The Porcupine's Quill Spring 2016
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Open Wide a Wilderness Canadian Nature Poems
Open Wide a Wilderness Canadian Nature Poems Edited by NANCY HOLMES Introduction by DON MCKAY Wilfrid Laurier University Press IfwuTH Contents xv PREFACE xvii ACKNOWLEDGEMENTS I INTRODUCTION: "GREAT FLINT SINGING" BY DON MCKAY THE POEMS 35 Thomas Cary from Abram's Plain 38 Adam Allan A Description of the Great Falls, of the River Saint lohn, in the Province of New Brunswick 40 Ann Cuthbert Knight from A Year in Canada 41 Adam Hood Burwell from Talbot Road 44 Standish O'Grady from The Emigrant 46 Adam Kidd from The Huron Chief 48 William Kirby from The U.E., "Niagara" 50 Alexander McLachlan The Hall of Shadows 53 Charles Sangster from The St. Lawrence and theSaguenay 55 George Martin The lewelled Trees 57 Charles Mair The Last Bison 63. Isabella V.Crawford The Lily Bed 65 Isabella V. Crawford from Malcolm's Katie 67 Ethelwyn Wetherald Unheard Niagaras 68 Ethelwyn Wetherald The Horned Larks in Winter 69 Susan Frances Harrison Rhapsodie (II) [Seranus] 70 Susan Frances Harrison A Canadian Anthology [Seranus] 73 Wilfred Campbell Indian Summer 74 Wilfred Campbell How One Winter Came in the Lake Region 75 Charles G. D. Roberts The Clearing 76 Charles G. D. Roberts from'Ave!" 80 Charles G. D. Roberts The Skater 81 Bliss Carman A Vagabond Song 82 Bliss Carman Vestigia 83 Pauline Johnson The Flight of the Crows (Tekahionwake) 85 Pauline Johnson The Camper (Tekahionwake) 86 Archibald Lampman Freedom 88 Archibald Lampman In November 90 Archibald Lampman To the Ottawa River 91 Archibald Lampman On the Companionship with Nature 92 Frederick G. -
Patrick Warner Curriculum Vitae
PATRICK WARNER Memorial University of Newfoundland Queen Elizabeth II Library Telephone: (709) 864-6736 email: [email protected] Education 1996-1997 University of Western Ontario, London Ontario Masters of Library and Information Science 1989-1990 Memorial University of Newfoundland, St. John's, Newfoundland Undergraduate studies in Archaeology 1985 Memorial University of Newfoundland, St. John's, Newfoundland Bachelor of Arts Conjoint Major: Cultural Anthropology/ English Language and Literature Professional Positions Held at Memorial University January 2009 to present Queen Elizabeth II Library, Memorial University of Newfoundland: Special Collections Librarian • Responsible for the provision of access to the rare books collection and other special collections at Memorial University Libraries • Responsible for the promotion of collections to the university community, through web- site development, the creation of book exhibits, and participating in university classes as requested. • Collection development • Liaison with faculty as well as with past donors and potential future donors • Identifying and pursuing external funding opportunities. • Member of various Queen Elizabeth II Library committees and working groups. (see p.3) January 2005 to December 2008. Queen Elizabeth II Library, Memorial University of Newfoundland: Head of Document Delivery Services August 2000 to Jan. 2005 Queen Elizabeth II Library, Memorial University of Newfoundland: Head of Lending Services March to August 2000 St. John’s Public Libraries: Lending and Electronic Services Librarian 1999 to 2000 College of the North Atlantic; Topsail Road Campus. St. John’s, NF: Librarian 1998 to 1999 The C-CORE Information Centre. Memorial University Newfoundland: Librarian 1997 to 1998 The New York Public Library, New Dorp Regional Library and Huguenot Park Library. -
Kenneth Leslie Fonds (MS-2-232)
Dalhousie University Archives Finding Aid - Kenneth Leslie fonds (MS-2-232) Generated by the Archives Catalogue and Online Collections on January 23, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/kenneth-leslie-fonds Kenneth Leslie fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 5 Bibliography .................................................................................................................................................... 5 Dalhousie University Archives Page 2 MS-2-232 Kenneth Leslie fonds Summary information Repository: Dalhousie University Archives Title: Kenneth Leslie fonds -
