DOCSLIB.ORG

"In My Life" (PDF)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
IN MY LIFE As recorded by The Beatles (From the 1965 Album RUBBER SOUL) Words and Music by Lennon and McCartney Arranged by The Beatles See performance notes A Intro Moderately = 104 A5 P E5 A5 E5 1 g g V V V U V V V U I g 4 V V V V k V V V V k Clean toWne V W V Gtr I f There are 5 0 4 (4) 5 0 4 (4) T 2 2 2 3 2 2 2 3 A B 0 0 0 0 ggg 4 I 4 V V V V } V V V V V V fV V V V V } V V V V V V Clean tone volumVe loweredV V V } V V V V V V V V V V } V V V V V V Gtr II mp V V V V V V V V V V V V T 0 2 2 2 2 x 4 4 4 4 4 4 0 2 2 2 2 x 4 4 4 4 4 4 A 2 2 2 2 x 2 2 2 2 2 2 2 2 2 2 x 2 2 2 2 2 2 B 0 0 0 0 x 2 2 2 2 2 2 0 0 0 0 x 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 B 1st Verse A E A5/G D5 3 3 5 g gg V V V V k V V V l V fV I V V V V V V V V V V V V V V plaVc - es V I V re - mem - berV u f V V all my life______________ though Gtrs I, II V V (Bkgd. voc.) Oo_____________________________ let ring let ring let ring 0 T 2 0 2 7 6 2 1 2 2 7 7 7 A 2 2 4 2 7 7 7 7 7 B 0 0 0 2 4 0 5 5 5 5 5 0 2 3 C m F m A5 A5/G A7 3 3 b 3 b 8 c ggg V V V fV I V V V V V V V V V V V V V V V VsomVe hauve changed. Some for - ev V - V er not V for bet - terV. SoVme hVave V let ring V V V V V fV 3 T 5 5 2 6 6 6 1 2 2 2 A 7 7 7 7 7 2 2 4 2 B 7 7 7 2 4 4 0 5 5 5 5 0 0 2 2 2 3 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org PDF created with FinePrint pdfFactory trial version www.pdffactory.com IN MY LIFE - The Beatles Page 2 of 8 D5 A5 A/E F 5 3 3 b 11 c g g V V V l V fV V c I g V V V V V V V V V U VgoneV______________ V V and V some V re - maiVn__ V All these V plaVc - esU____ have__ their_ let ring let ring V V V V U T 7 6 5 7 7 7 6 A 7 7 7 7 7 7 7 7 7 4 B 5 5 5 5 5 7 7 7 7 (7) 4 5 5 5 (5) 2 sl. D5 G5 A5 A 14 c ggg V V V V V V V R V I V V V V fV V V V V V aP V V V V V V mVo - ments V V with lov - erVs and_ frViendVs__ V I V still can reP _ cVall__V_____V V SomeV are V let ring V fV V V V V V aP V T 5 5 3 5 7 7 7 7 4 4 6 A 7 7 7 7 5 5 5 5 5 5 5 7 7 7 7 7 7 B 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 0 3 3 3 3 3 3 3 5 5 5 5 5 5 0 sl. F 5 B D b 3 17 g g c fV V I g c gV V V V V V V V V V V V V V V V V V V V V let Vring V T 4 6 6 4 4 4 7 7 A 4 4 4 4 4 7 7 7 7 B 4 4 2 2 2 (2) 5 5 5 2 2 sl. dead_ and__ some_ are__ liv _ ing In my__________________life I've Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org PDF created with FinePrint pdfFactory trial version www.pdffactory.com IN MY LIFE - The Beatles Page 3 of 8 A A5 E5 20 V ggg V V