DOCSLIB.ORG

The Upper Austrian Jazz Orchestra in the Spirit of Hans Koller

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Upper Austrian Jazz Orchestra in the Spirit of Hans Koller The Upper Austrian Jazz Orchestra In the Spirit of Hans Koller „IN THE SPIRIT OF HANS KOLLER“ Live recorded at Porgy & Bess, Vienna, January 15, 2018 Hans Koller was the first austrian jazzmusician who already had international repuatation in the eary 50ies. He was one of few, who found his own voice in respect of the inspiriation through american jazz. After his „escape“ from austria in 1950 he was, after a short while in munich (Freddie Brocksieper & band), soon head of legendary bands including musicians like Jutta Hipp, Albert Mangelsdorf, Karl Sanner und Roland Kovac. If as a guest soloist in bands of Dizzy Gillespie, Stan Kenton, Benny Goodman, the SWF BB with Eddie Sauter or at his own projects with Oscar Pettiford, Attila Zoller and Martial Solal, Koller found his own voice also through his intense activity also in graphic art. „I paint the same way I play music, and sounds I write are similar to my composition in painting“ Painter´s Lament“ is also the name of a Koller composition written for 6 saxes. ./. >> Lineup Tracklisting trumpet section: saxophone section: trombone section: rhythm section: Andreas Pranzl Andreas See Dominik Stöger Helmar Hill piano Disc 1 Markus Gorofsky Robert Müllner Peter Nickel Primus Sitter guitar 01. Opening (0:49) Joschi Öttl Christian Maurer Robert Bachner Christian Wendt bass Manfred Weinberger Andreas Lachberger Hermann Mayr Alfred Vollbauer drums 02. Civilisation (4:59) Jürgen Haider 03. Scarlet No2 (5:49) 04. Hommage à soulange (5:02) 05. Suomi-Kunstkopfindianer (9:56) 06. Mingus privat (10:13) 07. New York Suite (10:05) 08. So Sweet (3:40) Disc 2 01. Swedisch Koller (6:19) 02. In the Spirit of Hans Koller (10:35) 03. Cohn's Limit (6:49) 04. The Horses, Blue-Red (12:32) 05. Freesound (9:20) 06. Last of the Wine (7:04) www.ats-records.com www.toene.at/uajo/ Release Date A: 07/01/19 distributed by: D: 07/01/19 A: Preiser Records www.preiserrecords.at USA, Japan: 07/01/19 D: MVH Heinzelmann www.m-v-h.com Format 2-CD Japan: Kohshin Media www.kohshinmedia.com Catalog Number CD-0918 USA: CD-Baby store.cdbaby.com File Under: Big Band- Jazz Online downloads: Apple iTunes, Amazon, Rhapsody, Spotify, Google Music etc. download Presskit @ www.ats-records.com ATS-Records, Breitenau 7 – A-4591 Molln – Telefon: 07584/2454 Fax: 07584/245424 Bankverbindung: Raiffeisenbank Region Sierning IBAN: AT223456000004319877 BIC: RZOOAT2L560 Ust.-ID: ATU-22379708 The Upper Austrian Jazz Orchestra In the Spirit of Hans Koller In the early 70ies he went back to Vienna and developed his own band projects like .„Free Sound“, „Super Brass“ (f.i. with Kenny Wheeler, Herbert Joos, Wolfgang Dauner and again Albert Mangelsdorf) and he experimented with large saxensembles in different line-ups. Kenny Wheeler was the first guest and quasi mentor of the UAJO and the concert celecbrating Hans´ 80 birthday with Saxofour, Paul Urbanek and Hans himself brought our motivation to do a program that has this most important austrian jazzmusician of the early years in focus. Klaus Schulz, he wrote the biografical book about Hans and was his friend, manager and also very important fort he development of the UAJO as a creative collctive ensemble, was shortly before he died very delighted about our idea of the program and supported us with ideas and impressions about his relationship to Hans. Compositions of different phases of his artistic live build the base of the artistic reflexion of his legacy. The UAJO and the composers and arrangers of this formation will present facets and fragments out of his enormous works. „I was a street guy and did not know anything about art. My father was a locksmith at the gasworks, he said you can play with Koller, he ist the king. When I was 19 he took me in his band in munich. Then he fired me. That was wright, I was not good enough. Hans is my mentor. He was one of the most famous artists in Austria. He and Ben Webster were the biggest drinkers I ever knew. Hans, do you remember, you once drank 100 Cognacs. Koller: „that were Steinhägers“ Hans is incredible, he is a kind of human being. - Joe Zawinul, 1987 If a jazzmusician plays the same as 40 years ago, he is playing 40 years worse. Standstill in jazz means step backwards. ATS-Records, Breitenau 7 – A-4591 Molln – Telefon: 07584/2454 Fax: 07584/245424 Bankverbindung: Raiffeisenbank Region Sierning IBAN: AT223456000004319877 BIC: RZOOAT2L560 Ust.-ID: ATU-22379708 .
