DOCSLIB.ORG

A Fictocritical Poetics of Detection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Fictocritical Poetics of Detection THE P(LOVER) PARADOX A Fictocritical Poetics of Detection Rosslyn Winifred Prosser Thesis submitted for the degree of Doctor of Philosophy in the Discipline of Gender, Work and Social lnquiry University of Adelaide, Australia December 2005 AN EXEGETTCRI. AIPTTRBET... .............'..,2 Antip o de an Art efoc t s ... ....'....''..,...2 10 B is for BEING Clues and detours........ 15 Detective... 23 Echo kiss is a poem..... 25 Fragment......... 27 Fictocriticism .. 30 For grief .......... 33 Hybrid 34 Incest 36 J ourney s, j oke s, j ournals...' 39 40 Innd is memory..... 41 Memory 44 Nomadology 46 48 O is for the ordinary and the mundane 49 P is for photographic mernory'... P(Iover) ..... 50 52 Queensland...... Recollection 58 9tory......... 60 62 T is for text ............... Uncertainty 63 Visible traces, suggested invisibility and woven writing 64 x/Yz^................ 66 iii IT STRRTBO WITH AN ANECDOTE ........67 Memorial Drive ........ ..,,.,,.7] Guilt Shame Fear..... ........76 Clue # 1 ................... ........81 On innocence............ 84 The Slq ..........88 Mud Map ..........90 Anecdotal Evidence.. ..........94 Sub-textual P\ot........ ..........98 Here lies: 99 The WaIk... 105 Story is to memory as memory is to story 108 Poeus oF MEMoRY AND UucpRrenrY.................... 110 Detective Fiction... Horizon Madness .. CIue # 2 Lesbian Detective Biographical Details'....'.. Unspoken Knowledge Inve FiIe. Sleepwalking ............... .......130 Manifu sto of Love ........ .......132 CIue # 3 ....................... .......136 CIue # 4 .......141 Clue # 5 Resolution........ .......144 Her house: the place of constructing identity .......150 Song of the Shirt........ 153 Cqnoe Tree.......... .....154 Memory cannot be cloned.. ..... 155 If there is an echo in me......... .....1s6 Skin Types. ..... 158 Embroidery .............. 160 The archetype is møde up .............. 162 IV Engram /................... ..163 She is a boat .............. 166 On Memory 168 171 Little fishes swimming past , Lifiing the skin...... 172 Records Office........ 178 Postcard: Kangaroo Island 180 In the botanical gardens..... .....184 You give me your memory.' .....185 Collage as Method .....186 Echo Kiss .....188 It's too late now for the maniftsto of love.... .....190 Return .....192 Travelling .....194 Mother makes gardens that become memorials...---- .....195 Engram 2......... .....196 I want to lcnow. .....197 Memorialising the thylacine -... .199 .200 The story - almost extinct Writing + Memory = Memor! Writing .202 INvgNroRv oF CHILDHooD ........... .206 Object Lessons .208 Vulcan Junior Sewing Machine Made in England."' .209 Idle Hands ................210 l3 Piece Porcelain Toy Tea Set -..."...... ,................211 Small blue wooden piano with three legs and numbered keys" ,................2 I 3 Ornarnent... .................214 Dolls for Christmas Every Year ....'.'............ .................21 5 Greeting Cørd ......... .................216 Child's Cane Chair .................217 Music Box. .................218 V Hair 219 Miniature glass birds 220 221 Suc c e s s/failure...... 222 Exp e ct ation"ldis app ointment'. -.. " ... "' BIBLIOGRAPITY ......... 223 VI Errata P4 comma aller anekdota, semi-colon after unpublished P5 comma after all, semi-colon after talking P6 shows should be show, comma after family home P7 comma after moving P8 replace comma with semi-colon after museum P8 delete 'a', 'Often' start of new sentence P9 semi-colon after out of order,'comma after model P17 Fullstop after specificity, capital He. P2lsemi-colon after events P22 semi-colon after belonging P27 colon after Barthes, it's should read its last and second last lines P30 should be Barthes' P32 remove comma after prose, P32 remove venture - second last line P35 full-stop after constructs, semi-colon after chronologies P35 comma after end P40 comma after King P42 full stop after configurations, comma after official, semi-colon after identity P43 comma after lesbian P44 comma after discourses P49 semi-colon after life P63 full stop after value P84 comma after six P 96 remembrances should be remembrance P 98 new sentence after different, semi-colon before this is fair P100 comma after ideas P101 Barthes', comma after embroiders P102 semi-colon after room, after engagement P104 semi-colon after departures P107 full stop after somewhere, factory-built P108 comma after Queensland P114 dyes should be die P 1 15 full stop after scenery, mise en scene P 117 semi-colon in the photos, semi-colon after why not? P118 comma after gaze P120 everythingilt should be everything P 121 comma after together, comma after come P122 colon after bleaching, full stop after country P 123 semi-colon after other P 124 semi-colon after me, after romance P 126 semi-colon after spectacle P 132 semi-colon after terminology P136 Pavlov-like P 140 comma after missus, semi-colon after groom P178 semi-colon after grief P196 it's should be its P202 Wings' P206 comma after joy