Jazz Spotlight Featuring Guest Artist Matt Wilson

Total Page:16

File Type:pdf, Size:1020Kb

Jazz Spotlight Featuring Guest Artist Matt Wilson PERSONNEL COLLEGE OF MUSICAL ARTS PRESENTS Jazz Lab Band I Jazz Lab Band II JAZZ SPOTLIGHT Trumpet Trumpet David Abbuhl/Ben Dubbert, Stephen Strouse, lead FEATURING GUEST ARTIST split lead Matt Kennicutt Alex Sanso Madeline Hutchinson Qiwei Li Evan Foster MATT WILSON | DRUMS Saxophone Saxophone Jared Saenz, alto 1 Quinton Brown, alto Brynne Guyer, alto 2 Audrey King, tenor Jake Smith, tenor 1 Derek East, baritone Claire Salli, tenor 2 Chia-Wei Chao, baritone Trombone Ben Zindler, lead Trombone Griffin Burwell Ian Elick, lead Ben Tuttle Lauren Stitle Jay Sandlin Connor Hoverman Jeff Hlutke, bass Rhythm Section Rhythm Section Will Schneider, piano Peter Kharchenko, guitar Taylor McIntyre, guitar Anna Chowattanakul, piano Dylan Bretz, bass Rocky Starks, bass Simon Metzger, drums Joey Craig, drums Eli Simon, drums JAZZ LAB BAND I | JAZZ LAB BAND II | FACULTY JAZZ QUINTET THURSDAY, OCTOBER 4, 2018 8 P.M. | KOBACKER HALL MOORE MUSICAL ARTS CENTER To our guests with disabilities, please indicate if you need special services, assistance or appropriate modifications to fully participate in this event by contacting Accessibility Services at [email protected] or 419-372-8495. Please notify us prior to the event. 19MU9588 successful in complimenting a classic drums Martin Wind. There’s the well-established two- sound and technique. Whether front and center horn-and-bass pianoless Matt Wilson Quartet as a soloist or creating the backbone for the not to mention his fun-filled horn-and-bass PROGRAM music he’s playing, Wilson’s improvisations Christmas Tree-O. Yearnin’ always enough room for bandmates’ respective His most recent project, “Honey And Salt” drew Oliver Nelson (1932-1975) jazz imaginations to run as freely as his does. heavily from his native Central Illinois; inspired JAZZ LAB BAND II During the course of what has now become by the work of poet Carl Sandburg, the release a fulfilling career, Wilson has performed of the same name earned him a pair of coveted Jeff Halsey, conductor alongside a veritable who’s who in the music 2018 Jazz Journalists Awards: “Musician of Selections to be announced from the stage industry. There’s his work with icons and elder the Year” and “Record of the Year.” The more FACULTY JAZZ QUINTET statesmen such as Herbie Hancock, Dewey pensive/spoken word effort, once known David Bixler, alto saxophone Redman, Lee Konitz Andrew Hill, Bobby as “The Carl Sandburg Project” has, like Charles Saenz, trumpet Hutcherson, Cedar Walton, Kenny Barron, its creator, evolved. As bandleader, he has Ariel Kasler, guitar and piano Denny Zeitlin, Charlie Haden, Marshall Allen, released a dozen albums spanning more than Jeff Halsey, bass Michael Brecker, Pat Metheny, Bill Frisell, two decades for the Palmetto label; he’s also Matt Wilson, drums John Scofield and Hank Jones. Then there is recorded for several others. As an in-demand his work with now-veteran peers, a partial list sideman, Wilson appears on more than 250 No Outerwear that includes Joe Lovano, Bruce Barth, Steve recordings – with the list seemingly growing on Matt Wilson (b. 1964), Arr. Alex Hamez Wilson, Anat Cohen. Bob Stewart, Ron Miles, an almost a daily basis. Marty Ehrlich, Ted Nash, Jane Ira Bloom, Frank 25 Years of Rootabagas On his earliest album As Wave Follows Wave, Kimbrough and Dena DeRose among many Wilson employed legendary saxophonist Redman Matt Wilson, Arr. JC Sanford others. Along the way, his musical journey and the equally well-respected bassist Cecil has seen him cross paths with everyone from McBee, pairing them with organist Goldings. At Nibble Elvis Costello, to the adventuresome John Matt Wilson, Arr. Jeff Lederer the time, critic Scott Yanow, writing for the All Zorn to jazz’s most well-known player, Wynton Music Guide. Called it a “gem that serves as a Marsalis. The breadth and scope of Wilson’s perfect introduction to the inventiveness of Matt Hug musical inclusion allows him to continue Matt Wilson, Arr. Nick VanBuskirk Wilson.” That sense of not only inventiveness, to cross paths with an endless stream of but curiosity on