Public Perceptions of Media Bias: a Meta-Analysis of American Media Outlets During the 2012 Presidential Election
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The News Media Industry Defined
Spring 2006 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2006 ABSTRACT: The American news media industry is characterized by two competing dynamics – traditional journalistic values and market demands for profit. Most within the industry consider themselves to be journalists first. In that capacity, they fulfill two key roles: providing information that helps the public act as informed citizens, and serving as a watchdog that provides an important check on the power of the American government. At the same time, the news media is an extremely costly, market-driven, and profit-oriented industry. These sometimes conflicting interests compel the industry to weigh the public interest against what will sell. Moreover, several fast-paced trends have emerged within the industry in recent years, driven largely by changes in technology, demographics, and industry economics. They include: consolidation of news organizations, government deregulation, the emergence of new types of media, blurring of the distinction between news and entertainment, decline in international coverage, declining circulation and viewership for some of the oldest media institutions, and increased skepticism of the credibility of “mainstream media.” Looking ahead, technology will enable consumers to tailor their news and access it at their convenience – perhaps at the cost of reading the dull but important stories that make an informed citizenry. Changes in viewer preferences – combined with financial pressures and fast paced technological changes– are forcing the mainstream media to re-look their long-held business strategies. These changes will continue to impact the media’s approach to the news and the profitability of the news industry. -
Objectivity – an Ideal Or a Misunderstanding?
Chapter 3 Objectivity – An Ideal or a Misunderstanding? Elsebeth Frey Objectivity is often seen as an emblem of Western journalism, but in the developed countries the notion of objectivity has declined. Still, journalists from other parts of the world point to it as an export of Western, especially American, journalism. At the same time, American journalism teachers impress on their students the futility of objectivity, and Alex Jones writes that ‘we may be living through what could be considered objectivity’s last stand’ (Jones 2009). As Durham states (1998:118) ‘journalistic objectivity has always been a slippery notion’. Research shows that objectivity worldwide ‘is present and locally generated and negotiated in several ways’ (Krøvel et al. 2012:24). The concept of objectivity has many layers, and one could say that the perception of it is tainted with misunderstandings. As Muñoz-Torres (2012) emphasizes, its philosophical origin is rooted in how we see the world, our understanding of what knowledge is and our perception of the truth. Others write about a practical (Jones 2009) or functional (Rhaman 2017) truth as the one journalists are aiming to discern. This study explores objectivity as seen by journalists and journalism students transnationally, although very much rooted in their culture and politics, specifically in Norway, Tunisia and Bangladesh. Are there differences and/or similarities, and if so, what are they? Furthermore, armed with theoretical approaches from Streckfuss (1990) and Muñoz-Torres (2012), among others, the aim of this chapter is to clarify different positions, as well as views among our interviewees. The notion of objectivity in journalism Richard Streckfuss (1990) looked at historical documents in order to trace when and why objectivity was introduced to journalism in the USA. -
Ethics in Photojournalism: Past, Present, and Future
Ethics in Photojournalism: Past, Present, and Future By Daniel R. Bersak S.B. Comparative Media Studies & Electrical Engineering/Computer Science Massachusetts Institute of Technology, 2003 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER, 2006 Copyright 2006 Daniel R. Bersak, All Rights Reserved The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________ Department of Comparative Media Studies, August 11, 2006 Certified By: ___________________________________________________________ Edward Barrett Senior Lecturer, Department of Writing Thesis Supervisor Accepted By: __________________________________________________________ William Uricchio Professor of Comparative Media Studies Director Ethics In Photojournalism: Past, Present, and Future By Daniel R. Bersak Submitted to the Department of Comparative Media Studies, School of Humanities, Arts, and Social Sciences on August 11, 2006, in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies Abstract Like writers and editors, photojournalists are held to a standard of ethics. Each publication has a set of rules, sometimes written, sometimes unwritten, that governs what that publication considers to be a truthful and faithful representation of images to the public. These rules cover a wide range of topics such as how a photographer should act while taking pictures, what he or she can and can’t photograph, and whether and how an image can be altered in the darkroom or on the computer. -
Realism, Photography and Journalistic Objectivity in 19Th Century America
