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American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
Beyond the Racial State
Beyond the Racial State Rethinking Nazi Germany Edited by DEVIN 0. PENDAS Boston College MARK ROSEMAN Indiana University and · RICHARD F. WETZELL German Historical Institute Washington, D.C. GERMAN lflSTORICAL INSTITUTE Washington, D.C. and CAMBRIDGE UNIVERSITY PRESS I Racial Discourse, Nazi Violence, and the Limits of the Racial State Model Mark Roseman It seems obvious that the Nazi regime was a racial state. The Nazis spoke a great deal about racial purity and racial difference. They identified racial enemies and murdered them. They devoted considerable attention to the health of their own "race," offering significant incentives for marriage and reproduction of desirable Aryans, and eliminating undesirable groups. While some forms of population eugenics were common in the interwar period, the sheer range of Nazi initiatives, coupled with the Nazis' willing ness to kill citizens they deemed physically or mentally substandard, was unique. "Racial state" seems not only a powerful shorthand for a regime that prioritized racial-biological imperatives but also above all a pithy and plausible explanatory model, establishing a strong causal link between racial thinking, on the one hand, and murderous population policy and genocide, on the other. There is nothing wrong with attaching "racial. state" as a descriptive label tci the Nazi regime. It successfully connotes a regime that both spoke a great deal about race and acted in the name of race. It enables us to see the links between a broad set of different population measures, some positively discriminatory, some murderously eliminatory. It reminds us how sttongly the Nazis believed that maximizing national power depended on managing the health and quality of the population. -
The Mind of Adolf Hitler: a Study in the Unconscious Appeal of Contempt
[Expositions 5.2 (2011) 111-125] Expositions (online) ISSN: 1747-5376 The Mind of Adolf Hitler: A Study in the Unconscious Appeal of Contempt EDWARD GREEN Manhattan School of Music How did the mind of Adolf Hitler come to be so evil? This is a question which has been asked for decades – a question which millions of people have thought had no clear answer. This has been the case equally with persons who dedicated their lives to scholarship in the field. For example, Alan Bullock, author of Hitler: A Study in Tyranny, and perhaps the most famous of the biographers of the Nazi leader, is cited in Ron Rosenbaum’s 1998 book, Explaining Hitler, as saying: “The more I learn about Hitler, the harder I find it to explain” (in Rosenbaum 1998, vii). In the same text, philosopher Emil Fackenheim agrees: “The closer one gets to explicability the more one realizes nothing can make Hitler explicable” (in Rosenbaum 1998, vii).1 Even an author as keenly perceptive and ethically bold as the Swiss philosopher Max Picard confesses in his 1947 book, Hitler in Ourselves, that ultimately he is faced with a mystery.2 The very premise of his book is that somehow the mind of Hitler must be like that of ourselves. But just where the kinship lies, precisely how Hitler’s unparalleled evil and the everyday workings of our own minds explain each other – in terms of a central principle – the author does not make clear. Our Deepest Debate I say carefully, as a dispassionate scholar but also as a person of Jewish heritage who certainly would not be alive today had Hitler succeeded in his plan for world conquest, that the answer Bullock, Fackenheim, and Picard were searching for can be found in the work of the great American philosopher Eli Siegel.3 First famed as a poet, Siegel is best known now for his pioneering work in the field of the philosophy of mind.4 He was the founder of Aesthetic Realism.5 In keeping with its name, this philosophy begins with a consideration of strict ontology. -
Another Fairy Tale by August Kubizek
Hitler the composer of an opera? Another fairy tale by August Kubizek © Bart FM Droog, Droog Magazine, www.droog-mag.nl, March 4, 2020 Again another spectaculair Hitler related finding has caused a worldwide media storm: a fragment of an opera allegedly composed by the 19 year old Hitler in 1908: “Wieland der Schmied” (Wieland the Smith). It can be seen at the Young Hitler exhibition in the Museum Niederösterreich, St. Pölten, Austria. Opening fragment of the music sheet, titled “Wieland Vorspiel” nach Motiven von Adolf Hitler, aufgezeichnet von August Kubizek. © Legacy August Kubizek in cooperation with the DÖW The sheet music originates from the legacy of August Kubizek (1888-1956), who was befriended with Hitler in 1906-1908. Yet, in 1938 Kubizek wrote: “My friend took my transcripts of this music with him [when Hitler moved out of their common room, autumn 1908]. To my great dismay I possess none of it. It is just as unfortunate that I have so completely forgotten this music, that I can't reconstruct it from memory. What an infinitely valuable cultural document it would be if these pages were found today, and the musical ideas of Adolf Hitler from 1908 were to be reborn. Unfortunately my friend never handed me these sheets, otherwise they would be mine, just as the other memorabilia Hitler the composer? Droog Magazine, March 3, 2020. page 1/4 from this time I've kept [a few letters, postcards and sketches]. (...) The creative power of this man is invincible and all-round. I really do not know in which area my friend would not have been completely universal at that time.”1 This followed after three pages in which he described that Hitler was too impatient to do finger exercises needed to play the piano and that Hitler couldn't read musical notation. -
The Young Hitler I Knew -- August Kubizek
