Veille Numérique
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Illegal File Sharing
ILLEGAL FILE SHARING The sharing of copyright materials such as MUSIC or MOVIES either through P2P (peer-to-peer) file sharing or other means WITHOUT the permission of the copyright owner is ILLEGAL and can have very serious legal repercussions. Those found GUILTY of violating copyrights in this way have been fined ENORMOUS sums of money. Accordingly, the unauthorized distribution of copyrighted materials is PROHIBITED at Bellarmine University. The list of sites below is provided by Educause and some of the sites listed provide some or all content at no charge; they are funded by advertising or represent artists who want their material distributed for free, or for other reasons. Remember that just because content is free doesn't mean it's illegal. On the other hand, you may find websites offering to sell content which are not on the list below. Just because content is not free doesn't mean it's legal. Legal Alternatives for Downloading • ABC.com TV Shows • [adult swim] Video • Amazon MP3 Downloads • Amazon Instant Video • AOL Music • ARTISTdirect Network • AudioCandy • Audio Lunchbox • BearShare • Best Buy • BET Music • BET Shows • Blackberry World • Blip.fm • Blockbuster on Demand • Bravo TV • Buy.com • Cartoon Network Video • Zap2it • Catsmusic • CBS Video • CD Baby • Christian MP Free • CinemaNow • Clicker (formerly Modern Feed) • Comedy Central Video • Crackle • Criterion Online • The CW Video • Dimple Records • DirecTV Watch Online • Disney Videos • Dish Online • Download Fundraiser • DramaFever • The Electric Fetus • eMusic.com -
22 Vs. Earth .2021`` DIRECT DOWNLOAD LINK FREE FULL 2160P
Downloaded from: justpaste.it/43ftj MOVIES ``22 Vs. Earth .2021`` DIRECT DOWNLOAD LINK FREE FULL 2160P A few sec ago Don’t miss!~MAXFLIX HD~! Where to Watch 22 vs. Earth (2021) Online Free? [DVD-ENGLISH] 22 vs. Earth (2021) Full Movie, 22 vs. Earth (2021) Full MovieS Free HD Google Drive!! 22 vs. Earth (2021) with English Subtitles ready for download,22 vs. Earth (2021) ::: 720p, 1080p, BrRip, DvdRip, High Quality. See 22 vs. Earth (2021) Full Movie in HD VERSION [⬇⬇⬇⬇⬇⬇⬇⬇⬇⬇⬇] ► 22 vs. Earth (2021) Full movie DIRECT LINK FREE ::: https://www.competize.com/en/league/view/121721-movies-22-vs- earth-direct-download-link Set before the events of ‘Soul’, 22 refuses to go to Earth, enlisting a gang of 5 new souls in attempt of rebellion. However, 22’s subversive plot leads to a surprising revelation about the meaning of life. Registration is fast and easy. You will have the opportunity to Watch when you register to get the complete episode FIND US ► Instagram: https://instagram.com ► Twitter: https://twitter.com ► Facebook: https://www.facebook.com Details of “22 vs. Earth (2021)” Title: 22 vs. Earth (2021) Full movie 22 vs. Earth (2021) ► STREAM OR DOWNLOAD HERE Quality: HD 720p, 1080p, 4K Release: 2021-04-30 Running time: 00:09:00 Genre: Family, Animation, Comedy Stars: Tina Fey, Alice Braga, Richard Ayoade, Micah Chen, Adela Drabek, Aiyanna Miorin, Karee Ducharme, Samantha Ho, Azriel Dalman, Juliana Alcaron Label and Keywords: earth, prequel, planet earth, soul, short film, life 22 vs. Earth (2021) Premiere Kijk Maar 22 vs. Earth (2021) Ser FilmThe 22 vs. -
2021-Canadian-Screen-Awards-Rules-Regulations-Change-Highlights.Pdf
FILM AWARDS 1. ELIGIBILITY 1.1. 2021 Canadian Screen Awards Eligibility Period: January 1, 2020 - April 30, 2021 1.2. Feature Film Eligibility 2021 Canadian Screen Awards A Feature Film must be publicly exhibited during the Eligibility Period of January 1, 2020 - April 30, 2021. A Feature Film may qualify by satisfying one of the following qualifying criteria: A. Films that intended a theatrical release during the COVID-19 Pandemic but were made available through commercial streaming on an Academy approved Qualifying SVOD/VOD platform. OR B. A minimum of four (4) screenings in a regular commercial theatre to a paying audience in at least ONE of the following cities: Calgary, Edmonton, Halifax, Montreal, Ottawa, Quebec City, Saskatoon, St. John’s, Toronto, Vancouver, Victoria, and Winnipeg. OR C. Acceptance to an Academy Approved Qualifying Canadian Film Festival along with a release on at least one approved Qualifying VOD/SVOD platform (as specified on the academy.ca/awards website). 