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Bloody Case That Started from a Parody: American Intellectual Property and the Pursuit of Democratic Ideals in Modern China
UCLA UCLA Entertainment Law Review Title The Bloody Case That Started From a Parody: American Intellectual Property and the Pursuit of Democratic Ideals in Modern China Permalink https://escholarship.org/uc/item/7p81r9cz Journal UCLA Entertainment Law Review, 16(2) ISSN 1073-2896 Authors Rogoyski, Robert S. Basin, Kenneth Publication Date 2009 DOI 10.5070/LR8162027126 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Bloody Case That Started From a Parody: American Intellectual Property and the Pursuit of Democratic Ideals in Modern China Robert S. Rogoyskil and Kenneth Basin2 I. INTRODUCTION .............................................. 238 II. TRANSFORMATIVE USES AND THEIR TREATMENT UNDER CHINESE AND U.S. LAW ................................... 239 A. Hu Ge and Clip Culture in Contemporary China .... 239 B. Treatment of The Steamed Bun Under Chinese Copy- right L aw ............................................ 241 C. Treatment of The Steamed Bun Under American Copyright Law ....................................... 244 III. INTELLECTUAL PROPERTY: AMERICAN POLICY VS. AMER- ICAN IDEALS ............................................... 245 A. American Foreign Policy: In Pursuit of Freedom ..... 245 B. American Intellectual Property Policy: In Pursuit of M oney ............................................... 249 1. 1980s and 1990s .................................. 249 2. R ecent Years .................................... 251 C. Black Letter Results of the Current American Strategy ............................................. -
Planet China
1 Talking Point 6 Week in 60 Seconds 7 Banking and Finance Week in China 8 Economy 9 Auto Industry 11 Internet and Tech 13 Energy and Resources 14 Society and Culture 2 October 2015 17 And Finally Issue 298 18 The Back Page www.weekinchina.com Red guest at the White House m o c . n i e t s p e a t i n e b . w w w Xi visits Obama in Washington, but was his US trip overshadowed by the Pope’s? Brought to you by Week in China Talking Point 2 October 2015 Pontiff pips president Xi Jinping plays second fiddle to Pope Francis on American tour China’s president grabs his moment in the spotlight with tech executives in California last week oth hold sway over more than Catholic: “We have the propaganda The Pope’s trip to the US was Ba billion people. And both got department and you have the evan - rare – it was only the tenth Papal the top job after closed-door elec - gelicals. We have the organisation visit. Even rarer was a speech in tions that remain well nigh impos - department and you have the Col - Congress, as well as another on the sible for outsiders to figure out. lege of Cardinals. What’s the differ - White House lawn (delivered in They are, of course, Xi Jinping and ence, then?” English, and ending with the crowd- Pope Francis. Adding to the sense of mystery pleasing line “God Bless America”). Some of the similarities in the or - surrounding the two organisations Inevitably this raises the ques - ganisations that the two men lead was a new one last week. -
Cultural Governance in Contemporary China: Popular Culture, Digital Technology, and the State
! ! ! ! CULTURAL GOVERNANCE IN CONTEMPORARY CHINA: POPULAR CULTURE, DIGITAL TECHNOLOGY, AND THE STATE BY LUZHOU LI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications and Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor Emeritus John Nerone, Chair Assistant Professor Amanda Ciafone Professor Emeritus Dan Schiller Professor Kent Ono, University of Utah ii ABSTRACT This dissertation is a study of the historical formation and transformation of the Chinese online audiovisual industry under forces of strategic political calculations, expanding market relations, and growing social participation, and the cultural ramifications of this process, especially the kind of transformations digital technologies have wrought on the state-TV-station-centered mode of cultural production/distribution and regulatory apparatuses. Through this case, the project aims to theorize the changing mode of cultural governance of post-socialist regimes in the context of digital capitalism. Using mixed methods of documentary research, interviews with industry practitioners, participant observations of trade fairs/festivals, and critical discourse analyses of popular cultural texts, the study finds that the traditional broadcasting and the online video sectors are structured along two different political economic mechanisms. While the former is dominated by domestic capital and heavily regulated by state agencies, the latter is supported by transnational capital and less regulated. Digital technologies coupled with transnational capital thus generate new cultural flows, processes, and practices, which produces a heterogeneous and contested cultural sphere in the digital environment that substantially differs from the one created by traditional television. -
