DOCSLIB.ORG

Annual Report 2014–2015 Contact

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report 2014–2015 Contact _ Ngaanyatjarra Pitjantjatjara Yankunytjatjara Women’s Council Annual Report 2014–2015 Contact Ngaanyatjarra Pitjantjatjara Yankunytjatjara Women’s Council (Aboriginal Corporation) Gate 2, 3 Wilkinson Street Alice Springs NT 0870 (PO Box 8921 Alice Springs NT 0871) Phone: (08) 8958 2345 Fax: (08) 8952 3742 Email: [email protected] Website: www.npywc.org.au Tjanpi Desert Weavers: www.tjanpi.com.au Remote offices: Umuwa SA: (08) 8956 7271 Wingellina WA: (08) 8956 7160 Warburton WA: (08) 8954 6085 Warakurna WA: (08) 8956 2836 Finke NT: (08) 8956 0941 Imanpa NT: (08) 8954 6067 Docker River NT: (08) 8955 833 Yulara NT: (08) 8956 3086 2 | NPY Women’s Council – Annual Report 2014–2015 Contents 3 Our History 5 Organisational Structure 6 Management Report 10 Domestic Violence Service 12 Child And Family Wellbeing Service 14 Youth Program 18 Tjungu Service 20 Ngangkari Program 22 Tjanpi Desert Weavers 24 Finance Report NPY Women’s Council – Annual Report 2014–2015 | 3 Our History Who We Are violence, child protection, policing and other safety issues, being of people in the Ngaanyatjarra, Pitjantjatjara and and the needs and aspirations of young people. Yankunytjatjara region; NPY Women’s Council (also NPYWC )represents women • establish, provide and promote the artistic and in the region which has an over-all Aboriginal (Anangu or Programs include the highly regarded Domestic and cultural interests of Ngaanyatjarra, Pitjantjatjara and Yarnangu) population of around 6000. Its membership Family Violence Service, Tri-state Disability Service, Aged Yankunytjatjara women; area covers a vast, remote, semi-arid expanse of some Advocacy and Support, Carer Respite Service, Ngangkari • promote and support the achievements and authority 350,000 square kilometres. (traditional healers), and the Youth and Child Nutrition of Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Programs. More than four hundred women work in fibre women; The idea for a women’s organisation in the region arose art and other products including bush medicine and • gather and provide information about issues during the South Australian Pitjantjatjara Land Rights beanies to sell to Tjanpi (grass) Desert Weavers, the NPY of importance to Ngaanyatjarra, Pitjantjatjara movement in the late 1970s. The women felt their needs Women’s Council social enterprise. Staff may either be and Yankunytjatjara women and to the broader were not being addressed and so established their own based in the region or undertake extensive travel in order community; organisation, with the first meeting held at Kanpi in South to do their work. • promote and encourage the law and culture of Australia in 1980. Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Governance women; NPY Women’s Council is incorporated under the • support and encourage other women and Our elected Directors are all women from the NPY region, Corporations (Aboriginal and Torres Strait Islander) Act organisations who work towards similar aims. and number up to twelve. There is a Chairperson and 2006 (Cth.) or CATSI Act. The regulating body is the Office of the Registrar of Indigenous Corporations (ORIC.) Vice-Chairperson. The Directors meet at least quarterly to discuss programs and priorities and other issues of interest Under the Constitution, or rule book, membership is open to members. All members are invited to attend an AGM The Guiding Principles to any woman who is at least 16 years of age, is Aboriginal and usually at least one other general meeting held out bush in the NPY region each year, to receive reports from and is from the NPY region and or whom the Directors • ngapartji ngapartji kulinma munu iwara consider to have sufficient cultural or family connection to Directors and staff and to provide referrals, responses to the region. She must be deemed by the Directors to be of service delivery and ongoing direction. wananma tjukarurungku - respect each good character and willing to follow the guiding principles other and follow the law straight of the organisation (see below). Objectives • kalypangku - conciliatory NPYWC aims to: Our members reside in the region, in almost thirty • Provide a forum for Ngaanyatjarra, Pitjantjatjara and • piluntjungku - peaceful and calm communities, and in small homelands and outstations. A Yankunytjatjara women to discuss their concerns; • kututu mukulyangku - kind-hearted few live in Alice Springs or other towns or cities, mainly