Studies in Visual Communication Volume 4 Issue 2 Winter 1977 Article 5 1977 Realism, Photography and Journalistic Objectivity in 19th Century America Dan Schiller Recommended Citation Schiller, D. (1977). Realism, Photography and Journalistic Objectivity in 19th Century America. 4 (2), 86-98. Retrieved from https://repository.upenn.edu/svc/vol4/iss2/5 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/svc/vol4/iss2/5 For more information, please contact [email protected]. Realism, Photography and Journalistic Objectivity in 19th Century America This contents is available in Studies in Visual Communication: https://repository.upenn.edu/svc/vol4/iss2/5 the whole field of 19th century painterly and literary art. The key assumption of photographic realism-that precisely accurate and complete copies of reality could be produced from symbolic materials-was rather freely translated across numerous visual and verbal codes, and not only within the REALISM, PHOTOGRAPHY accepted realm of art. After first explicating the general sig AND JOURNALISTIC OBJECTIVITY nificance of this increasingly ubiquitous assumption, I will IN 19th CENTURY AMERICA tentatively explore some of its consequences for literature and for journalism. DAN SCHILLER A JOUST WITH "REALISM" When we commend a work of art as being "realistic," we Hostile critics often choose to equate realism per se with commonly mean that it succeeds at faithfully copying events the demonstration of a few apparently basic qualities in or conditions in the "real" world. How can we believe that works of art. Foremost among these is "objectivity." Wellek pictures and writings can be made so as to copy, truly and (1963 :253), for example, defines realism as "the objective accurately, a "natural" reality? The search for an answer to representation of contemporary social reality." Hemmings this deceptively simple question motivates the present essay. -
Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Professional Projects from the College of Journalism Journalism and Mass Communications, College of and Mass Communications Spring 4-18-2019 Journalistic Ethics and the Right-Wing Media Jason McCoy University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismprojects Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Journalism Studies Commons, Mass Communication Commons, and the Other Communication Commons McCoy, Jason, "Journalistic Ethics and the Right-Wing Media" (2019). Professional Projects from the College of Journalism and Mass Communications. 20. https://digitalcommons.unl.edu/journalismprojects/20 This Thesis is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Professional Projects from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln This paper will examine the development of modern media ethics and will show that this set of guidelines can and perhaps should be revised and improved to match the challenges of an economic and political system that has taken advantage of guidelines such as “objective reporting” by creating too many false equivalencies. This paper will end by providing a few reforms that can create a better media environment and keep the public better informed. As it was important for journalism to improve from partisan media to objective reporting in the past, it is important today that journalism improves its practices to address the right-wing media’s attack on journalism and avoid too many false equivalencies. -
Valuing Subjectivity in Journalism: Bias, Emotions, and Self-Interest As Tools in Arts Reporting
Original Article Journalism Valuing subjectivity in journalism: Bias, emotions, and self-interest as tools in arts reporting Phillipa Chong McMaster University, Canada Abstract This article examines the meanings and norms surrounding subjectivity across traditional and new forms of cultural journalism. While the ideal of objectivity is key to American journalism and its development as a profession, recent scholarship and new media developments have challenged the dominance of objectivity as a professional norm. This article begins with the understanding that subjectivity is an intractable part of knowing (and reporting on) the world around us to build our understanding of different modes of subjectivity and how these animate journalistic practices. Taking arts reporting, specifically reviewing, as a case study, the analysis draws on interviews with 40 book reviewers who write for major American newspapers, including The New York Times, The Los Angeles Times, The Washington Post, and prominent blogs. Findings reveal how emotions, bias, and self-interest are salient – sometimes as vice and sometimes as virtue – across the workflow of critics writing for traditional print outlets and book blogs and that these differences can be conceptualized as different epistemic styles. Keywords Blogs, emotion, literary journalism, newspapers, online media, practice, subjectivity/ objectivity Introduction Objectivity has long been the gold standard in American journalism and was key to its development into a profession (Benson and Neveu, 2005; Schudson, 1976). Yet Corresponding author: Phillipa Chong, Department of Sociology, McMaster University, 609 Kenneth Taylor Hall, 1280 Main Street West, Hamilton, ON L8S 4M4, Canada. Email: [email protected] Chong 2 scholars have complicated the picture by pointing to the unattainability of objectivity as an ideal with some noting the increasing acceptance of subjectivity across different forms of journalism (Tumber and Prentoulis, 2003; Wahl-Jorgensen, 2012, 2013; Zelizer, 2009b). -
