John Updike's Indian Connection
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John Updike, a Lyrical Writer of the Middle-Class More Article Man, Dies at 76 Get Urba
LIKE RABBITS Welcome to TimesPeople TimesPeople Lets You Share and Discover the Bes Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Books WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYL ART & DESIGN BOOKS Sunday Book Review Best Sellers First Chapters DANCE MOVIES MUSIC John Updike, a Lyrical Writer of the Middle-Class More Article Man, Dies at 76 Get Urba By CHRISTOPHER LEHMANN-HAUPT Sig Published: January 28, 2009 wee SIGN IN TO den RECOMMEND John Updike, the kaleidoscopically gifted writer whose quartet of Cha Rabbit novels highlighted a body of fiction, verse, essays and criticism COMMENTS so vast, protean and lyrical as to place him in the first rank of E-MAIL Ads by Go American authors, died on Tuesday in Danvers, Mass. He was 76 and SEND TO PHONE Emmetsb Commerci lived in Beverly Farms, Mass. PRINT www.Emme REPRINTS U.S. Trus For A New SHARE Us Directly USTrust.Ba Lanco Hi 3BHK, 4BH Living! www.lancoh MOST POPUL E-MAILED 1 of 11 © 2009 John Zimmerman. All rights reserved. 7/9/2009 10:55 PM LIKE RABBITS 1. Month Dignit 2. Well: 3. GLOB 4. IPhon 5. Maure 6. State o One B 7. Gail C 8. A Run Meani 9. Happy 10. Books W. Earl Snyder Natur John Updike in the early 1960s, in a photograph from his publisher for the release of “Pigeon Feathers.” More Go to Comp Photos » Multimedia John Updike Dies at 76 A star ALSO IN BU The dark Who is th ADVERTISEM John Updike: A Life in Letters Related An Appraisal: A Relentless Updike Mapped America’s Mysteries (January 28, 2009) 2 of 11 © 2009 John Zimmerman. -
John Updike's Use of the Absurd Hero in His
.JOHN UPDIKE'S USE OF THE ABSURD HERO IN HIS SHORT FICTION By GLENNDALE MARCUS DEFOE, JR. 1' l3achel,or of Arts Oklahoma State University Stillwater, Oklahoma 1965 . Submitted to the faculty of the Gradut;1te College of the Oklahoma State University in partial fulfillment of the requirements for the Degree ofi MASTER OF ARTS . May, 1969 OKLAHOMA STATE UNIVERSITY LIBRARY SEP 291969 JOHN UPDIKE'S USE OF THE ABSURD HERO IN HIS SHORT FICTION Thesis Approuved:.A··MI~~- // / II -~ Thesis Adviser ~ 1(.1rrw,{,,..,;~· ii PREFACE Existentialism, born in Europe, has influenced many contemporary American writers. Some native short story writers and novelists have embraced existentialism completely, but in typical pragmatic fashion, most American writers have incorporated in their themes those facets of the philosophy which fit the American situation. John Updike's particular adaptation of existential thinking is most apparent in his use of the absurd hero. This thesis is an attempt to examine Updike's use of the absurd hero and how it relates to his theme in selected short stories. I wish to thank Dr. Mary Rohrberger for her guidance in the writing of this thesis and moreover, for the privilege of having been her student and friend. I also wish to express my appreciation to Dr. Samuel H. Woods, Jr. for his helpful suggestions on improving the manuscript and to Dr. Clinton Keeler, my third reader. My appreciation also goes to Carol T·aylor, my very capable typist, and to my wife, Jeanne Ann, for having the patience to put up with me. iii TABLE OF CONTENTS Chapter Page INTRODUCTION • • • • • • • • • • 1 II. -
Interview of John Updike for 'Politics' WHERE the COUPLES ARE TODAY
Interview of John Updike for ‘Politics’ WHERE THE COUPLES ARE TODAY - I think that writing is less a matter of talent, it is more of a wish to say something, to present the experiences of many people by describing personal experiences. At least I have the illusion that I do that – Updike says. Famous American writer John Updike, guest of the Writers’ October Meeting held this year visited our newsroom the day before yesterday and on that occasion he had an exclusive interview that we are publishing today. The interview was led by our associates, members of the column entitled Culture of the newspaper ‘Politics’ – Milka Lučić, Milan Vlajčić and Dušan Simić. Three of your books are translated into our language, collection of short stories Pigeon Feathers, novels Centaur and Couples. Is your entire work well presented by that? - I am glad that such a number of my books is translated here. It is a good choice, but mainly from my earlier work. What is missing to complete the impression concerning your work? - I think that I am most famous in the USA for my two novels about Rabbit – Rabbit, Run and Rabbit Redux. The first book is being translated here as far as I know. Concerning the other one its title is difficult to translate and I think that the translation of the whole book would be quite difficult for a translator. Generally speaking, some of my books that I love so much are very difficult to be translated, they contain many word plays that cannot be translated. SIMILARITY OF YOUNG AND OLD AGE You have said that our translation misses your later work. -
