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Tempus Magazine February 12, 2021
RE:VIEW RE:VIEW ITALIAN STYLE STEPS THE SUMMER OF MUSIC BEGINS WITH THE RETURN OF THE BBC PROMS ONTO THE PODIUM Plus + • Earl Spencer dives into English history • HOFA Gallery celebrates the mothers of mankind • Start your engines for Salon Privé • Save the Date: your luxury events calendar PROUD TO BE THE OFFICIAL TOAST OF FORMULA 1® #FERRARITRENTOF1 DRINK RESPONSIBLY The F1 logo, FORMULA 1, F1, GRAND PRIX and related marks are trademarks of Formula One Licensing BV, a Formula 1 company. All rights reserved. 90 91 MUSIC | BBC PROMS Summer of sound PARALLEL UNIVERSES Composer Britta Byström presents a world premiere inspired by the notion of a ‘hierarchical multiverse’ The world’s biggest classical festival returns to and violinist Jennifer Pike takes on Sibelius’ Violin Concerto in D minor, op.47. the Royal Albert Hall for six weeks of music 10 August STRAVINSKY FROM MEMORY The Aurora Orchestra returns to the Proms to mark the 50th anniversary of Igor Stravinsky’s death with a rendition of his Firebird Suite, performed entirely from memory. 11 August ABEL SELAOCOE: AFRICA MEETS EUROPE South African cellist Abel Selaocoe redefines his instrument in this blend of traditional styles with improv, singing and body percussion. A delight of boundary-crossing fusion. 15 August THE BBC SINGERS & SHIVA FESHAREKI Experimental composer and turntable artist Feshareki joins conductor Sofi Jeannin and the BBC Singers for a choral playlist that brings the Renaissance to the present day. 19 August his year, the Royal Albert Hall marks it was an opportunity to build a repertoire of its 150th anniversary, and what better rare and under-performed works, as well as T way to celebrate than by welcoming introducing new composers. -
Menuhin Competition Returns to London in 2016 in Celebration of Yehudi Menuhin's Centenary
Menuhin Competition returns to London in 2016 in celebration of Yehudi Menuhin's Centenary 7-17 April 2016 The Menuhin Competition - the world’s leading competition for violinists under the age of 22 – announces its return to London in 2016 in celebration of Yehudi Menuhin’s centenary. Founded by Yehudi Menuhin in 1983 and taking place in a different international city every two years, the Competition returns to London in 2016 after first being held there in 2004. The centenary event will take place in partnership with some of the UK’s leading music organisations: the Royal Academy of Music, the Philharmonia Orchestra, Southbank Centre, the Yehudi Menuhin School and the National Youth Orchestra of Great Britain. It will be presented in association with the BBC Concert Orchestra and BBC Radio 3 which will broadcast the major concerts. Yehudi Menuhin lived much of his life in Britain, and his legacy - not just as one of the greatest violinists of the 20th century, but as an ambassador for music education - is the focus of all the Competition’s programming. More festival of music and cultural exchange than mere competition, the Menuhin Competition in 2016 will be a rich ten-day programme of concerts, masterclasses, talks and participatory activities with world-class performances from candidates and jury members alike. Competition rounds take place at the Royal Academy of Music, with concerts held at London’s Southbank Centre. 2016 jury members include previous winners who have gone on to become world class soloists: Tasmin Little OBE, Julia Fischer and Ray Chen. Duncan Greenland, Chairman of the Menuhin Competition comments: “We are delighted to be bringing the Competition to London in Menuhin’s centenary year and working with such prestigious partners. -
Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences. -
Guidelines for the Commissioning of Music for BBC Programmes