V c V V V V V V U I V V V k lVoved them all._________ W V But of Gtr I let ring 5 0 4 (4) T 5 2 2 2 3 6 A 7 2 B 7 0 0 5 g g V V c I g V V V V V V } V V V V V V V V V V V V V } V V V Gtr II V V V let ring T 5 6 2 2 2 2 x 4 (4) 4 4 2 A 7 2 2 2 2 2 x 2 (2) 2 B 7 0 0 0 0 x 2 (2) 2 5 0 (0) 0 P C 2nd Verse A E F m A5/G D5 D5/A 3 b 3 23 g gg V V c V V V l fV I V V V fV V V V V V V V V V V Vall these frieVnds and lov V- ers____ there is V no_______________________one V V com- let ring V V V fV let ring T 2 0 7 6 2 2 1 0 2 2 7 7 7 A G2 2 2 4 2 2 7 7 7 7 B K0 2 4 0 5 5 5 5 K 0 0 2 3 5 5 KA C m E A5/G w backup vocal b 26 ggg V V V I V V V V V V V V V V V paVres with yoVu___V And theseV mem V - 'rVies lose V their mVean - -ing____ V wVhen VI V let ring V V V fV V T 5 5 0 2 6 6 1 2 A 7 7 7 2 4 2 2 2 B 7 7 0 0 4 0 0 5 5 5 5 5 0 2 2 3 D A F 5 3 b 29 g g V V fV V } c I g V V V V V V V } V V V V thVink__V____ of___ loveV V as V some - thing_ nVew__ V ThougVh I know_ I'll_V_ nev - erV losVe af V let ring V V V V V V V V V T 7 6 5 x 7 7 7 6 x A 7 G 7 7 G 7 7 7 7 x 4 4 4 4 B 5 5 5 5 5 7 7 7 4 4 4 4 5 5 5 5 5 2 2 2 2 sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org PDF created with FinePrint pdfFactory trial version www.pdffactory.com IN MY LIFE - The Beatles Page 4 of 8 D/A G A 32 g R gg V V V V V P V V V I V V V V V V fV V V V V V aP V V V V V V -V fec - tion u for peo - ple and_ things__ that went be - fore__V V VI V let ring fV V V V V aP V 2 T 3 3 3 3 3 3 5 5 5 2 2 2 4 4 4 4 6 6 6 A 0 2 2 0 5 5 5 5 7 7 7 B 0 5 5 5 5 5 7 7 7 7 7 3 3 3 3 3 3 5 5 5 5 0 sl. F m B7 Dm A know I'll oft-en stop and think a - bout them. In my_____________life, I love you more___ b 3 35 g g fV V V V I g V gV V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V let Vring V V V V V V T 4 6 6 6 5 2 2 4 4 7 7 7 6 7 6 A 4 4 4 4 4 4 7 7 7 7 7 7 7 7 7 B 4 4 4 4 2 2 2 2 5 5 5 5 7 7 7 2 2 2 5 5 5 5 D Keyboard Solo Arranged for 2 guitars A E F 5 A7 A7/G D5/A Dm b fV V V V V V fV V 39 V V V V V V V V V V V V V V V V V V V V V V ggg k V k V V u I Gtr IV 9 121012 12 15 (15)1412 14 1014 14 1312 13 10 T 1012 10 12 12 141214 15 14 12 12 A 9 111314 B P H P H P H ggg V V V V V V I V V V V V V V V fV V VgV V V V V V Gtr III V V T 6 7 6 7 4 7 7 A 7 9 7 6 7 6 9 7 6 7 7 B 7 9 10 9 7 5 5 3 3 3 g g fV V V V V fV V I g V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtrs I, II mp V V V V fV let ring let ring 3 3 T 2 0 2 6 6 2 2 1 2 2 7 7 7 7 A 2 2 4 4 2 0 7 7 7 B 0 2 4 4 0 5 5 5 5 0 0 2 2 3 5 5 5 5 Generated using the Power Tab Editor by Brad Larsen.