P211 it's should be its P214 semi-colon after child P215 semi-colon after femininity, semi-colon after casual P216 semi-colon after child Abstract This thesis is a work of fictocriticism. The exegesis is both an alphabetical poem that works as an introduction and overview to the material, with further exegetical elements placed throughout the fictional, autobiographical and the poet¡c. lt is not a factual or conventional historical or autobiographical account but rather takes up questions of the place of memory in the construction of subjectivity. lt argues that the self is, in part, a product of discourse. The work is set in Queensland but ventures into parts of Australia to think about questions of travel and nomadology. lt develops a notion of a domestic archive where the home is seen as a kind of museum of the self and family. The work is based around a mother and a daughter who is written as the persona of detective. One of the elements is the telling of an incest story. The mode of telling attempts to break from standard modes of writing in order to develop ideas of how memory structures lives and the ways in which the ordinary and the mundane become ways in which events can be read, as registers of pivotal moments. The work builds on ideas about place and landscape. It works with anecdotes, stories and secrets in the construction of autobiography. lt plays with the idea of a narrator through the use of poetry and fictocritical writing. ln an attempt to disrupt the cohesion of dominant narrative modes the work moves between events and ideas, shifting perspectives are used as a way of achieving this. lt uses the techniques of collage or montage in an effort to disrupt realist representation. ln this way questions of subjectivity and history are put fonivard. These ficto-critical writing practices are made possible through recent developments in theory and practice. The work uses mixed genres producing a form of hybrid writing that interweaves poetry, prose and theory. vlt Acknowledgements I wish to thank my supervisor Associate Professor Margaret Allen for her patience and encouragement. I also wish to thank Professor Kay Schaffer for her supervision in the early stages of the thesis and ongoing enthusiasm and critical commentary. A very special thanks to Veronika Petroff who contributed to the editorial processes and has been a wonderful support throughout the thesis' Pam Papadelos provided help in the formatting and has been a supportive colleague and friend. Thanks also to Lynda Forrest for ongoing friendship and support. Thanks to Terri-Ann White whose writing friendship has been an inspiration. The staff and post-graduate students in the Department of Gender, Work and Social lnquiry have been attentive listeners providing excellent feedback. Thankyou to Thalia Palmer for her administrative help throughout the process' IX 1 Will the collage/montage revolution in representation be admitted into the academic essay, into the discourse of knowledge, replacing the "realist" criticism based in the "notions" of truth as correspondence to or correct reproduction of a referent object of study? (Ulmer 1983, p.86) ... there are surely (lesbian) readers who would find, say a Roland Barthes to be a far more "lesbian" autobiographer than some explicitly lesbian writers. (Martin 1988, P.78) ...writing itself is a practice located at the intersection of subject and history - a literary practice that involves the knowledge (linguistically and ideological) of itself as such. (Trinh 1989, p.6) The ability to communicate certain realities can sometimes depend on the genre in which one writes. (Young 1997, p.64) Producing 'lhings" always involves value - what to produce, what to name the productions, and what the relationship between the producers and the named things will be. Writing "things" is no exception. No textual staging is ever innocent. Styles of writing are neither fixed nor neutral but reflect historically shifting domination of particular schools or paradigms' (Richardson 1 994, P.51 8) 2 An Exegetical AlPhabet Antipodean Artefacts as a summary of all that has gone before and is to come 200 plus years, invasion or discovery? A is for Antipodes: diametrically opposed to Europe - Eporue Emoh Ruo I think of the body in the landscaPe but what I'm really trying to explain is the landscape in the bodY and the landscape on the bodY. (you can take the girl out of Queensland but you can't take Queensland out of the girl). Each moment caught against the light light fractured and disseminated. ln basic terms parts of the body that m¡ght remember place. Feet remember sand and grass, ditt. Walking then, as an act of memory as the point of soldering onto the body an experience. Walking through the streets of Queensland country towns it all comes back to me I've been here before remember clearly the step into your house change from outside to inside smell of humidity, taste of air One Nation stickers on Toyota Hilux dual cabs alongside stickers that say'l shoot and I vote'. How men walk hand in pocket 3 stiff hips shofter movements in the walk, in the wait.