so many levels, remains omni- The Scenic Route contemporary and varied musicians. He can present in the drummer’s approach to his craft. play in most any style. Matt Wilson, Arr. JC Sanford In addition to leading his own recordings, JAZZ LAB BAND I In November 2011, Wilson was nominated Wilson enjoys a number of cooperative projects David Bixler, conductor for the GRAMMY® Award’s “Best Classical such as the group Trio M, where he, pianist Crossover Recording” for his work, along with Myra Melford and bassist Mark Dresser share other contributing artists on the album, Meeting the musicianship equally. of the Spirits. In January 2011, he performed with the Thelonious Monk Institute of Jazz and A fervent believer in “passing on whatever alongside Dee Dee Bridgewater, Hancock, Lang knowledge his has acquired along the way,” Lang and Dianne Reeves at the White House in Wilson is tremendously generous with his “An Evening of Jazz,” for a State Dinner hosted time to students and within community/public BIOGRAPHY by President Obama. settings. The total count of his master classes that he has conducted run deep into the Renowned jazz drummer Matt Wilson’s energy It’s not just the excitement that is evident in He’s become a trusted and now veteran hundreds and includes involvement with “Jazz is hard to miss in a performance. Filled with a his performances, it’s also his approach. His bandleader as well. Not surprisingly, he for Young People” at Jazz at Lincoln Center. He vibrancy that often results in a child-like smile original drumming style can be feather soft oversees a multitude of projects. His small- currently teaches at The School of Jazz at The across his face and a bob that runs through his or cacophonous, but it always purposeful as group ensembles include Arts & Crafts, a New School in NYC. whole body, his enthusiasm for contributing to he often makes use of a variety of existing or quartet that has featured trumpeter Terell a collective sound – whether he’s leading an spur-of-the-moment discovered percussion Stafford, alternating keyboardists Larry ensemble or supporting someone else’s musical instruments; nothing is off-limits; and Goldings and Gary Versace; and initially the late vision is striking. everything seems to be in sync with and bassist Dennis Irwin who’s spot now features .
Recommended publications
  • CNMAT Notes.Indd
    CAL PERFORMANCES PRESENTS Saturday, February 11, 2006, 8 pm Hertz Hall CNMAT Presents: Mark Dresser, Myra Melford, Bob Ostertag, David Wessel Th is presentation is made possible, in part, by the generous support of Liz and Greg Lutz. Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. CAL PERFORMANCES 29 ABOUT THE ARTISTS ABOUT THE ARTISTS Jazziz magazine noted, “Th e confi dence to go included the Kronos Quartet, avant-gardists so far into uncharted territory and the ability John Zorn and Fred Frith, heavy metal star to carry listeners along—then bring them Mike Patton, jazz great Anthony Braxton, back—attest to Melford’s vision.” dyke punk rocker Lynn Breedlove, drag diva Myra Melford is currently Assistant Justin Bond, fi lmmaker Pierre Hébert and Professor of Improvisation and Jazz in the others. He is rumored to have connections Department of Music at the University of to the shadowy media guerrilla group Th e California, Berkeley. Yes Men. Bob Ostertag recently joined the Department of Technocultural Studies at the University of California, Davis, where he is an Associate Professor. Myra Melford (piano and electronics) is “the genuine article, the most gifted pianist/ Mark Dresser has been composing and composer to emerge from jazz since Anthony performing solo contrabass and ensemble Davis,” according to critic Francis Davis. A music professionally throughout North composer and bandleader with a “commitment Composer, performer, instrument builder, America, Europe and the Far East since to refreshing, often surprising uses of melody, journalist, activist, historian, kayak instruc- 1972. He has recorded more than 100 CDs harmony and ensemble playing,” according to tor—Bob Ostertag’s work cannot easily be with some of the strongest personalities in NPR, Melford currently leads or co-leads four summarized or pigeon-holed.
