THE GREEN HORNET Road to Ruin
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An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105
An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105 An Examination of Native Americans in Film and Rise of Native Filmmakers Julia Boyd Media Arts and Entertainment, Concentration: Cinema Elon University Abstract This paper explored the role of Native Americans in the Hollywood film industry and their actions to estab- lish authentic representations of their population and culture in the media. Using academic literature, film analyses, and contemporary film reviews and articles, the author created a synthesis of the history of Na- tive Americans in film. The author concluded that by becoming producers, directors, and writers of their own stories, American Indians have regained control of their images and been able to combat stereotypes and the exclusion of Native Americans in the creative process. Positive social change for minority populations can be optimized when these populations are in control of their own images in film and media. I. Introduction One can use art, music, literature, television and film to trace patterns in society. Since the invention of moving images in the late nineteenth and early twentieth century, film has been a particularly powerful me- dium. Films have served as escapist fantasies, allowing audiences to enter astonishing worlds and encounter wild and colorful characters. Movies have also been used to convey truths about society that are more easily digested in a fictional format. Difficult topics such as the nature of humanity, love, and war have all been explored with film as the tool that disseminates these themes into the consciousness of the masses. With the rise of mass media and popular culture came the onset of a collective consciousness that could be shared by people all over the world, rather than people of a particular culture relying on their own ancestry and specific history. -
Interview with JIM GILLESPIE Texas Ranger, Retired ©2008, Texas
Interview with JIM GILLESPIE Texas Ranger, Retired ©2008, Texas Ranger Hall of Fame and Museum Project: Texas Rangers Interview Conducted at Mr. Gillespie’s Home Dumas, Texas Thursday—October 30, 2008 Interviewed By: Nancy Ray and Eddie Ray Longview, Texas Present at Interview: Jim Gillespie, Nancy Ray and Eddie Ray 1 This Texas Ranger Hall of Fame E-Book™ is copyrighted 2009, by the Texas Ranger Hall of Fame and Museum. All Rights Reserved. For information contact Director, Texas Ranger Hall of Fame and Museum, PO Box 2570, Waco, TX 76702. Introduction Welcome to the E-Book Project of the Texas Ranger Hall of Fame and Museum (TRHFM). The TRHFM, located in Waco, Texas, is the State-designated Official Historical Center of the Texas Rangers. It is operated as a service of City of Waco by authorization of the Texas Department of Public Safety and the State of Texas. The mission of this project is to provide easy access to books, oral histories dissertations, articles, and other literary works on Texas Ranger history. Public Domain Works: Many of the works in this non-commercial library are in the public domain and may be freely enjoyed—please follow the conditions set forth below. Copyrighted Works: Some works, which are clearly noted, are under copyright. They are in this library through the courtesy and permission of the copyright holders. Please read and enjoy them, but they may not be redistributed, copied or otherwise used without the written permission of the author or copyright holder. Conditions & Statements 1. The Adobe Acrobat™ or other file format in which this work resides may not be redistributed for profit—including commercial redistribution, sales, rentals, or fees for handling, access, download etc. -
Activity #1, Overture to William Tell
STUDENT ACTIVITIES Student Activities – Activity #1, Overture to William Tell William Tell is an opera written by the composer Gioachino Rossini. This famous piece is based upon the legend of William Tell and has been used in cartoons, movies, and even commercials! Listen to the Overture to William Tell and see if you recognize it! https://www.youtube.com/watch?v=YIbYCOiETx0 Read the Legend of William Tell. This was Rossini’s inspiration for writing the opera! THE LEGEND OF WILLIAM TELL William Tell is a Swiss folk hero. As the legend goes, William Tell was known as a mighty man who was an expert with the crossbow. After refusing to pay homage to the Austrian emperor, Tell was arrested and the emperor deemed that William and his son Walter be