ART: the Mexico of My Father (PDF File)
32 The Mexico of My Father Fall 2015 33 give meaning to the lives and extreme sacrifices of a because it did not reflect Mexico’s turbulent, traumatic fractured people after the Revolution. In a country where reality. So Vasconcelos bought train tickets for the artist illiteracy hovered at 90 percent in the aftermath of a and his new wife, Guadalupe, to travel across Mexico. The devastating conflict, one vital tool was the promotion of experience would help Rivera to better understand the mural painting through a government-funded program. country, its people, and their revolution and to translate Ordinary people, from peasants to factory workers, would that new perception into art. Rivera’s long, meandering be moved, inspired, educated, and amused with powerful trip through Mexico provided the passion and the subjects art on public walls. Muralists like Siqueiros and Orozco for his murals. His art gained meaning, relevance, and were also part of this program. power, and his artistic genius forged the style we associate A year after his return to Mexico, Diego Rivera with Rivera today. developed his first mural in the Antiguo Colegio de San From the lives of working-class people to images of Ildefonso, at the request of Vasconcelos. In the mural indigenous Mexicans, farmers, politicians, and depictions called “La Creación,” Rivera portrayed several well-known of power struggles, Diego Rivera’s work became an account contemporary women artists from Mexico. One of the of Mexico’s reality. women who posed nude for Rivera was Guadalupe Marín. In front of more than 300 attendees, Rivera y Marín Photo from Google Art Project/Wikimedia Commons.
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