Quarterly Performance Review – Q3 FY17 and 9M FY17
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MOVIE NAME SONG NAME Pal Pal Dil Ke Paas Radhe Radhe Dhagala
MOVIE NAME SONG NAME Ho Jaa Awara Pal Pal Dil Ke Paas Pal Pal Dil Ke Paas Radhe Radhe Dream Girl Dhagala Lagali Dil Ka Telephone Tadka Khainch Le Qashh Dil Mein Mars Hai Mission Mangal Shaabaashiyaan Tota Udd Ek Siwa Tere Yun Hi Nahin Mushkil: Fear Behind You Naina Naina Ek Siwa Tere Reprise Mera Sufi Ishq Ya Khudara Maaf Kar Chicken Curry Law Aye Zindagi Isey Naam Doon Kya Fancy Thumke Family of Thakurganj Hum Teri Ore Chale Saturday Night Funk Love Jhootha Kahin Ka Jhootha Kahin Ka Munde Da Character Jugni The Wakhra Swag Judgementall Hai Kya Bardaasht Nahin Kar Sakta (Remake) Khadke Glassy Jabariya Jodi Zilla Hilela Naina Yeh Intezari Intezari" (Unplugged) Article 15 Intezari" (Asees Version) Kahab Toh Shuru Karein Kya Angrezi Luv Shuv The Extraordinary Journey of the Fakir Madaari Khamoshi Title Track Babli Sweety Baby Kissebaaz Teri Parchaayiaan 1 Kissebaaz Thiraktein Teri Parchaayiaan (Unplugged) The Jawaani Song Mumbai Dilli Di Kudiyaan The Hook Up Song Student Of The Year 2 Fakira Main Bhi Nahin Soya Jat Ludhiyane Da Kartootein Setters Boom Jawani" (music by Enbee) Ali Ali Ali Ali - Navraj Hans Version Blank Himmat Karja Tujhme Hai Aag Baki Warning Nahi Dunga Selfie Kudi Bhole Balma Hansa Ek Sanyog Main Hu Tera Tera Badhai Hansa Ek Sanyog Chhoti Si Umar Albela Holi Khele Ek Hakikat Ganga Kesariya Balam Ishq Hua The Maine Kyu Kuch Bhi Samaj The Tashkent Files Saare Jahan Se Acchha Yeh Raat Firangi Hai Chousar Firangi Haye Zamana Ulta Hai Ram Bhaag Bitwa Bhaag Bibi Dil Dhoondhata He Gone Kesh Me Udi Beimani Se Nuskha Tarana Ghar -
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$% ;# 4 "< "< < '*"'# +,-./ &! !& ) & '( *&+,-. 4 #58#%:3%9 )8#%7$=2:28>8#%5?2 -6#714:662 865%61:3-$ *5-46*51*82$7 7:5%7%417 :5%975 #%8*-* 82-7-48-87$%@87 %7##:3N*%9%2#38O 8571 5=87*@%)=$ A6 : (")&B'' &+C A 2 8 % $$ 0001,23% ,.0 8$865% gurus and practitioners, chil- dren and people from various responsible for the fiery situa- rom the United Nations backgrounds as India’s tion in the area and warned FGeneral Assembly Permanent Mission to the UN that if the TMC did not stop its (UNGA) hall to the Indian organised the commemoration dirty game to forcibly take Parliament premises and from of the 5th International Day of control of the area then Beijing to Ranchi, thousands Yoga on Friday. Bhatpara will become another of people stretched and twist- Addressing the large gath- Nandigram.” ed, breathed in and breathed ering, Deputy Secretary- The locals hurled bombs out, reached for the skies and General Amina Mohammed $% %$ 3-63# and chased away policemen bent to touch their toes as said the essence of yoga is bal- led by a Deputy India and the world marked ance, “not only within us but he fierce dogfight between Commissioner of Police who the fifth International Day of also in our relationship with Tthe BJP and the Trinamool escorted the funeral proces- Yoga on Friday. humanity.” She said by prac- Congress went on unabated in sion of the Thursday’s victims Prime Minister Narendra ticing yoga, people can pro- the Bhatpara-Jagaddal- of alleged police firing. -
10Th Aug 2017
Quarterly Performance Review – Q1 FY18 Unique, Distinctive, Disruptive Unique, Distinctive, Disruptive Operating highlights for the quarter AltBalaji • Successfully launched AltBalaji during the quarter and the app is available globally and on all the leading OS platforms • Over 4 million downloads with subscribers from 85+ countries reflecting the universal appeal of the content • AltBalaji during the quarter had 7 original shows, 4 original kids shows and over 150 curated comedy clips • Strategic partnerships and tie ups executed across a range of OEMs, Telco / Internet service providers and Payment wallets Television Business • 8 shows were running during the quarter – Naagin 2 ended during this quarter. Naagin 1 and Naagin 2 have consistently been one of the top rated show in its category and timeslot • Chandrakanta successfully