Load more

Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Download Song List As
    Top40/Current Bruno Mars 24K Magic Stronger (What Doesn't Kill Kelly Clarkson Treasure Bruno Mars You) Uptown Funk Bruno Mars Firework Katy Perry Can't Stop The Feeling Justin Timberlake Hot N Cold Katy Perry Good as Hell Lizzo I Choose You Sara Bareilles Cake By The Ocean DNCE Till The World Ends Britney Spears Shut Up And Dance Walk The Moon Life is Better with You Michael Franti & Spearhead Don’t stop the music Rihanna Say Hey (I Love You) Michael Franti & Spearhead We Found Love Rihanna / Calvin Harris You Are The Best Thing Ray LaMontagne One Dance Drake Lovesong Adele Don't Start Now Dua Lipa Make you feel my love Adele Ride wit Me Nelly One and Only Adele Timber Pitbull/Ke$ha Crazy in Love Beyonce Perfect Ed Sheeran I Gotta Feeling Black Eyed Peas Thinking Out Loud Ed Sheeran Let’s Get It Started Black Eyed Peas Cheap Thrills Sia Everything Michael Buble I Love It Icona Pop Dynomite Taio Cruz Die Young Kesha Crush Dave Matthews Band All of Me John Legend Where You Are Gavin DeGraw Blurred Lines Robin Thicke Forget You Cee Lo Green Party in the U.S.A. Miley Cyrus Feel So Close Calvin Harris Talk Dirty Jason Derulo Song for You Donny Hathaway Call Me Maybe Carly Rae Jepsen This Is How We Do It Montell Jordan Brokenhearted Karmin No One Alicia Keys Party Rock Anthem LMFAO Waiting For Tonight Jennifer Lopez Starships Nicki Minaj Moves Like Jagger Maroon 5 Don't Stop The Party Pitbull This Love Maroon 5 Happy Pharrell Williams I'm Yours Jason Mraz Domino Jessie J Lucky Jason Mraz Club Can’t Handle Me Flo Rida Hey Ya! OutKast Good Feeling
    [Show full text]
  • “What's Important in My Life” the Personal Goals and Values Card Sorting Task for Individuals with Schizophrenia Theresa B
    “What’s Important in My Life” The Personal Goals and Values Card Sorting Task for Individuals with Schizophrenia Theresa B. Moyers and Steve Martino © 2006 Using Motivational Interviewing for clients with schizophrenia requires some adaptations of traditional methods, including the Personal Values Card Sorting Task. In our clinical work, we found that the original task described by Miller, C’de Baca, Matthews and Wilbourne (2001; casaa.unm.edu) was not useful for these clients because some of the values described on the cards were overly abstract (e.g., Autonomy, Mastery) and other issues of potential importance to these clients (e.g., Find medications that work for me, Stop hearing voices) were absent. Our modification of the Personal Goals and Values Card Sorting Task was originally developed as part of a small pilot study (Graeber et al., 2003) to investigate the impact of MI on the substance use of veterans with schizophrenia. We have significantly enlarged the current version and present it as a viable method for discussing important life goals and values with clients who struggle with schizophrenia. This tool is available for researchers and clinicians at no charge through the UNM CASAA website. Individuals wishing to use the cards can print them on business stock cards. Alternatively, they may be printed on labels and placed on index cards. They may not be sold, re-published or used for commercial purposes. The Card Sorting Task is relatively straightforward. Tell the client you will be using an exercise to help you figure out what is most important to him or her in life.
    [Show full text]
  • TRACKLIST and SONG THEMES 1. Father
    TRACKLIST and SONG THEMES 1. Father (Mindful Anthem) 2. Mindful on that Beat (Mindful Dancing) 3. MindfOuuuuul (Mindful Listening) 4. Offa Me (Respond Vs. React) 5. Estoy Presente (JG Lyrics) (Mindful Anthem) 6. (Breathe) In-n-Out (Mindful Breathing) 7. Love4Me (Heartfulness to Self) 8. Mindful Thinker (Mindful Thinking) 9. Hold (Anchor Spot) 10. Don't (Hold It In) (Mindful Emotions) 11. Gave Me Life (Gratitude & Heartfulness) 12. PFC (Brain Science) 13. Emotions Show Up (Jason Lyrics) (Mindful Emotions) 14. Thankful (Mindful Gratitude) 15. Mind Controlla (Non-Judgement) LYRICS: FATHER (Mindful Sits) Aneesa Strings HOOK: (You're the only power) Beautiful Morning, started out with my Mindful Sit Gotta keep it going, all day long and Beautiful Morning, started out with my Mindful Sit Gotta keep it going... I just wanna feel liberated I… I just wanna feel liberated I… If I ever instigated I am sorry Tell me who else here can relate? VERSE 1: If I say something heartful Trying to fill up her bucket and she replies with a put-down She's gon' empty my bucket I try to stay respectful Mindful breaths are so helpful She'll get under your skin if you let her But these mindful skills might help her She might not wanna talk about She might just wanna walk about it She might not even wanna say nothing But she know her body feel something Keep on moving till you feel nothing Remind her what she was angry for These yoga poses help for sure She know just what she want, she wanna wake up… HOOK MINDFUL ON THAT BEAT Coco Peila + Hazel Rose INTRO: Oh my God… Ms.
