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Excerpt The Seeker King A Spiritual Biography of Elvis Presley By Gary Tillery Taken from the Introduction The deluxe Dodge motor home thundered west on Route 66, chewing up the Arizona desert. Three passengers rode along in comfort inside the spacious vehicle, enjoying all the amenities the mid-sixties had to offer—including an eight-track tape deck, a stereo, and even a television. Two other men sat up front, the owner of the vehicle behind the steering wheel. Passing motorists who happened, out of idle curiosity, to crane their necks and glance at him received a jolt they would never forget. Elvis Presley had delayed leaving Memphis until the last minute. He had seized every excuse to avoid departing. Now, since he hated to fly, he and his retinue of friends and assistants were forced to drive almost nonstop across the nation to be on the West Coast in time to begin production of his latest film. Several years of trite scripts and lackluster soundtrack albums had stripped Elvis of any enthusiasm for starting a new movie. He was embarrassed by the mediocre quality of the films the Colonel kept committing him to make, and he was disenchanted with the Hollywood lifestyle. But as he headed west, that was not the worst of what was troubling him. He found himself in the depths of a spiritual crisis. Twelve hours earlier, during another turn in the driver’s seat, his mental anguish had reached a tipping point. Approaching Amarillo in the early morning, with no word to the others, he abruptly pulled off the highway into a motel parking lot. -
Southern Gospel and CCM
Southern Gospel Music Copyright 1998 by David W. Cloud Tis edition May 6, 2014 ISBN 978-1-58318-148-5 Tis book is sold in print format but it is available for free distribution in eBook format--in pdf, mobi (for Kindle, etc.), and ePub. See the Free Book tab - www.wayofife.org. We do not allow distribution of this book from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ..........................................................................1 History of Southern Gospel ................................................3 Worldliness .........................................................................10 Southern Gospel in Recent Years .....................................19 Southern Gospel and CCM ..............................................24 When to Avoid Southern Gospel Music .........................25 About Way of Life’s eBooks ..............................................30 Powerful Publications for Tese Times ...........................31 iii iv Introduction Southern gospel is not a single style of music. It is a classifcation of a broad range of harmonizing, country- tinged Christian music that originated in the southeastern part of the United States. Some Southern gospel is lovely and spiritual and seeks not to entertain the fesh but to edify the spirit. (Tere are also quartets that are not Southern gospel in style; an example is the Old Fashioned Revival Hour Quartet that was featured on Charles Fuller’s radio program.) We praise the Lord for all Christian music, Southern or otherwise, which doesn’t sound like the world, which has scriptural lyrics, which seeks solely to glorify Jesus Christ and edify the saints, and which is produced by faithful Christians. -
Graceland Announces Additional Guests for Elvis Week 2019 August 9-17
FOR IMMEDIATE RELEASE Contact: David Beckwith 323-632-3277 [email protected] Christian Ross 901-652-1602 [email protected] Graceland Announces Additional Guests for Elvis Week 2019 August 9-17 The New Guests Have Been Added to the Line-up of Events Including Musicians Who Performed and Sang with Elvis, Researchers and Historians Who Have Studied Elvis’ Music and Career and More Memphis, Tenn. – July 31, 2019 – Elvis Week™ 2019 will mark the 42nd anniversary of Elvis’ passing and Graceland® is preparing for the gathering of Elvis fans and friends from around the world for the nine- day celebration of Elvis’ life, the music, movies and legacy of Elvis. Events include appearances by celebrities and musicians, The Auction at Graceland, Ultimate Elvis Tribute Artist Contest Finals, live concerts, fan events, and more. Events will be held at the Mansion grounds, the entertainment and exhibit complex, Elvis Presley’s Memphis,™ the AAA Four-Diamond Guest House at Graceland™ resort hotel and the just-opened Graceland Exhibition Center. This year marks the 50th anniversary of Elvis’ legendary recording sessions at American Sound that produced songs such as “Suspicious Minds,” “In the Ghetto” and “Don’t Cry Daddy.” A special panel will discuss the sessions in 1969. Panelists include Memphis Boys Bobby Wood and Gene Chrisman, who were members of the legendary house band at the American Sound between 1967 until it’s closing in 1972; Mary and Ginger Holladay, who sang back-up vocals; Elvis historian Sony Music’s Ernst Jorgensen; songwriter Mark James, who wrote "Suspicious Minds"; and musicians five-time GRAMMY Award winning singer BJ Thomas and six-time GRAMMY Award winning singer Ronnie Milsap, who will also perform a full concert at the Soundstage at Graceland that evening. -