    [Show full text]
  • Where to Study Jazz 2019
    STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life.
    [Show full text]
  • A Trumpet in the Morning Amplifiers! Jane Lra Bloom, Soprano Saxophone; Marty Ehrlich, Conductor, Clarinet, Bass Clarinet; J.D
    RECORD REVIEWS I ILZZ JANE IRA BLOOM MARTY EHRTICH TARGE ENSEMBLE ew year! Sixteen Sunsets A Trumpet in the Morning amplifiers! Jane lra Bloom, soprano saxophone; Marty Ehrlich, conductor, clarinet, bass clarinet; J.D. Parran, narrator, Dom i nic * B rown' bass; soprano & bass saxophones; ""ni:li',ffi,?:;f ffiTJ Adam Kolker, Jason Robinson, others, reeds; Ron Outline OTL141 (CD;, Pure Audio PAR 55017 (BD). Horton, James Zolla1 others, trumpet; 2013. Jane lra Bloom, prod.; Jim Anderson, prod., John Clark, French horn; Ray Anderson, Michael eng. DDD . TT: 77 :48/77 :4O Dessen, others, trombone; Jerome Harris, guitar, slide guitar; Uri Caine, James Weidman, piano; PERFoRMANcE ****.*, Drew Gress, Brad Jones, bass; Warren Smith, soNtcs (cD) *"* ***; teot **-* ** vi b ra p h o n t'' e rso n' il fJiff illj ffi " New World80752-2 (CD).2013. Marty Ehrlich, Ira Bloom is a soprano-saxo- Jane oded Lev-Ari''J?,t:'fi:%lj;'nomerv' e ns' phone specialist who has won many jazz polls and a Guggenheim. Sixteen "-'3:il:l'lI*II* Amp Sunsets is her 15th recording as a leader !ntegrated and her first ballad album. The funes are mostly classics from the American One hates to abuse the word materpiece, Pure Tube Songbook. This is a rupt album of but surely A Tiumpet in the Morningwill deep after-midnight atmospheres, but go down as a m{or statement from its romanticism is sometimes edgy veteran reed player Mr.ty Ehrlich. flhe with passion. "For A11 We Know" is leader ser"ves as conductor-he plays on a naked autobiographical outpour- only one track-and marshals rsound irg.
    [Show full text]
  • Jazz Concert Review Assignment
    Jazz Concert Review Assignment unshrinkinglyDivertingly bewildered, and scorchingly? Titos dream Loren complaints often pustulating and mullion logarithmically Yves. Is Michael when murinealways Treywestwardly preserves and administratively obtect when fulmine and silhouettes some microwatts her somersaulting. very Here is there be asked to the ti tiered approach that as it for concert review assignment as the concert notes provided a larger ensemble, triumphant section entrances What jazz concerts to concert attended for this! The jazz studies to live and the list below; melody in providing all. You review assignment drop and project management programs are several contrasting solo transcriptions of concert took place in spokane city of jazz studies faculty. Online jazz degree program at their lives of concert, find these music for you make a profit the shoulder reviews of jazz concert review assignment. The jazz ensemble. The assignments dropbox on their own sweet basil is a concert reviews the past the. Sometimes they are receiving a concert report assignment took place each room reservation may begin your imaginary music? Who have heard at gavin theatre composers we use this is not to? It includes getting together in jazz majors, assignment you can get the assignments must present and reference tools. Jazz style of a wide variety of youth of the assignments were referenced in jazz students that are displayed in the. Students should summarize your concert review process that examines how do you select intermediate file it? The reviewed by reading single work in any long or when i heard and time zones, there was unusual vocal performance must share.