Chinese Engagement Abroad in the Scrap Business
China Perspectives 2020/4 | 2020 Facets of Global China Chinese Engagement Abroad in the Scrap Business Yvan Schulz Electronic version URL: https://journals.openedition.org/chinaperspectives/11225 DOI: 10.4000/chinaperspectives.11225 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 December 2020 Number of pages: 49-57 ISSN: 2070-3449 Electronic reference Yvan Schulz, “Chinese Engagement Abroad in the Scrap Business”, China Perspectives [Online], 2020/4 | 2020, Online since 01 December 2020, connection on 02 July 2021. URL: http:// journals.openedition.org/chinaperspectives/11225 ; DOI: https://doi.org/10.4000/chinaperspectives. 11225 © All rights reserved Special feature china perspectives Chinese Engagement Abroad in the Scrap Business YVAN SCHULZ ABSTRACT: This paper explores the changing nature of Chinese engagement abroad in the scrap business. Based on primary sources and interviews conducted by the author, it identifies the factors that, at different times, led Chinese scrap dealers and recyclers to extend the scope of their professional activity beyond the borders of their home country. Drawing on recent scholarship in discard studies, the author argues that it is necessary to move beyond the environmental dumping narrative in order to better understand Chinese national policy and its implications. This narrative serves as the main official justification for the bans on imports of recyclable waste that the central government adopted in recent years. However, there is good reason to believe that, by adopting a highly restrictive stance on the international waste trade, the central government sought first and foremost to bolster the municipal solid waste management sector within China. -
Looking Forward: Dr
Issue 4 2020 Executive insights, interviews, and intelligence for business in China P08 LinkedIn and the Future of Work P14 IMF on China’s Economic Prospects P32 Jim McGregor on Bilateral Frictions Looking Forward: Dr. Zhang Wenhong on COVID-19 and the Future of China's Public Health System www.amchamchina.org An exclusive, premium service for AmCham China members who require in-depth policy insights and privileged access to policy- makers. ExclusiveExclusive Benefits Benefits Meeting INSIGHT Special Report INSIGHT Policy Briefs INSIGHT Special Reports INSIGHT Highlights In-depth analysis of major policy issues and market trends (4-8 pages) Timely analysisinsights of and new analysis policies, from regulations, Policy+ and In-depth analysis of major policy issues amendmentsexclusive events (1-3 and pages) government meetings and market trends (4-6 pages) ¿(1-3 Recent pages) Developments in Capital Controls ¿ Recent Developments in Capital Controls RoundtablesRoundtable ACCESSACCESS ExecutiveExclusive Dialogues ACCESS ACCESS As a Policy+ subscriber, you receive priority Briefings and Meetings Discussion between member companies and Discussions between member companies invites to our meetings with government In addition to 200+ events hosted by governmentofficials from officials both the on topicsUS and of China.interest and think tanks, associations, and other non- ¿ Government Dialogue on Central Economic governmentAmCham China stakeholders each year, you will be invited to exclusive breakfasts, luncheons, Work Conference ¿ Conversation -
How Web-Based Parody Encourages Chinese Civil Participation
International ResearchScape Journal Volume 3 Article 1 2015 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Amber Boczar Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/irj Part of the Chinese Studies Commons, Civic and Community Engagement Commons, Communication Technology and New Media Commons, International and Area Studies Commons, International and Intercultural Communication Commons, Mass Communication Commons, Other Communication Commons, Other Film and Media Studies Commons, Other Political Science Commons, Other Sociology Commons, Social Influence and oliticalP Communication Commons, and the Social Media Commons Recommended Citation Boczar, Amber (2015) "The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation," International ResearchScape Journal: Vol. 3 , Article 1. DOI: https://doi.org/10.25035/irj.03.01.01 Available