Hannah Gadsby Comedian / Writer / Art Lady
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Book Now Brisbanecomedyfestival.Com
BRISBANE POWERHOUSE + BRISBANE CITY HALL + SUNPAC BOOK NOW BRISBANEPAGEC OMED1 YFESTIVAL.COM Canned laughter. Brisbane Comedy Festival Partner newsteadbrewing.com.au Powerhouse Comedy Fest Ad.indd 1 15/11/18 5:16 pm Celebrate in Style! See our 5 new collections Bloom Breeze Cresence Outline Casablanca NSW | QLD | VIC Valiant.com.au | valiant.events PAGE 2 CONTENTS Brisbane Comedy Queerstories 29 Festival Opening Gala 02 Nath Valvo 30 Ross Noble 03 Alex Ward 30 Frocking Hilarious 04 Rhys Nicholson 31 Felicity Ward 05 Around the Campfire 37 Danny Bhoy 06 CONTENTS Class Clowns 38 Damien Power 07 Whimpy Chimpy 38 Tim Ferguson 07 The World According Ronny Chieng 08 to Farts 39 Mel Buttle 09 Stinky Silly Show 39 Welcome to Nazeem Hussain 09 Jeff Green 40 Dave Hughes 10 Georgie Carroll 41 Brisbane Comedy Luke Heggie 11 Breakout Showcase 41 FESTIVAL COMEDY BRISBANE Jan van de Stool 11 Neel Kolhatkar 42 Festival 2019 Lawrence Mooney 12 Nikki Osborne 43 DeAnne Smith 13 Ivan Aristeguieta 44 Brisbane Comedy Festival is turning double Dave Thornton 13 Brisburned 45 digits, and just like any pre-teen, we are Demi Lardner 14 The Elvis Dead 45 growing up before your very eyes…minus Corey White 14 Guy Montgomery 46 the awkward haircut and Justin Bieber Daniel Sloss 15 Charity Werk 46 fascination. We’re celebrating hitting the big Scared Weird Little Guys 16 Michael Shafar 46 1-OH with 75 hilarious comedy acts. From Paul Foot 17 ImproMafia 47 stand-up, sketch, improvisation and cabaret, Double Denim 17 Dusty Rich 48 we’re inviting you to get skit-faced with Becky Lucas 18 New in Town 48 Australia’s fastest growing comedy festival. -
Festival Program Canberracomedyfestival.Com.Au
Over 50 Hilarious Shows! Festival Program canberracomedyfestival.com.au canberracomedyfestival canberracomedy canberracomedy #CBRcomedy Canberra Comedy Festival app ► available for iPhone & Android DINE LAUGH STAY FIRST EDITION BAR & DINING CANBERRA COMEDY FESTIVAL NOVOTEL CANBERRA Accommodation from $180* per room, per night Start the night off right with a 3 cheese platter & 2 house drinks for only $35* firsteditioncanberra.com.au 02 6245 5000 | 65 Northbourne Avenue, Canberra novotelcanberra.com.au *Valid 19 - 25 March 2018. House drinks include house beer, house red and white wine only. Accommodation subject to availability. T&C’s apply. WELCOME FROM THE CHIEF MINISTER I am delighted to welcome you to the Canberra Comedy Festival 2018. The Festival is now highly anticipated every March by thousands of Canberrans as our city transforms into a thriving comedy hub. The ACT Government is proud to support the growth of the Festival year-on- year, and I’m pleased to see that 2018 is the biggest program ever. In particular, in 2018, that growth includes the Festival Square bar and entertainment area in Civic Square. The Festival has proven Canberra audiences are on the cutting edge of arts participation. Shows at the Festival in 2017 went on to be nominated for prestigious awards around the country, and one (Hannah Gadsby) even picked up an impressive award at the 2017 Edinburgh Fringe Festival. I’ve got tickets for a few big nights at the Festival, and I hope to see you there. Andrew Barr MLA ACT Chief Minister CANBERRA COMEDY FESTIVAL GALA Tue 20 March 7pm (120min) $89 / $79 * Canberra Theatre, Canberra Theatre Centre SOLD OUT. -