for • assist and encourage the representation and their own or other family members’ health reasons. participation of women from the Ngaanyatjarra, • tjungungku - united Pitjantjatjara and Yankunytjatjara region on local, • kunpungku - strong Our Work regional and other relevant bodies; While NPYWC began as an advocacy organisation for • help individual women and girls to achieve further women in the Central tri-State area, it is now also a major training, education and employment; provider of human services to women and their families • establish, provide and or promote services to improve in the region. It remains a strong voice for its members the health and safety, education and general well- on issues such as substance abuse, domestic and family 4 | NPY Women’s Council – Annual Report 2014–2015 Organisational Structure Ngaanyatjarra Pitjantjatjara Yankunytjatjara Women’s Council (Aboriginal Corporation) Organisational Chart Elected Directors Oct 2013 - Oct 2015 Meredith Simms Marlene Young Carleen Thompson Maxine Stewart Margaret Smith Elsie Wanatjura - Warburton - Tjukurla - Ernabella - Indulkana - Imanpa - Mutitjulu CHAIRPERSON DEPUTY CHAIR Nura Davidson Yanyi Bandicha Ingrid Simms Nyunmiti Burton Julie Anderson Janet Inyika - Blackstone - Ernabella -Jameson - Amata -Finke -Alice Springs CEO DEPUTY CEO Andrea Mason Liza Balmer People & Executive Assistant Corporate Services Workplace Services Jade Galpin Finance Administration Child and family Domestive & Wellbeing Services “The NPY Women’s Council initiative Family Violence Tjungu Team Youth Team Service in starting the Domestic Violence Human Child Nutrition Services Service 20 years ago was ground Walytjapiti breaking for a number of reasons. Tjanpi Desert Ngangkari First of all, it was courageous.” Weavers Child Advocacy Prof Marcia Langton AM NPY Women’s Council – Annual Report 2014–2015 | 5 Management Report Governance is certainly an area where we are planning to improve, especially in substantive positions. This year has been an opportunity to strengthen the governance model of the organisation, fine tune NPY Women’s Council has consistently managed systems and procedures to improve our service an annual grant income in excess of $11million, delivery productivity in the region, consolidate represented by 46 different funding agreements. key relationships in the region, such as partners We currently maintain 28 leased or owned and supporters of the Empowered Communities properties and manage a fleet of 79 vehicles project and Jawun, and implement a long term including trailers, a camper trailer and a 4WD bus. sustainable financial model for the organisation. The organisation’s five year strategic plan (2014- The 2014 Annual General Meeting was scheduled 2018) provides teams with the structure to report for September 2014, however due to significant against annual operational plans. It is pleasing sorry business at that time, and with the approval of that overall, all teams are on target to achieve the ORIC, the Annual General Meeting was re-scheduled majority of service and advocacy goals for the year. to March 2015. At this meeting, members had the opportunity to hear reports on service delivery and to raise issues or matters of concern with Funding relevant staff or Directors. During the 2014-2015 Similar to other Indigenous incorporated organisations financial year, the Directors met in July, September, in the not for profit sector, with a grass roots November 2014, and in February and May 2015. membership, NPY Women’s Council’s operational funding model relies on adequate grant income During the year, the management group met to fund the operational expenses of NPY Women’s fortnightly to discuss operational and strategic issues Council. This year the organisation identified the and an all staff meeting was held each month. At need to diversify its financial model to incorporate these monthly meetings, staff have the opportunity more funding from the corporate and philanthropic to raise any issues and to hear relevant updates from sectors as well as individual donations, if it is to Andrea Mason CEO the Chief Executive Officer, Deputy Chief Executive continue its reform and regional development role Officer and managers about progress in relation to in the NPY region. While the organisation received key service and advocacy areas. The annual staff day a significant level of funding from government was held in February 2015, this event offers staff and (Commonwealth Government:63.20%, SA “I have been thinking that we directors the opportunity to discuss our services and Government:19.23%, WA Government:11.18%, NT women should hold our own key advocacy topics and to ensure all of these matters Government:1.72% and Others:4.67%) unfortunately are delivered through an integrated approach as well the funding overall is below the cost of the actual women’s meeting. We should think as aligned to the cultural knowledge of our members. cost of service delivery in remote Australia. about having our own female NPY Women’s Council employs just over 80 full- For a number of years NPY Women’s
