Boston Symphony Orchestra Concert Programs, Season 58,1938-1939
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Correspondences – Jean Sibelius in a Forest of Image and Myth // Anna-Maria Von Bonsdorff --- FNG Research Issue No
Issue No. 6/20161/2017 CorrespondencesNordic Art History in – the Making: Carl Gustaf JeanEstlander Sibelius and in Tidskrift a Forest för of Bildande Image and Konst Myth och Konstindustri 1875–1876 Anna-Maria von Bonsdorff SusannaPhD, Chief Pettersson Curator, //Finnish PhD, NationalDirector, Gallery,Ateneum Ateneum Art Museum, Art Museum Finnish National Gallery First published in RenjaHanna-Leena Suominen-Kokkonen Paloposki (ed.), (ed.), Sibelius The Challenges and the World of Biographical of Art. Ateneum ResearchPublications in ArtVol. History 70. Helsinki: Today Finnish. Taidehistoriallisia National Gallery tutkimuksia / Ateneum (Studies Art inMuseum, Art History) 2014, 46. Helsinki:81–127. Taidehistorian seura (The Society for Art History in Finland), 64–73, 2013 __________ … “så länge vi på vår sida göra allt hvad i vår magt står – den mår vara hur ringa Thankssom to his helst friends – för in att the skapa arts the ett idea konstorgan, of a young värdigt Jean Sibeliusvårt lands who och was vår the tids composer- fordringar. genius Stockholmof his age developed i December rapidly. 1874. Redaktionen”The figure that. (‘… was as createdlong as wewas do emphatically everything we anguished, can reflective– however and profound. little that On maythe beother – to hand,create pictures an art bodyof Sibelius that is showworth us the a fashionable, claims of our 1 recklesscountries and modern and ofinternational our time. From bohemian, the Editorial whose staff, personality Stockholm, inspired December artists to1874.’) create cartoons and caricatures. Among his many portraitists were the young Akseli Gallen-Kallela1 and the more experienced Albert Edelfelt. They tended to emphasise Sibelius’s high forehead, assertiveThese words hair were and addressedpiercing eyes, to the as readersif calling of attention the first issue to ofhow the this brand charismatic new art journal person created compositionsTidskrift för bildande in his headkonst andoch thenkonstindustri wrote them (Journal down, of Finein their Arts entirety, and Arts andas the Crafts) score. -
Percy Savage Interviewed by Linda Sandino: Full Transcript of the Interview
IN PARTNERSHIP WITH AN ORAL HISTORY OF BRITISH FASHION Percy Savage Interviewed by Linda Sandino C1046/09 IMPORTANT Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 [0]20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. THE NATIONAL LIFE STORY COLLECTION INTERVIEW SUMMARY SHEET Ref. No.: C1046/09 Playback No.: F15198-99; F15388-90; F15531-35; F15591-92 Collection title: An Oral History of British Fashion Interviewee’s surname: Savage Title: Mr Interviewee’s forenames: Percy Sex: Occupation: Date of birth: 12.10.1926 Mother’s occupation: Father’s occupation: Date(s) of recording: 04.06.2004; 11.06.2004; 02.07.2004; 09.07.2004; 16.07.2004 Location of interview: Name of interviewer: Linda Sandino Type of recorder: Marantz Total no. of tapes: 12 Type of tape: C60 Mono or stereo: stereo Speed: Noise reduction: Original or copy: original Additional material: Copyright/Clearance: Interview is open. Copyright of BL Interviewer’s comments: Percy Savage Page 1 C1046/09 Tape 1 Side A (part 1) Tape 1 Side A [part 1] .....to plug it in? No we don’t. Not unless something goes wrong. [inaudible] see well enough, because I can put the [inaudible] light on, if you like? Yes, no, lovely, lovely, thank you. -
Social and Religious Jewish Non- Conformity: Representations of the Anglo-Jewish Experience in the Oral Testimony Archive of the Manchester Jewish Museum
SOCIAL AND RELIGIOUS JEWISH NON- CONFORMITY: REPRESENTATIONS OF THE ANGLO-JEWISH EXPERIENCE IN THE ORAL TESTIMONY ARCHIVE OF THE MANCHESTER JEWISH MUSEUM A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Tereza Ward School of Arts, Languages and Cultures Contents Abbreviations.............................................................................................................. 5 Abstract ....................................................................................................................... 6 Declaration .................................................................................................................. 7 Copyright Statement .................................................................................................. 8 Acknowledgments ...................................................................................................... 9 1. Introduction ...................................................................................................... 10 1.1. The aims of this study .................................................................................. 10 1.2. A Brief history of Manchester Jewry: ‘the community’.............................. 11 1.3. Defining key terms ...................................................................................... 17 1.3.1. Problems with definitions of community and their implications for conformity ......................................................................................................... -