Polysèmes, 23 | 2020 Where Parody Meets Satire: Crossing the Line with “Lady Addle” 2
Polysèmes Revue d’études intertextuelles et intermédiales 23 | 2020 Contemporary Victoriana - Women and Parody Where Parody Meets Satire: Crossing the Line with “Lady Addle” Quand la parodie rencontre la satire : “Lady Addle“ dépasse les limites Margaret D. Stetz Electronic version URL: http://journals.openedition.org/polysemes/7691 DOI: 10.4000/polysemes.7691 ISSN: 2496-4212 Publisher SAIT Electronic reference Margaret D. Stetz, « Where Parody Meets Satire: Crossing the Line with “Lady Addle” », Polysèmes [Online], 23 | 2020, Online since 30 June 2020, connection on 02 July 2020. URL : http:// journals.openedition.org/polysemes/7691 ; DOI : https://doi.org/10.4000/polysemes.7691 This text was automatically generated on 2 July 2020. Polysèmes Where Parody Meets Satire: Crossing the Line with “Lady Addle” 1 Where Parody Meets Satire: Crossing the Line with “Lady Addle” Quand la parodie rencontre la satire : “Lady Addle“ dépasse les limites Margaret D. Stetz 1 For scholars of humour, there is a certain fascination in studying parodies that are now little known, especially if once they were well known. Why, we want to ask, were they popular in an earlier time? To whom did they appeal and why? What might these works say to us today? In the case of a series of four works of fiction produced by Mary Dunn (1900-1958), a British writer for the satirical magazine Punch, a second set of questions arises. These same four volumes, each one purporting to be written by a fictional British aristocrat named “Lady Addle”, were published from the mid-1930s through the late 1940s, but were reprinted in the 1980s and enjoyed both a second wave of sales in British bookshops and enthusiastic reviews in British periodicals. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Final Hannah Online Credits
Hannah Gadsby’s Oz – Full Series Credits WRITTEN & PRESENTED BY HANNAH GADSBY ------ DIRECTED & CO-WRITTEN BY MATTHEW BATE ------------ PRODUCED BY REBECCA SUMMERTON ------ EDITOR DAVID SCARBOROUGH COMPOSER & MUSIC EDITOR BENJAMIN SPEED ------ ART HISTORY CONSULTANT LISA SLADE ------ 1 Hannah Gadsby’s Oz – Full Series Credits ARTISTS LIAM BENSON DANIEL BOYD JULIE GOUGH ROSEMARY LAING SUE KNEEBONE BEN QUILTY LESLIE RICE JOAN ROSS JASON WING HEIDI YARDLEY RAYMOND ZADA INTERVIEWEES PROFESSOR CATHERINE SPECK LINDSAY MCDOUGALL ------ PRODUCTION MANAGER MATT VESELY PRODUCTION ASSISTANTS FELICE BURNS CORINNA MCLAINE CATE ELLIOTT RESEARCHERS CHERYL CRILLY ANGELA DAWES RESEARCHER ABC CLARE CREMIN COPYRIGHT MANAGEMENT DEBRA LIANG MATT VESELY CATE ELLIOTT ------ DIRECTOR OF PHOTOGRAPHY NIMA NABILI RAD SHOOTING DIRECTOR DIMI POULIOTIS SOUND RECORDISTS DAREN CLARKE LEIGH KENYON TOBI ARMBRUSTER JOEL VALERIE DAVID SPRINGAN-O’ROURKE TEST SHOOT SOUND RECORDIST LACHLAN COLES GAFFER ROBERTTO KARAS GRIP HUGH FREYTAG ------ 2 Hannah Gadsby’s Oz – Full Series Credits TITLES, MOTION GRAPHICS & COLOURIST RAYNOR PETTGE DIALOGUE EDITOR/RE-RECORDING MIXER PETE BEST SOUND EDITORS EMMA BORTIGNON SCOTT ILLINGWORTH PUBLICITY STILLS JONATHAN VAN DER KNAPP ------ TOKEN ARTISTS MANAGING DIRECTOR KEVIN WHTYE ARTIST MANAGER ERIN ZAMAGNI TOKEN ARTISTS LEGAL & BUSINESS CAM ROGERS AFFAIRS MANAGER ------ ARTWORK SUPPLIED BY: Ann Mills Art Gallery New South Wales Art Gallery of Ballarat Art Gallery of New South Wales Art Gallery of South Australia Australian War Memorial, Canberra -
Television Academy Awards
