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William Astor Chanler (1867-1934) Und Ludwig Von Höhnel (1857-1942) Und Afrika“
DIPLOMARBEIT Titel der Diplomarbeit „William Astor Chanler (1867-1934) und Ludwig von Höhnel (1857-1942) und Afrika“ Verfasser Dr. Franz Kotrba Angestrebter akademischer Grad Magister der Philosphie aus der Studienrichtung Geschichte Wien, im September 2008 Studienrichtung A 312 295 Betreuer: Univ. Prof. Dr. Walter Sauer Für Irene, Paul und Stefanie Inhaltsverzeichnis William Astor Chanler (1867-1934) und Ludwig von Höhnel (1857-1942) und Afrika Vorbemerkung………………………………………………………………………..2 1. Einleitung…………………………………………………………………………..6 2. Höhnel und Afrika……………………………………………………………...13 3. William Astor Chanler und Afrika…………………………………………..41 4. Der historische Hintergrund. Der Sultan von Zanzibar verliert sein Land, 1886-1895…………………………………………………………………………...56 5. Jagdreise um den Kilimanjaro…………………………………………….…83 6. Chanlers und Höhnels „Forschungsreise“ 1893/4. Eine Episode in der frühen Kolonialgeschichte Kenyas. 6.1. Motivation und Zielsetzung……………………………………………….114 6.2. Kenya Anfang der 1890er Jahre…………………………………………124 6.3. Der Tana River – ein Weg zur Erschließung British Ostafrikas?...134 6.4. Zum geheimnisvollen Lorian See………………………………………..153 6.5. Die Menschen am Lorian………………………………………………….161 6.6. Im Lande der Meru………………………………………………………….164 6.7. Nach Norden zu Rendile und Wanderobo……………………………..175 6.8. Forschungsreise als Kriegszug…………………………………………..185 6.9. Scheitern einer Forschungsexpedition…………………………………195 7. Resume…………………………………………………………………………205 8. Bibliographie………………………………………………………………....210 9. Anhang 9.1. Inhaltsangabe/Abstract……………………………………………………228 -
Islam and the Abolition of Slavery in the Indian Ocean
Proceedings of the 10th Annual Gilder Lehrman Center International Conference at Yale University Slavery and the Slave Trades in the Indian Ocean and Arab Worlds: Global Connections and Disconnections November 7‐8, 2008 Yale University New Haven, Connecticut Islamic Abolitionism in the Western Indian Ocean from c. 1800 William G. Clarence‐Smith, SOAS, University of London Available online at http://www.yale.edu/glc/indian‐ocean/clarence‐smith.pdf © Do not cite or circulate without the author’s permission For Bernard Lewis, ‘Islamic abolitionism’ is a contradiction in terms, for it was the West that imposed abolition on Islam, through colonial decrees or by exerting pressure on independent states.1 He stands in a long line of weighty scholarship, which stresses the uniquely Western origins of the ending slavery, and the unchallenged legality of slavery in Muslim eyes prior to the advent of modern secularism and socialism. However, there has always been a contrary approach, which recognizes that Islam developed positions hostile to the ‘peculiar institution’ from within its own traditions.2 This paper follows the latter line of thought, exploring Islamic views of slavery in the western Indian Ocean, broadly conceived as stretching from Egypt to India. Islamic abolition was particularly important in turning abolitionist laws into a lived social reality. Muslim rulers were rarely at the forefront of passing abolitionist legislation, 1 Bernard Lewis, Race and slavery in the Middle East, an historical enquiry (New York: Oxford University Press, 1990) pp. 78‐84. Clarence‐Smith 1 and, if they were, they often failed to enforce laws that were ‘for the Englishman to see.’ Legislation was merely the first step, for it proved remarkably difficult to suppress the slave trade, let alone slavery itself, in the western Indian Ocean.3 Only when the majority of Muslims, including slaves themselves, embraced the process of reform did social relations really change on the ground. -
The Place of Tasawwuf in Traditional Islamic Sciences