ELVIS PRESLEY BIOGRAPHY and Life in Pictures Compiled by Theresea Hughes
ELVIS PRESLEY FOREVER ELVIS PRESLEY FOREVER ELVIS PRESLEY FOREVER ELVIS PRESLEY BIOGRAPHY and life in pictures compiled by Theresea Hughes. Sample of site contents of http://elvis-presley-forever.com released in e-book format for your entertainment. All rights reserved. (r.r.p. $27.75) distributed free of charge – not to be sold. 1 Chapter 1 – Elvis Presley Childhood & Family Background Chapter 2 – Elvis’s Early Fame Chapter 3 – Becoming the King of Rock & Roll Chapter 4 – Elvis Presley Band Members http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-band-members.html Chapter 5 – Elvis Presley Girlfriends & Loves http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-girlfriends.html Chapter 6 – Elvis Presley Memphis Mafia http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-memphis-mafia.html Chapter 7 – Elvis Presley Spirit lives on… http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-spirit.html Chapter 8 – Elvis Presley Diary – Calendar of his life milestones http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-diary.html Chapter 9 – Elvis Presley Music & Directory of songs & Lyrics http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-music.html Chapter 10 – Elvis Presley Movies directory & lists http://elvis-presley-forever.com/elvis-presley-biography-elvis-presley-movies.html Chapter 11 – Elvis Presley Pictures & Posters http://elvis-presley-forever.com/elvis-presley-pictures-poster-shop.html Elvis Presley Famous Quotes by -
The Truth About Elvis” Movie Website from Back in March 2007 – This Is Reproduced Here for Educational Purposes Only
THIS IS TEXT FROM THE RESEARCH SECTION OF “THE TRUTH ABOUT ELVIS” MOVIE WEBSITE FROM BACK IN MARCH 2007 – THIS IS REPRODUCED HERE FOR EDUCATIONAL PURPOSES ONLY. PLEASE CHECK OUT THE GROUP ON FACEBOOK FOR MORE INFORMATION OR TO HELP WITH THE SEARCH FOR THE TRUTH. https://www.facebook.com/groups/48484318100/ OR MICKEY'S WEBSITE AT http://elvisconspiracy.webs.com/ Cheers & TCB! I'm going to post sightings, leads and research here. I'll post this information as I go along, so you can see some of the information I'm using to move forward. FROM ME: WE REALLY APPRECIATE THE EMAILS WE RECEIVE FROM FANS. LET US KNOW IF YOU HAVE ANY INTERESTING NEWS. THANKS, ADAM 3/14/07 Hi Adam, I finally had the chance to read "Elvis & Me by Priscilla and thought I'd share a little info with you. As I read the book, I really find it hard to believe that Priscilla would put some of the information she has in the book if Elvis was alive. There is quite a bit of their intimacy moments in the book and knowing what I've read about the two of them, it's hard to believe Priscilla even sharing this information. All I know is that I have very mixed feelings about the whole Elvis thing. Is it a money gimmick and/or just to keep Elvis and themselves in the limelight light. I do know that people are out to make a buck off of him. Some of those addresses on People Search are phony and they shouldn't be allowed to rip people off by using his middle initial and date of birth. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Chapter 10 Alan C
142 Psychobiographies of Artists Chapter 10 Alan C. Elms & Bruce Heller Twelve Ways to Say “Lonesome” Assessing Error and Control in the Music of Elvis Presley n the current edition of the Oxford English lyrics of “Are You Lonesome Tonight?” . IDictionary (2002), twenty-two usage citations [H]e sweats so much that his face seems to be include the name of Elvis Presley. The two earli- melting away. [T]he dissolving face . est citations, from 1956, show the terms “rock recalls De Palma’s pop-culture horror movie and roll” and “rockin’” in context. A more re- Phantom of the Paradise. (p. 201) cent citation, from a 1981 issue of the British magazine The Listener, demonstrates the usage As an example of biography, Albert Goldman of the word “docudrama”: “In the excellent (1981) concluded his scurrilous best-seller Elvis docudrama film, This Is Elvis, there is a painful with a description of the same scene: sequence . where Elvis . attempts to sing ‘Are You Lonesome Tonight?’” (The ellipses are He is smiling but sweating so profusely that the OED’s.) his face appears to be bathed in tears. Going This Is Elvis warrants the term “docudrama” up on a line in one of those talking bridges because it uses professional actors to re-enact he always had trouble negotiating, he comes scenes from Elvis’s childhood and prefame youth. down in a kooky, free-associative monologue But most of the film is straight documentary. The that summons up the image of the dope- “painful sequence” cited by The Listener and the crazed Lenny Bruce. -
