A Philosophy of the Antichrist in the Time of the Anthropocenic Multitude: Preliminary Lexicon for the Conceptual Network
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Untimely Meditation: Nietzsche Et Cetera1
PERFORMANCE PHILOSOPHY UNTIMELY MEDITATION: NIETZSCHE ET CETERA1 ARNO BÖHLER UNIVERSITY OF VIENNA Translation from German to English: Mirko Wittwar Video documentation: http://homepage.univie.ac.at/arno.boehler/php/?p=9078 Lecture-Performance: 29 November 2015—Philosophy On Stage #4—Tanzquartier Wien HALLE G FRIEDRICH NIETZSCHE: Nicholas Ofczarek CHORUS: Jeanne Marie Bertram, Max Gindorff, Maria Huber, René Peckl, Sophie Reiml TEXT: Arno Böhler SPACE DESIGN: Hans Hoffer PERFORMANCE PHILOSOPHY VOL 3, NO 3 (2017):631–649 DOI: https://doi.org/10.21476/PP.2017.33178 ISSN 2057-7176 ACTOR A “[T]rue philosophy, as a philosophy of the future, is no more historical than it is eternal: it must be untimely, always untimely” (Deleuze 2001, 72). FRIEDRICH NIETZSCHE We are told to accept the real. But the “so called real” exists according to the logic of power. It is that reality which has been generated and established from the point of view of power. Let us not deceive ourselves. This, the point of view of power, is our first nature. We do not only inherit it. It commands us to behave in conformity with it. It wants us to be agents of its perspective on our lives. That is why it tells us to become timely. But philosophical thought is untimely! It is always and again and again newly untimely. It turns against its time—in favour of a coming time which demands to be considered beforehand to make it come. Philosophical thought is this turn of the times when it starts resisting that what it has told so far. -
PDF Download Nietzsche: Thus Spoke Zarathustra Ebook
NIETZSCHE: THUS SPOKE ZARATHUSTRA PDF, EPUB, EBOOK Robert Pippin,Adrian Del Caro,Karl Ameriks,Desmond M. Clarke | 316 pages | 01 Aug 2006 | CAMBRIDGE UNIVERSITY PRESS | 9780521602617 | English | Cambridge, United Kingdom Thus Spoke Zarathustra: Study Guide | SparkNotes Zarathustra, however, turned sad, and said to his heart:. Long slept Zarathustra; and not only the rosy dawn passed over his head, but also the morning. At last, however, his eyes opened, and amazedly he gazed into the forest and the stillness, amazedly he gazed into himself. Then he arose quickly, like a seafarer who all at once sees the land; and he shouted for joy: for he saw a new truth. And he spoke thus to his heart:. The reduction of all psychology to physiology implies, to some, that human beings can be bred for cultural traits. This interpretation of Nietzsche's doctrine focuses more on the future of humanity than on a single cataclysmic individual. When I whispered into the ears of some people that they were better off looking for a Cesare Borgia than a Parsifal , they did not believe their ears. Several interpretations for this fact have been offered. Values involve a rank-ordering of things, and so are inseparable from approval and disapproval; yet it was dissatisfaction that prompted men to seek refuge in other-worldliness and embrace other-worldly values. Willing the eternal recurrence is presented as accepting the existence of the low while still recognizing it as the low, and thus as overcoming the spirit of gravity or asceticism. This action nearly kills Zarathustra, for example, and most human beings cannot avoid other-worldliness because they really are sick, not because of any choice they made. -
03. Nietzsche's Works.Pdf
Nietzsche & Asian Philosophy Nietzsche’s Works Main Published Works in Chronological Order with Bibliography of English Translations Die Geburt der Tragödie aus dem Geiste der Musik (The Birth of Tragedy from the Spirit of Music) (1872) The Birth of Tragedy. Translated by Walter Kaufmann. Published with The Case of Wagner. New York: Vintage, 1966. The Birth of Tragedy and Other Writings. Translated by Ronald Speirs. Cambridge: Cambridge University Press, 1999. Unzeitgemässe Betrachtungen (Untimely Meditations, Untimely Reflections, Thoughts Out of Season) I. David Strauss, der Bekenner und der Schriftsteller (David Strauss, The Confessor and the Writer) (1873) II. Vom Nützen und Nachteil der Historie für das Leben (On the Uses and Disadvantages of History for Life) (1874) III. Schopenhauer als Erzieher (Schopenhauer as Educator) (1874) IV. Richard Wagner in Bayreuth (1876) Untimely Meditations. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1983. Menschliches, Allzumenschliches: ein Buch für freie Geister (Human, All Too Human, a Book for Free Spirits) (1878) Human, All Too Human. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1986. Two Sequels to Human, All Too Human: Vermischte Meinungen und Sprüche (Assorted Opinions and Sayings) (1879) Der Wanderer und sein Schatten (The Wanderer and his Shadow) (1880) Human, All Too Human II. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1986. Die Morgenröte: Gedanken über die moralischen Vorurteile (The Dawn, Daybreak, Sunrise: Thoughts on Moral Prejudices) (1881) Daybreak: Thoughts on the Prejudices of Morality. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1982. Die fröhliche Wissenschaft (The Gay Science, The Joyful Wisdom, The Joyful Science) (Books I- IV 1882) (Book V 1887) The Gay Science. -