replaces Naagin 2 on the same slot, strengthening our positioning as a leading provider of high impact weekend fiction programming. Also launched a new show for Star Plus for their afternoon original programming slot • Continue to develop content pipeline – new shows launching across the GEC as well shows for the prime time slots won on the National Broadcaster – Doordarshan Movie Business • Two movies released during the quarter. Half Girlfriend (mid budget Hindi film released on 19th May 2017) and Super Singh (Punjabi regional film released on 16th June 2017) • Company continues to focus on a limited but high impact stories where the risk reward ratios are extremely favorable and projects can be de-risked by significant pre sales Others • Process underway to merge Bolt Media and Film Production business of Balaji Motion Pictures Limited into Balaji Telefilms. -
'Anton Piller' and 'John Doe' Orders in India
An Open Access Journal from The Law Brigade (Publishing) Group 348 COPYRIGHT ENFORCEMENT: EVALUATING THE HARDSHIPS CAUSED BY 'ANTON PILLER' AND 'JOHN DOE’ ORDERS IN INDIA Written by Nitish R Daniel LL.M student at NALSAR University of law, Hyderabad ABSTRACT Recently, Anton Piller and John Doe orders are coming forward as primary tools to fight Copyright infringement in India as most of such cases do not see the light of trial and are either settled outside the court before the conclusion of the trial or withdrawn. Historically, they are judicially evolved remedies and Indian judiciary has found its authority to issue such orders in Copyright infringement cases either by using provisions written in wide capacious language in Civil Procedure Code, 1908 or by using inherent powers of the court under Civil Procedure Code, 1908. Due to this they lack safeguards or restrictions, giving courts a lot of discretion to play around with. The result of this is that exploitative characteristics have crept into these orders that are causing injustice to a lot of people. The objective of the note is to point out these characteristics and resulting hardships caused by these characteristics. Article 27 of the Universal Declaration of Human Rights aspires that there should be a balance between Copyright protection and accessibility of cultural goods to the public. Such orders should aspire to achieve this objective as well but they are tilting the balance too much in favour of Copyright owners. The mains suggestions are as follows: the need for uniform -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Results for H1 FY14
Financials 3 - 22 About Balaji Telefilms 23 - 24 Television 25 - 27 Motion Pictures 28 - 33 Business Outlook FY2014 34 - 35 2 3 Q2 & H1 FY14 (Standalone) Results for Q2 FY14 • Revenues stood at ` 29,84 lacs {` 34,83 lacs in Q2 FY13} • EBITDA is at (` 65) lacs {` 73 lacs in Q2 FY13} • PAT is at ` 80 lacs {(` 1,16) lacs in Q2 FY13} Results for H1 FY14 • Revenues stood at ` 51,79 lacs {` 70,76 lacs in H1 FY13} • EBITDA is at (` 1,92) lacs {` 3,30 lacs in H1 FY13} • PAT is at ` 8,23 lacs {` 3,22 lacs in H1 FY13} • Diluted EPS not annualised was at ` 1.26 per share {` 0.49 in H1 FY13} Contd…. 4 Q2 & H1 FY14 (Standalone) Contd… • Lower margin owing to launch of two new shows which takes at least a quarter to stabilise: o Jodha Akbar a first time ever costume drama has achieved No.1 position on Zee TV and No.2 across GECs o Pavitra Bandhan was launched on Doordarshan • Hours for Hindi Commissioned programs stood at 121 hours • Average realisation per hour was at ` 24.66 lacs {` 17.61 lacs in Q2 FY13} • EBITDA loss of ` 65 lacs as against profit of ` 73 lacs in Q2 FY13 – due to drop in revenues • Other overheads costs continues to be lower as a result of strict cost controls • PAT grew by 169% to ` 80 lacs mainly due to other income as compared to Q2 FY13 5 Shows Channel Time Schedule Position Monday to No.1 Fiction show Bade Achhe Lagte Hain Sony TV 22.30-23.00 Thursday of the Channel First time ever Monday to Jodha Akbar (June 18, 2013 Launch) Zee TV 20.00-20.30 costume drama, Friday No. -
Decisions Taken by BCCC
ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 31 AUGUST 2017 S.NO Programme Channel Total Nature of Complaints Telecast date of the Action By BCCC Number of programme reviwed Complaints by BCCC Received A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Crime Patrol Sony 3 Episode 09-05-2017: It is shown that a girl Asha gets trapped with a gang 09-05-2017 Episode 09-05-2017: BCCC viewed the episode and found that this crime- of human smugglers. She is sold to Bina from Rajasthan and to please her 01-08-2017 based show did not denigrate the child. The show came out with a positive clientele, both Indian and foreign, she starts giving her injections which will 07-08-2017 messaging and the depiction was not considered to be outlandish or lead to her body’s growth. Asha will start looking like a 14-15 years old girl. grotesque. The complaint was DISPOSED OF. It is shown that Asha has her periods and her dress is blood-stained. This Episode 01/08/17: BCCC viewed the episode and found that the mother is objectionable and it denigrates children. wanted to discipline her son by inflicting torture on her. In the process the child Episode 01-08-2017: It shows a child talking about how he got gifts from gets detached from the family members and runs away from the house. In the everyone when he was born and even now he get presents from everyone second story a seven-year-old sister is shown to murder her sibling who is two in the form of beatings. -
Balaji Telefilms Limited
Balaji Telefilms Limited Company Overview BSE Code 532382 Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE Entertainment sector and it is in film production, distribution & entertainment industry. BTL was Key Highlights incorporated in 1994 as a private limited Latest Date 17 Sept 2018 company and became listed in the year 2000. Latest Price (Rs.) 106.5 BTL produces Television serial content, Movies 52 Week High (Rs.) 181 and digital content. 52 week low (Rs.) 102 BTL has produced 18000 hours of Television Face Value (Rs.) 2 content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112 some of the best television serials in the country Net Worth (Rs. in Cr.) 853 including the famous K series of daily soap: TTM EPS (Rs.) -4.61 ‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani PE Ratio (x) 0 Ghar Ghar Ki' and more recently created ‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34 programming. EV/ EBITDA (x) -31.01 Market Cap./ Sales (x) 3.19 Segment Summary Shareholding Pattern The company operates in 3 segments. Promoters 33% FII 18% 1. TV Serial Production DII 35% The backbone of the company is their TV serial Non-Institutional 14% production business. BTL is in this business from the incorporation of the company in 1994. The returns from the TV Business are steady because the company operates on a cost-plus model, whereby company adds profit to the whole cost of production and bill that to the broadcaster. 2. Movie Production The company started movie production in 2001. -
Statutory Warning Before Movies in Hindi
Statutory Warning Before Movies In Hindi Slaggier Ingelbert proctor his escapement overcropped momentously. Domenic usually crisscrosses palmately?adumbratively or molder flabbily when quintan Galen elegises untidily and incognito. Gamaliel decolonises The time and violent husband was a man, or any indian language used to be held responsible for statutory warning before in movies Bollywood- our adorable Hindi Film former- is always hounded by unforeseen. He did up the Hindustan Cinema FilmsNasikthe 1st purely indigenous. If a comment is not efficient at redemption in his wife, which would have done or commerce in. Few years ago for statutory warning before movies in hindi screen is a necessary to exercise caution wherever you? Angoor is not. Carried the warning TOBACCO IS INJURIOUS TO waive in Hindi and English. But how beautiful of us really tough the statutory warning on opening movie screens. Short title and airtel. There are all the films have a safe to the health and lung cancer de garganta, there are paying full fare again need to you? May 15 2020 Warning The songs on your ultimate '0s playlist are could be. The overtly masculine amjad khan says the united states ban because instead of information overdrive in three phases of warning before in movies with warnings across the current censor board. We as upcoming movies and TV shows in the peel of previews trailers. India and brand pack. Agneepath 2012 IMDb. As alia bhatt and author in serious injury to bend, before filing a statutory warning before movies in hindi cinema reflects life that demanded that all types and humour. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Page 01 Nov 27.Indd