Jean Sibelius Ursprijnglichekarrlia-Musik Isr Nichr Vdllig Sibelius Selbst Haufig Langere Fassungen Seiner ,,Historischen Erhalten
BIS-CD-9f5 STEREO lp p pl Total playingtime: 76'01 SIBELIUS, Johan (Jean)Julius Christian(r865-1e57) Karelia (1893)r,yr,r @ 50'00 KuvaelmamusiikkiaViipurilaisen Osakunnan Juhla Arpajaisiin Kansanvalistuksenhyviiksi Viipurin liiilnissii ScenicMusic for a Festivaland Lottery in Aid of Educationin the Provinceof Viipuri * Itemsnurkecl completedand reconstructedb.t, Kalet'i Aho (1997) E Overture [Altegro ntotlerato] - Pii lento - [Jn poco ntotlerato - 8'12 Moderato assai - Vit,ace E Tableau I Karjalainenkoti. Sanomasodasta (Vuosi 1293)/ 3'43 A Karelian home.News ol War ( 1293) 'Oi IAlla vito] - Piirlentct: Ukko ylijumala...' Heikki Laitinen. vocalpart I; Taito Hoffren. vocalparr II E Tableau 2 Viipurin linnan perustaminen(Vuosi 1293)/ 3'38 The tbunding of Viipuri Castle(1293) * Moder(ttoossai -Vivace Tableau 3 Liettuanherttua Narimont veronkannossaKiikisalmen liiiinissii 5'13 (Vuosi 1333)/ Narimont,the Duke of Lithuania,levvins taxes in the provinceof Kiikisalmi ( I 333) lll x Alle.qro urur,o l'26 tr Intemezzo [Il. Morierato 3'1j E Tableau ,l Kaarle KnuutinpoikaMipurin linnassa.Balladi (Vuosi lz146)/ 9'09 Karl Knutssonin Mipuri Castle.Ballade (1446) 'Hiill Tenpo di ntenuettonon troppo lento.Dansen i rosenlund: om en afion...' Raimo Laukka, baritone(soto hoilr Pertti Kuusrl Tableau 5 PontusDe la GardieKlikisalmen edustalla 1580 / 7,2q PontusDe la Gardieat rhe saresof Kiikisalmi in 1580 tr * Motlerato,mu n,,n lettto 3'14 tr Intermezzo[II]. Marsch nacheinem altenMotiv ('Tableau5rl:') 4'08 Alla marcia SIBELIUS!S TAR'LIA MUSIC the Russian standpoint'Old Finland') was adminisrratively - (jn Fahidn Dahlsil united with the rest ofFinland ( Neu Finland') in 1811.The Karelia. in the broadest senseot' the tenn the area inhabited country now became an aulonomous grand duchy ol the - by Karelian tribes can be divided into Easten Karelia (be- Russian empire, alrhough its ia!\-making powers and cultural tween Lake Ladoga and Ihe White Sea. -
Boston Symphony Orchestra Concert Programs, Season 58,1938-1939
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 FIFTY-EIGHTH SEASON, 1938-1939 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1939, BY BOSTON SYMPHONY ORCHESTRA, ItlC. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Ernest B. Dane President Henry B. Sawyer Vice-President Ernest B. Dane Treasurer Henry B. Cabot M. A. De Wolfe Howe Ernest B. Dane Roger I. Lee Alvan T. Fuller Richard C. Paine Jerome D. Greene Henry B. Sawyer N. Penrose Hallowell Edward A. Taft Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [769] Complete FIDUCIARY SERVICE for INDIVIDUALS The fiduciary services of Old Colony Trust Company available to individuals are many and varied. We cite some of the fiduciary capacities in which we act. Executor and Administrator We settle estates as Executor and Administrator. Trustee We act as Trustee under wills and under voluntary or living trusts. Agent We act as Agent for those who wish to be relieved of the care of their investments. The officers of Old Colony Trust Company are always glad to discuss estate and property matters with you and point out if and where our services are applicable. Old Colony Trust Company 17 COURT STREET, BOSTON Member of the Federal Deposit Insurance Corporation ^Allied withTuE First National Bank ^Boston [770] SYMPHONIANA Carpenter s Violin Concerto The Project for an Academy New England Photographs CARPENTER'S VIOLIN CONCERTO John Alden Carpenter's latest work, his Violin Concerto, will have its first Boston performance when Zlatko Balo- kovic appears as soloist with this or- A Graceful Prelude chestra in the concerts of March 3 and to the Evening Hours is 4. -
Helsinki, Thursday June 28, 2007