1.3. Short Films Eligibility: 2021 Canadian Screen Awards 1. COMMERCIAL SCREENINGS: Short Films Only - During the period of January 1, 2020 through April 30, 2021, a minimum of one (1) theatrical screening to a paying audience other than a festival; or, a commercial release on one of the Academy approved SVOD/VOD platforms. OR 2. FESTIVALS SCREENINGS Animated Shorts and Live Action Short Drama - During the period of January 1, 2020 through April 30, 2021, acceptance into at least two (2) Academy approved Canadian film festivals. OR 1 3. INTERNATIONAL FESTIVAL SCREENINGS: During the period of January 1, 2020 through April 30, 2021, winner of a “Best of” or comparable distinction decided upon by a jury at an Academy approved International Festival or comparable award of distinction. -
D8A4 E` Ac`SV ?R \R R Reert\
'* ; "<%"= %"== !" RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 /* 01 2 /!") " # $%& !" !"#$% &$' * 3) ) 34 5)6.33..3 . ) 36 +8 &!&'#(%') )'# ..-8) .3 5) )' !)'# ') , 384 ,.9) 3).) . ))3*75 ** )' !#* )'&' +'*%' ' # $%& ' '(%)*)*+ , -": - .-/ rapes and violence for decades meet Pakistan’s Punjab and the Nankana incident Governor and Chief Minister,” shows how minorities there are he said. Longowal said the del- persecuted and why they need egation will comprise Rajinder citizenship in India. Singh Mehta, Roop Singh, Lekhi also said that this Surjit Singh and Rajinder incident should open the eyes Singh. !"" of Congress leaders such as So- “We have spoken with the nia Gandhi, Rahul Gandhi and Gurdwara Nankana Sahib Q ))*+ no borders. Navjot Singh Sidhu, TMC sup- management committee...They Taking to Twitter, Rahul remo Mamata Banerjee, the told us the situation is normal ! he Shiromani Gurdwara termed Friday attack repre- leftists and the “Urban Naxals” now,” Longowal said. # $% TParbhandhak Committee hensible, and said the only who have been opposing the The SGPC chief said the &'() +L (SGPC), the apex body which known antidote to bigotry is amended Citizenship Act. sentiments of the Sikh com- *,- provincial authorities in the - manages Sikh shrines, will love, mutual respect and under- Meanwhile, strongly con- munity were hurt with the Punjab province have informed L send a four-member delegation -
Fidelity® Total Market Index Fund
Quarterly Holdings Report for Fidelity® Total Market Index Fund May 31, 2021 STI-QTLY-0721 1.816022.116 Schedule of Investments May 31, 2021 (Unaudited) Showing Percentage of Net Assets Common Stocks – 99.3% Shares Value Shares Value COMMUNICATION SERVICES – 10.1% World Wrestling Entertainment, Inc. Class A (b) 76,178 $ 4,253,780 Diversified Telecommunication Services – 1.1% Zynga, Inc. (a) 1,573,367 17,055,298 Alaska Communication Systems Group, Inc. 95,774 $ 317,970 1,211,987,366 Anterix, Inc. (a) (b) 16,962 838,941 Interactive Media & Services – 5.6% AT&T, Inc. 11,060,871 325,521,434 Alphabet, Inc.: ATN International, Inc. 17,036 805,292 Class A (a) 466,301 1,099,001,512 Bandwidth, Inc. (a) (b) 34,033 4,025,764 Class C (a) 446,972 1,077,899,796 Cincinnati Bell, Inc. (a) 84,225 1,297,065 ANGI Homeservices, Inc. Class A (a) 120,975 1,715,426 Cogent Communications Group, Inc. (b) 66,520 5,028,912 Autoweb, Inc. (a) (b) 6,653 19,028 Consolidated Communications Holdings, Inc. (a) 110,609 1,035,300 Bumble, Inc. 77,109 3,679,641 Globalstar, Inc. (a) (b) 1,067,098 1,707,357 CarGurus, Inc. Class A (a) 136,717 3,858,154 IDT Corp. Class B (a) (b) 31,682 914,343 Cars.com, Inc. (a) 110,752 1,618,087 Iridium Communications, Inc. (a) 186,035 7,108,397 DHI Group, Inc. (a) (b) 99,689 319,005 Liberty Global PLC: Eventbrite, Inc. (a) 114,588 2,326,136 Class A (a) 196,087 5,355,136 EverQuote, Inc. -
PBS Kids, Fandor Subscription Services Now Available Through Amazon Channels