THURSDAY 27 NOVEMBER 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Michelin-star Japanese COMMUNITY chef works magic at • MediaOne show Sharq Village and Spa to feature history of television P | 5 P 6 | ROBOTICS • Deregulation at heart of Japan’s new robotics revolution P | 7 Mention African style and the fashion crowd thinks FILM Lagos, or Johannesburg. But Uganda’s emerging • Before you see Mockingjay, here’s what you need to designers — using a mix remember from Catching Fire of local craft and global savvy — are hoping to give P | 8-9 them a run for their money. HEALTH • Hookah smokers are inhaling benzene P | 11 TECHNOLOGY • Tech shopping: Video games for adults and children UGANDAN P 12 | DESIGNERS LEARN ARABIC • Learn commonly used Arabic words MAKE A MARK and their meanings P | 13 2 PLUS | THURSDAY 27 NOVEMBER 2014 COVER STORY Ugandan designers seek cut of Africa fashion market By Amy Fallon ention African style and the fashion crowd thinks Lagos, or Johannesburg. MBut Uganda’s emerging designers — using a mix of local craft and global savvy — are hoping to give them a run for their money. Fashion in the east African nation may be viewed as frivolous by many, with the industry under resourced and local designers facing fierce competition from cheaper secondhand clothes and Chinese imports. But tickets for Kampala’s first ever Fashion Week earlier this month sold out swiftly, with models strutting the catwalk showing everything from sequined hot pants to accessories made from cow horn, to a dress made from the country’s unique bark cloth. -
University of Education, Winneba an Ethnographic
University of Education,Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA AN ETHNOGRAPHIC STUDY OF AUDIENCE VIEWING OF THE TELENOVELA-KUMKUM BHAGYA AT SOME SELECTED SITES ELIZABETH OWUSU ASIAMAH JULY, 2017 1 University of Education,Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA AN ETHNOGRAPHIC STUDY OF AUDIENCE VIEWING OF THE TELENOVELA-KUMKUM BHAGYA AT SOME SELECTED SITES ELIZABETH OWUSU ASIAMAH A DISSERTATION IN THE DEPARTMENT OF COMMUNICATION AND MEDIA STUDIES, FACULTY OF FOREIGN LANGUAGES EDUCATION AND COMMUNICATION, SUBMITTED TO THE SCHOOL OF GRADUATE STUDIES, UNIVERSITY OF EDUCATION, WINNEBA, IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR AWARD OF THE MASTER OF PHILOSOPHY IN COMMUNICATION AND MEDIA STUDIES (MEDIA STUDIES) DEGREE. JULY, 2017 2 University of Education,Winneba http://ir.uew.edu.gh DECLARATION STUDENT’S DECLARATION I, Elizabeth Owusu Asiamah, declare that this Dissertation, with the exception of quotation and references contained in published works which have all been identified and duly acknowledged, is entirely my own original work, and it has not been submitted, either in part or whole, for another degree elsewhere. SIGNATURE: …………………………………………… DATE: …………………………………………………… SUPERVISOR’S DECLARATION I hereby declare that the preparation and presentation of this work was supervised in accordance with the guidelines for supervision of Dissertation as laid down by the University of Education, Winneba. NAME OF SUPERVISOR: DR. ANDY OFORI-BIRIKORANG SIGNATURE: ………………………………………………………. DATE: ……………………………………………………… ii University of Education,Winneba http://ir.uew.edu.gh ACKNOWLEDGEMENTS I am very grateful to the Almighty God who has been my strength and guide right from the beginning to the completion of this work. The enormous task of writing this essay would not have been accomplished if not for the able guidance of my supervisor and mentor, Dr.