at: https://scholarworks.bgsu.edu/irj/vol3/iss1/1 This Article is brought to you for free and open access by the Journals at ScholarWorks@BGSU. It has been accepted for inclusion in International ResearchScape Journal by an authorized editor of ScholarWorks@BGSU. Boczar: Web-Based Parody and Chinese Civil Participation Boczar 1 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Amber Boczar [email protected] Published by ScholarWorks@BGSU, 2015 International ResearchScape Journal, Vol. 3 [2015], Art. 1 Boczar 2 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Abstract This article investigates that relationship between e’gao (parody using web-based media) and Chinese civil participation. E’gao (恶搞 EUH-gow) uses videos, images, and text based campaigns that use humor to remove fear of political commentary and action. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
China Erasing H&M from Internet Amid Xinjiang Backlash
4C RECORDS/NEWS TEXARKANA GAZETTE ✯ SUNDAY, MARCH 28, 2021 China erasing H&M from internet amid Xinjiang backlash The Associated Press peared from app stores. Rein said the outpour- over a year earlier as con- also is known as Victoria H&M’s announcement HONG KONG — H&M It wasn’t clear whether ing of anger at H&M is sumer demand rebounded Song, and actor Huang last year that it no longer disappeared from the inter- companies received orders the harshest he has seen from the coronavirus, while Xuan announced earlier would use Xinjiang cotton net in China as the gov- to erase H&M’s online pres- against a foreign brand. He North American sales fell they were ending endorse- cited the BCI’s move to stop ernment raised pressure on ence, but Chinese enter- said companies are espe- 10%. ment deals with H&M. licensing cotton from the shoe and clothing brands prises are expected to fall cially sensitive because An H&M outlet in In Hong Kong, pro-Beijing region because it was dif- and announced sanctions in line without being told. this comes at a time when Shanghai had only a hand- lawmaker Regina Ip said in a ficult to trace how it was Friday against British offi- Regulators have broad pow- Chinese anti-monopoly and ful of customers on Friday Twitter post that she would produced. cials in a spiraling fight ers to punish companies other regulators are step- afternoon. stop buying Burberry, one It was unclear why the over complaints of abuses that fail to support official ping up scrutiny of internet “I wasn’t aware of the of her favorite brands. -
Luxury Goods
LUXURY GOODS China Online Boom: ...yet to come for Ostrich Luxury Brands 21 FEBRUARY 2017 at 05:29* We go back to surveying how western luxury goods brands are faring in the Chinese digital market, following up on our two previous reports: China Online Boom - No Country for Ostrich Brands; Best Luca Solca of: China Online Boom: Ostriches are lifting their heads from the sand. (+44) 203 430 8503 [email protected] China is the most advanced digital market in the world Melania Grippo Digital payment penetration in China is 50 times higher than in the USA, largely still relying on (+39) 02 89 63 1724 [email protected] plastic. FMCG online penetration has reached the mid-teens. Big-box retailing in China makes shopping malls and department stores in the USA look like the garden of Eden. Guido Lucarelli (+39) 02 89 63 1726 [email protected] Western luxury brands in China are still lagging behind Only 21 of the 34 brands we have analysed operate an e-commerce mono-brand website in China. Even more remarkable is that the largest brands, such as LV, Hermès, Gucci, Prada, Ralph Lauren and Swatch, do not have an ecommerce mono-brand site. For comparison, 31 out of 32 brands Specialist sales surveyed operate an e-commerce mono-brand website in the USA, and 30 out of 32 in the UK. David Tovar Digital proficiency in China is 46% – against 55% in our latest digital competitive map (DCM). (+44) 203 430 8677 Burberry, Michael Kors and Cartier are the only exceptions Contactlab Burberry stands out in China as strong leader on the Strategic Reach axis for exploiting all possible Marco Pozzi (+39) 02 28 31 181 ecommerce channels as well as on the Digital Customer Experience Axis, excelling in customer [email protected] service and style advisory. -
China Cat and Dog We