Rabbit, Run by John Updike
Rabbit, Run By John Updike The motions of Grace, the hardness of the heart; external circumstances. -Pascal, Pensée 507 Boys are playing basketball around a telephone pole with a backboard bolted to it. Legs, shouts. The scrape and snap of Keds on loose alley pebbles seems to catapult their voices high into the moist March air blue above the wires. Rabbit Angstrom, coming up the alley in a business suit, stops and watches, though he's twenty-six and six three. So tall, he seems an unlikely rabbit, but the breadth of white face, the pallor of his blue irises, and a nervous flutter under his brief nose as he stabs a cigarette into his mouth partially explain the nickname, which was given to him when he too was a boy. He stands there thinking, the kids keep coming, they keep crowding you up. His standing there makes the real boys feel strange. Eyeballs slide. They're doing this for themselves, not as a show for some adult walking around town in a double-breasted cocoa suit. It seems funny to them, an adult walking up the alley at all. Where's his car? The cigarette makes it more sinister still. Is this one of those going to offer them cigarettes or money to go out in back of the ice plant with him? They've heard of such things but are not too frightened; there are six of them and one of him. The ball, rocketing off the crotch of the rim, leaps over the heads of the six and lands at the feet of the one. -
JOHN UPDIKE Fall 2017 List
C L O U D S H I L L B O O K S P.O. Box 1004 • VILLAGE STATION • NEW YORK, NY 10014 212-414-4432 • [email protected] JOHN UPDIKE Fall 2017 List 1. 75 AROMATIC YEARS OF LEAVITT & PEIRCE IN THE RECOLLECTION OF 31 HARVARD MEN. Cambridge: Leavitt & Peirce, 1958. First Edition in cloth-backed boards. Edited by Richard A. Ehrlich and William Ehrlich. Includes Updike’s poem “The Old Tobacconist.” This copy has been inscribed on the front free endpaper: “For Bob Louis / with the aromatic good wishes of / Richard Ehrlich / Oct. 1962” A near fine copy. $300 2. HOPING FOR A HOOPOE. London: Victor Gollancz, 1959. First English Edition in dust jacket. This copy has been inscribed by Updike on the front free endpaper: “for Michael Broomfield / Best wishes, / John Updike” A fine copy in a near fine, price-clipped jacket. $375 3. THE POORHOUSE FAIR. New York: Alfred A. Knopf ,1959. First Edition in a first issue dust jacket with promotional copy only on the front flap. This copy has been inscribed by Updike on the front free endpaper: “for Michael Broomfield / John Updike.” A fine copy in an internally repaired and lightly scuffed jacket, which is slightly faded at the spine, else generally very good or better. $750 4. RABBIT, RUN. New York: Alfred A. Knopf, 1960. First Editions in dust jackets. A set of three issues with no known priority, all in first issue dust jackets. The issues are distinguished by the shade of green of the backstrip and otherwise as follows: [i] Dark green backstrip. -
T Mind My Calling You Harry?' Terms of Address in John Updike's Rabbit
Volume 9, No. 4, August 2020 ‘You don’t mind my calling you Harry?’ Terms of Address in John Updike’s Rabbit Tetralogy Peter Backhaus (Waseda University) Keywords: Abstract: This paper examines the use of address terms in John Updike’s Rabbit John Updike, tetralogy (Updike 1995). The first part of the analysis provides a comprehensive Rabbit overview of the great variety of terms used to address the protagonist, Harry Angstrom, tetralogy, in the decades covered by the novels. The second part focuses on two important side sociolinguistics, characters, Reverend Eccles and Harry’s mother-in-law. It demonstrates how address terms of term usage with these two characters reflects ongoing changes in their relationship with address Harry. The main aim of the paper is to demonstrate the potential of fictional data for the study of address terms and, in return, to capture the manifold functions of address terms as a literary device in fiction. 1. Introduction When John Updike first started experimenting with the motif of the ‘Ex-Basket Player’ in the early days of his career (Updike 1958, 1959), he could not have known that he was going to create one of the central monuments of American postwar literature. Four decades, two Pulitzer prizes, and about 1,500 pages later, Updike had developed this idea – of a former high-school basketball prodigy struggling to come to terms with the dullness and temptations of adult life – into a whole universe of places and people. In the very center of it are the doings and misdoings of a Pennsylvanian everyman who is both utterly normal and yet very special. -
Updike's Fictional Faith