www.masud.co.uk > Shaikh Nuh Ha Mim Keller The Place of Tasawwuf in Traditional Islamic Sciences © Nuh Ha Mim Keller 1995 PERHAPSTHE BIGGEST CHALLENGEIN LEAR NING ISLAM CORRECTLY TODAY IS THE SCARCITY OFIN TRADITIONAL THIS MEANING, ‘ULAMA. BUKHARI RELATESSAHIH, RIGOROUSLY THE authenticated hadith that the Prophet (Allah bless him and give him peace) said, "Truly, Allah does not remove Sacred Knowedge by taking it out of servants, but rather by taking back the souls of Islamic scholars [in death], until, when He has not left a single scholar, the people take the ignorant as leaders, who are asked for and who give Islamic legal opinion without knowledge, misguided and misguiding" (Fath al-Bari, 1.194, hadith 100). The process described by the hadith is not yet completed, but has certainly begun, and in our times, the lack of traditional scholars—whether in Islamic law, in hadith, in tafsir ‘Qur'anic exegesis’—has given rise to an understanding of the religion that is far from scholarly, and sometimes far from the truth. For example, in the course of my own studies in Islamic law, my first impression from orientalist and Muslim-reformer literature, was that the Imams of the madhhabs or ‘schools of jurisprudence’ had brought a set of rules from completely outside the Islamic tradition and somehow imposed them upon the Muslims. But when I sat with traditional scholars in the Middle East and asked them about the details, I came away with a different point of view, having learned the bases for deriving the law from the Qur'an and sunna. -
CONTENTS INTRODUCTION to COSMOPOLITANISM AS CRITICAL and CREATIVE PRACTICE Eleanor Byrne and Berthold Schoene, Page 2
CONTENTS INTRODUCTION TO COSMOPOLITANISM AS CRITICAL AND CREATIVE PRACTICE Eleanor Byrne and Berthold Schoene, page 2 THE WORLD ON A TRAIN: GLOBAL NARRATION IN GEOFF RYMAN’S 253 Berthold Schoene, page 7 THE PRECARIOUS ECOLOGIES OF COSMOPOLITANISM Marsha Meskimmon, page 15 ‘HOW DARE YOU RUBBISH MY TOWN!’: PLACE LISTENING AS AN APPROACH TO SOCIALLY ENGAGED ART WITHIN UK URBAN REGENERATION CONTEXTS Elaine Speight, page 25 TOWARDS A COSMOPOLITAN CRITICALITY? RELATIONAL AESTHETICS, RIRKRIT TIRAVANIJA AND TRANSNATIONAL ENCOUNTERS WITH PAD THAI Renate Dohmen, page 35 PARALLEL EDITING, MULTI-POSITIONALITY AND MAXIMALISM: COSMOPOLITAN EFFECTS AS EXPLORED IN SOME ART WORKS BY MELANIE JACKSON AND VIVIENNE DICK Rachel Garfield, page 46 OFFSHORE COSMOPOLITANISM: READING THE NATION IN RANA DASGUPTA’S TOKYO CANCELLED, LAWRENCE CHUA’S GOLD BY THE INCH AND ARAVIND ADIGA’S THE WHITE TIGER Liam Connell, page 60 TRICK QUESTIONS: COSMOPOLITAN HOSPITALITY Eleanor Byrne, page 68 GOOGLE PAINTINGS John Timberlake, page 78 Banner image: Maya Freelon Asante, Time Lapse, 2010, tissue paper sculpture, dimensions variable. Courtesy of the artist and Morton Fine Art, Washington, DC. www.mayafreelon.com. OPEN ARTS JOURNAL, ISSUE 1, SUMMER 2013 ISSN 2050-3679 www.openartsjournal.org 2 COSMOPOLITANISM AS Especially since 9/11 cosmopolitanism has asserted itself as a counterdiscursive response to globalisation CRITICAL AND CREATIVE and a critical methodology aimed at counterbalancing PRACTICE: the ongoing hegemony of what in The Cosmopolitan Vision Ulrich Beck has termed ‘the national outlook’. AN INTRODUCTION Invoking a world threatened by global risks Beck calls on communities to reconceive their nationalist Eleanor Byrne and Berthold Schoene, self-identification by opening up and contributing to Manchester Metropolitan University global culture with ‘[their] own language and cultural symbols’ (Beck, 2006, p.21). -
Programación