2020 Primetime Emmy® Awards Nominations Totals Summary 26 Nominations Watchmen 20 Nominations The Marvelous Mrs. Maisel 18 Nominations Ozark Succession 15 Nominations The Mandalorian Saturday Night Live Schitt's Creek 13 Nominations The Crown 12 Nominations Hollywood 11 Nominations Westworld 10 Nominations The Handmaid's Tale Mrs. America RuPaul's Drag Race 9 Nominations Last Week Tonight With John Oliver The Oscars 8 Nominations Insecure Killing Eve The Morning Show Stranger Things Unorthodox What We Do In The Shadows 7 Nominations Better Call Saul Queer Eye 6 Nominations Cheer Dave Chappelle: Sticks & Stones Euphoria The Good Place 07- 27- 2020 - 22:17:30 Tiger King: Murder, Mayhem And Madness The Voice 5 Nominations Apollo 11 Beastie Boys Story Big Little Lies The Daily Show With Trevor Noah Little Fires Everywhere McMillion$ The Politician Pose Star Trek: Picard This Is Us Will & Grace 4 Nominations American Horror Story: 1984 Becoming black-ish The Cave Curb Your Enthusiasm Dead To Me Devs El Camino: A Breaking Bad Movie 62nd Grammy Awards Live In Front Of A Studio Audience: "All In The Family" And "Good Times" Normal People Space Force Super Bowl LIV Halftime Show Starring Jennifer Lopez And Shakira Top Chef Unbelievable 3 Nominations American Factory A Black Lady Sketch Show Carnival Row Dancing With The Stars Drunk History #FreeRayshawn GLOW Jimmy Kimmel Live! The Kominsky Method The Last Dance The Late Show With Stephen Colbert Laurel Canyon: A Place In Time The Little Mermaid Live! Modern Family Ramy The Simpsons So You Think -
Annual Report Sydney Opera House Financial Year 2019-20
Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape. -
Nanette” Park Hunter ([email protected]) / Beth Mattson ([email protected])
RECONCILING IMAGES VIDEO STUDY - SESSION 5, “Nanette” Park Hunter ([email protected]) / Beth Mattson ([email protected]) GOALS: To consider how LGBTQ people have been presented in television and movies, how this has impacted American popular culture, and how Christians act or react. EXPECTATIONS: Respectful, thoughtful conversation. You can attend one or all sessions, as these are independent. Kids are welcome but parents should use discretion as some of the movies/TV shows deal with adult themes. Bring a snack to share - each week we’ll ask one person to bring a more substantial main dish. SESSIONS MOVIE/EPISODES (rating, hh:mm) MAIN DISH Sunday, July 28, noon Philadelphia (PG-13, 2:05) ___________________ Sunday, August 4, noon Queer Eye: God Bless Gay (TV-14, 0:51) ___________________ Sunday, August 11, noon The Matthew Shephard Story (TV-14, 1:34) ___________________ Sunday, August 18, noon One Day at a Time (TV-PG, 1:30) ___________________ Sunday, August 25, noon Hannah Gadsby: Nanette (unrated, 1:09) ___________________ NANETTE (Unrated, stream on Netflix) Comedian Hannah Gadsby’s breakout special is a raw, real look at drawing strength from brokenness and rebuilding oneself. Gadsby talks frankly about sexism, homophobia, and other tough topics. DISCUSSION QUESTIONS (before show) ● Introductions - who we are, main dish volunteers ● Thoughts? Follow-up from previous week? DISCUSSION QUESTIONS (after show) ● Where were you most comfortable and most uncomfortable during this show? Why? ● Why do we sometimes simplify people to one aspect of their lives, such as being gay or being a good cook? Do we do this to ourselves? To others? Do we internalize others’ simplified impressions of us. -