Updike's Fictional Faith Kathleen Verduin One summer afternoon about fifteen years ago, I repaired to the backyard with a glass of iced tea and a new book: John Updike's A Month of Sundays, then just out in paperback. I was still in the first chapter, I think, when a colleague noticed me from the sidewalk, strolled over for conversation, and affably asked to see what I was reading. "Oh," he said. "Updike. Isn't he the one that's a Christian?" I remember fighting down a surge of irritation. "The one that's a Christian" hardly seemed the way to characterize one of America's leading writers, and the remark epitomized a mentality I knew all too well, the kind that granted (or more often withheld) approval solely on the basis of the Christian label. As Louis Lotz quite sensibly points out in a recent issue of The Church Herald, art is not necessarily good because it's "Christian": it's good because it's good. 1 In fairness, though, my colleague's innocent question was perhaps not so misplaced after all . Since Updike began writing in the late 1950s he has frankly and repeatedly presented himself as a Christian believer: the late novelist John Gardner once went so far as to complain that Updike's books sometimes read too much like sermons. 2 Sensing a champion for their own position, religious critics have flocked to Updike's support, crediting him with an orthodox (and therefore corrective) vision of, as Alice and Kenneth Hamilton beamed in an early analysis, "earth set under heaven. -
Male Sexuality in John Updike's Villages
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Male Sexuality in John Updike’s Villages BRIAN DUFFY A consensus emerged from the reviews of John Updike’s Villages (2004) that it was one of his weaker novels. The novel did gain the approval of some reviewers (“A graceful panoramic depiction of individuals and their communities,” Kirkus Reviews; “A very good novel,” Houston Chronicle) and even from a notable English novelist, Fay Weldon, who praised the novel’s “wealth of connections and imagery,” as well as the quality of the prose. There was some praise elsewhere, too, but in most cases this was attenuated by the recurring criticism that Updike was rework- ing too-familiar material, and that the still fine prose could not compensate for an annoying sense of déjà vu. And there were those who found the novel simply to be bad, as was the case with Michiko Kakutani in the New York Times, who, having de- tailed its faults, concluded: “In the end, this all makes for a narrow, claustrophobic novel—a novel that amounts to little more than a weary exercise in the recycling of frayed and shop-worn material.” Even Updike scholars have not been enthusiastic. Peter J. Bailey does not “believe it to be among Updike’s most successful novels” (“Autobiography” 83), while James Schiff includes Villages among the late Updike novels that are “considered, for now, minor,” and deems Villages itself a novel we are unlikely to remember (“Two Neglected” 45). -
“Ah: Runs. Runs.”: Rabbit Angstrom, the American Runner Pradipta Sengupta M.U.C
JAST ©2015 M.U.C.Women’s College, Burdwan ISSN 2395-4353 -a peer reviewed multidisciplinary research journal Vol.-01, Issue- 01 “Ah: runs. Runs.”: Rabbit Angstrom, the American Runner Pradipta Sengupta M.U.C. Women’s College, Burdwan West Bengal, India-713104 [email protected]/ [email protected] Abstract: Harry ‘Rabbit’ Angstrom, the ingenious American icon created by Updike has captured the American literary sensibility since his inception in Rabbit, Run(1960) till his death at the end of his Tetralogy in Rabbit at Rest (1990). The final enigmatic run of Rabbit at the end of Rabbit, Run, leading to the open-endedness of the book, has baffled readers and critics alike. This paper attempts to shed some light on this enigma, with particular focus on his seemingly inexplicable character, and tries to interpret his run as a typically American literary phenomenon subsuming him within the tradition of great runners in American Literature. Keywords: Rabbit, American, icon, Updike, literary, sensibility, Rabbit, Run, enigmatic, character, open-endedness, tradition, literature. A few characters in the entire gamut of American Literature have achieved the status of American icon: Natty Bumppo in Fennimore Cooper’s “Leatherstocking Tales”, Huckleberry Finn in Twain’s The Adventures of Huckleberry Finn, Captain Ahab in Melville’s Moby Dick, Santiago in Hemingway’s The Old Man and the Sea, Jake Barnes in Hemingway’s The Sun Also Rises, Holden Caulfield in Salinger’s The Catcher in the Rye, Sal Paradise in Jack Kerouac’s On the Road, and recently, Harry ‘Rabbit’ Angstrom in John Updike’s “Rabbit Tetralogy” comprising Rabbit, Run(1960), Rabbit Redux(1971), Rabbit Is Rich(1981) and Rabbit at Rest (1990). -
Updike, Morrison, and Roth: the Politics of American Identity