executed. However, the emperor would let them go free if William was able to shoot an apple off the head of his son! Walter nervously stood against a tree and an apple was placed upon his head. William successfully shot the apple from 50 steps away in front of a crowd of onlookers! William Tell and his never ending fight for liberty helped start the rebellion against the emperor and other tyrants as well. FWPHIL.ORG 1 STUDENT ACTIVITIES Activity #1, Overture to William Tell Listen to the musical excerpt again and answer the 5. Although there are no horses in the following questions. Rossini opera, this music was used as the theme song for “The Lone Ranger” 1. Do you recognize the overture to William Tell? as he rode his galloping horse! It has however, been used in commercials and even cartoons! Where else have you heard this piece? Explain. -
Batman in the 50S Free
FREE BATMAN IN THE 50S PDF Joe Samachson,Various,Edmond Hamilton,Bill Finger,Bob Kane,Dick Sprang,Stan Kaye,Sheldon Moldoff | 191 pages | 01 May 2002 | DC Comics | 9781563898105 | English | United States Batman in the Fifties (Collected) | DC Database | Fandom An instantly recognizable theme song, outrageous death traps, ingenious gadgets, an army of dastardly villains and femme fatales, and a pop-culture phenomenon unmatched for generations. James Bondright? When it first premiered inBatman was the most faithful adaptation of a bona fide comic book superhero ever seen on the screen. It was a nearly perfect blend of the Saturday matinee movie serials where most comic book characters had their first Hollywood break and the comics of its time. But the TV series, particularly during its genesis, was both a product of its own time, and that of an earlier era. Both Flash Gordon and Dick Tracy had made the leap to the big screen before Superman had even hit newsstands, and both saw their serial adventures get two sequels. While Flash Gordonparticularly the first one, was a faithful within the limitations of its budget translation of the Alex Raymond comic strips, Dick Tracy was less so. Years before Richard Donner and Christopher Reevethis one made audiences believe a man could fly, and featured a perfectly cast Tom Tyler in the title role, but was still rather beholden to serial storytelling conventions and the aforementioned budgetary limitations. Ad — content continues below. Batman and Robin are portrayed much as they are in the comics, despite some unfortunately cheap costumes, and less than physically convincing actors in the title roles. -
{PDF} Bass Reeves and the Lone Ranger : Debunking the Myth Kindle
BASS REEVES AND THE LONE RANGER : DEBUNKING THE MYTH Author: Martin Grams Jr Number of Pages: 26 pages Published Date: 20 Jan 2018 Publisher: Createspace Independent Publishing Platform Publication Country: none Language: English ISBN: 9781984066725 DOWNLOAD: BASS REEVES AND THE LONE RANGER : DEBUNKING THE MYTH Bass Reeves and The Lone Ranger : Debunking the Myth PDF Book After I joined the Mandel Center at Brandeis University in the Fall of 2003, Avital Feuer assisted me ably in readying the ?nal version of the book. Customize your Windows 10 Anniversary Update experienceInstall and remove hardware and softwareSet up your network and configure securityManage content, connect to printers, and troubleshoot issues Clear your to-do list faster than ever with Cortana voice commands, Windows Ink, Windows Hello, and a cross-platform capability that allows you to integrate a range of platforms including tablets, phones, Raspberry Pi, and even Xbox. citizenship parallels the border crossing story of Carger's first book and illuminates triumphs and tragedies the family, and many other immigrants, experience as they negotiate life in the United States, and as they, all too often, have to forsake their hopes and dreams. This book, available in paperback for the first time, lifts the veil of excessively optimistic propositions covering the whole better regulation agenda. The book gives a state-of-the-art overview of current research and development in parsing technologies. A Practical Approach to Strength Training: 25th AnniversaryAre you stressed out over how to feed your family a nutritious meal at the end of a long, busy day without turning to convenience foods or the drive-through. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
"FEAR" Cast: LONE RANGER TONTO DAN REED SHERIFF JIM BARNES
