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Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information BEN JONSON IN CONTEXT Bringing together a group of established and emergent Jonson schol- ars, this volume reacts to major new advances in thinking about the writer and his canon of works. The study is divided into two distinct parts: the first considers the Jonsonian career and output from bio- graphical, critical and performance-based angles; the second looks at cultural and historical contexts, building on rich interdisciplinary work. Social historians work alongside literary critics to provide a diverse and varied account of Jonson. These are less standard surveys of the field than vibrant interventions into current critical debates. The short-essay format of the collection seeks less to harmonize and homogenize than to raise awareness of new avenues of research on Jonson, including studies informed by book history, cultural geog- raphy, the law and legal discourse, the history of science and interests in material culture. julie sa nder s is Professor of English Literature and Drama at the University of Nottingham. She is the author of Ben Jonson’s Theatrical Republics (1998) and has recently edited The New Inn for The Cambridge Edition of the Works of Ben Jonson. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information Portrait of Benjamin Jonson, by Abraham van Blyenberch © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information BEN JONSON IN CONTEXT edited by JULIE SANDERS © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521895712 © Cambridge University Press 2010 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2010 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library isbn 978-0-521-89571-2 Hardback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information To the venture tripartite – David Bevington, Martin Butler and Ian Donaldson – with respect and thanks © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information Contents List of illustrations page x Notes on contributors xiii Acknowledgements xix Note on editions used xx Chronology by Sarah Grandage xxi Introduction 1 part i life, works and afterlife 3 1 Tales of a life 5 Richard Dutton 2 Jonson in the Elizabethan period 15 Matthew Steggle 3 Jonson in the Jacobean period 23 Andrew McRae 4 Jonson in the Caroline period 31 Martin Butler 5 Genre 39 Katharine Eisaman Maus 6 Friends, collaborators and rivals 48 Michelle O’Callaghan 7 Jonson and Shakespeare 57 Mark Robson 8 Editions and editors 65 Eugene Giddens vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information viii Contents 9 Critical reception 73 James Loxley 10 Performance afterlives 84 Lois Potter part ii cultural and historical contexts 95 11 London and urban space 97 Adam Zucker 12 The Globe Theatre and the open-air amphitheatres 107 Tiffany Stern 13 The Whitefriars Theatre and the children’s companies 116 Lucy Munro 14 The Blackfriars Theatre and the indoor theatres 124 Janette Dillon 15 Provinces, parishes and neighbourhoods 134 Steve Hindle 16 The court 144 Malcolm Smuts 17 Masques, courtly and provincial 153 Karen Britland 18 Music 162 David Lindley 19 Dance 171 Barbara Ravelhofer 20 Manuscript culture and reading practices 181 James Knowles 21 Print culture and reading practices 192 Alan B. Farmer 22 Visual culture 201 John Peacock 23 The body 212 Ben Morgan © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information Contents ix 24 Law, crime and punishment 221 Lorna Hutson 25 Religion 229 Julie Maxwell 26 Politics 237 Andrew Hadfield 27 Rank 245 Clare McManus 28 Households 254 Kate Chedgzoy 29 Foreign travel and exploration 263 Rebecca Ann Bach 30 Domestic travel and social mobility 271 Julie Sanders 31 Money and consumerism 281 Christopher Burlinson 32 Land 289 Garrett A. Sullivan, Jr 33 Patronage 296 Helen Ostovich 34 Architecture 304 Mimi Yiu 35 Food 314 Robert Appelbaum 36 Alchemy, magic and the sciences 322 Margaret Healy 37 Clothing and fashion 330 Eleanor Lowe 38 Gender and sexuality 339 Mario DiGangi Further reading 348 Index 360 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information Illustrations For kind permission to reproduce the images and for supplying photo- graphs, the Editor would like to thank the following libraries and mus- eums: The Bridgeman Art Library; The British Library; Chatsworth House; the Courtauld Gallery; English Heritage; and the National Portrait Gallery, London; as well as the Royal Bank of Scotland Group, Sophie Baker Photography and John Higham for additional images, plus Cambridge University Press for the permission to reproduce the map which appears as Figure 12.1. Every effort has been made to secure neces- sary permissions to reproduce copyright material in this work. If any omissions are brought to our notice, we will be happy to include appropri- ate acknowledgements in any subsequent edition. Portrait of Benjamin Jonson by Abraham van Blyenberch © National Portrait Gallery, London. ii 5.1 Frontispiece to Ben Jonson’s 1616 folio Workes © The British Library Board, All rights reserved. Shelfmark C39.k.9. 40 6.1 Bust of Apollo, from the Apollo Room, Fleet Street. Reproduced by kind permission of The Royal Bank of Scotland Group © 2009. 54 6.2 Verses over the door in the Apollo Room, Fleet Street. Reproduced by kind permission of The Royal Bank of Scotland Group © 2009. 55 10.1 David Garrick with William Burton and John Palmer in The Alchemist by Ben Jonson, 1770, by Johann Zoffany (1733–1810) © Private Collection/The Bridgeman Art Library. Nationality/copyright status: English/out of copyright. 92 10.2 1977 Royal Shakespeare Company production of The Alchemist © Sophie Baker Photography, London. 93 x © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information List of illustrations xi 12.1 Map showing principal public and private theatres in London, c. 1560–1640. Reproduced by kind permission of Cambridge University Press. This map first appeared in The Cambridge Companion to English Renaissance Drama, ed. A. R. Braunmuller and Michael Hattaway (Cambridge University Press, 1990). 108 14.1 Study of a seated actor by Rembrandt Harmenszoon van Rijn © The Samuel Courtauld Trust, Courtauld Gallery, London. 125 19.1 Inigo Jones, final design for Prince Henry as Oberon © Devonshire Collection, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees. Photo: Photographic Survey Courtauld Institute of Art. 176 19.2 Fabritio Caroso’s circular choreography from Nobiltà di dame (1600) © The British Library Board. All rights reserved. Shelfmark case 7.d.12. 178 21.1 Title page to the third edition of The comicall Satyre of Euery Man Out of His Humor © The British Library Board. All rights reserved. Shelfmark C.57.c.22. 195 22.1 Inigo Jones, a sheet of sketches for characters in the anti- masques of Britannia Triumphans (1637) © Devonshire Collection, Chatsworth. Reproduced by permission of Chatsworth Settlement Trustees. Photo: Photographic Survey Courtauld Institute of Art. 203 27.1 Quack addressing a crowd, by Rembrandt Harmenszoon van Rijn © The Samuel Courtauld Trust, Courtauld Gallery, London. 249 30.1 Woodcut frontispiece to Henry Peacham’s Coach and Sedan, Pleasantly Disputing for Place and Precedence, 1636 © The British Library Board. All rights reserved. Shelfmark 012314.e.88. 273 33.1 Lucy (Percy) Hay, Countess of Carlisle by Pierre Lombart, after Sir Anthony Van Dyck © National Portrait Gallery, London. 303 34.1 View out from the Little Castle, Bolsover, Derbyshire. Photo: John Higham. Produced by kind permission of English Heritage. 309 34.2 Painted panels in the Little Castle, Bolsover, Derbyshire. Photo: John Higham. Produced by kind permission of English Heritage. 310 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89571-2 - Ben Jonson in Context Edited by Julie Sanders Frontmatter More information xii List of illustrations 34.3 Panel in the Pillar Chamber in the Little Castle, Bolsover, Derbyshire. Photo: John Higham. Produced by kind permission of English Heritage.
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