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"American Buffalo", "Glengarry Glenn Ross", and "Speed-The-Plow"

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UNLV Retrospective Theses & Dissertations 1-1-1999 Claiming identity: The effect of the American myth on human relationships in David Mamet's "American Buffalo", "Glengarry Glenn Ross", and "Speed-the-Plow" Lyn Sattazahn University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sattazahn, Lyn, "Claiming identity: The effect of the American myth on human relationships in David Mamet's "American Buffalo", "Glengarry Glenn Ross", and "Speed-the-Plow"" (1999). UNLV Retrospective Theses & Dissertations. 982. http://dx.doi.org/10.25669/7voi-8nqu This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. 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Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CLAIMING IDENTITY: THE EFFECT OF THE AMERICAN MYTH ON HUMAN RELATIONSHIPS IN DAVID MAMET’S AMERICAN BUFFALO. GLENGARRY GLEN ROSS, AND SPEED-THE-PLOW by Lyn Sattazahn Bachelor of Arts Brigham Young University 1990 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Theatre Arts Department of Theatre Arts University of Nevada, Las Vegas May 1999 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1394813 UMI Microform 1394813 Copyright 1999, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Thesis Approval UNIV The Graduate College University of Nevada, Las Vegas December 7, 1998 19 The Thesis prepared by Lyn Sarrazahn_____ Entitled -Claiming Identity.; The Effect of rhp American Myrh nn Human RAlarinnehips .in .David Mamet’s American Buffalo. Glengarrv Clen RnsR,_anH .9pppfi-rhp- Plow __________________________________________________________________________________ is approved in partial fulfillment of the requirements for the degree of Master of Arts nninatim Committee Chair V T Dean o f the Gradua te College Examination Co e Member ' O I iÇ_.- i'< Exattmuüion Committee Member Graduate College Faculty Representative U Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT Claiming Identity: The Effect of the American Myth on Human Relationships in David Mamet’s American Buffalo, Glengarry Glen Ross, and Speed-tlie-Plow by Lyn Sattazahn Dr. Jeffrey Keep, Examination Committee Chair Dean of the College of Fine Arts University of Nevada, Las Vegas David Mamet’s American Buffalo, Glengarry Glen Ross, and Speed-the-Plow explore the damage American business has done to the human spirit. The frontier myth has evolved into exploitative capitalism where competition becomes an obstacle for community and friendship. The characters in these plays try to establish and define their identities by their particular status within the business hierarchy. Unfortunately the nature of competition creates an environment in which the characters use each other’s needs and vulnerabilities for their own gain. To openly express the need for love and community in this climate is to expose weakness. Fear of revealing such vulnerability prohibits Mamet’s characters from accepting their real needs. The conflict between the need for community and the fear of rejection from society because of a weak position within the business structure relegates them to compromised versions of truth and the identities they seek. Ill Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS ABSTRACT.............................................................................................................................üi CHAPTER 1 INTRODUCTION............................................................................................ 1 CHAPTER 2 AMERICAN BUFFALO....................................................................................6 CHAPTER 3 GLENGARRY GLEN ROSS ...........................................................................18 CHAPTER 4 27 CHAPTER 5 CONCLUSION............................................................................................... 37 BIBLIOGRAPHY.................................................................................................................. 40 VITA.......................................................................................................................................43 IV Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CHAPTER I INTRODUCTION In a 1982 interview David Mamet condemns the values of America and describes the vision of the frontier as having evolved into a system of exploitation: The American dream has gone bad...The idea was that if you got out there, as long as there was something to exploit—v/hether it was the wild west, the Negroes, the Irish, the Chinese in California, the gold fields, or the timberland— one had the capacity to get rich. This capitalistic dream of wealth turns people against each other (Leahey 3). Capitalism prescribes free enterprise as the path to individual freedom, but value is determined by price and relationships hinge on potential profitability (Bigsby 201). Personal identity is denied in such a system. Yet, in Mamet’s American Buffalo, Glengarry Glen Ross, and Speed-the-Plow the characters try to establish and define their own identities by their particular status within the business hierarchy. Examining their power struggles, manipulations, betrayals, and shifting alliances reveals characters seeking a notable business status, but their efforts are overwhelmed by competition. These plays explore the damage business in America has done to the human spirit where the purpose of the soul has been denied by the myths generated in the search for an ideal life (Bigsby 205). Mamet creates characters with a keen awareness of human needs and fears: they shield their own from the world and exploit the same vulnerabilities in others for their own gain. As we shall see, every action in these plays embodies an attempt to define identity. The characters simultaneously strive to harness truth while they bury the profound fear that they may not have essential places within the community. Departing 1 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. from the system will only exclude the possibility of community within it. The fear of isolation is so powerful that the characters choose compromised versions of community and love over the prospect of total alienation. Inevitably, resistance to real needs destroys the possibility for discovery of truth and confrontation of fear for these characters. The need for community conflicts with the fear of rejection from society. Their concessions ultimately deny them the identities they seek. However, Mamet’s characters commit themselves to the system in the hope it will provide them with a more desirable status than they could create on their own. Mamet observes that the mass media panders to the lowest in the human experience, and this mindlessness inhibits our quest for truth in art; “Every reiteration of the idea
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