THE LONE RANGER: "FEAR" Cast: LONE RANGER TONTO DAN REED SHERIFF JIM BARNES EVERETT BARNES BARKEEP BANKER THOMAS JUDY MASON MONK SAVAGE TRIG SLIM GLETCHER BILLY JOHNNY U.S. MARSHAL MUSIC:WILLIAM TELL OVERTURE - HORSE GALLOPING LR:"HI HO, SILVER, AWAY!!" FX:SHOTS (6) ANNOUNCER:A FIERY HORSE WITH THE SPEED OF LIGHT, THE CLOUD OF DUST AND A :HEARTY "HI HO SILVER" -- THE LONE RANGER! FX:WILLIAM TELL OVERTURE (THE WHOLE THING) ANNOUNCER:With his faithful Indian companion Tonto, the daring and resourceful masked rider of the plains led the fight for law and order in the early western United States. No where in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. FX:GRADUALLY BRING UP HOOF BEATS ANNOUNCER:From out of the past come the thundering hoof beats of the great horse Silver. The Lone Ranger rides again! FX:LOUD HOOFBEATS LR (from a distance):Come on, Silver! Let's go, big fella! Hi Ho, Silver -- AWAAYY!! FX:HOOFBEATS FADE TO MUSIC - BRING MUSIC UP (KEEP MUSIC UNDER ANNOUNCER) ANNOUNCER:There was death in Piute Basin that afternoon. It's ugly pattern was in the ugly swoop of a single buzzard that hovered high overhead. Its ominous threat was in the stifling heat of a relentless sun and its certainty was in the eyes of a man who lay mortally wounded at the foot of Indian Bluff. His eyes now dimming rapidly saw three horsemen rein up their mounts a short distance from where he lay. -
The Reflection of Sancho Panza in the Comic Book Sidekick De Don
UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10. -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
Golden Ag E W Estern Comics Golden
Golden Age Western Comics Western Golden Age he Wild West has been romanticized in American culture ever since the dime novels capturing the exploits of Jesse James were produced in the years directly Tfollowing the Civil War, and the Western genre continues to enthrall audiences to this day. The stories of frontiersmen, outlaws, cowboys, Indians, prospectors, and marksmen surviving the harshest of environments through wit, skill, and determination, or meeting their end by bullet, noose, or exposure speak to what it means to be American and play an essential part in how we define ourselves as a nation. These mythic stories have been captured and created in almost every popular mass medium of the past century and beyond from tabloids to novels, radio plays, television shows, and movies. Now, powerHouse Books is pleased to present a collection of these uniquely American stories as told through a uniquely American medium…the comic book! Golden Age Western Comics lovingly reproduces in full-color, restored, complete scans of over 40 of the best Western stories created between the years 1948 and 1956. These lavishly illustrated stories of guts and glory, violence and valor, intrigue, romance, and betrayal, on the range and in lawless frontier towns, were created by some of the best artists and writers of the era. The action flies off the page in stories such as “The Tragedy at Massacre Pass,” and “Breakout in Rondo Prison,” from the greatest earliest publishing houses, including: Fawcett, Charlton, Avon, Youthful, and more. Golden Age Western -
Airport Car Rental
City of Waco, Texas Request for Proposal RFP No. 2016 - 020 Exhibit Development for Texas Ranger Hall of Fame and Museum Issue Date: February 11, 2016 Closing Date & Time: March 10, 2016 at 2:00 p.m. Opening Date & Time: March 10, 2016, at 2:01 p.m. RFP Opening Location: Purchasing Services Office, 1415 N. 4th Street, Waco, Texas For Information Contact: Victor Venegas, Purchasing Services, 254-750-8098 Pre-submittal Meeting Location: Texas Ranger Education Center (Behind the Texas Ranger Hall of Fame and Museum) 100 Texas Ranger Trail Waco, TX 76706 On February 24, 2016 at 2:00 PM Purchasing Services Post Office Box 2570 Waco, Texas 76702-2570 Telephone 254 / 750-8060 Fax 254 / 750-8063 www.waco-texas.com City of Waco, Texas Request for Bids/Proposals/Qualifications RFB No. 2016 - 020 Exhibit Development for Texas Ranger Hall of Fame and Museum REGISTER INTEREST You have received a copy of the above described Request document. If you would like to register your interest in this project so that you will receive any future notices or addenda concerning the project, please fill in the information requested below and fax this page to 254-750-8063. You may also scan this page and email to: [email protected]. Company/Firm: Name of Contact Person(s): Email(s): Telephone 1: __________________________________ Telephone 2:_________________________________ Fax: Other: Mailing Address: It is your responsibility to complete and return this form to the City. Failure to do so will result in your not receiving notices and addenda related to this project from the City of Waco.