Bias and Fairness in NLP
Bias and Fairness in NLP Margaret Mitchell Kai-Wei Chang Vicente Ordóñez Román Google Brain UCLA University of Virginia Vinodkumar Prabhakaran Google Brain Tutorial Outline ● Part 1: Cognitive Biases / Data Biases / Bias laundering ● Part 2: Bias in NLP and Mitigation Approaches ● Part 3: Building Fair and Robust Representations for Vision and Language ● Part 4: Conclusion and Discussion “Bias Laundering” Cognitive Biases, Data Biases, and ML Vinodkumar Prabhakaran Margaret Mitchell Google Brain Google Brain Andrew Emily Simone Parker Lucy Ben Elena Deb Timnit Gebru Zaldivar Denton Wu Barnes Vasserman Hutchinson Spitzer Raji Adrian Brian Dirk Josh Alex Blake Hee Jung Hartwig Blaise Benton Zhang Hovy Lovejoy Beutel Lemoine Ryu Adam Agüera y Arcas What’s in this tutorial ● Motivation for Fairness research in NLP ● How and why NLP models may be unfair ● Various types of NLP fairness issues and mitigation approaches ● What can/should we do? What’s NOT in this tutorial ● Definitive answers to fairness/ethical questions ● Prescriptive solutions to fix ML/NLP (un)fairness What do you see? What do you see? ● Bananas What do you see? ● Bananas ● Stickers What do you see? ● Bananas ● Stickers ● Dole Bananas What do you see? ● Bananas ● Stickers ● Dole Bananas ● Bananas at a store What do you see? ● Bananas ● Stickers ● Dole Bananas ● Bananas at a store ● Bananas on shelves What do you see? ● Bananas ● Stickers ● Dole Bananas ● Bananas at a store ● Bananas on shelves ● Bunches of bananas What do you see? ● Bananas ● Stickers ● Dole Bananas ● Bananas -
Beyond Objectivity and Relativism: a View Of
BEYOND OBJECTIVITY AND RELATIVISM: A VIEW OF JOURNALISM FROM A RHETORICAL PERSPECTIVE A Dissertation Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University by Catherine Meienberg Gynn, B.A., M.A. The Ohio State University 1995 Dissertation Committee Approved by Josina M. Makau Susan L. Kline Adviser Paul V. Peterson Department of Communication Joseph M. Foley UMI Number: 9533982 UMI Microform 9533982 Copyright 1995, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 DEDICATION To my husband, Jack D. Gynn, and my son, Matthew M. Gynn. With thanks to my parents, Alyce W. Meienberg and the late John T. Meienberg. This dissertation is in respectful memory of Lauren Rudolph Michael James Nole Celina Shribbs Riley Detwiler young victims of the events described herein. ACKNOWLEDGMENTS I express sincere appreciation to Professor Josina M. Makau, Academic Planner, California State University at Monterey Bay, whose faith in this project was unwavering and who continually inspired me throughout my graduate studies, and to Professor Susan Kline, Department of Communication, The Ohio State University, whose guidance, friendship and encouragement made the final steps of this particular journey enjoyable. I wish to thank Professor Emeritus Paul V. Peterson, School of Journalism, The Ohio State University, for guidance that I have relied on since my undergraduate and master's programs, and whose distinguished participation in this project is meaningful to me beyond its significant academic merit. -
The Effects of the Intuitive Prosecutor Mindset on Person Memory
THE EFFECTS OF THE INTUITIVE PROSECUTOR MINDSET ON PERSON MEMORY DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Richard J. Shakarchi, B.S., M.A. ***** The Ohio State University 2002 Dissertation Committee: Professor Marilynn Brewer, Adviser Approved by Professor Gifford Weary ________________________________ Adviser Professor Neal Johnson Department of Psychology Copyright by Richard J. Shakarchi 2002 ABSTRACT The intuitive prosecutor metaphor of human judgment is a recent development within causal attribution research. The history of causal attribution is briefly reviewed, with an emphasis on explanations of attributional biases. The evolution of such explanations is traced through a purely-cognitive phase to the more modern acceptance of motivational explanations for attributional biases. Two examples are offered of how a motivational explanatory framework of attributional biases can account for broad patterns of information processing biases. The intuitive prosecutor metaphor is presented as a parallel explanatory framework for interpreting attributional biases, whose motivation is based on a threat to social order. The potential implications for person memory are discussed, and three hypotheses are developed: That intuitive prosecutors recall norm- violating information more consistently than non-intuitive prosecutors (H1); that this differential recall may be based on differential (biased) encoding of behavioral information (H2); and that this differential recall may also be based on biased retrieval of information from memory rather than the result of a reporting bias (H3). A first experiment is conducted to test the basic recall hypothesis (H1). A second experiment is conducted that employs accountability in order to test the second and third hypotheses. -
Outcome Reporting Bias in COVID-19 Mrna Vaccine Clinical Trials