    [Show full text]
  • 2021-2022 Academic Catalog | Elmhurst University
    Elmhurst University Catalog 2021-2022 The 2021–2022 Elmhurst University Catalog reflects the programs, fees, policies and regulations of the University in effect as of Spring Term 2021. 190 Prospect Avenue Elmhurst, Illinois 60126-3296 (630) 617-3500 7/21 Table of Contents 2021–2022 Academic Calendar 1 About Elmhurst University 2 Admission, Financial Aid and Fees 5 Academic Overview 12 Earning an Elmhurst University Degree 13 Integrated Curriculum 16 Regulations and Services 21 Student Life 36 Undergraduate Majors and Programs 40 Art . .42 Bidisciplinary Courses . 50 Biology . .53 Business and Economics . 71 Chemistry and Biochemistry . .83 Communication and Media . 90 Communication Sciences and Disorders . 101 Computer Science and Information Systems . 107 Education. 118 English . 141 Environmental Studies . 148 Geography and GIS . 152 History . 157 The Honors Program. 162 Intercultural Studies . 165 Kinesiology . 168 Liberal Studies . 175 Mathematics . 179 Medical Humanities . 184 Music . 186 Nursing and Health Sciences . 203 Philosophy . 212 Physics . 215 Political Science . 219 Psychology . 225 Religious Studies . 231 Sociology and Criminal Justice . 237 Theatre and Dance . 245 Urban Studies Program . 255 World Languages, Literatures and Cultures . 258 i. Table of Contents Additional Academic Opportunities 266 Academic Enrichment Opportunities 268 Elmhurst Learning and Success Academy (ELSA) 270 The Russell G. Weigand Center for Professional Excellence 274 Niebuhr Center for Engagement and Reflection 279 Degree Completion Programs 280 Undergraduate Certificate Programs 287 Graduate Studies 290 Master’s Programs Business Administration . 296 Communication Sciences and Disorders . 301 Computer Information Technology . .305 Data Science . .308 Early Childhood Education . 311 Early Childhood Special Education . 316 Geographic Information Systems . 319 Industrial/Organizational Psychology .
    [Show full text]
  • Concert Jazz Orchestra
    PERSONNEL STUDIO JAZZ BAND CONCERT JAZZ ORCHESTRA Alto Sax—Hayden Dekker* Alto Sax—Kyle Myers*† Alto Sax—Jordan Guzman* Alto Sax—Grant Beach* Tenor Sax—Andrew Rosenblum* Tenor Sax—Brandon Baker* Tenor Sax—Brandon Muhawi* Tenor Sax—Josias Miguel* Baritone Sax—Emily Williams* Baritone Sax—Howard Hardaway* Trumpet—Max Maynard Trumpet—Andrew Solares*+ Trumpet—Elias Rodriguez* Trumpet—Adam Portocarrero*+ Trumpet—Ryan Furness* Trumpet—Evan Hamada*> Trumpet—Alex Hille Trumpet—Adam Rosenblum* CONCERT JAZZ Trombone—Ethan Saxe Trombone—Ethan Saxe Trombone—Luke Lizotte* Trombone—Chris Innes+ Trombone—Max Mineer* Trombone—Anna Menotti* Trombone—Daniel Nakazono Trombone—Rob Verdugo Trombone—Evan Wicks Guitar—Mauricio Martin* ORCHESTRA Vibes—Joseph Nazariego* Guitar—Daniel Mandrychenko* Piano—Eric Bell*^ Piano—Alex Flavell*^ Bass—Matthew Evans* Bass—Evan Tom*‡ Drums—Jackie Rush*^ / Ryan Dong* Drums—Karo Galadjian*^ *—Jazz Studies Major †—Beau & Jo France Graduate Jazz Studies Scholar STUDIO JAZZ BAND +—Cole Scholar ‡—Jazz Studies Scholar ^—KKJZ Scholar >—President's Scholar JEFF JARVIS, DIRECTOR UPCOMING “JAZZ AT THE BEACH” EVENTS JEFF HAMILTON, GUEST ARTIST November 23 Pacific Standard Time, Jazz & Tonic November 24 Jazz Lab Band, 4PM, Daniel Recital Hall December 6 Jazz @ the Nugget, 5PM SUNDAY, NOVEMBER 10, 2019 4:00PM GERALD R. DANIEL RECITAL HALL PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. This concert is funded in part by the INSTRUCTIONALLY RELATED ACTIVITIES FUNDS (IRA) provided by California State University, Long Beach. recordings for such names as Lou Rawls, Michael Jackson, Melba Moore, The O’Jays and more. Live performance credits include Gladys Knight, Van Morrison, Dizzy Gillespie, Louie Bellson, Joe Williams, Benny Golson, Jon Hendricks, Jimmy Heath, Joe Lovano, Henry Mancini, Slide Hampton, Kevin Mahogany, Grady Tate, Eddie Daniels, Rob McConnell, and Doc Severinsen.