Load more

Recommended publications
  • NEWSLETTER to Keep Women’S Words, Women’S Works, Alive and Powerful — Ursula Le Guin
    Vol 31, No.3 — July/August 2020 NEWSLETTER To keep women’s words, women’s works, alive and powerful — Ursula Le Guin Nganana tjamunya, kaminya kulira wanalpai: ngura nganampa tjuta, Tjukurpa tjutatjara. Kulilkatipaila walytja piti, ngura, Tjukurpa winki. Kuruntula uwankara kulilpai ‘We listen to our grandfathers and grandmothers and we follow their teachings: of all our lands and the stories and law that they hold. We can feel our families, our country, our culture in everything we do. We hear everything in our hearts. We hear it all with our heart, mind, body and soul as one.’ Rene Kulitja, 2018 Heart Listening: Uluru Statement Exhibition, Artsite Gallery In 2017, delegates from all over Australia of Anangu women set up a bush camp Yuka Trigger and Rene Kultija (Central gathered at Uluru for the First Nations immersion to workshop ideas for their Australian Aboriginal Women’s Choir) led National Constitutional Convention to exhibition, which came to be known as the evening in their language, Pitjantjatjara. discuss a unified path towards justice and Kunturu Kulini: Heart Listening. For a Special guest contributors Ginger and the constitutional recognition. Three key week the artists camped in the sand dunes Ghost, Blak Douglas, Indigo Sparke, Nancy themes were identified as a framework: near Uluru, hauling firewood and water, Denis, Georgia Frew, Clare Ainsworth truth-telling, treaty and a voice to organising the camp kitchen, mixing Herschell, Clive Scollay and Declan Kelly Parliament and the Uluru Statement from were invited to perform at the concert in the Heart was adopted. response to the theme. With the support Rachel Perkins, delegate and critically of Kinetic Energy Theatre Company, the acclaimed film maker, inspired the idea for experience of heart listening resonated a painting, suggesting it would bind the throughout the beautiful acoustic space at written statement to traditional culture St Luke’s Church in Enmore.
    [Show full text]
  • Interpretation Strategy 2020–2030
    An̲anguku kuṟunguṟu ngura nyangatja nyakunytjaku Kun̲pungku munu tjukaṟurungku nintintjaku pitjita tjuṯangka parkangka 2020-nguṟu 2030-kutu Seeing the park through An̲angu eyes Interpretation Strategy 2020–2030 1 Pitjantjatjara/Yankunytjatjara words in this plan An̲angu (literally, ‘people’) a word used by Pitjantjatjara/Yankunytjatara speakers to refer to themselves individually or as a group; in the context of this strategy, in passages written in English, An̲angu refers to people with traditional affiliations to the Uluṟu- Kata Tjuṯa region who may or may not be traditional owners (Nguraṟitja). inma ceremony, song or dance, especially traditional. kuniya woma python (Aspidites ramsayi). Kuniya Piti a registered men’s sensitive site; also the general vicinity of this site at the easternmost end of Uluṟu, where the woma python woman deposited her eggs. kun̲pu strong; healthy, resilient, well-built or capable; principled and impactful; able to stand up for oneself and for others. mai bush food. mala rufous hare-wallaby (Lagorchestes hirsutus). malpa companion, partner, or friend; malpa is a relationship between equals who are ‘in it together’. Muṯitjulu the name of a waterhole on the south side of Uluṟu; also the name of the community in the park. Nguraṟitja a custodian; someone that belongs to a place; in the context of this strategy, Nguraṟitja refers to traditional Aboriginal owners of the park; those An̲angu who have direct links and rights to the land that encompasses the park. ninti knowledgeable about; familiar with; competent at; able to do; experienced with (something or someone). nintintjaku showing; teaching; helping someone become ninti. nintiringanyi learning about; becoming familiar with (something or someone); becoming ninti Pitjantjatjara a widely spoken Aboriginal dialect belonging to the Western Desert language group.