medicina Perspective Outcome Reporting Bias in COVID-19 mRNA Vaccine Clinical Trials Ronald B. Brown School of Public Health and Health Systems, University of Waterloo, Waterloo, ON N2L3G1, Canada; [email protected] Abstract: Relative risk reduction and absolute risk reduction measures in the evaluation of clinical trial data are poorly understood by health professionals and the public. The absence of reported absolute risk reduction in COVID-19 vaccine clinical trials can lead to outcome reporting bias that affects the interpretation of vaccine efficacy. The present article uses clinical epidemiologic tools to critically appraise reports of efficacy in Pfzier/BioNTech and Moderna COVID-19 mRNA vaccine clinical trials. Based on data reported by the manufacturer for Pfzier/BioNTech vaccine BNT162b2, this critical appraisal shows: relative risk reduction, 95.1%; 95% CI, 90.0% to 97.6%; p = 0.016; absolute risk reduction, 0.7%; 95% CI, 0.59% to 0.83%; p < 0.000. For the Moderna vaccine mRNA-1273, the appraisal shows: relative risk reduction, 94.1%; 95% CI, 89.1% to 96.8%; p = 0.004; absolute risk reduction, 1.1%; 95% CI, 0.97% to 1.32%; p < 0.000. Unreported absolute risk reduction measures of 0.7% and 1.1% for the Pfzier/BioNTech and Moderna vaccines, respectively, are very much lower than the reported relative risk reduction measures. Reporting absolute risk reduction measures is essential to prevent outcome reporting bias in evaluation of COVID-19 vaccine efficacy. Keywords: mRNA vaccine; COVID-19 vaccine; vaccine efficacy; relative risk reduction; absolute risk reduction; number needed to vaccinate; outcome reporting bias; clinical epidemiology; critical appraisal; evidence-based medicine Citation: Brown, R.B. -
The Digital Animation of Literary Journalism
JOU0010.1177/1464884914568079JournalismJacobson et al. 568079research-article2015 Article Journalism 1 –20 The digital animation of © The Author(s) 2015 Reprints and permissions: literary journalism sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1464884914568079 jou.sagepub.com Susan Jacobson Florida International University, USA Jacqueline Marino Kent State University, USA Robert E Gutsche Jr Florida International University, USA Abstract Since The New York Times published Snow Fall in 2012, media organizations have produced a growing body of similar work characterized by the purposeful integration of multimedia into long-form journalism. In this article, we argue that just as the literary journalists of the 1960s attempted to write the nonfiction equivalent of the great American novel, journalists of the 2010s are using digital tools to animate literary journalism techniques. To evaluate whether this emerging genre represents a new era of literary journalism and to what extent it incorporates new techniques of journalistic storytelling, we analyze 50 long-form multimedia journalism packages published online from August 2012 to December 2013. We argue that this new wave of literary journalism is characterized by executing literary techniques through multiple media and represents a gateway to linear storytelling in the hypertextual environment of the Web. Keywords Content analysis, literary journalism, long-form, multimedia, New Journalism, storytelling Introduction As news has evolved, journalists have experimented with new formats to enhance and transform the news-consumption experience (Barnhurst, 2010; Pauly, 2014). The use of Corresponding author: Susan Jacobson, School of Journalism and Mass Communication, Florida International University, 3000 NE 151 Street, AC2, North Miami, FL 33181, USA. Email: [email protected] 2 Journalism literary techniques in journalism has been one of the methods that reporters and editors have employed to create variety in news storytelling. -
Conceptions of Authenticity in Fashion Blogging
“They're really profound women, they're entrepreneurs”: Conceptions of Authenticity in Fashion Blogging Alice E. Marwick Department of Communication & Media Studies Fordham University Bronx, New York, USA [email protected] Abstract Repeller and Tavi Gevinson of Style Rookie, are courted by Fashion blogging is an international subculture comprised designers and receive invitations to fashion shows, free primarily of young women who post photographs of clothes, and opportunities to collaborate with fashion themselves and their possessions, comment on clothes and brands. Magazines like Lucky and Elle feature fashion fashion, and use self-branding techniques to promote spreads inspired by and starring fashion bloggers. The themselves and their blogs. Drawing from ethnographic interviews with 30 participants, I examine how fashion bloggers behind The Sartorialist, What I Wore, and bloggers use “authenticity” as an organizing principle to Facehunter have published books of their photographs and differentiate “good” fashion blogs from “bad” fashion blogs. commentary. As the benefits accruing to successful fashion “Authenticity” is positioned as an invaluable, yet ineffable bloggers mount, more women—fashion bloggers are quality which differentiates fashion blogging from its overwhelmingly female—are starting fashion blogs. There mainstream media counterparts, like fashion magazines and runway shows, in two ways. First, authenticity describes a are fashion bloggers in virtually every city in the United set of affective relations between bloggers and their readers. States, and fashion bloggers hold meetups and “tweet ups” Second, despite previous studies which have positioned in cities around the world. “authenticity” as antithetical to branding and commodification, fashion bloggers see authenticity and Fashion bloggers and their readers often consider blogs commercial interests as potentially, but not necessarily, to be more authentic, individualistic, and independent than consistent.