Load more

Recommended publications
  • Chic Chic Mp3, Flac, Wma
    Chic Chic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Chic Country: Australia Released: 1977 Style: Disco MP3 version RAR size: 1516 mb FLAC version RAR size: 1847 mb WMA version RAR size: 1467 mb Rating: 4.5 Votes: 147 Other Formats: AU ADX APE TTA RA AUD AA Tracklist Hide Credits Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) A1 8:30 Written-By – Edwards, Rodgers*, Lehman* São Paulo A2 4:30 Written-By – Edwards, Rodgers*, Lehman* You Can Get By A3 5:20 Written-By – Edwards, Rodgers* Everybody Dance B1 6:40 Written-By – Edwards, Rodgers* Est-Ce Que C'est Chic B2 3:38 Written-By – Edwards, Rodgers* Falling In Love With You B3 3:55 Written-By – Edwards, Rodgers* Strike Up The Band B4 5:10 Written-By – Edwards, Rodgers* Companies, etc. Manufactured By – WEA Music Of Canada, Ltd. Distributed By – WEA Music Of Canada, Ltd. Produced For – Turtle Productions Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Pressed By – CBS Records Canada Ltd. Printed By – Shorewood Packaging Corp. Of Canada Ltd. Published By – Cotillion Music Published By – Kreimers Music Recorded At – Electric Lady Studios Mixed At – Power Station Credits Art Direction – Bob Defrin Bass, Vocals – Bernard Edwards Design – Lynn Dreese Breslin Drums – Tony Thompson Engineer – Bob Clearmountain, Mike Frondelli*, Robert Drake, Ron Johnson*, Tom Savarese* Executive-Producer – Marc Kreiner, Tom Cossie Flute, Tenor Saxophone – George Young Guitar, Vocals – Nile Rodgers Harp – Gloria Augustini* Keyboards
    [Show full text]
  • Dance Charts Monat 02 / Jahr 2018
    Dance Charts Monat 02 / Jahr 2018 Pos. VM Interpret Titel Label Punkte +/- Peak Wo 1 1 OFENBACH VS. NICK WATERHOUSE KATCHI WARNER 5059 0 1 6 2 6 LOST FREQUENCIES & ZONDERLING CRAZY KONTOR 3800 +4 2 3 3 7 NAXWELL LOVE SEES NO COLOUR SOUNDS UNITED 3354 +4 3 2 4 3 CAMILA CABELLO FEAT. YOUNG THUG HAVANA SYCO MUSIC 2794 -1 3 5 5 153 FALCO DER KOMMISSAR (MOUSSE T. REMIX) SONY 2558 +148 5 2 6 4 AXWELL & INGROSSO MORE THAN YOU KNOW UNIVERSAL 2507 -2 1 9 7 8 STEREOACT FEAT. LAURA LUPPINO ICH WILL NUR TANZEN TOKA BEATZ / KONTOR 2232 +1 7 3 8 2 JENNIFER LOPEZ FEAT. WISIN AMOR, AMOR, AMOR SONY 2099 -6 2 4 9 16 AXWELL & INGROSSO FEAT. TREVOR DREAMER UNIVERSAL 1978 +7 9 3 GUTHRIE 10 5 GESTÖRT ABER GEIL FEAT. BENNE REPEAT KONTOR 1977 -5 5 4 11 10 CAMELPHAT & ELDERBROOK COLA DEFECTED 1794 -1 10 7 12 22 FEDDE LE GRAND AND IDA CORR LET ME THINK ABOUT IT (CELEBRATION MIX) KONTOR 1665 +10 12 3 13 101 PICCO FEAT. LUNASCOPE BROKE KONTOR 1652 +88 13 2 14 275 JASON PARKER HEY SOUND SOUNDS UNITED 1508 +261 14 2 15 102 ANSTANDSLOS & DURCHGEKNALLT FEAT. EGAL NITRON / SONY 1374 +87 15 2 JASMIINA 16 9 HOUSECRUSHERZZZ X COPAMORE FEAT. STEP INTO THE LIGHT 2K18 STARDOME RECORDINGS 1338 -7 9 3 MIKEY SHYNE 17 26 B.INFINITE & CHRIS COWLEY BAD GIRL KHB MUSIC 1307 +9 17 2 18 243 THE CHAINSMOKERS SICK BOY COLUMBIA 1159 +225 18 2 19 35 ROBIN SCHULZ & MARC SCIBILIA UNFORGETTABLE WARNER 1149 +16 19 2 20 TUJAMO & SIDNEY SAMSON RIVERSIDE (RELOADED) SPINNIN' 1103 0 15 1 21 131 DJ COMBO SEE IT THROUGH MY EYES KHB MUSIC 1089 +110 21 2 22 11 J BALVIN & WILLY WILLIAM MI GENTE SONY 1062 -11 2 8 23 62 LUIS FONSI & DEMI LOVATO ÉCHAME LA CULPA UNIVERSAL 1054 +39 23 3 24 53 JAX JONES FEAT.