Viernes 1 17:30 · Sala 1 · Antonio Moreno: Made in Hollywood The Spanish Dancer (Mar Díaz, 2016). España. DCP. VOSE. 107' «En 2003 mi pareja, Javier García, estaba documentándose sobre los españoles que trabajaron en Hollywood en la época de las dobles versiones (comienzos de los años 30) y vio una foto que atrapó su atención. Según el pie de foto se trataba de Antonio Moreno, posando feliz en 1926 junto a uno de sus coches de lujo frente a su mansión en Los Ángeles. Nunca habíamos oído hablar de él. Nos preguntamos: ¿Qué hacía este español en Hollywood antes de que llegara el sonoro y por qué nadie se ha interesado por él?». (Mar Díaz) Segunda proyección día 26. 20:15 · Sala 1 · Adictos a Ferrara The Hold Up (Abel Ferrara, 1971). EEUU. AD. VOSE*. 14’. Killer. El asesino del taladro (The Driller Killer, Abel Ferrara, 1979). Int.: Abel Ferrara, Carolyn Marz, Baybi Day, Harry Schultz. EEUU. DCP. VOSE. 96’. Total programa: 110’ Segunda proyección y nota día 28. 20:30 · Sala 2 · PNR: Plataforma de Nuevos Realizadores Som Pastor (Borja Zausen, 2015). España. B-R. 9’. Coming to Terms (David Bertrán, 2015). España, EEUU. B-R. VOSE. 12’. Palabras de caramelo (Juan Antonio Moreno Amador, 2016). España. B-R. 20′. Zero (David Victori, 2015). España, Reino Unido, México. B-R. VOSE. 29’. Total programa: 70’ Con la presencia de los directores. 22:30 · Sala 1 · Cinéditos The Challenge (Yuri Ancarani, 2016). Italia, Francia, Suiza. DCP. VOSE. 69’ «Afianzada en la observación de la realidad, y sin embargo extrañamente lujosa en su austeridad, la historia de un jeque cetrero que viaja a Catar con motivo de un torneo de fin de semana se convierte en un hipnótico estudio de contrastes: lo manso y lo salvaje, lo dorado y lo yermo, tedio y excitación, tecnología y naturaleza». -
A Study of Harry Smith's Master Work, Film No. 18 Mahagonny in Relation to the Brecht-Weil
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-6-2021 Appropriation of the Highest Order: A Study of Harry Smith’s Master Work, Film No. 18 Mahagonny in relation to the Brecht- Weill opera The Rise and Fall of the City of Mahagonny and Duchamp’s The Large Glass Rose V. Marcus CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/723 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Appropriation of the Highest Order: A Study of Harry Smith’s Master Work, Film No. 18 Mahagonny in relation to the Brecht-Weill opera The Rise and Fall of the City of Mahagonny and Duchamp’s The Large Glass by Rose Marcus Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2021 May 6, 2021 Lynda C. Klich Date Signature May 6, 2021 Maria Antonella Pelizzari Date Signature i TABLE OF CONTENTS Acknowledgements………………………………………………………………………….iii List of Illustrations…………………………………………………………………………..iv Introduction: Smith Himself………………………………………………………………………………...1 Chapter 1: Hall of Mirrors………………………………………………………………………………11 Chapter 2: Fourth Walls………………………………………………………………………………...25 Chapter 3: Failed Unfinished Shattered, More………………………………………………………….44 Conclusion: Smith Beyond Discussion……………………………………………. …………………...58 8. Bibliography……………………………………………………………………………..62 9. Illustrations……………………………………………………………………………....67 ii ACKNOWLEDGEMENTS This paper came to fruition during what may be recognized as the year that led to the greatest awakenings in a generation. -
Abel Ferrara Jaeger-Lecoultre Glory To
La Biennale di Venezia / 77th Venice International Film Festival American director Abel Ferrara awarded the Jaeger-LeCoultre Glory to the Filmmaker 2020 prize His new film Sportin’ Life to be presented Out of Competition La Biennale di Venezia and Jaeger-LeCoultre are pleased to announce that the American director Abel Ferrara (Pasolini, Bad Lieutenant, King of New York) is the recipient of the Jaeger-LeCoultre Glory to the Filmmaker award of the 77th Venice International Film Festival (September 2 - 12, 2020), dedicated to a personality who has made a particularly original contribution to innovation in contemporary cinema. The award ceremony for Abel Ferrara will take place on Saturday September 5th 2020 in the Sala Grande (Palazzo del