Load more

Recommended publications
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Dissertation Committee for Michael James Schmidt Certifies That This Is the Approved Version of the Following Dissertation
    Copyright by Michael James Schmidt 2014 The Dissertation Committee for Michael James Schmidt certifies that this is the approved version of the following dissertation: The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany Committee: David F. Crew, Supervisor Judith Coffin Sabine Hake Tracie Matysik Karl H. Miller The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany by Michael James Schmidt, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 To my family: Mom, Dad, Paul, and Lindsey Acknowledgements I would like to thank, above all, my advisor David Crew for his intellectual guidance, his encouragement, and his personal support throughout the long, rewarding process that culminated in this dissertation. It has been an immense privilege to study under David and his thoughtful, open, and rigorous approach has fundamentally shaped the way I think about history. I would also like to Judith Coffin, who has been patiently mentored me since I was a hapless undergraduate. Judy’s ideas and suggestions have constantly opened up new ways of thinking for me and her elegance as a writer will be something to which I will always aspire. I would like to express my appreciation to Karl Hagstrom Miller, who has poignantly altered the way I listen to and encounter music since the first time he shared the recordings of Ellington’s Blanton-Webster band with me when I was 20 years old.
    [Show full text]
  • 1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
    GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.
    [Show full text]
  • The Upper Austrian Jazz Orchestra in the Spirit of Hans Koller
    The Upper Austrian Jazz Orchestra In the Spirit of Hans Koller „IN THE SPIRIT OF HANS KOLLER“ Live recorded at Porgy & Bess, Wien, 15. Jänner 2018 Hans Koller erlangte als erster österreichischer Jazzmusiker bereits in den 50- er Jahren internationale Bedeutung. Er war einer der wenigen, denen es gelang, über die Inspiration durch den amerikanischen Jazz eine eigenständige Stimme zu finden. Nach seiner „Flucht“ aus Wien 1950 war er, nach einem Abstecher in München (Freddie Brocksieper & Band) schnell in Frankfurt Kopf legendärer Bands mit Jutta Hipp, Albert Mangelsdorf, Karl Sanner und Roland Kovac. Ob als Gastsolist in Bands von Dizzy Gillespie, Stan Kenton, Benny Goodman, der SWF BB mit Eddie Sauter oder bei seinen Projekten mit Oscar Pettiford, Attila Zoller und Martial Solal, fand Koller nicht auch zuletzt durch seine Auseinandersetzung mit der Malerei eine eigene Klangsprache. „Ich male so,“ bekannte Hans Koller, „wie ich Jazz spiele. Und ich schreibe Klänge, die Farbkompositionen ähnlich sind.“ „Painter’s Lament“ nannte Koller auch eines seiner Stücke für sechs Saxophone. ./. >> Lineup Tracklisting trumpet section: saxophone section: trombone section: rhythm section: Andreas Pranzl Andreas See Dominik Stöger Helmar Hill piano Disc 1 Markus Gorofsky Robert Müllner Peter Nickel Primus Sitter guitar 01. Opening (0:49) Joschi Öttl Christian Maurer Robert Bachner Christian Wendt bass Manfred Weinberger Andreas Lachberger Hermann Mayr Alfred Vollbauer drums 02. Civilisation (4:59) Jürgen Haider 03. Scarlet No2 (5:49) 04. Hommage à soulange (5:02) 05. Suomi-Kunstkopfindianer (9:56) 06. Mingus privat (10:13) 07. New York Suite (10:05) 08. So Sweet (3:40) Disc 2 01.