    [Show full text]
  • The Story of Johnstown
    m HBBH ^H HT I m Mmm tflSJS *m»xff>. Class "Fl_sig_ -<3~7 Rook N^l v>. Copyright N° COPffilGHT DEPOSfT. The Story of Johnstown. ; "/ could a tale unfold, whose lightest word Would harrow up thy soul; freeze thy young bicod Make thy two eyes, like stars, start from their spheres. ' —Shakespeare. K<V*>> The Story of Johnstown ITS EARLY SETTLEMENT, RISE AND PROGRESS, INDUSTRIAL GROWTH, AND APPALLING FLOOD ON MAY 3 1ST, 11 By J. J. McLAURIN Editor Harrisburg Telegram Prefatory Note by REV. JOHN R. PAXTON, D. D., of New York Illustrated by Baron de Grimm, George Spiel, Coultaus, A. Heuche, Victor Perard, G. E. Burr and August Bruno, from Original Designs, Sketches and Photographs harrisburg, pa. James M. Place, Publisher 1890 Copyrighted, JAMES M. PLACE, 1889. INTRODUCTION A book on such a subject, written to give a plain statement of facts and do something for a good cause, could have no intro- duction better than this letter from one of the eminent divines of the age : 57 West Forty-Sixth Street, New York, Nov. 4, 18S9. Esq., Harrisburg, Pa. J. J. McLaurin, My Dear Sir ; I see by Governor Beaver's letter to the publisher that you propose to write a book on the Johnstown Flood. It should be done at once, while the scenes and incidents of those dreadful days are fresh and unfaded in our minds. Let the story of the awful calamity be put into enduring type for future gene- rations. It ranks among the great calamities of the world and deserves a place in History.
    [Show full text]
  • Dan Dechellis Trio
    ada–music.com @ada_music NEW RELEASE GUIDE February 19 February 26 ORDERS DUE JANUARY 15 ORDERS DUE JANUARY 22 2021 ISSUE 5 February 19 ORDERS DUE JANUARY 15 OVERVIEW: NECTAR TRACKLIST: Japan-born singer and producer Joji is a multi-talented visionary, with a cult following from every corner of the inter- net. Joji is one of the most enthralling artists of the digital age. He has a total vision for his work, not just in the writ- 1. Ew ing and producing of his music, but artwork, videos, merch, and live performances as well. It’s a fully realized world 2. MODUS that his fans can inhabit and explore—and see themselves in. “My music is not biographical,” he says, but even still, 3. Tick Tock the deep, heavily shaded emotions in his songs are genuine and they speak to anyone who has ever felt stuck on 4. Daylight (w/ Diplo) the outside looking in, who knows what it means to not belong. In 2019, Joji sold-out his North America tour within 5. Upgrade minutes and performed at some of the most coveted festivals across the world, including Reading & Leeds in the UK 6. Gimme Love and Lollapalooza. As Joji surpasses 5 billion global streams, 2020 promises to be his biggest year to date. 7. Run 8. Sanctuary Joji’s sophomore studio album, Nectar, arrives September 25. With a star-studded cast of features across the 9. High Hopes (feat. Omar Apollo) 18- track album, Nectar is Joji’s most ambitious project to date. From the first 4 singles alon , Nectar has already 10.