    [Show full text]
  • Autumn Suite
    PENRITH REGIONAL GALLERY & THE LEWERS BEQUEST AUTUMN SUITE A celebration of Aboriginal culture and philanthropy 27 February – 22 May 2016 AUTUMN SUITE Introduction Palya!* Welcome to Penrith Regional Gallery & The Lewers Bequest Autumn Suite for 2016. This suite of exhibitions is a celebration of Aboriginal art and culture, and, of philanthropy. They include Punuku Tjukurpa, an exhibition of wooden carvings by Indigenous artists from central Australia (Main Gallery); The Red House, a series of paintings about land and cross-cultural perception, by Sydney artist Hayley Megan French (Lewers House); and Celebrating Philanthropy, art works gifted to the Gallery by Robin Gurr (Lounge Room Gallery). Punuku Tjukurpa is an exhibition developed by Artback NT in association with Maruku Arts. It showcases a rich history, both secular and sacred, through examples of punu and walka boards curated from the archive of Maruku Arts based at Mutitjulu, near Uluru in the Northern Territory. Punuku Tjukurpa includes works made by three generations of Anangu (central and western desert people) artists for whom the tradition of wood carving and painting has been passed down. Integral to the imparting of these physical skills to the next generation is the teaching of the stories which form the basis for the intricate designs and markings. Works include piti (wooden bowls), miru (spear throwers), tjara (shields), kulata (spears) and beautiful carvings of desert birds and animals. The title of the exhibition, Punuku Tjukurpa, describes the story and the law behind these works. As explained by Louise Partos, Executive Officer of Artback NT, “Punuku Tjukurpa offers a privileged insight into one of Australia’s finest art movements and is an exhibition of national significance.
    [Show full text]
  • Substance Abuse – Petrol
    FACT SHEET 14 © NPY Women’s Council 2010 Ngaanyatjarra Pitjantjatjara Yankunytjatjara Women’s Council (Aboriginal Corporation) References NPY Women’s Council: Advocacy 1 Opal is a low octane, low aromatic fuel developed by BP for the Department of Health and Ageing and introduced in 2005. Opal has very low levels of compounds such as benzene, toluene and xylene, which are associated with the narcotic effects of sniffing petrol. See: www.bp.com/faq.do?categoryId=901237 Substance Abuse: Petrol 0&contentId=7024234&currentPage=1 2 Janet Inyika is currently an elected Director (2010) and former staff member of NPYWC, and a long-time campaigner against sniffing. Translated by Linda Rive for NPYWC. 3 The names Aboriginal people from the Pitjantjatjara and Yankunytjatjara (Anangu) and Ngaanyatjarra (Yarnangu) language groups use to describe themselves. 4 Facing the Real Problems: Substance Abuse in Aboriginal Communities, Edwards, W., 2005. Submission to the Senate Community Affairs Committee Inquiry into petrol sniffing in remote Aboriginal communities. Edwards was the Superintendent of the then Ernabella Mission in the far north-west of SA from 1958 to 1972 and also lived at the Fregon (1973) and Amata (1976-80) communities. Online at: www.aph.gov.au/senate/committee/clac_ctte/completed_ inquiries/2004-07/petrol_sniffing/submissions/sub11.pdf Maggie Brady has reported sporadic use in Central Australia as long ago as the 1940s: Heavy Metal: The Social Meaning of Petrol Sniffing in Australia, Brady M., Aboriginal Studies Press, Canberra 1992. 5 An Evaluation of the Comgas Scheme, Report prepared for the Comgas Evaluation working Group: Aboriginal Drug and Alcohol Council SA (Inc.) (ADAC.) Shaw G.
    [Show full text]
  • Pukulpa Pitjama Ananguku Ngurakutu - Welcome to Anangu Land: World Heritage at Uluru-Kata Tjuta National Park Michael J
    University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Social Sciences 2014 Pukulpa pitjama Ananguku ngurakutu - Welcome to Anangu land: World Heritage at Uluru-Kata Tjuta National Park Michael J. Adams University of Wollongong, [email protected] Publication Details Adams, M. (2014). Pukulpa pitjama Ananguku ngurakutu - Welcome to Anangu land: World Heritage at Uluru-Kata Tjuta National Park. In S. Disko & H. Tugendhat (Eds.), World Heritage Sites and Indigenous Peoples' Rights (pp. 289-311). Copenhagen, Denmark: IWGIA, Forest Peoples Programme and Gundjeihmi Aboriginal Corporation. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Pukulpa pitjama Ananguku ngurakutu - Welcome to Anangu land: World Heritage at Uluru-Kata Tjuta National Park Abstract Located in the centre of Australia, the Uluru-Kata Tjuta National Park and World Heritage Site is centred on the huge sandstone monolith Uluru, arguably the best known natural symbol of Australia and a major focus of the tourism industry. The itP jantjatjara and Yankunytjatjara speaking Indigenous people of this Western Desert region of the Northern Territory call themselves Anangu. The al ndscape of the park includes ecological zones typical of the Central Australian arid ecosystems, as well as the monoliths of Uluru and Kata Tjuta themselves, which have been recognised in Anangu culture and practices for millenia. In Anangu terms, this landscape was created at the beginning of time by ancestral beings who are the direct ancestors of contemporary Anangu. For Anangu, all relationships with each other and with their homeland are governed by Tjukurpa, the law.