PBS Kids, Fandor Subscription Services Now Available Through Amazon Channels variety.com /2016/digital/news/pbs-kids-fandor-amazon-channels-1201895376/ Todd Spangler NY Digital Editor @xpangler Amazon has added two new partners to its Amazon Channels video subscription add-on program for Prime Members: PBS Kids, stocked with educational shows for tykes, and Fandor, which offers selection of indie films, documentaries and features from a library of more than 6,000 titles. PBS Kids, available for $4.99 a month, provides more than 1,600 episodes of children’s programming that support social-emotional development and literacy skills, as well as science, technology, engineering and math (STEM) skills. The channel’s shows include “Wild Kratts,” “Caillou,” “Dinosaur Train,” “Arthur,” “Ready Jet Go!” and “Daniel Tiger’s Neighborhood” (pictured above). Fandor, priced at $3.99 per month, includes a curated selection of films from the company’s catalog, such as Werner Herzog’s “Aguirre,” the Wrath of God, Yorgos Lanthimos’ “Dogtooth,” Oscar-winner “Ida,” and the original Swedish films in “The Girl with the Dragon Tattoo” trilogy. On Amazon Channels, both Fandor and PBS Kids are available for a free one-week trial to Prime members. “We are extremely excited to work with Amazon to have Fandor included in the Amazon Channels offering,” said Fandor CEO Larry Aidem. “It’s an excellent opportunity for us to bring a wide array of films not available anywhere else to new audiences.” Fandor also has a distribution pact with China’s LeEco, whose new U.S. video service will include unlimited access to select Fandor content. -
INDIAN OTT LANDSCAPE a Survey Report by Vidooly
INDIAN OTT LANDSCAPE A Survey Report by Vidooly Video Intelligence & Cross Platform Analytics Software INTRODUCTION The increasing popularity of OTT Platforms in India is no more a secret. While Hotstar, Netflix and Amazon Prime have become established names in the industry, we also have new entrants such as AppleTV+ and Flipkart Videos marking their debut. With 30+ platforms competing to build a subscriber base, they are experimenting with newer way to please their audience. With the help of big data, platforms are devising ways of personalizing their user experience. Innovations such as voice tags, augmented and virtual reality, 360 degree viewing and blockchain technology are also getting intensely explored. The pace at which the industry is transforming, makes it indispensable for the platforms to evolve continuously. Other than recognizing consumer’s changing preferences and their need of personalized experiences, brands also realize their price-sensitive nature. This has led to the provision of multiple screens and introduction of cheaper subscription plans by these platforms in order to fit consumers’ pockets. Undisrupted 4G connectivity has played a major role in enabling the online content consumption, that too, at viewers’ ease. Not only has it made internet accessible but also affordable, thus driving the user-spends towards other means of entertainment - in this case – Video-on-Demand Platforms. The penetration of internet in rural areas has also soared, resulting in a higher demand of regional content on these platforms. There’s no second guessing in the fact that the OTT industry is going to be the face of Media & Entertainment Industry in the coming years. -
“Censorship in OTT Platforms: the Necessity”; *Bhagavatula Naga Sai Sriram, School of Law, SASTRA University
Volume 11, July 2020 ISSN 2581-5504 “Censorship in OTT Platforms: The Necessity” *Bhagavatula Naga Sai Sriram School of Law, SASTRA University **Sandhiya K. School of Law, SASTRA University Internet and technology have become an inevitable part of our lives and therefore omnipresent. In this fast paced world, each one of us sits in front of an electronic gadget to pass time. The evolution of media and visual entertainment has witnessed a drastic change in the current decade due to the era of digitalization. The whole concept of visual entertainment started with few television channels and now it is easily available and accessible through the mobile phone, personal computers and Smart TVs. This research paper is centred on Over The Top (OTT) platforms which enables visual entertainment through the usage of internet. The current trend stands out to be the use of OTT platforms for which the number of users increases exponentially in our country. With regards to laws related to media and censorship, we are yet to upgrade ourselves to fit in the computerized world. This paper is an attempt to explore the grey area of OTT platforms and its evolution along with possible outcomes and suggestions that can be brought in the aspect of censorship and media laws. Keywords: OTT (Over The Top) and Types, Censorship, Online Content regulation provisions in India. What are OTTs: OTT represents Over-the-top which is a term used to depict visual content (films, videos and original web series) suppliers through web. These services are known as over-the-top since it goes over a traditional cable box to provide a user access to content which otherwise is transmitted through customary medium. -
The State of Mobile 2019 Executive Summary
1 Table of Contents 07 Macro Trends 19 Gaming 25 Retail 31 Restaurant & Food Delivery 36 Banking & Finance 41 Video Streaming 46 Social Networking & Messaging 50 Travel 54 Other Industries Embracing Mobile Disruption 57 Mobile Marketing 61 2019 Predictions 67 Ranking Tables — Top Companies & Apps 155 Ranking Tables — Top Countries & Categories 158 Further Reading on the Mobile Market 2 COPYRIGHT 2019 The State of Mobile 2019 Executive Summary 194B $101B 3 Hrs 360% 30% Worldwide Worldwide App Store Per day spent in Higher average IPO Higher engagement Downloads in 2018 Consumer Spend in mobile by the valuation (USD) for in non-gaming apps 2018 average user in companies with for Gen Z vs. older 2018 mobile as a core demographics in focus in 2018 2018 3 COPYRIGHT 2019 The Most Complete Offering to Confidently Grow Businesses Through Mobile D I S C O V E R S T R A T E G I Z E A C Q U I R E E N G A G E M O N E T I Z E Understand the Develop a mobile Increase app visibility Better understand Accelerate revenue opportunity, competition strategy to drive market, and optimize user targeted users and drive through mobile and discover key drivers corp dev or global acquisition deeper engagement of success objectives 4 COPYRIGHT 2019 Our 1000+ Enterprise Customers Span Industries & the Globe 5 COPYRIGHT 2019 Grow Your Business With Us We deliver the most trusted mobile data and insights for your business to succeed in the global mobile economy. App Annie Intelligence App Annie Connect Provides accurate mobile market data and insights Gives you a full view of your app performance. -
A Study on Increase in the Usage of OTT Streaming Services
International Journal of Research in Engineering, Science and Management 142 Volume 4, Issue 8, August 2021 https://www.ijresm.com | ISSN (Online): 2581-5792 A Study on Increase in the Usage of OTT Streaming Services Shaurya Parnami1*, Tushar Jain2 1,2Student, Symbiosis Centre for Management Studies, Symbiosis International (Deemed) University, Pune, India Abstract: OTT Platforms have been becoming more and more as Scam 1992: The Harshad Mehta Story and Mirzapur S2 have popular in India due to locally-oriented content, low costs, and the proven that Indian audiences are ready for largely content- widespread use of 4G (and 5G in the future), and are predicted to oriented television shows rather than the traditional Indian grow even more. Streaming Services such as Netflix, Amazon Prime Video, and Hotstar dominate the market, with others such serials. as AltBalaji and Voot also becoming more popular. During the Our study aims to ascertain the factors behind this increase COVID-19 pandemic, the number of active subscribers to these by surveying a sample population. OTT streaming platforms has increased by almost 6 million users in a single year. This study surveys a sample population of 200 2. Literature Review respondents and aims to ascertain whether their usage of OTT platforms has increased or not, by how much time, and the Manisha Pandit (2020) explores in her study that OTT perceived reasons behind this increase. The study found that the Platforms have seen a significant annual growth of more than subscribers of these OTT platforms had increased their usage by 22% due to not only ease of availability but also pocket friendly almost 3 hours on a daily average due to the pandemic, citing subscription plans and increase in local regional content, which various reasons such as ‘Boredom’, ‘Excess time’, ‘New content’ was not the case just a few years ago (Dr. -