    [Show full text]
  • Sing! 1975 – 2014 Song Index
    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • CARS in BLOOM by Giles He Town of Lone Pine Four Cemeteries
    the PHOTO COURTESY OF FRANK FRIEVALT Debbie Frievalt with her father, Jerry Finley, at a 4th of July picnic, News,sheet Views & Culture of the Eastern Sierra showing off her famous “Strawberry Pop Cake.” See Frievalt’s obituary, p. 4. Saturday, May 6, 2017 FREE Vol. 15, No. 18 A GRAVE AFFAIR Dying to know more about Lone Pine’s cemeteries? CARS IN BLOOM By Giles he Town of Lone Pine four cemeteries. It’s more is a small place. When laborious than collecting TMount Whitney Cem- census data about the exist- etery District Director Linda ing population—there’s more Haun moved there from information to catalogue. Orange County in the early Haun is a published author 2000s, a neighbor offered a of five novels of historical few pithy words of advice: non-fiction, all based in the “Don’t even kick a dog,” it Eastern Sierra. She is also a could belong to someone you photographer, and used to know. travel to the Owens Valley According to the 2015 cen- for work before relocating to sus, Lone Pine has a popula- Lone Pine. She became fasci- tion of 1,923 people. Since nated with the local cemeter- being hired as the Manager of ies while doing research for the Mount Whitney Cemetery her first book, “Dear Carrie: District ten years ago, Haun Letters from the Eastern has partnered with staff, lo- Sierra 1878-1899.” cal businesses, visitors and “Back in about 2003, I historians to catalogue and was using names of people computerize information in the Pioneer Cemetery in about the more than 2,000 PHOTO:SEARLES people interred in Lone Pine’s see GRAVE, page 12 As the snow melts, cars are in bloom all around Mammoth.
    [Show full text]
  • No Ordinary World Duran Duran’S Simon Le Bon Hungry to Keep Audiences Dancing Zoe-Ruth Photography
    VOLUME 10, NUMBER 5 NUMBER 10, VOLUME NO ORDINARY WORLD DURAN DURAN’S SIMON LE BON HUNGRY TO KEEP AUDIENCES DANCING ZOE-RUTH PHOTOGRAPHY 418 Sheridan Road Highland Park, IL 60035 847-266-5000 www.ravinia.org Welz Kauffman President and CEO Nick Pullia Communications Director, Executive Editor Nick Panfl Publications Manager, Editor Alexandra Pikeas Graphic Designer IN THIS ISSUE FEATURES DEPARTMENTS Since 1991 12 Practice Room with a View 9 Message from the Chairman 3453 Commercial Ave., Northbrook, IL 60062 Te Juilliard Quartet’s Joseph Lin and and President www.performancemedia.us | 847-770-4620 Astrid Schween prepare musicians for 31 Rewind Gail McGrath - Publisher & President more than the concert stage. Sheldon Levin - Publisher & Director of Finance By Wynne Delacoma 50 Ravinia’s Steans Music Institute 18 Grateful Eternal Account Managers 52 Reach*Teach*Play Jerry Garcia and the Grateful Dead Rand Brichta - Arnie Hoffman - Greg Pigott made music for all time. 57 Salute to Sponsors Southwest By Davis Schneiderman Betsy Gugick & Associates 972-387-1347 24 No Ordinary World 73 Annual Fund Donors Duran Duran’s Simon Le Bon is hungry Sales & Marketing Consultant 80 Corporate Partners to keep audiences dancing. Mike Hedge 847-770-4643 81 Corporate Matching Gifs David L. Strouse, Ltd. 847-835-5197 By Miriam Di Nunzio 34 ‘Home Schooled’ 82 Special Gifs Cathy Kiepura - Graphic Designer Jonathan Biss and Pamela Frank recall Lory Richards - Graphic Designer their master classes in growing up as 83 Event Sponsors A.J. Levin - Director of Operations (and with) musicians. 84 Board of Trustees Josie Negron - Accounting By Mark Tomas Ketterson 85 Women’s Board Joy Morawez - Accounting 40 Unplugged, Unbound Willie Smith - Supervisor Operations Chris Cornell fnds ‘higher truth’ 86 Associates Board Earl Love - Operations in his music by going acoustic.
