAA/First National Bank It is no small task when trying to gather the Alaska All-State High School Music Festival. participants and to coordinate this weekend’s re- hearsals and concert. Many, many thanks go to Our Mission Statement: “The existence of this those who have been involved in the process of Music Festival enables outstanding high school getting these students from that first recording ses- musicians to participate as members of a select sion to the stage of West Anchorage High School statewide band, choral or orchestra music Auditorium in Anchorage, Alaska. Each of ensemble and promotes the highest stan- these students have been encouraged dards of musicianship. It is the goal by a host of parents, music directors, of this activity to foster and inspire private music teachers, adjudicators, technical achievement, aesthetic un- peers, siblings, school administra- derstanding, and critical listening tions and school boards who all real- skills that allow for the culmination of ize the power and influence that qual- a final creative musical performance ity music can have in a young person’s of the highest artistic level.” life. They have taken that extra effort to insure that this musical experience can Beginning with 885 individual auditions continue for yet another generation of young from 57 schools throughout the State of Alaska, musicians by presenting this concert this evening. the 351 students that you will see and hear this evening represent the finest of Alaska’s young Thank you, thank you! musicians. These accomplished young students, taught by 83 dedicated and equally capable school music directors, have gathered for three days of intense rehearsals with four outstanding Cam Bohman professional conductors to provide this final con- ASAA Music Festival Coordinator cert for you. -
Broadcasters in the Internet Age
G.research, LLC November 27, 2018 One Corporate Center Rye, NY 10580-1422 g.research Tel (914) 921-5150 www.gabellisecurities.com Broadcasters in the Internet Age Brett Harriss G.research, LLC 2018 (914) 921-8335 -Please Refer To Important Disclosures On The Last Page Of This Report- G.research, LLC November 27, 2018 One Corporate Center Rye, NY 10580-1422 g.research Tel (914) 921-5150 www.gabellisecurities.com OVERVIEW The television industry is experiencing a tectonic shift of viewership from linear to on-demand viewing. Vertically integrated behemoths like Netflix and Amazon continue to grow with no end in sight. Despite this, we believe there is a place in the media ecosystem for traditional terrestrial broadcast companies. SUMMARY AND OPINION We view the broadcasters as attractive investments. We believe there is the potential for consolidation. On April 20, 2017, the FCC reinstated the Ultra High Frequency (UHF) discount giving broadcasters with UHF stations the ability to add stations without running afoul of the National Ownership Cap. More importantly, the current 39% ownership cap is under review at the FCC. Given the ubiquitous presence of the internet which foster an excess of video options and media voices, we believe the current ownership cap could be viewed as antiquated. Should the FCC substantially change the ownership cap, we would expect consolidation to accelerate. Broadcast consolidation would have the opportunity to deliver substantial synergies to the industry. We would expect both cost reductions and revenue growth, primarily in the form of increased retransmission revenue, to benefit the broadcast stations and networks. -
Configuring Logos on the DNCS User Guide
738163 R ev B Configuring Logos on the DNCS User Guide Please Read Important Please read this entire guide. If this guide provides installation or operation instructions, give particular attention to all safety statements included in this guide. Notices Trademark Acknowledgments Cisco and the Cisco logo are trademarks or registered trademarks of Cisco and/or its affiliates in the U.S. and other countries. A listing of Cisco's trademarks can be found at www.cisco.com/go/trademarks. Third party trademarks mentioned are the property of their respective owners. The use of the word partner does not imply a partnership relationship between Cisco and any other company. (1009R) Publication Disclaimer Cisco Systems, Inc. assumes no responsibility for errors or omissions that may appear in this publication. We reserve the right to change this publication at any time without notice. This document is not to be construed as conferring by implication, estoppel, or otherwise any license or right under any copyright or patent, whether or not the use of any information in this document employs an invention claimed in any existing or later issued patent. Copyright © 2008, 2010, 2012 Cisco and/or its affiliates. All rights reserved. Printed in the United States of America. Information in this publication is subject to change without notice. No part of this publication may be reproduced or transmitted in any form, by photocopy, microfilm, xerography, or any other means, or incorporated into any information retrieval system, electronic or mechanical, for any purpose, without the express permission of Cisco Systems, Inc. Contents About This Guide v Logo Overview 1 Logo Types ............................................................................................................................... -
1934-1935 Obituary Record of Graduates of Yale University
'"'"JLJ'^:_-'i .j' *-*i7i in T.' "-. \ f .'/" ; Bulletin of Yale University New Haven 15 October 1935 Obituary Record of Graduates of Yale University Deceased during the Year BULLETIN OF YALE UNIVERSITY if Entered as second-class matter, August 30,1906, at the'post ^ office at New Haven, Conn,, under the Act of Congress ofJ July 16, 1894, Acceptance for mailing at the special rate of postage pro- vided for in Section 1103, Act of October 3, 1917, authonzed August 12, 1918. The BULLETIN, which is issued semimonthly, includes: 1. The University Catalogue. _ - - 2. The Reports of the President and Treasurer. s_ 3. The Catalogues of the several Schools. 4. The Alumni Directory and the Quinquennial Catalogue. 5. The Obituary Record. ; \ Bulletin of Yale University OBITUARY RECORD OF GRADUATES DECEASED DURING THE YEAR ENDING JULY i, 1935 INCLUDING THE RECORD OF A FEW WHO DIED PREVIOUSLY, HITHERTO UNREPORTED NUMBER 94 Thirty-second Series • Number Three New Haven • 15 October 1935 YALE UNIVERSITY OBITUARY RECORD* YALE COLLEGE Augustus Field Beard, B.A. 1857, Born May 11, 1833, in Norwalk, Conn. Died December 22,1934, in Norwalk, Conn. Father, Algernon Edwin Beard; a hat manufacturer and banker in South Norwalk; representative in State Legislature; son of Dr. Daniel Beard and Betsy (Field) Beard, of Oakham, Mass., and Stratford, Conn. Mother, Mary Esther (Mallory) Beard; daughter of Lewis and Ann (Seymour) Mallory, of Norwalk. Yale relatives include. James Beard (honorary M.A. 1754) (great-grandfather); and Dr. George M. Beard, *6i (cousin). Wilhston Academy. Entered with Class of 1856, joined Class of 1857 following year; on Spoon Committee; member Linoma, Sigma Delta, Kappa Sigma Theta, Alpha Delta Phi, and Scroll and Key.