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry A. J. M. Smith I,N THE CLOSING PARAGRAPHS of the Introduction to The Oxford Book of Canadian Verse I made an effort to suggest in a phrase that I hoped might be memorable a peculiar advantage that Canadian poets, when they were successful or admirable, seemed to possess and make use of. This, of course, is a risky thing to do, for what one gains in brevity and point may very well be lost in inconclusiveness or in possibilities of misunderstanding. A thesis needs to be demonstrated as well as stated. In this particular case I think the thesis is implicit in the poems assembled in the last third of the book — and here and there in earlier places too. Nevertheless, I would like to develop more fully a point of view that exigencies of space confined me previously merely to stating. The statement itself is derived from a consideration of the characteristics of Canadian poetry in the last decade. The cosmopolitan flavor of much of the poetry of the fifties in Canada derives from the infusion into the modern world of the archetypal patterns of myth and psychology rather than (as in the past) from Christianity or nationalism. After mentioning the names of James Reaney, Anne Wilkinson, Jay Macpherson, and Margaret Avison—those of the Jewish poets Eli Mandel, Irving Layton, and Leonard Cohen might have been added—I went on to say : The themes that engage these writers are not local or even national; they are cos- mopolitan and, indeed, universal. -
From Transnational Politics to National Modernist Poetics Spanish Civil War Poetry in New Frontier
Bart Vautour From Transnational Politics to National Modernist Poetics Spanish Civil War Poetry in New Frontier Every so often particular events in world history rever- berate through far-flung cultural formations, political organisations, and popular imaginaries. Although such large-scale events are perhaps becoming increasingly frequent, accessible, and fleeting in an era of rapid space-time compression and capitalist globalization, these events make their way into global consciousness in ways that so-called everyday life cannot. Assessing the impact of such an event or moment, as it causes unique reactions in multiple spheres, rests in part on our ability to take stock of not only the immediate circumstances surrounding the event but also the ways in which the dyna- mism of the moment gets harnessed and redirected. The Spanish Civil War (1936–39) was such an event and moment in world history. By providing a case study of poems written by Canadians about the Spanish Civil War, I show how the poetic fight against fascism departed from mere commentary on the events in Spain to become a catalyst for a metapoetic expression of modern- ism in Canada. While this is a study of the poetry about this war in a single magazine, it is also a project that aims to get a glimpse of the role it played in shaping the larger Canadian poetic imaginary. Further, this study aims to show how the poetic incorporation of a transnational event into a literary problematic can lead to palpable changes in the field of Canadian literature. The poetic fight against fascism in New Frontier, an English-language periodical published in Toronto from April 1936 to October 1937, was taken up in ten poems by contributors A.M. -
Drawer Inventory Combined G