Traces of Friedrich Nietzsche's Philosophy
Traces of Friedrich Nietzsche’s Philosophy in Scandinavian Literature Crina LEON* Key-words: Scandinavian literature, Nietzschean philosophy, Georg Brandes, August Strindberg, Knut Hamsun 1. Introduction. The Role of the Danish Critic Georg Brandes The age of Friedrich Nietzsche in Scandinavia came after the age of Émile Zola, to whom Scandinavian writers such as Henrik Ibsen and August Strindberg were indebted with a view to naturalistic ideas and attitudes. Friedrich Nietzsche appears to me the most interesting writer in German literature at the present time. Though little known even in his own country, he is a thinker of a high order, who fully deserves to be studied, discussed, contested and mastered (Brandes 1915: 1). This is what the Danish critic Georg Brandes asserted in his long Essay on Aristocratic Radicalism, which was published in August 1889 in the periodical Tilskueren from Copenhagen, and this is the moment when Nietzsche became to be known not only in Scandinavia but also in other European countries. The Essay on Aristocratic Radicalism was the first study of any length to be devoted, in the whole of Europe, to this man, whose name has since flown round the world and is at this moment one of the most famous among our contemporaries (Ibidem: 59), wrote Brandes ten years later. The term Aristocratic Radicalism had been previously used by the Danish critic in a letter he wrote to Nietzsche himself, from Copenhagen on 26 November 1887: …a new and original spirit breathes to me from your books […] I find much that harmonizes with my own ideas and sympathies, the depreciation of the ascetic ideals and the profound disgust with democratic mediocrity, your aristocratic radicalism […] In spite of your universality you are very German in your mode of thinking and writing (Ibidem: 63). -
P. Vasundhara Rao.Cdr
ORIGINAL ARTICLE ISSN:-2231-5063 Golden Research Thoughts P. Vasundhara Rao Abstract:- Literature reflects the thinking and beliefs of the concerned folk. Some German writers came in contact with Ancient Indian Literature. They were influenced by the Indian Philosophy, especially, Buddhism. German Philosopher Arther Schopenhauer, was very much influenced by the Philosophy of Buddhism. He made the ancient Indian Literature accessible to the German people. Many other authors and philosophers were influenced by Schopenhauer. The famous German Indologist, Friedrich Max Muller has also done a great work, as far as the contact between India and Germany is concerned. He has translated “Sacred Books of the East”. INDIAN PHILOSOPHY IN GERMAN WRITINGS Some other German authors were also influenced by Indian Philosophy, the traces of which can be found in their writings. Paul Deussen was a great scholar of Sanskrit. He wrote “Allgemeine Geschichte der Philosophie (General History of the Philosophy). Friedrich Nieztsche studied works of Schopenhauer in detail. He is one of the first existentialist Philosophers. Karl Eugen Neuman was the first who translated texts from Pali into German. Hermann Hesse was also influenced by Buddhism. His famous novel Siddhartha is set in India. It is about the spiritual journey of a man (Siddhartha) during the time of Gautam Buddha. Indology is today a subject in 13 Universities in Germany. Keywords: Indian Philosophy, Germany, Indology, translation, Buddhism, Upanishads.specialization. www.aygrt.isrj.org INDIAN PHILOSOPHY IN GERMAN WRITINGS INTRODUCTION Learning a new language opens the doors of a different culture, of the philosophy and thinking of that particular society. How true it is in case of Indian philosophy having traveled to Germany years ago. -
Northrop Frye and Liberal Humanism
Graham Good Northrop Frye and Liberal Humanism IMorthrop Frye was a lifelong liberal humanist. In 1988 he reiterated what he termed "my own confession of faith as a humanist, and my confidence in the value of what is called liberal education, a confidence that the social and political events contemporary with my seventy-five years of life have left totally unshaken." ' In the same paper he celebrated his political values: "I have remained a bourgeois liberal all my life because the serious ideals of democracy—personal liberty, free speech, equality of citizenship and tolerance of variety of opinion—are anti- doctrinaire ideals" (OE 3). This commitment to liberal humanism, which is consistent from the 1930s to the 1990s, has not attracted much attention in the secondary literature about Frye, though there are plenty of discus- sions of other aspects of his work. Yet liberal humanism is at the centre of his work, and, in fact, gives it its purpose. What accounts for the silence? Now that liberal humanism is no longer "current" in literary academia, Frye's advocacy of it is an embarrassment. Especially in Canada, but also elsewhere, there is still great respect for Frye's work, and perhaps this produces a desire to soften the obvious incompati- bility between it and post-structuralist theory by looking at its margins rather than its centre. To emphasize the liberal humanism would be to "date" Frye unkindly by tying him to the long-past heyday of such ideas. Frank Kermode recognized this "datedness" in a recent review: "Times have changed since, thirty years ago, the prophetic Frye was the height of fashion. -