    [Show full text]
  • True Story Exhibition Catalogue
    VINCENT LINGIARI ART AWARD OUR COUNTRY – TRUE STORY VINCENT LINGIARI ART AWARD OUR COUNTRY – TRUE STORY The Vincent Lingiari Art Award David Frank, Our Future, 2016, acrylic on linen, 36cm x 51cm The Vincent Lingiari Art Award atrocious treatment of Aboriginal through which their members was established in 2016 to celebrate peoples and their campaign for could secure Aboriginal Freehold the 50th Anniversary of the historic land rights. Title to their traditional land. Wave Hill Walk Off and 40 years Today Aboriginal people own since the Aboriginal Land Rights Act After persistent struggle, lobbying almost half of the land in the (NT) 1976 was enacted by the and negotiation, the Gurindji Northern Territory. Australian Parliament. secured a lease over a small portion of their traditional lands The Vincent Lingiari Award On the 23 August 1966, Vincent for residential and cultural honours the leadership, courage Lingiari, Gurindji leader and head purposes. In 1975, Prime Minister and strength of Vincent Lingiairi stockman at Wave Hill Station led Gough Whitlam poured red dirt and all those who have fought workers and their families to walk into the hands of Vincent Lingiari for their land rights. off the cattle station in protest to symbolise the return of what has against unjust working and living always been, and always will be, conditions. The stockmen and their Aboriginal land. families relocated to Wattie Creek in a strike that was to last nine One year later, the Aboriginal Land years. The Walk Off and strike Rights Act (NT) returned Aboriginal became much more than a call for reserves and mission land in the equal rights; it soon became a fight Northern Territory to traditional for the return of Gurindji Lands.
    [Show full text]
  • Uluru-Kata Tjuta National Park MANAGEMENT PLAN 2010–2020
    Uluru-Kata Tjuta Board of Management Uluru-Kata Tjuta National Park MANAGEMENT PLAN 2010–2020 Tjukurpa Katutja Ngarantja Uluru and Kata Tjuta viewed from Talinguru Nyakunytjaku © Director of National Parks 2010 ISBN: 978 0 9807460 1 3 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Director of National Parks. Requests and inquiries concerning reproduction and rights should be addressed to: Director of National Parks GPO Box 787 Canberra ACT 2601 Director of National Parks Australian business number: 13051 694 963 This management plan provides the general public and park users with information about how it is proposed the park will be managed for the next 10 years. A copy of the plan is available online at environment.gov.au/parks/publications/index.html or by contacting the Community Information Unit, Department of the Environment, Water, Heritage and the Arts, by emailing [email protected] or calling 1800 803 772. Credits Designer – Papercut Editor – Elizabeth Hutchings Editing Indexer – Barry Howarth Artworks – © Malya Teamay and © Jennifer Taylor Photographs – Michael Nelson Maps – Environmental Resources Information Network Printed by Goanna Print using vegetable based inks on paper manufactured by an ISO 14001 certified mill using 55% recycled fibre (25% post consumer and 30% pre consumer) and FSC Certified pulp, which ensures that all virgin pulp is derived from well-managed forests and controlled sources. Front Cover: ‘Tjukurpa of Uluru’ © Malya Teamay: The painting depicts the important stories of Uluru. Uluru is represented in the centre of the painting by concentric circles.