    [Show full text]
  • 1 1 Funding for the Smithsonian Jazz Oral History
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LEE KONITZ NEA Jazz Master (2009) Interviewee: Lee Konitz (b. October 13, 1927, in Chicago, IL) Interviewer: Bill Kirchner with recording engineer Ken Kimery Date: February 14-15, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 110 pp. Kirchner: So it is Valentines Day . Konitz: [singing] Happy W’alentines, Happy W’alentines. Kirchner: . .Two thousand eleven, and we’re in Lee Konitz’s apartment in Manhattan, and I’m Bill Kirchner, and we’re about to begin the oral history with Lee. Konitz: Welcome. Kirchner: Let’s start with the most obvious possible thing. Konitz: I was born at a very early age. Kirchner: Most of us were. Konitz: [chuckles] Kirchner: We have that in common among other things. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Page | 1 Konitz: [chuckles] Kirchner: What was your date of birth? Konitz: October thirteen, nineteen twenty-seven. Kirchner: And for the record, what is your full name? Konitz: “Leon” was my given name and “Lee” has become my second name. The fact is that I had two older brothers and I was supposed to be a girl, and my name was going to be “Leonna”. So I became “Leon” and then after a while my friends called me “Leo”, and then “Lee”, and it’s going to “Le”. When I get to “L” I think I’m leaving town. Kirchner: [Laughs] As I understand it from Andy Hamilton’s book your parents were both born in Europe? Konitz: Yes, my father in Austria, my mother in the Ukraine.
    [Show full text]
  • Return of the Guitar Man
    October 2011 | No. 114 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com George Benson Return of the Guitar Man ARE U SPECIASL GUIIST Vic Juris • Mary Halvorson • Loose Torque • Event Calendar When one thinks of the instrument that most closely defines jazz, the saxophone is the obvious choice. But guitar has been making a strong case for decades now and some of the most compelling players in jazz history have been six-stringers. New York@Night What makes the guitarist most interesting is that they often have the most 4 expansive view of jazz and its possibilities, saddled with less history and fewer Interview: Vic Juris archetypes. We feature three of them in this, our special Guitar Issue. George Benson (On The Cover) has been a polarizing figure, heir to the throne of Wes 6 by Ryan Blotnick Montgomery but willing to disappoint purists because of his crossover activities; Artist Feature: Mary Halvorson Benson plays Town Hall this month in support of his new (return-to-jazz) album Guitar Man. Vic Juris (Interview) got his start, like many of his kind, working with by Martin Longley 7 organists, but also absorbed the nascent fusion movement, establishing his On The Cover: George Benson credentials with Dave Liebman and as a leader and educator; Juris plays around by Bill Milkowski town several times this month. And Mary Halvorson (Artist Feature) has rightly 9 been described as a unique voice on her instrument, to which her various projects Encore: Lest We Forget: and appearances as a sideman attest; this month she plays with mentor Anthony 10 Braxton as well as leading or co-leading several typically wide-ranging projects.
    [Show full text]
  • The Jazz and Improvised Music Scene in Vienna After Ossiach (1971-2011)
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) Thomas Albert Zlabinger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1684 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FREE FROM JAZZ: THE JAZZ AND IMPROVISED MUSIC SCENE IN VIENNA AFTER OSSIACH (1971-2011) by THOMAS ALBERT ZLABINGER A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii 2013 THOMAS ALBERT ZLABINGER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Jeffrey Taylor Date Chair of Examining Committee Prof. David Olan Date Executive Officer Prof. Peter Manuel Prof. Stephen Blum Prof. Reinhold Wagnleitner (Universität Salzburg) Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) by Thomas Albert Zlabinger Advisor: Prof. Peter Manuel Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades.