Nietzsche╎s Death of God and the Slave-Revolt in Morality
Winthrop University Digital Commons @ Winthrop University Showcase of Undergraduate Research and Creative Endeavors (SOURCE) SOURCE 2020 Apr 24th, 12:00 AM Nietzsche’s Death of God and the Slave-Revolt in Morality Ryan Haarer Winthrop University Follow this and additional works at: https://digitalcommons.winthrop.edu/source Part of the Philosophy Commons Haarer, Ryan, "Nietzsche’s Death of God and the Slave-Revolt in Morality" (2020). Showcase of Undergraduate Research and Creative Endeavors (SOURCE). 104. https://digitalcommons.winthrop.edu/source/SOURCE_2020/allpresentationsandperformances/104 This Oral Presentation is brought to you for free and open access by the Conferences and Events at Digital Commons @ Winthrop University. It has been accepted for inclusion in Showcase of Undergraduate Research and Creative Endeavors (SOURCE) by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. Ryan Haarer God’s Death and The Slave-Revolt in Morality PHIL-495 November 16th, 2019 2 ABSTRACT: None of Nietzsche’s theses stand out quite as much as his death of God thesis. An argument can be made that the death of God is the result of changes that the slave-revolt within morality bring about. Drawing on the observations that Nietzsche and scholars of Nietzsche have made regarding the equations made between the slaves and Christians, it is plausible that certain activities engaged in by the slaves and the Christians eventually lead to the disbelief, or death, in God. Primary focus of this essay will be given to the truth-seeking and the desire for progress that the slaves, or Christians, have. -
The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms
The Project Gutenberg EBook of The Case Of Wagner, Niet- zsche Contra Wagner, and Selected Aphorisms. by Friedrich Nietzsche. This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.guten- berg.org/license Title: The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. Author: Friedrich Nietzsche. Release Date: April 7, 2008 [Ebook 25012] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE CASE OF WAGNER, NIETZSCHE CONTRA WAGNER, AND SELECTED APHORISMS.*** Friedrich Nietzsche I: The Case Of Wagner II: Nietzsche Contra Wagner III: Selected Aphorisms Translated By Anthony M. Ludovici Third Edition T. N. Foulis 13 & 15 Frederick Street Edinburgh and London 1911 Contents Translator's Preface. 2 Preface To The Third Edition . 7 The Case Of Wagner: A Musician's Problem . 16 Nietzsche contra Wagner . 57 Selected Aphorisms from Nietzsche's Retrospect of his Years of Friendship with Wagner. 79 Footnotes . 99 [ix] Translator's Preface. Nietzsche wrote the rough draft of “The Case of Wagner” in Turin, during the month of May 1888; he completed it in Sils Maria towards the end of June of the same year, and it was published in the following autumn. “Nietzsche contra Wagner” was written about the middle of December 1888; but, although it was printed and corrected before the New Year, it was not published until long afterwards owing to Nietzsche's complete breakdown in the first days of 1889. -
Unmasking the Übermensch the Evolution of Nietzsche's Overman
Unmasking the Übermensch The Evolution of Nietzsche’s Overman from David Bowie to Westworld _______________________________________________________________________ Siobhan Lyons Abstract Amongst Friedrich Nietzsche’s philosophical concepts – ‘god is dead’, eternal return – his concept of the Übermensch remains the most controversial and also the most debated, with various conflicting opinions on the precise nature (and intentions) of this enigmatic creature. More than a metaphorical concept, Nietzsche envisioned the possibility of such a transcendent figure, who existed beyond the conventional laws of good and evil and who would usher in a new system of values more befitting Nietzsche’s idealistic philosophy. Nietzsche would continually revisit the Übermensch throughout his work and revise its character, which would see the Übermensch evolve from an idealistic figure to a more tyrannical creature. Consequently, Nietzsche’s ambiguous treatment of the Übermensch inspired many dubious beliefs, from the Aryan ideal in Nazism to the perverse philosophy behind the