Shutter Island

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SHUTTER ISLAND (PUBLISHED IN TIME OFF MAGAZINE, BRISBANE) ***1/2 Directed by: Martin Scorsese Starring: Leonardo Di Caprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Max Von Sydow Reviewed by: Vicki Englund When you’re Martin Scorsese, there’s a huge expectation that any film you direct will somehow be a masterpiece of its kind. Maybe that’s too big an expectation of Shutter Island, which while it certainly has a lot to offer, isn’t completely satisfying. Based on the novel by Dennis Lehane – who also wrote Mystic River – the film suffers moving from its literary roots to a cinematic setting. Sure, it looks amazing and Scorsese injects a deeply unsettling mood from the outset – the overwrought soundtrack borders on being a send-up of 1950s B movies – but it lags in the middle and there’s a bit too much explanation required at the end. Di Caprio is utterly convincing as usual, and it’s a shame the movie has come out too late to allow him an Oscar nomination, which he surely deserves. He plays U.S. Marshal, Teddy Daniels, who along with partner, Chuck (Ruffalo), arrives on an imposing windswept island housing the criminally insane, to investigate a patient’s disappearance. The Marshals meet up with the resident psychiatrists, played by consummate actors, Kingsley and Von Sydow, and we’re gradually sucked into a disturbing web where Daniels believes he’s stumbled onto some very frightening goings-on. All the while, he’s haunted by memories of the sights he saw when he helped liberate Dachau Nazi camp. This is one of those films where you’re not sure what’s going on, and it’s probably just best to go along for the ride and enjoy the quality of the acting and filmmaking. It won’t go down in history as one of Scorsese’s best but it’s nice to watch a film that requires all your attention..

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February 2015
Issue 115 February 2015 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY 2015: Chinese New Year of the Sheep Q i o n g Wa n g If I have to name one day of an en- sight of a piece of bright red paper on the poems on a background of red paper. Ex- tire year that I wish dearly to be with my door. Suddenly, firecrackers began to ex- pressing sentiments about life’s renewal, family-on-the-other-side-of-the-planet, plode. Terrified, Nian ran away from the the arrival of spring, and wishes for a it’s the Chinese New Year. Also called village. prosperous year ahead, they’re pasted on Spring Festival, it is the most cherished When the villagers returned the fol- both sides of the main door. These Spring and celebrated holiday in China, as fami- lowing day, they were surprised to find Festival couplets originate from ancient lies reunite to ring out the old year and that everything was safe and sound. The “peach wood charms,” which are carved celebrate the coming new year. According old woman told the story of the beggar. or painted charms depicting protective to the Chinese Animal Zodiac, every year Noticing the red paper on the door and door gods. During the Five Dynasty Pe- is associated with one of twelve animals: the remnants of candles, lanterns, and riod (897-979 AD), Emperor Meng Chang Rat, Ox, Tiger, Rabbit, Dragon, Snake, firecrackers, the villagers suddenly real- ordered his counselor to engrave an in- Horse, Sheep, Monkey, Rooster, Dog, and ized that Nian feared the color red, bright spirational couplet on a pair of peach Pig.
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Shutter Island
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