Powering Global Distribution for Leading Aggregator of Independent Digital Content
CINEDIGM MEDIA & ENTERTAINMENT Powering Global Distribution for Leading Aggregator of Independent Digital Content AT A GLANCE Cinedigm is a full service digital entertainment Files needed to be quickly delivered to distribution company and the largest storage facilities located in Dallas and Industry worldwide aggregator of independent digital Chicago as well as content sent from New Media & Entertainment content. Cinedigm delivers award-winning York to their sister office in Los Angeles for content for a variety of distribution platforms, sharing and collaboration. Products Aspera Connect Server including digital, cable video on-demand, Blu- Aspera Client ray, DVD, and theatrical release, and reaches a “We can deliver content faster and more Aspera Sync global audience through it’s partnerships with efficiently using Aspera. It would be Aspera Point-to-Point Netflix, iTunes, Hulu, Amazon, and many others. hard to manage without it.” Challenge Cinedigm relies on Aspera’s patented FASP™ Receive content from independent technology for digital content deliveries to all Ben Rothman film producers and deliver content of its partner distribution platforms, as well Senior Manager, Digital Distribution Cinedigm Digital Cinema Corp. to partner distributors quickly and as to pull in content from independent film reliably. producers and studios. Solution Shipping media content on hard drives CHALLENGE Aspera Connect Server moves large back and forth across the country and media files, including full-length As Cinedigm’s business continues to grow, internationally was too costly and time- feature films, at maximum speed the company is faced with the dilemma of consuming, while ftp presented challenges between Cinedigm and partners, with speed, bandwidth consumption and and Aspera Point-to-Point enables how to retrieve more content from production internal collaboration. -
A Remarkable Evolution of Over-The-Top Media Platforms in India
Case Report l M ba ed o i l a G Global Media Journal 2021 J ournal Vol.19 No.42:259 The Global Network of ISSN 1550-7521 A Remarkable Evolution of Over-the-top Pankaj Thakur* Media Platforms in India: A Case Study of Department of Business Management, University of Horticulture and Forestry, Business and Regulatory Trends Nauni Solan HP-173230, India Abstract *Corresponding author: Pankaj Thakur The Indian film and entertainment industry has shown a shift from conventional TV and big screen to Over-the-top media platforms. These platforms provide ease [email protected] of access to stream anytime anywhere over the internet. With this study the researcher explored the remarkable evolution of these OTT platforms in India. To critically examine the study, the reasons of popularization of these platforms in Tel: 7590088925 Indian audiences were explored. As these platforms also have to face the criticism for showing inappropriate content, the researcher put insight into the regulatory changes made by the Government. The study implied that the evolution of OTT Department of Business Management, platforms started in 2008 with the launch of BIGFlix. A huge rise in consumer base University of Horticulture and Forestry, had shown due to increased internet and smartphone base after 2015. The quality Nauni Solan HP-173230, India and creative content, youth-oriented population and lockdown due to COVID were the main reason of popularization of OTT platforms. The Government suggested self-classifying of the content and three-Tier mechanism to handle the grievances Citation: Thakur P (2021) A Remarkable associated with these media platforms.