infamous murders committed by Lewis and Loeb. Interpretations of the Nietzschean Übermensch can also be found frequently throughout popular culture, from the music of David Bowie to David Fincher’s Fight Club and the television series Westworld. While Bowie treated the Übermensch as a supernatural figure who abandoned the terrestrial world, the Übermensch was used to endorse underground philosophies predicated on violence in Fight Club, problematically linking the ideal of ‘self-overcoming’ with the oppression of others. A look at Westworld, however, reveals a far more nuanced understanding of the Übermensch’s potential as a figure who, while capable of tyranny, is able to channel their aggression in ways that push society in a new direction, forcing us to reconsider what transcendence truly entails. -
Revolt Against Schopenhauer and Wagner? 177
Revolt against Schopenhauer and Wagner? 177 Revolt against Schopenhauer and Wagner? An Insight into Nietzsche’s Perspectivist Aesthetics MARGUS VIHALEM The article focuses on the basic assumptions of Nietzschean aesthetics, arguing that Nietzsche’s aesthetics in his later period cannot be thoroughly understood outside of the context of the long-term conflict with romanticist ideals and without considering Arthur Schopenhauer’s and Richard Wagner’s aesthetic and metaphysical positions. Nietzsche’s thinking on art and aesthetics is in fact inseparable from his philosophical standpoint, which complements and renders explicit the hidden meaning of his considerations on art. The article pays particular attention to Nietzsche’s writings on Wagner and Wagnerism and attempts to show that the ideas expressed in these writings form the very basis of Nietzschean aesthetics and, to some extent, had a remarkable impact on his whole philosophy. The article also argues that Nietzsche’s aesthetics may even be regarded, to a certain extent, as the cornerstone of his philosophical project. Only aesthetically can the world be justified. – Friedrich Nietzsche1 I The background: Christianity, romanticism and Schopenhauer Nietzsche undoubtedly stands as one of the most prominent figures of the anti- romanticist philosophy of art in the late nineteenth century, opposing to the ro- manticist vision of the future founded on feebleness the classic vision of the fu- ture based on forcefulness and simple beauty.2 Nietzsche’s influence can be seen extensively in very different realms of twentieth-century philosophical thinking on art, from philosophical aesthetics to particular art procedures and techniques. The specific approach he endorsed concerning matters of art and aesthetics is by 1 F. -
Nietzsche on Convalescence
NIETZSCHE ON CONVALESCENCE A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY EVREN SOYTOK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF PHILOSOPHY SEPTEMBER 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar Kondakçı Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. Ş. Halil Turan Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Prof. Dr. Ahmet İnam Supervisor Examining Committee Members Prof. Dr. Ertuğrul R. Turan (Ankara Uni., DTCF) Prof. Dr. Ahmet İnam (METU, PHIL) Assoc. Prof. Dr. Barış Parkan (METU, PHIL) PLAGIARISM PAGE I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Evren Soytok Signature: iii ABSTRACT NIETZSCHE ON CONVALESCENCE Soytok, Evren M.A., Department of Philosophy Supervisor: Prof. Dr. Ahmet İnam September, 2019, 98 pages In this thesis, I will attempt to clarify Nietzsche’s notion of convalescence. To grasp his notion of convalescence requires a proper understanding and examination of his critique of traditional metaphysics that permeates his writings. In the context of his critique of metaphysical way of thinking, I will problematize the life-denying dualistic structure of metaphysics with its oppositional components and the Cartesian subject with respect to Nietzsche’s notion of life as will to power. -
Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin
Bard College Bard Digital Commons Senior Projects Spring 2013 Bard Undergraduate Senior Projects Spring 2013 Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Sylvia Mae Gorelick Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2013 This work is licensed under a Creative Commons Attribution 3.0 License. Recommended Citation Gorelick, Sylvia Mae, "Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin" (2013). Senior Projects Spring 2013. 318. https://digitalcommons.bard.edu/senproj_s2013/318 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Senior Project submitted to The Division of Social Studies of Bard College by Sylvia Mae Gorelick Annandale-on-Hudson, New York May 1, 2013 For Thomas Bartscherer, who agreed at a late moment to join in the struggle of this infinite project and who assisted me greatly, at times bringing me back to earth when I flew into the meteoric heights of Nietzsche and Hölderlin’s songs and at times allowing me to soar there.