    [Show full text]
  • The Book 1 TG-Ato Z Intro 30/5/05 15:04 Page 1
    1 TG-Ato Z cover 30/5/05 10:22 Page 3 INTERNATIONAL Personal Reports Personal Profiles Listings Shops Services Events Places to Go Edited by Vicky Lee The Book 1 TG-Ato Z intro 30/5/05 15:04 Page 1 CONTENTS Front cover Photograph: 1 INDEX Introduction Valmir Silva 2 Introducing This new book Transgender AtoZ Cover Model: 6 Introducing links between books and websites 8 Introducing links between publishing and club Alekssandra Ceiliato 10 Introducing TG words, concepts & definitions 14 Introducing WayOut Personal Profiles 16 Personal Profile of the editor - Vicky Lee 21 Super Report A year with Tranny Grange - Nicki 28 Super Report Working Girls - Monica Dream girl 36 Super Report Brazillian Girls - Alekssandra Ceciliato 40 INDEX International Section Listing PLUS 41 Euro Events 2005/2006 68 Personal Profile of Jaquline from Germany 43 Personal Profile Sasha De Monaco from Holland 50 Australia Report - Christie McNichol 55 Belgium Report - Pamela 59 Denmark Report - Rebecca Holm 65 Finland Report - Mandy Romero 70 Germany Report - Charis Berger 81 Holland Report - Monica Dreamgirl 90 Gran Canaria Report - The Gemini Club 92 Ibiza Report - Cathy Kissmet 96 Thailand’s Alcazar Report - Nikki 99 INDEX USA Section Listing PLUS Book Editor: Vicky Lee 98 USA Events 2005/2006 DTP: Vicky Lee and Karen 101 Event Report SCC Atlanta - Vicky Lee Research & editing: Karen 106 Event Report Dignity Cruises - Peggy & Melanie Advertising sales: 110 Personal Profile of Michelle Zee 112 Personal Profile of Fionnola Orlando Sue Mills at Planet Advertising 160
    [Show full text]
  • Dance Charts Monat 10 / Jahr 2018
    Dance Charts Monat 10 / Jahr 2018 Pos. VM Interpret Titel Label Punkte +/- Peak Wo 1 1 DYNORO & GIGI D'AGOSTINO IN MY MIND SONY 6073 0 1 5 2 2 EL PROFESOR BELLA CIAO (HUGEL REMIX) SCORPIO / KONTOR 4137 0 1 6 3 7 TOSCH FEAT. CHRISTINA SOMEWHERE OVER THE RAINBOW 2K18 SOUNDS UNITED 4095 +4 3 2 4 11 CALVIN HARRIS & SAM SMITH PROMISES SONY 3159 +7 4 3 5 36 ARNOLD PALMER & FABIO VALENZA EVERYBODY BE SOMEBODY KICKSON / PLANET PUNK 3105 +31 5 2 6 4 ARMIN VAN BUUREN BLAH BLAH BLAH KONTOR 2997 -2 3 6 7 3 STEREOACT FEAT. SARAH WUNSCHKONZERT SONY 2749 -4 3 3 8 158 EL PROFESOR FEAT. LAURA WHITE CE SOIR? (HUGEL REMIX) SCORPIO / KONTOR 2535 +150 8 2 9 110 JASON PARKER FEAT. ELAINE WINTER DANCING ON MY OWN SOUNDS UNITED 2456 +101 9 2 10 5 SEAN FINN X GURU JOSH INFINITY 2018 NITRON / SONY 2304 -5 5 4 11 6 CLEAN BANDIT FEAT. DEMI LOVATO SOLO WARNER 2099 -5 5 6 12 8 ROBIN SCHULZ & PISO 21 OH CHILD WARNER 1845 -4 8 4 13 NAXWELL FEAT. PATRICIO AMC WE ARE THE NIGHT SOUNDS UNITED 1715 0 2 1 14 9 CALVIN HARRIS & DUA LIPA ONE KISS SONY 1666 -5 1 7 15 13 ALLE FARBEN & YOUNOTUS & KELVIN JONAS ONLY THING WE KNOW SONY 1624 -2 13 4 16 53 BLACKBONEZ FREAKY MENTAL MADNESS 1573 +37 16 2 17 234 JASON D3AN & BENJAY SELF AGAIN FADERSPORT 1571 +217 17 2 18 15 CHRIS EXCESS FEAT. LEXINE IT FEELS SO GOOD SOUNDS UNITED 1512 -3 15 3 19 10 NAXWELL LOVE IS THE ANSWER SOUNDS UNITED 1427 -9 6 4 20 21 MARKUS D'AMBROSI FEAT.