Marking Whiteness and Exploring Blackness in Standup Comedy
Colby College Digital Commons @ Colby Honors Theses Student Research 2019 Something Punny to Precede the Colon: Marking Whiteness and Exploring Blackness in Standup Comedy Andrew DeStaebler Follow this and additional works at: https://digitalcommons.colby.edu/honorstheses Part of the American Popular Culture Commons Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation DeStaebler, Andrew, "Something Punny to Precede the Colon: Marking Whiteness and Exploring Blackness in Standup Comedy" (2019). Honors Theses. Paper 970. https://digitalcommons.colby.edu/honorstheses/970 This Honors Thesis (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Colby. Something Punny to Precede the Colon: Marking Whiteness and Exploring Blackness in Standup Comedy Andrew DeStaebler American Studies Honors Thesis Advisor: Professor Laura Saltz Acknowledgements Thank you to my advisor, Professor Laura Saltz, for your constant guidance throughout this project. You have encouraged me to take intellectual risks and to welcome discomfort, which has undeniably made my writing bolder and stronger. A sincere thank you to Professor Ben Lisle for being a second reader for this project. Your critical and reinforcing feedback has helped me shape this project for the better. I would also like to extend a thank you to Provost Margaret McFadden who, when still Professor McFadden, inspired me to pursue the American Studies major my freshman year of college. -
Dick Gregory Turn Me Loose
A PLAY ABOUT COMIC GENIUS DICK GREGORY TURN ME LOOSE 2018/19 SEASON 2018/19FULL AND MINI-SUBSCRIPTIONS ARE NOW ON SALESEASON | 202-488-3300 | ARENASTAGE.ORG A PLAY ABOUT COMIC GENIUS TIMELESS MASTERPIECE WORLD-PREMIERE POWER PLAY INSPIRATIONAL A CAPPELLA TRIBUTE Dick Gregory INDECENT JQA JUBILEE TURN ME LOOSE BY PAULA VOGEL | DIRECTED BY ERIC ROSEN WRITTEN AND DIRECTED BY AARON POSNER WRITTEN AND DIRECTED BY TAZEWELL THOMPSON IN ASSOCIATION WITH JOHN LEGEND, GET LIFTED FILM COMPANY, CO-PRODUCTION WITH BALTIMORE CENTER STAGE ARLENE AND ROBERT KOGOD CRADLE | MARCH 1 – APRIL 14, 2019 KREEGER THEATER | APRIL 26 – JUNE 2, 2019 MIKE JACKSON, THE WILL AND JADA SMITH FAMILY FOUNDATION, AND KANSAS CITY REPERTORY This unique, highly-theatrical play imagines key Born on the campus of Fisk University, the world-renowned KREEGER THEATER | NOVEMBER 23 – DECEMBER 30, 2018 confrontations between John Quincy Adams and some Fisk Jubilee Singers shattered racial barriers. The a cappella BETH HUBBARD, THE PRIVATE THEATRE, ERIC FALKENSTEIN, of America’s most dynamic figures: George Washington, African American ensemble has blended their rich voices SIMONSAYS ENTERTAINMENT, JAMIE CESA, JANA BABATUNDE-BEY The controversial 1923 Broadway debut of the Yiddish drama Andrew Jackson, Frederick Douglass, Abraham Lincoln, his together sharing a heritage of strength and endurance. BY GRETCHEN LAW | DIRECTED BY JOHN GOULD RUBIN God of Vengeance inspired this award-winning behind-the- own father John Adams and more. At once provocative, With uplifting spirituals and hymns including “Wade in scenes story of the courageous artists who risked their haunting and hilarious, this Power Play challenges the way the Water,” “Ain’t That Good News,” “Swing Low, Sweet KREEGER THEATER | SEPTEMBER 6 – OCTOBER 14, 2018 careers and lives to perform a work deemed “indecent.” This we think of our country, our government and ourselves. -