Class Size code File # Item # Title Author CB13 half 26 #12 Population Xiao Hangha CB13 half 26 #13 Health CB13 half 26 #14 Land Xiao Kanghai Great Historical Documents - Victory Propaganda of the Great Shanghai full 26 Proletarian Culture Revolution People's Press Threshold FC177 quarter 020C1 #1 Animal Farm Theater Claire Coulter in "The Fever" by Threshold FC177 quarter 020C1 #2 Wallace Shawn Theater Comedy Cabaret in the Baby FC177 quarter 020C1 #3 Serious Comedy for Oxymorons Grand Comedy Cabaret in the Baby FC177 quarter 020C1 #4 Serious Comedy for Oxymorons Grand Sunbuilders in Association with Brilliant Turquoise of her A. Small Theatre FC177 quarter 020C1 #5 Peacocks Co. FC177 letter 020C1 #6 Live Sex Show - Llamas FC177 letter 020C1 #7 Live Sex Show - Llamas FC177 quarter 020C1 #8 Kingston Fringe Festival FC177 quarter 020C1 #9 Kingston Fringe Festival Kingston Fringe FC177 quarter 020C1 #10 No More Medea Festival FC177 quarter 020C1 #11 Walk FC177 quarter 020C1 #12 Cold Comfort FC177 quarter 020C1 #13 Cold Comfort Pagnello Theatre FC177 quarter 020C1 #14 Don't Forget to Breathe Group Mirimax FC177 letter 020C1 #15 Face Productions FC177 letter 020C1 #16 Newsweek. Art or Obscenity? Month of Sundays, Broadway Bound, A Night at the Grand, Baby Fringe FC177 quarter 020C1 #17 Sex and Politics Theatre Festival FC177 quarter 020C1 #18 Shaking Like a Leaf FC177 quarter 020C1 #19 Bent FC177 quarter 020C1 #20 Bent FC177 quarter 020C1 #21 Kennedy's Children FC177 quarter 020C1 #22 Dumbwaiter/Suppress FC177 letter 020C1 #23 Bath Haydon Theatre Kingston Fringe FC177 quarter 020C1 #24 Using Festival West of Eden FC177 quarter 020C1 #25 Big Girls Don't Cry Production Two One Act Plays: "Winners" A. -
1*1 Library and Archives
Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57480-5 Our file Notre reference ISBN: 978-0-494-57480-5 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lntemet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission. In compliance with the Canadian Conformement a la loi canadienne sur la Privacy Act some supporting forms protection de la vie privee, quelques may have been removed from this formulaires secondaires ont ete enleves de thesis. -
SKETCH-Fall-2005.Pdf
FALL 2005 A Publication for the Alumni, Students, Faculty SKETCH and Staff of Ontario College of Art & Design OCAD: LOOKING OUTWARD, REACHING UPWARDS PRESIDENT SARA DIAMOND AT WHODUNNIT? 2005. SKETCH PHOTO BY GEORGE WHITESIDE Ontario College of Art & Design is Canada’s Produced by the OCAD Communications Department largest university for art and design. Its mission is Designed by Hambly & Woolley Inc. to challenge each student to find a unique voice Contributors for this issue Cindy Ball, within a vibrant and creative environment, prepare Janis Cole, Sarah Eyton, Leanna McKenna, graduates to excel as cultural contributors in Laura Matthews, Sarah Mulholland Canada and beyond, and champion the vital role of art and design in society. Copy editing Maggie Keith Date of issue November 2005 Sketch magazine is published twice a year by the Ontario College of Art & Design for alumni, friends, The views expressed by contributors faculty, staff and students. are not necessarily those of the Ontario College of Art & Design. President Sara Diamond Charitable Registration #10779-7250 RR0001 Vice-President, Administration Peter Caldwell Canada Post Publications Vice-President, Academic Sarah McKinnon Agreement # 40019392 Dean, Faculty of Art Blake Fitzpatrick Printed on recycled paper Dean, Faculty of Design Lenore Richards Dean, Faculty of Liberal Studies Kathryn Shailer Return undeliverable copies to: Chair, Board of Governors Tony Caldwell Ontario College of Art & Design Chair, OCAD Foundation Robert Rueter 100 McCaul Street President, Alumni Association -
Ms. ORMSBY (ERIC) PAPERS Coll. 1980-Ongoing 424 13 Boxes (2.25 Metres)
Ms. ORMSBY (ERIC) PAPERS Coll. 1980-ongoing 424 13 boxes (2.25 metres) 2004 Accession Includes proofs, photographs (New York City, 1967), holograph notebooks, printed appearances in numerous journals such as The New Criterion; Books in Canada; videotaped appearance at Bentley College, September 20, 2002; David Solway manuscripts; correspondence with other writers, editors, publishers: John Black; Richard Outram; David Solway; Karen Mulhallen/Descant; Shlomo Dov Goitein; PhD thesis, Princeton; drafts and proofs of Al-Ghazali; galleys, correspondence and cover art for Daybreak at the Straits and Other Poems; Extent: 13 boxes (2.25 metres) Gift of Eric Ormsby 1 Ms. ORMSBY (ERIC) PAPERS Coll. 1980-ongoing 424 13 boxes (2.25 metres) Box 1 “Handlist of Arabic Manuscripts in the 34 folders