Guidelines for the commissioning of music for BBC programmes 1. The Music Copyright section of the BBC’s Talent Rights Negotiation Group is responsible for negotiating terms and issuing contracts for all music commissioned by the BBC for its in-house productions. 2. BBC departments requiring specially commissioned music are encouraged to contact Music Copyright at the earliest opportunity in order that negotiations can be concluded and a contract issued/signed prior to the composer commencing work. 3. Payment schedules may vary from contract to contract, but full payment for commissioned work should be made at the point at which the work is completed, i.e. once Music Copyright receive appropriate notification to this effect from the area concerned. 4. The decision regarding which composer to contract is entirely the responsibility of individual BBC programme makers. 5. Music Copyright offer advice regarding the choice of composer when required, given its extensive knowledge of composers working in television, radio and film. A number of composers may be suggested, the selection being determined solely by the needs of an individual production. 6. Music Copyright will usually negotiate a package deal fee with a composer or their agent. This is a fully inclusive deal that encompasses all the relevant elements associated with the making of a sound master. A package deal may typically include the composition fee, scoring, copying, studio costs, electronic realisation, musician/vocalist fees, fixing, porterage and doubling. 7. Musicians and vocalists will be contracted separately via the BBC Talent Rights Negotiation Group. This is to ensure that the appropriate contracts are used. -
559288 Bk Wuorinen US
559356 bk Anderson 2/13/08 1:19 PM Page 4 BBC Concert Orchestra AMERICAN CLASSICS The BBC Concert Orchestra was formed in 1952. It has a wide and flexible repertoire, ranging from classical works and musical theatre to light music and film scores, and appears with a huge range of artists every year. Its Conductor Laureate is Barry Wordsworth and Principal Guest Conductor is Charles Hazlewood. Anne Dudley was the Orchestra’s first Composer-in- Association; and Jonny Greenwood has now taken on that rôle as Leroy Composer-in-Residence. The Orchestra has close links with BBC Radio 3 which broadcasts the majority of its concerts and with BBC Radio 2 where it is featured on the weekly programme Friday Night is Music Night. On ANDERSON BBC television the BBC Concert Orchestra has appeared in several programmes and can be heard on countless BBC TV soundtracks including the award-winning natural history series Blue Planet and Planet Earth on BBC 1. The Orchestra performs annually at the BBC Proms, makes regular visits to the Royal Festival, Royal Albert and Barbican halls in London and appears throughout Britain and abroad. It has made many recordings, with recent releases on Chandos, ASV White Line, Dutton Epoch and Naxos. The Orchestra is resident at Chichester Festival Orchestral Music • 2 Theatre and Watford Colosseum. Leonard Slatkin Jazz Pizzicato Appointed Music Director of the Detroit Symphony Orchestra and Principal Guest Conductor of the Pittsburgh Symphony Orchestra from 2008, after completing his twelfth and final season as Music Director of the National Symphony Orchestra, the distinguished American conductor Leonard Slatkin The Waltzing Cat continues as Principal Guest Conductor of the Royal Philharmonic Orchestra, Music Advisor to the Nashville Symphony Orchestra, and Conductor Laureate of the Saint Louis Symphony, of which he was Music Director for seventeen seasons. -
Maestro Keith Lockhart Residency Program