(May - June 2013) NGOs agree to work together to end “criminal and cruel” dog and cat eating in China Jill Robinson, Founder and CEO of Animals Asia Foundation presents at the symposium Group photo for the 4th China Companion Animal Symposium. Animal welfare organisations across China have Survey data presented to delegates at Changsha, agreed to work together against the “criminal and collected from across 28 provinces, showed that cruel” dog and cat meat industry. the dog meat industry continues to rely on animals stolen from homes and on strays picked up from the Over 170 delegates were in attendance at the streets. Many such dogs are poisoned before being 4th China Companion Animal Symposium in taken to markets and restaurants and are served Changsha, Hunan Province hosted by Animals Asia with toxic residues still present. Foundation and co-organised by Humane Society International (HSI) and Changsha Small Animal Delegates shared evidence that criminality extends Protection Association. They represented around to every level of the dog meat trade from theft, 100 NGOs, including both grassroots Chinese through to transportation and sale. The shared organisations and international charities. findings will be published later this year. 1 Bimonthly Review Cat and Dog Welfare Programme, China Conference attendees agreed a final resolution with the government to highlight and crack down on to work together across China towards common the inherent illegalities of the trade. goals, specifically aiming to reduce demand through increased public awareness of the cruelty and health More details of the symposium: risks associated with dog and cat meat and working http://www.animalsasia.org/index.php?UID=2KYBB4XEHO8 “Be healthy. -
The Discourse of Race in Modern and Contemporary Chinese Culture Kirstin Clouser Bucknell University, [email protected]
Bucknell University Bucknell Digital Commons Honors Theses Student Theses 2013 Chinese Whiteness: The Discourse Of Race In Modern And Contemporary Chinese Culture Kirstin Clouser Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Recommended Citation Clouser, Kirstin, "Chinese Whiteness: The Discourse Of Race In Modern And Contemporary Chinese Culture" (2013). Honors Theses. 169. https://digitalcommons.bucknell.edu/honors_theses/169 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. CHINESE WHITENESS: The Discourse of Race in Modern and Contemporary Chinese Culture by Kirstin Clouser A Thesis Submitted to the Honors Council For Honors in Comparative Humanities 8 April 2013 Approved by: ————————————— Adviser: James M. Shields Katherine Faull ————————————— Department Chair: Katherine M. Faull ii ACKNOWLEDGMENTS I would like to express my deep gratitude to everyone who held my hand through this process. First of all I would like to thank my thesis advisor Professor Shields for always tackling my thesis with a smile. I would also like to thank my second reader Coralynn Davis for helping me tease out the problematic parts of my thesis. Thank you to every professor I went to for their expert opinions: Song Chen, Linden Lewis, Anne Pusey and Nina Banks. Finally I would like to thank my friends and family who calmed me down and helped me keep my sanity these past few months, especially Charles Vest, and my mother, Lynn Clouser. -
贺敬德 EN-Updated Dec-第二版
WU STAR MEDIA (INTERNATIONAL) LIMITED FOUNDER Jaden He (贺敬德) Wushu World Cup Champion Instructed by Wu Bin (Jet Li’s and Wu Jing’s master) Gender: Male Height: 1.66 meters Weight: 62 kg Languages: Mandarin, English Occupation: Action Director, Stage Director, Actor, Coach Athletic Awards: Hong Kong Chief Executive’s Commendation for Community Service (2011), Bank of China Hong Kong- Hong Kong Sports Stars Award (2010), 16th Asian Games Leader of the Year- Sports Category (2010) Asian Olympic Games- Silver medal for Nanquan, Nangun (2010) Tenth World Wushu Championships- Gold medal for Nangun, Silver for Nanquan, Bronze for Nandao (2010) East Asian Games- Gold medal for Nanquan, Nangun (2009) Jaden (贺敬德) Film Work: “Saturday Fiction (兰心大剧院)” (2018)- Action Choreographer “The Teacher” (2018)- Action Director, Main Actor “Wu Ji” Adidas advertisement (2017)- Martial Arts Director “The One” (2017) “League of Gods” (2015)- Official Head Coach of fight scenes, Actor “Dun Di” Theatre Show: “Kung Fu Panda Spectacular Live show” (2019) - Martial Arts Choreographer The Sunac Dragone Wuxi Project – 太湖秀(2019) - Martial Arts Choreographer & Supervisor, From 1994 to 2001, Jaden trained under Mr. Wu Bin, the head coach of Beijing Wu Shu Team, and teacher of Jet Li and Wu Jing. During his time in the Beijing Wushu Team, Jaden has won gold at the National Wushu Championship multiple times for broadsword, staff, and double broadsword. In 2003, Jaden joined Cirque du Soleil’s KA Show at Las Vegas’ MGM Grand Hotel. There, he led as the main actor, stage martial arts coach, and choreographer. By combining eastern and western cultures onstage, Jaden gained new insights on traditional Wushu, choreographing, and acting.