    [Show full text]
  • Szabo Cleveland, Ohio
    Ambient Music as Popular Genre: Historiography, Interpretation, Critique Victor Louis Franco Szabo Cleveland, Ohio B.Mus., Music Theory, University of Michigan, 2007 B.A., Philosophy, University of Michigan, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2015 © Copyright by Victor Louis Franco Szabo All Rights Reserved May 2015 iii ABSTRACT In September 1978, Brian Eno coined the term “Ambient music” to describe a type of audio recording designed to create atmosphere. Ambient music, he proposed, should foster calm while registering doubt, and accommodate various different levels of listening attention. Since Eno’s proposal, Ambient music has become a genre of drone- and loop-based electronic music within the popular music market. This dissertation examines several key recordings in the formation of the Ambient genre of popular music, with focus on releases from the U.S. and England between the late 1960s and early 1990s. Through music analyses of these recordings, as well as media analyses of their promotional rhetoric, this dissertation traces the sonic tropes and social practices discursively organized by the “Ambient” label. It describes how Ambient music serves users as a means of relaxing, regulating mood, and fostering an atmosphere or sense of place. Unlike most extant accounts of the genre, it also explores how Ambient recordings reflect aesthetically upon their instrumentality through musical techniques, metaphors, and moods. A survey of approximately one-hundred Ambient listeners rounds out the study, illuminating from a diachronic perspective how reception practices relate to the production and interpretation of Ambient recordings.
    [Show full text]
  • Writing Great Fiction: Storytelling Tips and Techniques Course Guidebook
    Topic Literature Subtopic & Language Writing Writing Great Fiction: Storytelling Tips and Techniques Course Guidebook Professor James Hynes Novelist and Writing Instructor PUBLISHED BY: THE GREAT COURSES Corporate Headquarters 4840 Westfields Boulevard, Suite 500 Chantilly, Virginia 20151-2299 Phone: 1-800-832-2412 Fax: 703-378-3819 www.thegreatcourses.com Copyright © The Teaching Company, 2014 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. James Hynes, M.F.A. Novelist and Writing Instructor rofessor James Hynes is a working novelist who has taught creative writing as a Pvisiting professor at the University of Iowa Writers’ Workshop, the University of Michigan, The University of Texas, Miami University, and Grinnell College. He earned a Bachelor of Arts degree in Philosophy from the University of Michigan in 1977 and a Master of Fine Arts degree from the Iowa Writers’ Workshop in 1989. Professor Hynes is the author of four novels: Next, which received the 2011 Believer Book Award from Believer magazine; .LQJV RI ,Q¿QLWH 6SDFH, a :DVKLQJWRQ3RVWbest book for 2004; 7KH/HFWXUHU¶V7DOH; and 7KH:LOG &RORQLDO%R\, which received the Adult Literature Award from the Friends of American Writers and was a New York Times Notable Book for 1990. His novella collection 3XEOLVKDQG3HULVK7KUHH7DOHVRI7HQXUHDQG7HUURU was a 3XEOLVKHUV:HHNO\ Best Book of 1997 and appeared on several critics’ best- of-the-year lists.
    [Show full text]