Wright State University CORE Scholar Keith Lockhart Residency A Long Long Way: Echoes of the Great War 3-2015 Maestro Keith Lockhart Residency Program CELIA Follow this and additional works at: https://corescholar.libraries.wright.edu/celia_lockhart_residency Part of the Arts and Humanities Commons Repository Citation CELIA, "Maestro Keith Lockhart Residency Program" (2015). Keith Lockhart Residency. Book 1. https://corescholar.libraries.wright.edu/celia_lockhart_residency/1 This Program is brought to you for free and open access by the A Long Long Way: Echoes of the Great War at CORE Scholar. It has been accepted for inclusion in Keith Lockhart Residency by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. MAESTRO KEITH LOCKHART of the Boston Pops and BBC Concert Orchestra 2014–15 Wright State University Distinguished Visiting Artist March 9–14, 2015 MAESTRO KEITH LOCKHART of the Boston Pops and BBC Concert Orchestra 2014–15 Wright State University Distinguished Visiting Artist March 9–14, 2015 Monday, March 9 10 a.m.–noon Master Class: WSU Percussion Ensemble (Schuster Hall) Tuesday, March 10 10 a.m.–noon Master Class: WSU Student & Faculty Piano Trios (Schuster Hall) Wednesday, March 11 10–11:30 a.m. Master Class: WSU Voice Students (Schuster Hall) Thursday, March 12 1–3 p.m. Voices of World War I: Maestro Keith Lockhart & Dr. Paul Lockhart (Schuster Hall) Friday, March 13 10–11 a.m. Open Forum and Q&A with Students (Schuster Hall) 7 p.m. Take Note Pre-Concert Lecture: Dr. Paul Lockhart 8 p.m. Britten’s War Requiem Performance (Schuster Center, Downtown Dayton) Saturday, March 14 7 p.m. -
Download Booklet
570793 bk FF 9/18/07 11:22 AM Page 8 Roderick Elms Roderick Elms studied at the Royal Academy of Music in London and appears in concerts, recordings and broadcasts with most of Britain’s major orchestras, both as a principal keyboard player and soloist. He appears regularly with the Royal Philharmonic Orchestra and broadcasts for BBC Radio 3 as well as for Radio 2’s Friday Night is Music Night with the BBC Concert Orchestra. Foreign tours have taken him round most of Europe as well as to South Africa, the United States and Canada, Israel and the Far East. His solo recordings with the RPO include Hubert Bath’s Cornish Rhapsody, the Spellbound and Warsaw concertos and da Falla’s Nights in the Gardens of Spain. Other recordings include Frank Martin’s Ballade for Piano and Orchestra with the London Philharmonic Orchestra and The Dream of Olwen and other music of Charles Williams with the BBC Concert Orchestra on the Marco Polo label. In lighter vein, he has made contributions to albums by José Carreras (Pure Passion) and Tony Henry (Modern Arias). As organist, he has recorded an extensive list for EMI and Chandos which includes all the major oratorios of Elgar and the award- winning recording of Britten’s War Requiem with the London Photo: Joanna Smith Symphony Orchestra. He has contributed to many film soundtracks including Aliens, Dangerous Liaisons, Shadowlands, Philadelphia and the epic The Lord of the Rings trilogy. He caused something of a stir in the 2003 Proms when, with friend and colleague Alistair Young, he appeared on live television -
Delius (1862-1934)
BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) A Discography of CDs & LPs Prepared by Michael Herman Frederick Delius (1862-1934) Born in Bradford to German parents. His family had not destined him for a musical career but due to the persuasion of Edvard Grieg his father allowed him to attend the Leipzig Conservatory where he was a pupil of Hans Sitt and Carl Reinecke. His true musical education, however, came from his exposure to the music of African-American workers in Florida as well as the influences of Grieg, Wagner and the French impressionists. His Concertos and other pieces in classical forms are not his typical works and he is best known for his nature-inspired short orchestral works. He also wrote operas that have yielded orchestral preludes and intermezzos in his most characteristic style. Sir Thomas Beecham was his great champion both during Delius’ lifetime and after his death. Air and Dance for String Orchestra (1915) Norman Del Mar/Bournemouth Symphony Orchestra ( + Elgar: Serenade for Strings, Vaughan Williams: Concerto Grosso and Warlock: Serenade) EMI CDM 565130-2 (1994) (original LP release: HMV ASD 2351) (1968) Vernon Handley/London Philharmonic Orchestra ( + Summer Evening, On Hearing the First Cuckoo in Spring, Summer Night on the River, Vaughan Williams: The Wasps Overture and Serenade to Music) CHANDOS CHAN 10174 (2004) (original CD