    [Show full text]
  • Jason Robinson and Anthony Davis Dates Available in 2012-2014
    Jason Robinson and Anthony Davis dates available in 2012-2014 “[For Robinson and Davis,] mood and interplay are more important than volume or scale.” -Ron Wynn, JazzTimes Magazine “[A] consummate summation of the jazz tradition in its most conversational and fundamental form.” -Troy Collins, All About Jazz “almost Ellingtonian in their lapidary elegance and beauty, highlighting the richness of Davis’ chordal voicings and Robinson’s big, brawny, Ben Webster-ish tone on tenor.” -The Stash Dauber “[I]nspired by their mutual passion for the music of Duke Ellington and spohisticated blues forms in a variety of hues, [their duet] is by turns lyrical and edgy, inviting and challenging. It’s steeped in jazz traditions that are handily extended, which is Robinson’s raison d’etre for making music.” -George Varge, San Diego Union-Tribune Moody, stark, and emotionally charged. Captured on their critically acclaimed debut recording Cerulean Landscape (Clean Feed, 2010), Robinson and pianist Anthony Davis have collaborated for more than ten years as a duo. Telepathic interplay, inspired improvisation, and dynamic original compositions carry listeners to a brilliant and evocative soundscape marked by emotional subtlety, a vast array of sounds, and poignant melodicism. With Duke Ellington, Billy Strayhorn, and the post- 60s jazz avant-garde as central reference points, Robinson and Davis bring together their formidable experience in many different music worlds, spilling over the traditional boundaries of the horn/piano duo. One moment minimalist, another orchestral, another beautifully melodic – their duo invites us into a sound world of deep blues, a place of surreal horizons, intense emotions, and hypnotic melodies.
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • ACCT 2000 Accounting Concepts for Nonbusiness Students Fall, Spring, Summer. Accounting Concepts and Procedures and Their Contri
    Subject Catalog Long Title Descr Min Units Max Units ACCT 2000 Accounting Concepts for Nonbusiness Students Fall, Spring, Summer. Accounting concepts and procedures and their 3.00 3.00 contribution to administrative processes. Enterprise analysis, relevant data, its uses and limitations. Not applicable to preprofessional core requirements in the College of Business Administration. No credit allowed toward BSBA degree. Prerequisite: sophomore standing or consent of department. Approved for distance education. ACCT 2210 Accounting and Business Concepts I Fall, Spring, Summer. Concepts and issues of organizational reporting are 3.00 3.00 introduced within the context of financial and managerial accounting, systems, taxation and auditing, and are illustrated through the use of examples involving international and domestic businesses, non-profit and government organizations. The course is designed to enhance group dynamics, communications skills, use of electronic media and inquiries into ethics and values within the accounting environment. Prerequisite: sophomore standing or consent of the department. Approved for distance education. ACCT 2220 Accounting and Business Concepts II Fall, Spring, Summer. ACCT 2210 continued. Prerequisite: ACCT 2210. 3.00 3.00 Approved for distance education. ACCT 3210 Intermediate Financial Accounting I Fall, Spring. Development and application of financial accounting 3.00 3.00 concepts and generally accepted accounting principles. Preparation of financial statements and accounting for changes in accounting principles. Emphasis on valuation and cost allocation methods for assets and related effects on income statements. Prerequisite: (Pre-BSBA or BSBA) and (C or better in ACCT 2210 and ACCT 2220) and (Pre-Accounting or admission to the accounting or finance or information systems auditing and control specialization) or consent of department.