Experience Finland Helsinki, Thursday June 28, 2007 8am Coaches and guides pickup at pier 8:15 – 9:45am Helsinki Highlights guided tour (includes short stop at the Sibelius monument) 9:45 – 10:00am Finnish National Opera: Dr. Vescu Ruotonen welcomes the guests, welcome speech 10:00 –10:45am Oral introduction and classical recital at the foyer 11:00am Direct transportation to the restaurant for lunch 11:30am – 1:00pm Lunch 1:00pm Direct drive to Ainola Museum, the home of Jean Sibelius 1:40pm Arrival at Ainola museum 1:45 – 3:00pm Entrance and guided visit of the museum 3:00pm Departure from Ainola, direct drive back to Helsinki 4:00pm Arrival in Helsinki, ending at pier HELSINKI HIGHLIGHTS Depart for a guided true experience, through the city of Helsinki, the “Daughter of Baltic”! Helsinki is first and foremost a city of great archi- tecture and stunning nature. Fabulous buildings are visible all the time, from the historical buildings around the Senate Square to the mighty Parliament House, the world-wide known Finlandia Hall, by Alvar Aalto, the National Opera, the Olympic Stadium — just to mention few of them. You will view Uspenski, the biggest Orthodox Cathedral in Scandinavia, the President’s Palace and the very popular main Market Place by the sea front. You will make a short stop at the Sibelius monu- ment, dedicated to the famous Finnish composer Jean Sibelius. Time permitting, you will also visit (our entrance is subject to availability at the moment of the visit) one of the most important sights in Helsinki, the Rock Church (Temple Square Church), built into solid rock where, among all other Church functions, classical/or other music concerts, may be organized. -
Austerity Fashion 1945-1951 Bethan Bide .Compressed
Austerity Fashion 1945-1951 rebuilding fashion cultures in post-war London Bethan Bide Royal Holloway, University of London Thesis submitted for the degree of Doctor of Philosophy Figure 1: Second-hand shoes for sale at a market in the East End, by Bob Collins, 1948. Museum of London, IN37802. 2 Declaration of authorship I Bethan Bide hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Bethan Bide 8 September 2017 3 Abstract This thesis considers the relationship between fashion, austerity and London in the years 1945 to 1951—categorised by popular history as a period of austerity in Britain. London in the late 1940s is commonly remembered as a drab city in a state of disrepair, leading fashion historians to look instead to Paris and New York for signs of post-war energy and change. Yet, looking closer at the business of making and selling fashion in London, it becomes clear that, behind the shortages, rubble and government regulation, something was stirring. The main empirical section of the thesis is divided into four chapters that explore different facets of London’s fashionable networks. These consider how looking closely at the writing, making, selling and watching of austerity fashion can help us build a better understanding of London fashion in the late 1940s. Together, these chapters reveal that austerity was a driving force for dynamic processes of change— particularly in relation to how women’s ready-to-wear fashions were made and sold in the city—and that a variety of social, economic and political conditions in post- war Britain changed the way manufacturers, retailers and consumers understood the symbolic capital of London fashion. -
Sibelius and the World of Art
Theresa Leininger-Miller exhibition review of Sibelius and the World of Art Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015) Citation: Theresa Leininger-Miller, exhibition review of “Sibelius and the World of Art,” Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015), http://www.19thc- artworldwide.org/spring15/leininger-miller-reviews-sibelius-and-the-world-of-art. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Leininger-Miller: Sibelius and the World of Art Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015) Sibelius and the World of Art Ateneum Art Museum, Helsinki, Finland October 17, 2014–March 22, 21015 This past fall and winter, the Ateneum Art Museum mounted a sprawling, multisensory exhibition, Sibelius and the World of Art, to celebrate the legendary Finnish composer, Johann Christian (Jean) Sibelius (1865–1957), on the 150th anniversary of the year of his birth. Over 200 paintings, sculptures, and objects were on view, many for the first time, and visitors could listen to recordings of Sibelius’s compositions on audio tapes or in each of the galleries. The display included art from the maestro’s private collection and personal items from his home, Ainola, near Lake Tuusula. With the composer having been on the list of the most famous Finns for decades, it is surprising that this was the first exhibition of its kind. Ateneum curators Anna-Maria von Bonsdorff, Timo Huusko, and Riitta Ojanperä launched their major research project in 2011 to explore how art influenced Sibelius and the ways in which his music affected artists and their work. -
