View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Nebraska, Omaha Journal of Religion & Film Volume 16 Article 2 Issue 1 April 2012 5-25-2012 Scapegoats and Redemption on Shutter Island Cari Myers University of Denver,
[email protected] Recommended Citation Myers, Cari (2012) "Scapegoats and Redemption on Shutter Island," Journal of Religion & Film: Vol. 16 : Iss. 1 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss1/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact
[email protected]. Scapegoats and Redemption on Shutter Island Abstract The themes of redemptive violence, scapegoating, and ritual in the films of Martin Scorsese have provided much grist for critical scholarship. While it is going too far to claim that Scorsese is intentionally interpreting Girardian themes (which are themselves borrowed from a rich mythological tradition), the comparisons between the theorist and the director are compelling. My goal here is to establish the primary themes of scapegoating, mimesis, the cycle of violence, and feuding identities that occur in both Girard’s works and Scorsese’s films and pull them forward into a more recent work of Scorsese, Shutter Island. Keywords Violence, Scapegoating, Ritual, Girard Author Notes Cari Myers received a BA in English Literature from Pepperdine University, an MA in Youth and Family Ministry from Abilene Christian University, and an MTS from Brite Divinity at Texas Christian University.