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2013 Updike, Morrison, and Roth: The Politics of American Identity Christopher Steven Love University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Love, Christopher Steven, "Updike, Morrison, and Roth: The Politics of American Identity" (2013). Dissertations. 229. https://aquila.usm.edu/dissertations/229 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi UPDIKE, MORRISON, AND ROTH: THE POLITICS OF AMERICAN IDENTITY by Christopher Steven Love A Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2013 ABSTRACT UPDIKE, MORRISON, AND ROTH: THE POLITICS OF AMERICAN IDENTITY by Christopher Steven Love December 2013 My dissertation analyzes American identity in the works of John Updike, Toni Morrison, and Philip Roth. Specifically, I examine American identity in Updike’s Rabbit tetralogy (1960-1990); Morrison’s trilogy of novels Beloved (1987), Jazz (1992), and Paradise (1998); and Roth’s trilogy comprising the novels American Pastoral (1997), I Married a Communist (1998), and The Human Stain (2000). The studied texts of these three novelists, I argue, attack national myths and undermine exclusive narratives that are incongruent with the nation’s ideal identity as a pluralistic and democratic nation. -
Writing Through Patriarchy in Contemporary Brazilian Literature
Fading Fathers: Writing through Patriarchy in Contemporary Brazilian Literature by Rex P. Nielson B.A., Brigham Young University, 2002 M.A., Brigham Young University, 2004 M.A., Brown University, 2007 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Portuguese and Brazilian Studies at Brown University Providence, Rhode Island May 2010 Copyright 2010 by Rex P. Nielson This dissertation by Rex P. Nielson is accepted in its present form by the Department of Portuguese and Brazilian Studies as satisfying the dissertation requirements for the degree of Doctor of Philosophy Date _____________ ______________________________ Nelson H. Vieira, Director Recommended to the Graduate Council Date _____________ ______________________________ Luiz F. Valente, Reader Date _____________ ______________________________ Patricia I. Sobral, Reader Approved by the Graduate Council Date _____________ ______________________________ Sheila Bonde, Dean of the Graduate School iii VITA Rex P. Nielson was born in Provo, Utah, on April 29, 1978, and grew up in both Utah and Southern California. As an undergraduate he attended Brigham Young University, graduating Magna Cum Laude in 2002 with a double major in Comparative Literature and Portuguese and an honor’s thesis, “Poetry of the River Tietê.” He subsequently received an M.A. from Brigham Young University in Comparative Literature with a thesis entitled, “Relation, Identity, and the Sertão of João Guimarães Rosa’s Sagarana: a Glissantian Reading.” He then continued his graduate education in Portuguese and Brazilian Studies at Brown University, earning an M.A. in 2007 and Ph.D. in 2010. In addition to teaching Portuguese language and Brazilian literature and culture at Brown University, he has taught Brazilian cinema at Harvard University and literary and cultural studies at Bryant University. -
A Journal for the Comparative Study of Literature and Ideas Published by the University of Manitoba Press
Fall 1978 $3.00 MOSAIC XII/1 A Journal for the Comparative Study of Literature and Ideas Published by the University of Manitoba Press rt~*« MOSAIC A Journal for the Comparative Study of Literature and Ideas XII/I Autumn 1978 EDITOR John Wortley Associate Editor Daniel Lenoski Editorial Assistant Coralie Bryant Administrative Assistant Elizabeth Kischuk Editorial Board E. G. Berry (Chairman), John Clark, W. J. Condo, Michael Feld, J. Finlay, J. J. Gahan, K. Klostermaier, Robert Kroetsch, Donna Norell, J. T. Ogden, Laird Rankin, L. Steiman, Myron Turner. Honorary Members: C. Meredith Jones, Alan A. Klass Advisory Board William Arrowsmith, Johns Hopkins University Larry D. Benson, Harvard University Cleanth Brooks, Yale University Geoffrey Durrani, University of British Columbia Hans Eichner, University of Toronto Richard Ellmann, Oxford University George Ford, University of Rochester Leonard Forster, Cambridge University Wallace Fowlie, Duke University Northrop Frye, Victoria College, University of Toronto J. F. Kermode, Cambridge University James Lawler, Dalhousie University Christopher Ricks, Cambridge University John Updike and the Changing of the Gods BY VICTOR STRANDBERG Back in the second decade of this century, Herman Hesse remarked that "Human life is reduced to real suffering, to hell, only when two ages, two cultures and religions overlap."1 Hesse was thinking in particular of Nietzsche, that shrill prophet of the oncoming crisis in culture resulting from our civili- zation's transition from a Christian to a naturalistic view of life. But Hesse's remark applies with equal force to a great number of writers both before and after his own time. With the rise of the natural and social sciences, including quasi-sciences like Marxism and Freudian analysis, and with the concomitant erosion of Christianity as a stay against death, the search for beliefs to live by has visibly escalated from the merely urgent in Tennyson and Melville to the desperate in T.S.