Cinema) at 2 pm, before the screening Out of Competition of his new film, the documentary Sportin’ Life (Italy, 65') with Abel Ferrara, Willem Dafoe, Cristina Chiriac, Anna Ferrara, Paul Hipp, Joe Delia. With regards to this acknowledgment, the Director of the Venice Film Festival Alberto Barbera has stated: “One of the many merits of Abel Ferrara, who is widely held in esteem despite his reputation as one of the most controversial filmmakers in contemporary cinema, is his undeniable consistency and allegiance to his personal approach, inspired by the principles of independent cinema even when the director had the opportunity to work on more traditional productions. From his first low-budget films, influenced directly by the New York scene populated by immigrants, artists, musicians, students and drug addicts, through his universally recognized masterpieces – The King of New York (1990), Bad Lieutenant (1992) and Body Snatchers (1994) – to his most recent works, increasingly introspective and autobiographical, Ferrara has brought to life a personal and exclusive universe. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus. -
Resources for the Study of Islamic Architecture Historical Section
RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION Prepared by: Sabri Jarrar András Riedlmayer Jeffrey B. Spurr © 1994 AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION BIBLIOGRAPHIC COMPONENT Historical Section, Bibliographic Component Reference Books BASIC REFERENCE TOOLS FOR THE HISTORY OF ISLAMIC ART AND ARCHITECTURE This list covers bibliographies, periodical indexes and other basic research tools; also included is a selection of monographs and surveys of architecture, with an emphasis on recent and well-illustrated works published after 1980. For an annotated guide to the most important such works published prior to that date, see Terry Allen, Islamic Architecture: An Introductory Bibliography. Cambridge, Mass., 1979 (available in photocopy from the Aga Khan Program at Harvard). For more comprehensive listings, see Creswell's Bibliography and its supplements, as well as the following subject bibliographies. GENERAL BIBLIOGRAPHIES AND PERIODICAL INDEXES Creswell, K. A. C. A Bibliography of the Architecture, Arts, and Crafts of Islam to 1st Jan. 1960 Cairo, 1961; reprt. 1978. /the largest and most comprehensive compilation of books and articles on all aspects of Islamic art and architecture (except numismatics- for titles on Islamic coins and medals see: L.A. Mayer, Bibliography of Moslem Numismatics and the periodical Numismatic Literature). Intelligently organized; incl. detailed annotations, e.g. listing buildings and objects illustrated in each of the works cited. Supplements: [1st]: 1961-1972 (Cairo, 1973); [2nd]: 1972-1980, with omissions from previous years (Cairo, 1984)./ Islamic Architecture: An Introductory Bibliography, ed. Terry Allen. Cambridge, Mass., 1979. /a selective and intelligently organized general overview of the literature to that date, with detailed and often critical annotations./ Index Islamicus 1665-1905, ed. -
THE PUNTLAND STATE of SOMALIA 2 May 2010
THE PUNTLAND STATE OF SOMALIA A TENTATIVE SOCIAL ANALYSIS May 2010 Any undertaking like this one is fraught with at least two types of difficulties. The author may simply get some things wrong; misinterpret or misrepresent complex situations. Secondly, the author may fail in providing a sense of the generality of events he describes, thus failing to position single events within the tendencies, they belong to. Roland Marchal Senior Research Fellow at the CNRS/ Sciences Po Paris 1 CONTENT Map 1: Somalia p. 03 Map 02: the Puntland State p. 04 Map 03: the political situation in Somalia p. 04 Map 04: Clan division p. 05 Terms of reference p. 07 Executive summary p. 10 Recommendations p. 13 Societal/Clan