Ave You Heard the Nws? ... There's Good Rockin' Tonight." ''The Pure
ave you heard the nws? ... There's good rockin' tonight." -Elvis Presley, the Hillbilly Cat, in his recording of the Roy Brown song, 1954 ''The pure products of America go crazy.'' -William Carlos Williams, "Spring and All," 1923 The world was not prepared for Elvis Presley. The motorcycle epic, The Wild One. His vulnerability was violence of its reaction to him ("unspeakably untal mirrored by James Dean, whose first n10vie, East of ented," a "voodoo of frustration and defiance") Eden, was released in April 1955, just as Elvis's o"'ll more than testified to this. Other rock & rollers had career was getting under way. ("He 'knew I was a a clearer focus to their nwsic. An egocentric genius friend of Jimmy's," said Nicholas Ray, director of like Jerry Lee Lewis may even have had a greater Dean's second film, Rebel Without a Cause. "so he got talent. Certainly Chuck Berry or Carl Perkins had a down on his knees before rne and began to recite keener wit. But Elvis had the nwment. He hit like a "''hole pages from the script. Elvis must have seen Pan American flash, and the reverberations still lin Rehel a dozen times by then and remembered every ger from the shock of his arrival. one of Jimmy's lines.") His eponymous sneer and In some vvays the reaction may seem to have been the whole attitude that it exemplified-~ot derision out of proportion, for Elvis Presley was in retrospect exactly but a kind of scornful pity, indifference, a merely one more link in a chain of historical inevita pained acceptance of all the dreary details of square bility. -
Elvis Gospel Fan Club Quarterly Newsletter 2019-2 Editorial Madeleine
Elvis Gospel Fan Club Quarterly Newsletter 2019-2 Madeleine Wilson - Fan Club President and Newsletter Editor J Peter Wilson – Fan Club Vice President Dr. Tony Stone - Chaplain Shalom, 87 St John’s Avenue, Bridlington, East Yorkshire, YO16 4NJ Tel: 01262 416266 Website: www.elvisgospel.com. Email: [email protected] Editorial Dear Gospel Fan, It is always a pleasure to hear of new ways in which Elvis is still having a positive effect on humanity. I recently listened to a wonderful BBC Radio 4 programme “Elvis - A Tribute in Dance - The Art of Living” Claire Cunningham is a Scottish choreographer and contemporary dancer who performs with crutches. The programme joined her in the studio during the research period for a new work, “Thank You Very Much”, which draws on Claire’s current fascination with Elvis Tribute Artists. Claire is intrigued by the difference between impersonation and tribute, what it means to train to become someone else - or an ideal of someone else - and relating this to the lived experience of disability. She asks, “Is this also a life of being pressured to be someone you are not?” The programme is a fun, exuberant and occasionally poignant mix of dance, music, singing, text and, of course, fabulous costumes. Through one-on-one masterclasses with Elvis Tribute Artists, practising harmonies, and offering up their own personal experiences of physiotherapy and speech therapy, the group not only learn to sing and dance like Elvis, but also explore how paying tribute involves bringing something of themselves into the act. These tasks become part of improvisations in the studio, from which the final show was devised. -
Elvis' Gospel Music
Religions 2015, 6, 182–203; doi:10.3390/rel6010182 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article Elvis’ Gospel Music: Between the Secular and the Spiritual? Mark Duffett Media and Cultural Studies, University of Chester, Warrington WA2 0DB, UK; E-Mail: [email protected] Academic Editor: Edward Foley Received: 5 January 2015 / Accepted: 15 February 2015 / Published: 9 March 2015 Abstract: Do fans sanctify their heroes? In the past, I have argued that Elvis fandom is not a neo-religious practice but that attention to a modified version of Durkheim’s theory of religion can, nevertheless, help to explain it as a form of social interaction. I take that argument further here, first by revealing the ethical and analytical advantages of neo-Durkheimian theory, then by pitting this theory against three aspects of Elvis’ sincere