View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Eastern Illinois University Eastern Illinois University The Keep Faculty Research & Creative Activity English April 2008 Masque scenery and the tradition of immobilization in The irsF t Part of The ounC tess of Montgomery's Urania Julie Campbell Eastern Illinois University,
[email protected] Follow this and additional works at: http://thekeep.eiu.edu/eng_fac Part of the English Language and Literature Commons Recommended Citation Campbell, Julie, "Masque scenery and the tradition of immobilization in The irF st Part of The ounC tess of Montgomery's Urania" (2008). Faculty Research & Creative Activity. 21. http://thekeep.eiu.edu/eng_fac/21 This Article is brought to you for free and open access by the English at The Keep. It has been accepted for inclusion in Faculty Research & Creative Activity by an authorized administrator of The Keep. For more information, please contact
[email protected]. Masque scenery and the tradition of immobilization in The First Part of The Countess of Montgomery's Urania Julie D. Campbell The narrative of happiness is inevitably frustrated by the fact that only insufficiencies, defaults, deferrals can be ‘told’. D. A. Miller, Narrative and Its Discontents1 Eventually, when all has been properly constellated, the scales tip and the centre of light in the story emerges from the shadows to redeem the corrupted upper world, to end division and to bring everything at last into a state of perfect balance. Christopher Booker, The Seven Basic Plots2 In Book Four of The First Part of The Countess of Montgomery's Urania (1621), by Lady Mary Wroth (1586?–1653?), a love-sick lady of Nycaria explains that she often went to court to see a young nobleman.