Princeton University Library”, 1986, By Eric Ormsby and Rudolf Mach “Photos for Writing, taken by E. Ormsby in New York City (Fall 1967)” holograph notebooks holograph notes ‘Extraction’ and ‘Dicie Fletcher’ drafts for poem Folder 1 Holograph notebook, 1985-1986 Folder 2 Holograph notebook, 1988-1993 Folder 3 Poems and notes Holograph Word processed with holograph revisions Folders 4-10 “Photos for writing, taken by E. Ormsby in New York City (Fall 1967)” 33 black and white photographs 2 colour photographs, including one of Ormsby Folders 11-18 “Extraction”, also titled “Dicie Fletcher” various drafts, word processed with holograph revisions, some holograph Folder 19 “Filitosa” draft poem, word processed with holograph revisions Folder 20 David Solway manuscripts (word processed), including From the Herb Garden of Bartholomew the Englishman and The Properties of Things Folders 21-34 “Handlist of Arabic Manuscripts in the Princeton University Library”, 1986, 2 Ms. -
Folder 19 Joint Anti-Fascist Refugee Committee
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The Writescape Companion
The Writescape Companion Summer 2011 Sunday, Aug. 7 Summer writing Tasting the Page It looks like this summer is going to be a So what’s hot and what’s not? If you Taking description beyond hot one. I’m not complaining—I’ve been write for children, author Erin Thomas the five senses cold for far too long—but it got me can what’s cooking with a few Canadian ~~~ thinking about hot writing. publishers. She and Gwynn are teaming Saturday, Aug. 20 up to facilitate a six-week Writing for Woods, Water & Words Raw, first-draft writing is hot writing, Children course. A day of writing activities at writing straight from the creative brain, Glentula on Lake Seymour. writing more concerned with story than Then, there is the hot writing that comes ~~~ semantics. This summer let go with your when you are ‚in the zone,‛ when your Sunday, Aug. 28 writing: no internal editor; no telling characters are real people doing real Putting Flesh on the yourself it’s no good. Just write! Start with things and words are just pouring onto Bones the hot prompts in this issue, or check out the page. Ah, bliss! The secret is, this Building strong characters Inspiration Station to keep you going all kind of writing only comes when you ~~~ summer long. write often, preferably every day. Find a Mondays, Sept. 12 – Oct. 24 quiet spot in your garden, pack the kids Writing for Children Hot writing can also conjure up steamy off to grandma or escape to write for a The ins and outs of children’s sex scenes. -
Dalrev Vol58 Iss1 Pp149 169.Pdf (6.954Mb)
Douglas Barbour Review Article Poetry Chronicle V: It's interesting how we've been told over and over again that somehow in the seventies all the promises of the sixties have been broken. We are asked to believe that the glories of art and religiosity and politics have all faded. Thus the marvelous sense of exploration and opening new doors in poetry must be a thing of the past and whatever is being written today, however well done, cannot possibly match the poetry of the sixties in terms of breaking new ground. But, surely, I reply, the new ground is always there to be broken and art comes from individual artists not decades? At any rate, the spiritual depression many peo ple seem to speak from in the seventies is not mine, and to my eye (even if most of the young writers lack the sense of language a whole generation in the sixties had) some extraordinarily exciting writing is taking place (admittedly, much of it from writers who began in the sixties-my point is that they have not died with the decade). Out of around forty books this time through, about five truly put me off, most are good, if not finally overwhelming, and a few are among the best books I've come across this decade. A search through previous 'chronicles' would reveal at least one, sometimes two or three, super books per year: that's a lot of really good poetry, no matter how you look at it. The world may indeed be falling apart but Canadian poetry is not.