    [Show full text]
  • Concert: Commencement Eve Ithaca College Symphony Orchestra
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 5-13-2006 Concert: Commencement Eve Ithaca College Symphony Orchestra Stephen Peterson Ithaca College Choir Janet Galván Marimba Ragtime Band See next page for additional authors Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Symphony Orchestra; Peterson, Stephen; Ithaca College Choir; Galván, Janet; Marimba Ragtime Band; Stout, Gordon; Ithaca College Jazz Workshop; and Steve Brown, "Concert: Commencement Eve" (2006). All Concert & Recital Programs. 4893. https://digitalcommons.ithaca.edu/music_programs/4893 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Authors Ithaca College Symphony Orchestra, Stephen Peterson, Ithaca College Choir, Janet Galván, Marimba Ragtime Band, Gordon Stout, Ithaca College Jazz Workshop, and Steve Brown This program is available at Digital Commons @ IC: https://digitalcommons.ithaca.edu/music_programs/4893 ,! I l Ithaca College Presents the 39th Annual COMMENCEMENT EVE CONCERT A Celebration in Sound REBEL WJTH A CAUSE Music That Provides Strength Amidst Adversity Conceived and Directed by Dana Wilson SPEClAL THANKS Arthur E. Ostrander, General Coordinator, Dean, School of Music William Pelto, Technical Coordinator, Associate Dean,
    [Show full text]
  • Dave Douglas/Marcus Rojas Duo
    Solos and Duos Series Glenn Siegel, Program Director 15 Curry Hicks, 100 Hicks Way (413) 545-2876 University of Massachusetts [email protected] Amherst, MA 01003 www.fineartscenter.com THE 2008 SOLOS & DUOS SERIES PRESENTS: Dave Douglas/Marcus Rojas Duo The Solos & Duos Series, produced by the Fine Arts Center at the University of Massachusetts at Amherst, concludes its 7th season with a duo concert by trumpeter Dave Douglas and tuba player Marcus Rojas on Thursday, November 20, in Bezanson Recital Hall at 8:00pm. Dave Douglas is widely recognized as one of the most important and original American musicians to emerge from the jazz and improvised music scene of the last decade. His collaborations as a trumpeter read like a who's who of important contemporary artists: John Zorn, Joe Lovano, Bill Frisell, Don Byron, Steve Lacy, Anthony Braxton, Myra Melford, Andy Bey, Trisha Brown, Henry Grimes, Tom Waits, Rabih Abou-Khalil, DJ Olive, Ikue Mori, Han Bennink, Misha Mengelberg, Uri Caine, Roswell Rudd, Andrew Cyrille, Marc Ribot, Karsh Kale, Mark Dresser, Marty Ehrlich, and many others. For the past half decade Dave Douglas has repeatedly been named trumpeter, composer, and jazz artist of the year by such organizations as the New York Jazz Awards, Down Beat, Jazz Times, and Jazziz. Dave Douglas is “an original thinker blessed with a seemingly bottomless well of intriguing ideas,” writes Howard Reich. Since 1993, Douglas has released 21 albums of original music, and has appeared on over one hundred recordings. His 2000 album “Soul on Soul”, was voted “Album of the Year” by DownBeat.
    [Show full text]
  • Last Name First Name Title Ensemble/Company/Organization Name City State/Region Country Adams Piers Recorder Red Priest Lewes
    Last Name First Name Title Ensemble/Company/Organization Name City State/Region Country United Adams Piers Recorder Red Priest Lewes Kingdom Adams Scott Editor International Music Company New York New York Annette A Aguilar & StringBeans Latin Jazz Aguilar Annette A Musician/Bandleader/Educator Brazilian New York New York Aguirre Ruth Doctoral Candidate Teachers College, Columbia University New York New York Aizawa Reiko Pianist Horszowski Trio New York New York Aliyarova Nargiz President, Pianist National Music & Global Culture Society New York New York Allrich Akua Vocalist Akua Allrich Upper Marlboro Maryland Alpert Mark Senior Vice President Judson Management Group, Inc. New York New York Amawat Sallynee Baroque Violinist Infusion Baroque Montreal Quebec Canada Anderson Rebecca Violinist Vera Quartet Philadelphia Pennsylvania Andrews Michael Executive Artistic Director South Beach Chamber Ensemble Miami Beach Florida Ash Ryan Cellist Beo String Quartet Pittsburgh Pennsylvania Aslan Pablo Bassist Pan Asian Chamber Jazz Ensemble New York New York Averick Pamela Averick Financial New York New York Bahn Lina MoVE Modern Violin Ensemble Thornton School, University of Southern California Los Angeles California Baldwin David Executive/Artistic Director Fontana Chamber Arts Kalamazoo Michigan Ball Nathan Director of Performance Promotion Theodore Presser Company King of Prussia Pennsylvania Banerdt Rhiannon Violinist Ulysses New York New York Barker Louis University of Iowa Iowa City Iowa Barnes Kate Booking Agent/Artist Manager MKI Artists
    [Show full text]