dynamics: 1. A short clan history p. 14 2. Puntland as a State building trajectory p. 15 3. The ambivalence of the business class p. 18 Islamism in Puntland 1. A rich Islamic tradition p. 21 2. The civil war p. 22 3. After 9/11 p. 23 Relations with Somaliland and Central Somalia 1. The straddling strategy between Somaliland and Puntland p. 26 2. The Maakhir / Puntland controversy p. 27 3. The Galmudug neighbourhood p. 28 4. The Mogadishu anchored TFG and the case for federalism p. 29 Security issues 1. Piracy p. 31 2. Bombings and targeted killings p. 33 3. Who is responsible? p. 34 4. Remarks about the Puntland Security apparatus p. 35 Annexes Annex 1 p. 37 Annex 2 p. 38 Nota Bene: as far as possible, the Somali spelling has been respected except for “x” replaced here by a simple “h”. -
The Cut and the Continuum: Sophie Ristelhueber's Anatomical Atlas
History of Photography ISSN: 0308-7298 (Print) 2150-7295 (Online) Journal homepage: http://www.tandfonline.com/loi/thph20 The Cut and the Continuum: Sophie Ristelhueber’s Anatomical Atlas Henrik Gustafsson To cite this article: Henrik Gustafsson (2016) The Cut and the Continuum: Sophie Ristelhueber’s Anatomical Atlas, History of Photography, 40:1, 67-86, DOI: 10.1080/03087298.2015.1103458 To link to this article: http://dx.doi.org/10.1080/03087298.2015.1103458 Published online: 16 Mar 2016. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=thph20 Download by: [UiT Norges arktiske universitet] Date: 18 March 2016, At: 02:35 The Cut and the Continuum: Sophie Ristelhueber’s Anatomical Atlas Henrik Gustafsson I am grateful to Sophie Ristelhueber for the From her early photographs of the ruinous aftermath of the Lebanon War in permission to reproduce her work and for Beirut (1982) to her more recent images of bomb craters in Eleven Blowups (2006), her generous assistance in providing the the French artist Sophie Ristelhueber has been intent to maintain, in her own illustrations. Thanks also to Kari Astrup at metaphor, ‘the analytical distance of an anatomy lesson’. Exhibiting the evidence Bono in Oslo, Ame´lie Lamiche at Socie´te´ of warfare but withholding their explanation, Ristelhueber’s provocative gesture of des auteurs dans les arts graphiques et making art of war, removing human conflicts from their political contexts to plastiques in Paris, Simon Baker at Tate render them as still-lifes, ready-mades, earthworks, or surrealist poems, is patently Modern, and Professor Andrei Rogatchevski anti-journalistic. -
Lewis Baltz: Discovering Park City
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 12-21-2016 Lewis Baltz: Discovering Park City Susan H. West CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/107 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Lewis Baltz: Discovering Park City by Susan H. West Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2016 Thesis Sponsor: December 7, 2016 Maria Antonella Pelizzari Date First Reader December 7, 2016 Michael Lobel Date Second Reader TABLE OF CONTENTS Preface iii List of Illustrations v Introduction 1 Chapter I Photographs of Park City, Utah (1978–1979) 9 Chapter II Lewis Baltz and California at Mid-Century 26 Chapter III The Seventies – Influences and The Prototype Works 36 Chapter IV American Nationalism and Westward Expansion 44 Chapter V Land Art and Environmentalism 53 Chapter VI New Topographics: Photographs of a Man-altered Landscape 62 Conclusion 69 Bibliography 70 Illustrations 73 ii Preface This research synthesizes interests in photography, land art, post-war cultural studies, and American history. In 2012, I enrolled in my first course at Hunter College: “Research Methods,” taught by William Agee, former Evelyn Kranes Kossak Professor of Art History. Agee was the first to encourage my interests, challenge my ideas, and instill confidence in my scholarship.