    [Show full text]
  • Summer News 2011 Hans Koller Zum 90. Geburtstag
    Summer News 2011 Bock’s Music Shop e.U. Agentur–Handel–Produktion & Vertrieb 1130 Wien (Europe), Glasauergasse 14/3 Tel.- u. Fax: (+43-1)877-89-58 [email protected] www.bocksmusicshop.at Liebe Musik- und Buchfreunde! In dieser Ausgabe finden Sie folgende Themen: • 90. Geburtstag von Hans Koller , 70. Geburtstag von Lajos Dudas • Die CDs des Monats aus den Bereichen JAZZ und KLASSIK . • Jubiläen und Gedenktage • Aktuelle CD- / Vinyl-LP- und DVD -Veröffentlichungen • Buch -Neuerscheinungen • Bock Productions – Unsere CD-Produktionen Hans Koller Zum 90. Geburtstag (12. 2. 1921 – 22. 12. 2003 in Wien) Der österreichische Jazzmusiker, Komponist und Maler Hans (Antonio Hans Cyrill) Koller (12. 2. 1921 – 22. 12. 2003) wäre heuer 90 Jahre alt geworden. Der kreative Saxophonist war der erste heimische Jazz-Musiker von Weltgeltung. Mit seinen frühen Combos, darunter das legendäre Quartett mit Jutta Hipp und Formationen mit Oscar Pettiford , Kenny Clarke und Attila Zoller , schrieb er europäische Jazzgeschichte. Er spielte mit Jazzgrößen wie Dizzy Gillespie , Benny Goodman , Stan Kenton , Lee Konitz , Zoot Sims um nur einige wenige zu nennen. Anlässlich seines 90. Geburtstages erscheint das Album “Hans Across The Sea“ erstmals auf CD! CDs & Buch Koller, Hans - Hans Across The Sea (1952 - 1955) Die Aufnahmen vom Sommer 1952 wurden ursprünglich für die amerikanische Firma Discovery eingespielt und auf den Platten 1741 und 1742 (78 UpM) und DL 2005 (LP) veröffentlicht. Die Privataufnahmen erschienen erstmals auf RST LP 903 2913 und jetzt zum ersten Mal auf CD . HANS KOLLER QUARTETT: Hans Koller (ts), Jutta Hipp (p), Franz "Shorty" Roeder (b), Karl Sanner (dr), München, Sommer 1952.
    [Show full text]
  • MS/CU 271 HISTORY of JAZZ: IF YOU DON't LIVE IT, IT WON't COME out of YOUR HORN IES Abroad Vienna
    MS/CU 271 HISTORY OF JAZZ: IF YOU DON'T LIVE IT, IT WON'T COME OUT OF YOUR HORN IES Abroad Vienna DESCRIPTION: Jazz is one of the most important musical innovations of the 20th century. In this course, we will proceed chronologically with an historical overview of the development of jazz styles, including New Orleans, Chicago and Kansas City styles, swing, bop and post- bob, cool, free-jazz, fusion jazz and today’s scene without forgetting what also happened in Europe. Basic structural elements and instrumental functions will be introduced, and the innovations of major jazz figures such as Louis Armstrong, Duke Ellington, Charlie Parker, Thelonious Monk, Miles Davis, John Coltrane, Ornette Coleman, Billie Holiday will also be examined. During this course, special attention will be given to the development of jazz in Europe, from its tentative beginnings, through the dark hours of World War 2 and the explosion of the jazz scene in the 1950s. We will also examine the importance of free improvisation in the 1960s and 1970s and the emergence of national style in Scandinavia, former Eastern bloc countries, Germany, France and Italy. As any music cannot be separated from its time and place, a large portion of the seminar will be dedicated to jazz’s social and cultural context, its impact on other artistic forms, on American and European cultures as well as its role as a mirror of social issues. We will listen to classic performances, discuss/debate the different aspects of jazz, the aesthetic values of specific recordings, and the influences of jazz on other musical styles.
    [Show full text]
  • Jazz Collection: Hans Koller Dienstag, 15
    Schweizer Radio und Fernsehen, Postfach, CH-4002 Basel Jazz Collection: Hans Koller Dienstag, 15. Februar 2011, 20.00 - 21.00 Uhr Samstag, 19. Februar 2011, 22.00 - 23.00 Uhr (Zweitsendung) Der Klarinettist und Saxophonist Hans Koller (1921-2003), der auch als Komponist und Maler wirkte, war eine der vielseitigsten und schillerndsten Persönlichkeiten des europäischen Jazz. Nach ersten Erfolgen der Band mit der Pianistin Jutta Hipp und seiner New Jazz Stars in den 1950er Jahren, schrieb er Jazzgeschichte mit einem Quartett, in dem er mit Oscar Pettiford, Attila Zoller und Kenny Clarke spielte. Später zog er mit seinem Ensemble Free Sound eine kalkulierte Summe des Free Jazz. Gast von Andreas Müller-Crepon ist der Wiener Saxophonist Wolfgang Puschnig, u.a. Mitbegründer und Solist des Vienna Art Orchestra. Buchempfehlung von Wolfgang Puschnig Klaus Schulz: Hans Koller. Bild-Biografie, mit CD. Album Verlag für Fotografie, 2007 The Way You Look Tonight (1953 CD Vogue (F) LD144 Hans Koller, ts; Albert Mangelsdorff, tb; Jutta Hipp, p; Shorty Roeder, b; Karl Sanner, d Skylark (1957) CD World Pacific WP2006 Gary Crosby, voc; Big Band arr by Johnny Mandel, feat Hans Koller, ts How About You? NDR Workshop 1958 CD NDR Studio-Aufnahme/ Privatarchiv Klaus Schulz Hans Koller ts; Armin Rusch, p; Attila Zoller, g; Oscar Pettiford, b; Jimmy Pratt, d Music for Pablo (1964) CD Privatarchiv Klaus Schulz Song One (1976) CD Privatarchiv Klaus Schulz Hans Koller, ss; Herbert Joos, Ack van Royen, Robert Pollizer, flh; Norma (1978) CD Privatarchiv Klaus Schulz Hans Koller Free Sounds Hans Koller, Herbert Joos, flh; Fritz Pauer, p; Jürgen Wuchner, b; Thomas Cremer, d Hommage to Webern (1986) CD Privarchiv Klaus Schulz Hans Koller + Friends Saxophonquartet: Hans Koller, ss; Wolfgang Puschnig, as; Manfred Balasch, ts; Bernd Konrad, bs The Hans Koller Concept (1986/2002) CD Extraplatte exnext 703-2 Duo 1 The Hans Koller Concept Kollectiv About Hans (2008) Paul Urbanek Stream 5 CD „Live im Wiener Konzerthaus“ Universal Emarcy 0602517930766 Wolfgang Puschnig, as, Paul Urbanek, p, u.a.