    [Show full text]
  • BWTB Valentines LOVE Show 2016
    1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S.
    [Show full text]
  • Gender Role Construction in the Beatles' Lyrics
    “SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles..................................................................................................
    [Show full text]
  • Gold Level Entertainment Song Lists
    Gold Level Entertainment Song Lists First Dance: A Kiss to Build A Dream On - Louis Armstrong A Moment Like This - Kelly Clarkson A Whole New World - Aladdin Soundtrack After All - Peter Cetera & Cher After All is Said and Done - Beyonce & Marc Nelson, Best Man Soundtrack All I Ask of You - Barbara Streisand All I Want Is You - U2 All My Love - Led Zepplin All You Need is Love - The Beatles Always With Me, Always With You - Joe Satriani American Pie - Don McLean Angel Eyes - Jeff Healy Band Angel of Mine - Monica Annie's Song - John Denver Any - Brian Midnight As Long as I'm Rocking With You - John Conlee At Last - Celine Dion At Last - Etta James At My Most Beautiful - R.E.M. At Your Best - Aaliyah Battle Hymn of Love - Kathy Mattea Beautiful - Gordon Lightfoot Beautiful As U - All 4 One Beautiful Day - U2 Because I Love You - Stevie B Because You Loved me - Celine Dion Believe - Lenny Kravitz Best Day - George Strait Best In Me - Blue Better Days Ahead - Norman Brown Bitter Sweet Symphony - Verve Blackbird - The Beatles Breathe - Faith Hill Brown Eyes - Destiny's Child But I Do Love You - Leann Rimes Butterfly Kisses - Bob Carlisle By My Side - Ben Harper By Your Side - Sade Can You Feel the Love - Elton John Can't Get Enough of Your Love, Babe - Barry White Can't Help Falling in Love - Elvis Presley Can't Stop Loving You - Phil Collins Can't Take My Eyes Off of You - Frankie Valli Chapel of Love - Dixie Cups China Roses - Enya Close Your Eyes Forever - Ozzy Osbourne & Lita Ford Closer - Better than Ezra Color My World - Chicago Colour
    [Show full text]
  • Innovators: Songwriters
    NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers.
    [Show full text]
  • A Geometric Analysis of the Harmonic Structure of in My Life
    A GEOMETRIC ANALYSIS OF THE HARMONIC STRUCTURE OF IN MY LIFE JAMES S. WALKER AND GARY W. DON ABSTRACT. After our book [1] was published, we found a striking example of the impor- tance of the Tonnetz for analyzing the harmonic structure of The Beatles’ song, In My Life. Our Tonnetz analysis will illustrate the highly structured geometric logic underlying the numerous chord progressions in the song. Spectrograms provide a way for us to visualize chordal harmonics and their connection with voice leading. We shall also describe the in- teresting harmonic rhythms of the song’s chord progressions. A lot of this harmonic rhythm lends itself well to a geometric description. 1. INTRODUCTION The Beatles, especially in some classic songs of John Lennon and Paul McCartney, used much more elaborate chord progressions than one finds in typical popular songs. A fine example of this occurs with their song, In My Life. For whatever reason, the chord progressions and instrumental melodies found in various sheet musics for Lennon and McCartney songs, such as In My Life, are aural transcriptions made by others.1 This has led to some differences in the various sheet musics, and chord listings, that are available. Our approach to this difficulty is to do an initial analysis on a basic template for the song found in the lead sheet version in [2]. After analyzing its harmonic structure, consisting of a Tonnetz analysis of its chord progressions and an examination of its harmonic rhythm, we then look at a computer analysis of the recorded performance of In My Life from The Beatles’ album Rubber Soul.