    [Show full text]
  • Plan to Prevent This Suffering
    FREE March 2019 VOLUME 9. NUMBER 1. Never again Plan to prevent this suffering 1 2 MEET OUR NEW CEO YOUR VOTE MATTERS! WETT’S NATIONAL WIN P. 7 PG. # P. 4 - 6 PG. # P. 8 ISSN 1839-5279ISSN NEWS EDITORIAL Land Rights News Central Australia is published by the Management plans needed to Central Land Council three times a year. The Central Land Council prevent future animal suffering 27 Stuart Hwy Alice Springs THE Central Land Council NT 0870 has called for funding for tel: 89516211 longterm management plans for Aboriginal land trusts in www.clc.org.au order to prevent future mass email [email protected] deaths and emergency culls of Contributions are welcome feral animals. It has also made clear to traditional owners that if they ask for support to muster or SUBSCRIPTIONS water feral animals they become their legal owners. Land Rights News Central That means they become Australia subscriptions are legally responsible for the $22 per year. welfare of the animals and It is distributed free of need to get involved in these charge to Aboriginal management plans. organisations and The CLC’s call comes after its communities in Central rangers’ discovery of around Australia. 100 dead and dying horses at the Apwerte Uyerreme To subscribe email water hole, approximately [email protected] 20 kilometres from Ltyentye or call 08 8951 6215 Apurte (Santa Teresa), made international headlines during to muster and sell healthy around Ntaria, it also sought further suffering.” the extreme New Year heat animals. and received consent from In the first week of February, ADVERTISING wave.
    [Show full text]
  • Extract from Uluru-Kata Tjuta National Park Management Plan 2010- 2020
    Extract from Uluru-Kata Tjuta National Park Management Plan 2010- 2020 Sections relevant to issuing permits to media 6.5 Promoting and marketing the park Our aim Promotion of the park presents accurate and appropriate messages and images. Measuring how well we are meeting our aim Number of promotional and marketing programs effectively developed in collaboration with the park. Level of Board satisfaction with the messages in various media about the park. Background Anangu tjutangku, Anangu munu piranpa kuwari pitjantja tjuta nintini Tjukurpatjara. Tjana mantu pulkara wirura uti kulintjaku Ananguku kaltjaku munu tjanalta tjungu Anangu tjutawanungku ngura munu Anangu tjuta atunymananyi. © Sarah Goodwin Anangu are teaching all the newcomers, Anangu and non-Anangu, about Tjukurpa so they can properly and clearly understand Anangu culture and help us to protect our country and people. © Appropriate presentation of the park plays an important part in protection of the park. It helps to build people’s expectations before they visit and it helps gain public support. It also helps to build a greater appreciation of national parks generally and of the conservation of Australia’s unique natural and cultural heritage. Issues The use of culturally inappropriate images and other messages and promotion that give inappropriate information or create misleading expectations is of considerable concern to the Board and Anangu. It has the potential to create challenges for park management, and the potential for visitors to be dissatisfied with their visit to the park. It is important that Nguraritja maintain control of their cultural material, including film, photographs and publications. The Uluru climb is often emphasised as the principal attraction for overseas visitors, which does not support promotion and protection of the park’s World, National and Commonwealth cultural heritage landscape values.
    [Show full text]
  • Education Kit
    Artback NT presents EDUCATION KIT 1 AUTHORISATIONS & ACKNOWLEDGEMENTS WARNING: Indigenous people are respectfully advised that names and images of deceased people may appear in the Punuku Tjukurpa catalogue and Education Kit. All images are subject to copyright and have been reproduced with authorisation from the relevant lenders, photographers and agencies, including Maruku Arts, the representative body for Punuku Tjukurpa. The artists in Punuku Tjukurpa are from various Ngaanyatjarra, Pitjantjatjara, Yankunytjatjara and Ngaatjatjarra language groups, however only Pitjantjatjara and English are used in this document. These materials were developed by Artback NT for use in schools and at exhibition venues. The activities may be reproduced for teaching purposes. Permission to reproduce any material for all other purposes must be obtained from Artback NT. Education Kit: Angus Cameron, Nomad Art Productions Exhibition Curator: Stephen Fox Cultural Advisors: Billy Cooley, Rene Kulitja, Janet Inyika, Judy Trigger, Lydia Angus, Niningka Lewis, Kathy Tozer and Clive Scollay Translator: Kathy Tozer Photographer: Shane Mulcahy (unless otherwise credited) Layout and design: Robyn McLean This project has been assisted by the Australian Government through the Australian Council for the arts, its arts funding and advisory body. 2 Punuku Tjukurpa is an exhibition of works from the Maruku Arts archive at Mutitjulu near Uluru in the Northern Territory. It features punu and walka boards created by three generations of Anangu (central and western desert people) from the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands, Ngaatjatjarra Lands and Ngaanyatjarra Lands. Punuku Tjukurpa includes eighty-eight punu works featuring burnt designs on carved wooden forms. Works presented range from piti (wooden bowls), miru (spear throwers), tjara (shields), kulata (spears) to beautiful carvings of desert birds and animals.
    [Show full text]