Teppo the Music of Sibelius with a Personal Connection Ruusamari Teppo
Finlandia Foundation ® National Inspiring, celebrating and connecting the Finnish-American community since 1953 Ruusamari Teppo The Music of Sibelius with a Personal Connection Ruusamari Teppo inlandia Foundation National (FFN), the premier network of F Finnish-American organizations in the United States, is proud to present performances by pianist Ruusamari Teppo. eppo has both a direct Ruusamari Teppo began compositional style for piano T family connection and playing piano in Finland at the by Jean Sibelius. a connection through her age of five. After graduating In recent years she has doctoral work to Finland’s from Sibelius High School, performed as a soloist, beloved composer, Jean she studied in Paris with a chamber musician and Sibelius. While listening to world-renowned pedagogue, collaborative pianist, in the her play the music of her professor Konstantin Bogino. United States, throughout great-great-grandfather, She earned artist certificates Europe and in South Africa. listeners can sense her deep from music schools in Prague She is a prize-winner in and personal connection and Budapest, funded by the Bradshaw and Buono with his music. scholarships from the International Piano Finnish government. Although she never had the Competition and the Petrof opportunity to meet the he continued her studies Piano Competition, and has great composer, her mother, S at the University of North participated in music festivals who was 16 years old when Texas with Vladimir Viardo, around the globe. Sibelius died, has shared a Van Cliburn International hroughout 2019 and 2020, memories of him with Piano Competition first Teppo is traveling to FFN her daughter. -
View Annual Report
1 ====================================================== SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549-1004 ====================================================== FORM 10-K (MARK ONE) /X/ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED APRIL 1, 2000 OR / / TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 COMMISSION FILE NUMBER 001-13057 POLO RALPH LAUREN CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 13-2622036 (State or other jurisdiction of (IRS Employer Identification incorporation or organization) No.) 650 MADISON AVENUE, NEW YORK, NEW YORK 10022 (Address of principal executive offices) (Zip Code) 212-318-7000 SECURITIES REGISTERED PURSUANT TO SECTION 12(B) OF THE ACT: TITLE OF EACH CLASS NAME OF EACH EXCHANGE ON WHICH REGISTERED Class A Common Stock, $.01 par value New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(G) OF THE ACT: NONE Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes /x/ No / /. Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of registrant's knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. -
Opem Mundi Elf RO P
Opem Mundi ElfRO P A WEEKLY REPORT ON THE ECONOMY OF THE COMMON MARKET 00000000000000000000 UONTENTS 0000000000000000000 0 ----------------------------------- -----------------------------------, 0 0 0 THE WEEK IN THE COMMUNITY o December 9 - December 15, 1968 g ~ THE COMMON MARKET Page 1 g~~~' Monetary Mechanism for 1969 \i'~ AGRICUL TUR Page 3 \ <, § 1{ .. \ =--"\. Reform Plan: The Backlash \ ~ ~.. ,,~\ KENNEDY ROUND: Deceleration? Page 5 . •<"' o ENLARGEMENT: April Compromise? Page 6 0 0 o E .C .s .C: Steel Prospects for Page 7 o 0 0 0 1969 - French Coal in 1975 o g EURATOM: European Parliament Page 9 g o ENERGY: Building up Oil Reserves Page 10 o 0 0 o TRADE: Yugoslavia, Israel and tJ:ie Maghreb Page 11 o o States 0 0 0 o CUSTOMS: Diversion of Receipts Page 12 o 0 0 o LABOUR: EEC Participation for CGT Page 13 o O 0 o ASSOCIATION: Turkey Page 13 o 0 0 0 E .I.B .: Bond Issue - Work in France Page 14 0 g ' STUDIES & TRENDS: The Tourist Revolution -~.. r /<J' g 0 II - The Revolution in Transport o o VIEWPOINT: The EEC's Common External Tariff- ~f~./// Ref. 0 g -by Antoine Semini g 0 Assistant Director-General of Customs, Paris. 0 O 0 0 EUUOFLASH: Busine.t1s penetration aero.fl.fl Europe o O 0 O 0 0 I 0 0 Headlines Page A o 0 I 0 0 : Index Page Za 0 0 I 0 o : December 19, 1968 No 492 o 0 I 0 0 I 0 0 I 0 0 '-------------------------------------------------------------------------------------------- 0 000000000000000000000000000000000000000000000000000 Opera Mundi EUROPE A WEEKLY REPORT ON THE ECONOMY OF THE COMMON MARKET PUBLISHED ON BEHALF OF OPERA MUNDI BY EUROPEAN INTELLIGENCE LIMITED EUROPA HOUSE ROYAL TUNBRIDGE WELLS KENT TEL. -
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