    [Show full text]
  • WDR 3 Jazz & World 16. Juni 2017
    WDR 3 Jazz & World 16. Juni 2017 Entwicklungshelfer in Sachen Jazz - der ungarische Gitarrist Attila Zoller 22.30-24.00 Stand: 14.06.2017 E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Stefan Hentz Redaktion: Bernd Hoffmann Sendelaufplan / Lizenzen 1. Alicia’s Lullaby K: Attila Zoller 4:00 LEE KONITZ/ATTILA ZOLLER WDR-Mitschnitt CD:: Lee Konitz Quartet, 22.3.1968 2. 317 East 32nd Street K: Lennie Tristano 6:25 LEE KONITZ/ATTILA ZOLLER WDR-Mitschnitt CD:: Lee Konitz Quartet, 22.3.1968 3. Hipp Noses K: Joky Freund 6:56 JUTTA HIPP Bear Family Records BCD15430; LC: 00540 CD: V.A.: Deutsches Jazzfestival 1954/55 4. When Your Lover Has Gone K: Einar Aaron Swan 4:40 HANS KOLLER WDR-Mitschnitt CD: Hans Koller Band, 16.3.1957 5. Aphrodite K: Attila Zoller 3:39 ATTILA ZOLLER QUARTETT Philips /Universal 9676629; LC: 00305 CD: Heinrich Heine Lrik und Jazz 6. Give Too K: Attila Zoller/Albert Mangelsdorff 4:00 MANGELSDORFF/ZOLLER WDR-Mitschnitt CD: Mangelsdorff/Zoller Duo, 2. Dt. Jazz- Salon, 16.3.1959 7. Joy for Joy K: Attila Zoller 11:48 KONITZ/FRIEDMAN/ZOLLER hatOLOGY 692 LC: 06048 CD: Konitz/ Friedman/Zoller: thingin 8. Borraspar K: Attila Zoller 8:39 KURT EDELHAGEN COMBO WDR-Mitschnitt CD: Kurt Edelhagen Combo vom 15.10.1971 9. Treffpunkt K: Attila Zoller 5:37 KURT EDELHAGEN COMBO WDR-Mitschnitt CD: Kurt Edelhagen Combo vom 15.10.1971 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World 16.
    [Show full text]
  • MARY Lou Williams First Lady of the Piano
    MARCH 2018—ISSUE 191 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM MARY lou williams first lady of the piano WOMEN IN JAZZ ISSUE ANAT TIA NANCY HADDA COHEN FULLER HARROW BROOKS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MARCH 2018—ISSUE 191 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : ANAT COHEN 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : TIA FULLER 7 by russ musto General Inquiries: [email protected] ON The COver : MARY LOU WILLIAMS 8 by scott yanow Advertising: [email protected] Encore : NANCY HARROW by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : HADDA BROOKS 10 by jim motavalli [email protected] LAbel Spotlight : DARK TREE by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REpORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne Lorge, Miscellany 33 Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 34 Andrew Vélez, Scott Yanow Contributing Writers Marco Cangiano, Jim Motavalli, Eric Wendell Contributing Photographers Enid Farber.
    [Show full text]