release: CHANDOS CHAN 8330) (1985) Richard Hickox/Northern Sinfonia ( + Summer Evening, Winter Night, On Hearing the First Cuckoo in Spring, Summer Night on the River, A Song Before Sunrise, La Calinda, Hassan – Intermezzo and Serenade, Fennimore and Gerda – Intermezzo and Irmelin – Prelude) EMI BRITISH COMPOSERS CDM 5 65067 2 (1994) (original CD release: EMI CDC 7 47610 2) (1986) David Lloyd-Jones/English Northern Philharmonia ( + Bridge: Cherry Ripe, Sally in our Alley, Sir Roger de Coverley), Haydn Wood: Fantasy-Concerto, Ireland: The Holy Boy, Vaughan Williams: Charterhouse Suite, Elgar: Sospiri, Warlock: Serenade, G. -
The Delius Society Journal Autum 2009, Number 146
The Delius Society Journal Autum 2009, Number 146 The Delius Society (Registered Charity No. 298662) President Lionel Carley, BA PhD Vice Presidents Roger Buckley Sir Andrew Davis CBE Sir Mark Elder CBE Bo Holten, RaD Lyndon Jenkins, RaD Richard Kitching Piers Lane, BMus Hon FRAM ARCM LMusA David Lloyd-Jones, BA Hon DMus FGSM Julian Lloyd Webber, FRCM Sir Charles Mackerras, CH, AC, CBE Robert Threlfall Website: http://www.delius.org.uk ISSN-0306-0373 1 Chairman Martin Lee-Browne, CBE Chester House, Fairford, Gloucestershire GL7 4AD Chairman@ The DeliusSociety.org.uk Treasurer and Membership Secretary Stewart Winstanley Windmill Ridge, 82 Highgate Road, Walsall, WS1 3JA Tel: 01922 633115 Email: [email protected] Secretary Lesley Buckley c/o Crosland Communications Ltd The Railway Station Newmarket CB8 9WT Tel: 07941 – 188617 Email: [email protected] Journal Editor Paul Chennell 19 Moriatry Close Holloway, London N7 0EF Tel: 020 7700 0646 Email: [email protected] Front cover: Evelin Gerhard and Malve Steinweg in childhood. © Klaus Steinweg Back cover: Evelin Gerardi. © Klaus Steinweg The Editor has tried in good faith to contact the holders of the copyright in all material used in this Journal (other than holders of it for material which has been specifically provided by agreement with the Editor), and to obtain their permission to reproduce it. Sometimes, however, he has received no reply. Any breaches of copyright are unintentional and regretted. 2 Martin Lee-Browne with Roger Buckley, our newest Vice President. © Martin Clark 3 CONTENTS CHAIRMAN’S NOTES.................................................................................... 6 EDITORIAL....................................................................................................... 7 OBITUARIES Robert Beckhard................................................................................................ 9 Ivor Russell........................................................................................................ -
Created in 2012 by Graham Bickley and Richard Balcombe, GRB Concerts Devise, Programme, Orchestrate and Cast Projects for Orchestras in the UK and Abroad
Created in 2012 by Graham Bickley and Richard Balcombe, GRB Concerts devise, programme, orchestrate and cast projects for orchestras in the UK and abroad. With over 30 years in the industry, a broad depth of expertise allows Richard and Graham to deliver concerts which entertain, stimulate and compliment any seasonal programming. GRB Concerts programmes include: An 80th Birthday Musical Celebration of Barbra A Couple of Swells…Sinatra & Garland’s Movie Streisand *NEW FOR 2021/22* Magic - BBC Concert Orchestra tour to Germany, Elton John – 50 Years of Your Song(s) Summer 2018 *NEW FOR 2020* - Upcoming concerts with RNS, CBSO and A Night At The Movies Hallé Songs for a Swingin’ Orchestra How the West Was Won *NEW FOR 2020* - BBC Radio broadcast with BBC Concert Orchestra and BBC Big Band Up Up & Away…Sounds of the 60’s Valentine Love Songs - Studio Recording with Royal Philharmonic Orchestra Summer of Love - BBC Radio broadcast with BBC Concert Orchestra Made in Britain…The Best of the British Musicals More Sounds of the 60’s The Best of Broadway The Sensational 70’s The French Connection What The World Needs Now…The Music of Burt White Christmas… the Great Holiday