    [Show full text]
  • Bring Me a Rose 37
    SING TOGETHER Songs For Group Singing Collected by Stewart Hendrickson sheet music, sound clips, and more songs available at stewarthendrickson.com/songs.html 1. Ashes On The Sea 34. Mary Anne 2. Banquet Table 35. Master Of The Sheepfold 3. Bonnie Light Horseman 36. Miner’s Lullaby 4. Bring Me A Rose 37. Mingulay Boat Song 5. Bury Me In My Overalls 38. My Blackbird Is Gone 6. Catalpa 39. My Flower, My Companion And Me 7. Cliffs Of Moher 40. Never Grow Old 8. Colorado Trail 41. No Closing Chord 9. Come And Go With Me To That Land 42. Old Settler 10. Come Sit Down 43. Old Time River Man 11. Come Take A Trip In My Airship 44. Orphan Train 12. Connemara Cradle Song 45. Peace Call 13. Dillan Bay 46. Precious Memories 14. Dublin In The Rare Old Times 47. Prisoner’s Song 15. Dumbarton’s Drums 48. Pull For The Shore 16. Galway Shawl 49. Rambles Of Spring 17. Gentle Annie (Tommy Makem) 50. Red River Valley 18. Go and Leave Me (Oh Once I Loved) 51. Remember Me 19. Green Grows the Laurel 52. Road To Dundee 20. Green Rolling Hills of West Virginia 53. Rolling Home To Old New England 21. Gum Tree Canoe 54. Roundup Lullaby 22. Hobo’s Lullaby 55. Sail, O Believer Sail 23. Homeland 56. Sheep Don’t You Know The Tide 24. Housewife’s Lament 57. Silver Darlings 25. I Cannot Sleep 58. Smile In Your Sleep (Hush, Hush) 26. I Wish I Had Someone To Love Me 59.
    [Show full text]
  • (A) Data in the Life: Authorship Attribution of Lennon-Mccartney Songs
    (A) Data in the Life: Authorship Attribution of Lennon-McCartney Songs Mark E. Glickman∗ Department of Statistics Harvard University [email protected] Jason I. Brown Department of Mathematics and Statistics Dalhousie University [email protected] Ryan B. Song School of Engineering and Applied Sciences Harvard University [email protected] Abstract The songwriting duo of John Lennon and Paul McCartney, the two founding mem- bers of the Beatles, composed some of the most popular and memorable songs of the last century. Despite having authored songs under the joint credit agreement of arXiv:1906.05427v1 [cs.SD] 12 Jun 2019 Lennon-McCartney, it is well-documented that most of their songs or portions of songs were primarily written by exactly one of the two. Furthermore, the authorship of some Lennon-McCartney songs is in dispute, with the recollections of authorship based on previous interviews with Lennon and McCartney in conflict. For Lennon-McCartney songs of known and unknown authorship written and recorded over the period 1962-66, we extracted musical features from each song or song portion. These features consist of the occurrence of melodic notes, chords, melodic note pairs, chord change pairs, and four-note melody contours. We developed a prediction model based on variable ∗Address for correspondence: Department of Statistics, Harvard University, 1 Oxford Street, Cambridge, MA 02138, USA. E-mail address: [email protected]. Jason Brown is supported by NSERC grant RGPIN 170450-2013. The authors would like to thank Xiao-Li Meng, Michael Jordan, David C. Hoaglin, and the three anonymous referees for their helpful comments.
    [Show full text]
  • Camp Illahee Songbook
    Illahee Songbook Camp Songs Praise Songs Blessings A Day in the Life There are times in my life, when I am so afraid, And I can’t seem to find where I belong. I will love who I am, and learn from my mistakes, For we all have our own special song. Chorus And the life I live, and the love I give, Will flow free like the rivers and the streams, And wherever I go, I will always know, It’s a day in the life of my dreams. I will reach out my hand, to show that I care, And encourage those whose tears they cannot hide, I will learn how to trust, and to ask when I need help, And to talk about my feelings deep inside. Chorus I have dreams, I have songs, that I carry in my heart, As I walk in harmony upon the earth, Like the sun in the sky, the leaves beneath the wind, I will realize the value of my worth. Chorus Annie Mae Annie Mae, where are you going? Upstairs to take a bath. Annie Mae with legs like toothpicks, And a neck like a giraffe. Annie Mae stepped in the bathtub, Annie Mae pulled out the plug, Oh my goodness, Oh my soul, There goes Annie Mae down that hole! Annie Mae, Annie Mae, glub, glub, glub Ash Grove Down yonder green valley where streamlets meander, When twilight is fading, I pensively roam. Or at the bright noontide in solitude wander, Amid the dark shades of the lonely ash grove.
    [Show full text]