2016 Sydney Fringe Comedy Program
Sydney’s Best Value Comedy Show 10 COMEDIANS FOR $10 2016 PROGRAM A DIFFERENT LINE-UP OF COMEDIANS EVERY SHOW! ‘10 Comedians for $10’ Shows at 2016 Sydney Fringe Our 2016 Fringe Comedy Shows are at The Bat & Ball Hotel, 495 Cleveland St, Redfern. Click here to get tickets for our Sydney Fringe Comedy Shows. Click on a comedian’s name to view his/her profile. Click on links in right column to see other Fringe shows these comedians are performing. Sally Kimpton Sally Kimpton delights with stand-up that’s clever, edgy and hilarious! Sally has performed at the Melbourne International Comedy Festival in ‘Extreme Blonde’, followed by her one woman show ‘Sally Kimpton - MyStar’ at the Sydney Comedy Festival. She has appeared on and written material for national radio programmes, including on Triple J and Triple M. Sally’s TV appearances include The Comedy Channel’s ‘Headliners’ and ‘Stand-up Australia’. She was a quarter finalist in NBC’s ‘Last Comic Standing’ filmed at the Miami Improv in 2008. She has also been spotted on Network TEN’s ‘Thursday Night Live’ and Channel 7’s ‘Today Tonight’ (don’t ask!) In June 2012 Sally was invited to perform with Rove McManus and Wil Anderson in an Aussie comedy showcase in Los Angeles. Sally specialises as a Master of Ceremonies, Acts in Television and Film Productions and is finalising details for her first comedy book. A popular Headliner and a skilled MC, She has been making them laugh at fine, and not so fine comedy venues nationally and internationally for over 15 years! Website: sallykimpton.com Facebook: fb.com/The.Sally.Kimpton Youtube: youtube.com/sallykimpton 3 CJ Delling CJ is a comedian, cartoonist, podcaster and maker of stuff for the easily amused. -
Oppliger, P. A., & Shouse, E. (Eds.) the Dark Side of Stand-Up Comedy. Palgrave Macmillan, 2020, 320 Pp, Ebook ISBN: 978-3-0
.........................................................................................CROSSROADS. A Journal of English Studies 32 (2021) (CC BY-NC-SA 4.0) BOOK REVIEW JUSTYNA WAWRZYNIUK1 DOI: 10.15290/CR.2021.32.1.05 University of Białystok, Poland ORCID: 0000-0002-7359-0617 Oppliger, P. A., & Shouse, E. (Eds.) The Dark Side of Stand-Up Comedy. Palgrave Macmillan, 2020, 320 pp, eBook ISBN: 978-3-030-37214-9, Hardcover ISBN: 978-3-030-37213-2, Hardback 96,29 € The reason [people make dark jokes] is they are trying to bring a level of humanity—laughter—back to a moment that seems to lack it: tragedy. They’re trying to make you, the individual, laugh in your moment of sad- ness so just for the briefest of seconds, you have a minor moment of respite where you forget how shit things are and you get to have a giggle with your- self. But what that does manifest itself as is… they say fucked-up things. Daniel Sloss, Jigsaw (2018) Daniel Sloss, a Scottish stand-up comedian, in his opening bit of the Netflix special Jigsaw (2018), admits to having “evil thoughts” and proceeds to describe the joy he feels when he imagines a young boy tripping and falling on his face. Although his audience does not share his views, they still laugh at the absurdity, or rather immorality, 1 Address for correspondence: Faculty of Philology, University of Białystok, Pl. NZS 1, 15-420 Białystok, Poland. E-mail: [email protected] 62 .........................................................................................CROSSROADS. A Journal of English Studies 32 (2021) (CC BY-NC-SA 4.0) of the pleasure he describes.