engagement with gospel music. Elvis Presley won three Grammy awards for his gospel albums and was the musician who did most to bring the gospel quartet tradition to the mainstream. His eclectic personal ties to spirituality and religion have become a focus of debate within his fan culture. They offer a set of discursive resources through which to explain the emotional impact and social influence of his music. If star musicians are positioned as centres of attention, what happens when they use their privileged position in the spotlight to offer a “spiritual” message? Keywords: Elvis; gospel music; fandom; Durkheim; spirituality; totemism I can understand that people have spiritual leanings and want to find a way to God. But there is only one way to God. -
Elvis Express 04 Nederlands
met zijn authentieke houten vloer uit 1867. Hier bleef de tijd stilstaan Een kopij van Elvis' persoonlijke "King James" bijbel zal te zien zijn op Johnny Depp zou de rol van Elvis Presley willen vertolken in een en kon je de sfeer opsnuiven van bijna anderhalve eeuw terug. Als je de nieuwe tentoonstelling te Graceland die doorgaat onder de naam van zijn volgende films. De ster van ondermeer "Pirates Of The Carib- een jeans wilde kopen in XXXXXXL, dan kon dat bij Schwab. De souve- "The Roots of Elvis". Deze opende bean" verklaarde altijd al gefascineerd te zijn geweest in sterke karakters nirs van Elvis waren er ook spotgoedkoop, maar het gebouw is aftands eind februari als onderdeel van de VIP en inspirerende "levens" zoals ondermeer dat van Elvis Presley. Hij werkt NEWS en naast de toeristen zag je geen "Memphiaan" meer in de winkel. tour. Deze VIP benadering, die overi- verder aan het project en hoopt dat zijn droom dan ook weldra waar- Rechts van de winkel vond je het oudste, nog werkende politiekantoor gens veel méér kost, en weinig meer heid wordt. van Memphis, dat tevens tot een klein museum was herschapen. Ook biedt wordt niet als positief beschouwd Europees President Herman Van Rompuy kreeg op het Wereld Eco- dit pand werd enkele jaren geleden gesloten. Ontegensprekelijk verliest door de meeste fans. Als Graceland Op aanvraag van onze leden lanceren we nomisch Forum in het Zwitserse Davos U2-zanger Bono op de koffie. de “bluesstraat” te Memphis hiermee een beetje van zijn charme. blijft voort werken met twee maten en de “Lifetime Membershipcard” Behoorlijk "cool" volgens Siska (Studio Brussel) maar even koel was de gewichten blijft dat uiteraard hun pro- # 4 reactie van Herman: "Ik heb respect voor Bono maar ik hou eigenlijk Nog enkele dagen geduld en de prachtige lidkaarten van onze Elvis Pres- bleem. -
Welcome to My World: Researching the Role of Personal Narrative and Affective Presence at Graceland
Welcome to My World: Researching the Role of Personal Narrative and Affective Presence at Graceland Mariruth Leftwich Thesis submitted in fulfilment of the regulations of the Institute of Education, University of London for the degree of Doctor of Philosophy Institute of Education, Faculty of Children and Learning 2012 1 Thesis Abstract This study explores the visitor experience at one of the world's most famous historic houses, Graceland, Elvis Presley's home. The research methodology prioritises the visitor's voice, examining the impact of the Graceland experience on visitor perception. Particular attention is paid to theories of personal narrative and affective presence as interpretive devices. Personal Meaning Maps from 170 visitors form the core data and provide evidence of the profound conceptual changes that occur in visitors' perceptions of Elvis. Visitors consistently describe Elvis as a 'real' person, with personal characteristics such as humility and generosity proving more memorable than his fame or career. The Graceland tour is designed for visitors to connect with Elvis in an affective manner, evoking emotions and relying on narratives of family and nostalgic discourses. This succeeds in providing visitors with an experience that challenges and extends their pre-visit views of Elvis as the 'King of Rock and Roll.' The ability to change visitor perception is linked to the quality of the experience, as Adams et al. (2003) suggests, 'the better the experience, the greater the change' (p. 22). The transformations documented at Graceland prompted investigation, searching for indicators of quality interpretation through analysis of the audio tour content and visitor photographs. This examination reveals a set of interpretive practices potentially useful for other historic properties, including the contextualising of space through personal accounts, the introduction of emotive media, and a reliance on a narrative that is personal rather than objective.