Hits Bacharach - Studio Recording with Royal Philharmonic Orchestra - BBC Radio broadcast with BBC Concert Orchestra GRB Concerts have worked with: Royal Philharmonic Orchestra Royal Liverpool Philharmonic Orchestra Royal Philharmonic Concert Orchestra Royal Northern Sinfonia BBC Concert Orchestra Bournemouth Symphony Orchestra City of Birmingham Symphony Orchestra The Orchestra of Opera North The Hallé RTÉ Concert Orchestra www.grbconcerts.com www.clbmanagement.co.uk Kate Adams | [email protected] | +44 (0) 20 3176 9295 RICHARD BALCOMBE producer | arranger | orchestrator | conductor Richard is firmly established as one of the most versatile musicians of his generation. -
10-12 March I Online Delegate List
ABO ANNUAL CONFERENCE 2021 10-12 March I Online Delegate List LISTED IN ALPHABETICAL ORDER Aakash Bharania Relationship Manager, Diversity, Arts Council England Abi Groocock Marketing and Communications Coordinator (Classical), Sage Gateshead Abigail Pogson Managing Director, Sage Gateshead Adam Jeanes Senior Relationship Manager, Arts Council England Adam Szabo Chief Executive, Manchester Collective Adele Franghiadi Community Projects Officer, City of Birmingham Symphony Orchestra Adrian Rutter Head of Orchestra Management, City of Birmingham Symphony Orchestra Alan Davey Controller, BBC Radio 3 & Classical Music Alan Johnson Assistant Orchestra Manager (Maternity Cover), City of Birmingham Symphony Orchestra Alan Watt Chief Executive, Academy of St Martin in the Fields Alana Grady Concerts Manager, Aurora Orchestra Alex Gascoine Executive Committee Vice Chair, Musicians' Union Alex Laing Principal Clarinet, Phoenix Symphony Alex Rutherford Orchestra & Events Co-ordinator, BBC Scottish Symphony Orchestra Alex Walden Orchestra Manager, BBC Concert Orchestra Alexa Butterworth Orchestra Manager, Opera North Alexander Douglas Artistic Director, ADM Productions Alexis Paterson Chief Executive, Three Choirs Festival Alfonso Leal del Ojo Chief Executive, The English Concert Alice Dagger Managing Director, Black Cat Music and Acoustics Alice McDonough Assistant Artist Manager, Intermusica Alice Pusey Development & Events Manager, Academy of Ancient Music Alice Walton Communications Director, Britten Sinfonia Alison Dancer Learning Manager, BBC -
British Orchestral Music
BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) Written by Composers Born Between 1800 & 1910 A Discography Of CDs And LPs Prepared by Michael Herman Composers C-G WALTER CARROLL (1869-1955) Born in Manchester. He got his musical degrees at the Universities of Durham and Manchester and went on to an acdemic career at the University of Manchester and at the Royal Manchester College of Music. He became Music Dvisor to the City of Manchester and devoted himself to reforming and improving art education in the schools. With this goal in mind he composed piano music for children as well as instructional books. His enormous academic load precluded much time for other composing. Festive Overture (c. 1900) Gavin Sutherland/Royal Ballet Sinfonia ( + Blezard: Caramba, Black: Overture to a Costume Comedy, Langley: Overture and Beginners , Dunhill: Tantivy Towers, Chappel: Boy Wizard, Hurd: Overture to an Unwritten Comedy, Monckton: The Arcadians. Lane: A Spa Overture, Pitfield: Concert Overture and Lewis: Sussex Symphony Overture) WHITELINE CD WHL 2133 (2002) ADAM CARSE (1878-1958) Born in Newcastle-on-Tyne. He studied under Frederick Corder at the Royal Academy and later went on to teach at that school. He composed in various genres and his orchestral output includes 2 Symphonies, the symphonic poems "The Death of Tintagiles" and "In a Balcony," a Concert Overture and Variations for Orchestra. He also wrote musical textbooks that kept his name in print long after his compositions were forgotten. The Willow Suite for String Orchestra (1933) Gavin Sutherland/Royal Ballet Sinfonia ( +Purcell/Britten: Chacony, Lewis: Rosa Mundi, Warlock/Lane: Bethlehem Down, Holst: Moorside Suite, Carr: A Very English Music, W.