This material originally appeared at http://www.faem.com/books/ JR The Young Hitler I Knew -- August Kubizek Introduction -- H.R. Trevor-Roper Editor note: Roper was a jew reporter with close ties to British Intelligence. He came on the scene with his ridiculous claims about the "gas chambers" and "ovens" at Dachau. Thereafter, the British government stated that Dachau was not a "death camp" and no such facilities existed there. All the the so-called "extermination camps" curiously ended up in Soviet held territory. That should tell you something. This book deals with the darkest, perhaps the most formative, and therefore, in some sense, the most interesting period of Hitler's life. His public life is now fully-indeed oppressively-documented; his mature character, in its repellent fixity, is now fully known. But his crucial early years, the years between leaving school and joining the Bavarian army are, in the language of one of his biographers [Thomas Orr, Das War Hitler -- Revue, Munich, 1952, No. 42], "impenetrable." And yet those are the years in which that grim character, that unparalleled will power, that relentless systematic mind was formed. Any light on those undocumented years is welcome. The light shed by this book is more than that: it penetrates and reveals the character of the young Hitler as no other book has done. But before showing this let us examine the meagre framework of fact into which it is fitted. Hitler left school at Steyr in September 1905, and went to live with his widowed mother in Linz. He was then aged sixteen. -
Revealing and Concealing Hitler's Visual Discourse: Considering "Forbidden" Images with Rhetorics of Display
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-20-2012 Revealing and Concealing Hitler's Visual Discourse: Considering "Forbidden" Images with Rhetorics of Display Matthew G. Donald College of Arts and Sciences Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Donald, Matthew G., "Revealing and Concealing Hitler's Visual Discourse: Considering "Forbidden" Images with Rhetorics of Display." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/english_theses/134 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. REVEALING AND CONCEALING HITLER‟S VISUAL DISCOURSE: CONSIDERING “FORBIDDEN” IMAGES WITH RHETORICS OF DISPLAY by MATTHEW DONALD Under the Direction of Mary Hocks ABSTRACT Typically, when considering Adolf Hitler, we see him in one of two ways: A parodied figure or a monolithic figure of power. I argue that instead of only viewing images of Hitler he wanted us to see, we should expand our view and overall consideration of images he did not want his audiences to bear witness. By examining a collection of photographs that Hitler censored from his audiences, I question what remains hidden about Hitler‟s image when we are constantly shown widely circulated images of Hitler. To satisfy this inquiry, I utilize rhetorics of display to argue that when we analyze and include these hidden images into the Hitlerian visual discourse, we further complicate and disrupt the Hitler Myth. -
Filming the End of the Holocaust War, Culture and Society
Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J. -
Of Adolf Hitler's Antisemitism in Vienna
Student Publications Student Scholarship Spring 2021 An Education in Hate: The “Granite Foundation” of Adolf Hitler’s Antisemitism in Vienna Madeleine M. Neiman Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the European History Commons, Holocaust and Genocide Studies Commons, and the Jewish Studies Commons Share feedback about the accessibility of this item. Recommended Citation Neiman, Madeleine M., "An Education in Hate: The “Granite Foundation” of Adolf Hitler’s Antisemitism in Vienna" (2021). Student Publications. 932. https://cupola.gettysburg.edu/student_scholarship/932 This open access student research paper is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. An Education in Hate: The “Granite Foundation” of Adolf Hitler’s Antisemitism in Vienna Abstract Adolf Hitler’s formative years in Vienna, from roughly 1907 to 1913, fundamentally shaped his antisemitism and provided the foundation of a worldview that later caused immense tragedy for European Jews. Combined with a study of Viennese culture and society, the first-hand accounts of Adolf Hitler and his former friends, August Kubizek and Reinhold Hanisch, reveal how Hitler’s vicious antisemitic convictions developed through his devotion to Richard Wagner and his rejection of Viennese “Jewish” Modernism; his admiration of political role models, Georg Ritter von Schönerer and Dr. Karl Lueger; his adoption of the rhetoric and dogma disseminated by antisemitic newspapers and pamphlets; and his perception of the “otherness” of Ostjuden on the streets of Vienna. Altogether, Hitler’s interest in and pursuit of these major influences on his extreme and deadly prejudice against Jews have illuminated how such a figure became a historical possibility. -
“The Bethlehem of the German Reich”
“THE BETHLEHEM OF THE GERMAN REICH” REMEMBERING, INVENTING, SELLING AND FORGETTING ADOLF HITLER’S BIRTH PLACE IN UPPER AUSTRIA, 1933-1955 By Constanze Jeitler Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Andrea Pető Second Reader: Professor Constanin Iordachi CEU eTD Collection Budapest, Hungary 2017 CEU eTD Collection STATEMENT OF COPYRIGHT “Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author.” CEU eTD Collection i CEU eTD Collection ii ABSTRACT This thesis is an investigation into the history of the house where Adolf Hitler was born in the Upper Austrian village Braunau am Inn. It examines the developments in the period between 1933 and 1955. During this time high-ranking Nazis, local residents, tourists and pilgrims appropriated the house for their purposes by creating various narratives about this space. As unimportant as the house might have been to Hitler himself from the point of view of sentimentality and childhood nostalgia, it had great propaganda value for promoting the image of the private Führer. Braunau itself was turned into a tourist destination and pilgrimage site during the Nazi period—and beyond. -
January 27, 2010 Period 1 Research Paper: Adolf
January 27, 2010 Period 1 Research Paper: Adolf Hitler Hitler is most commonly known for the unforgivable deeds that he committed in his lifetime. Those acts were terrible and left a scar on the world that can never be mended. However, Hitler did possess extreme brilliance. He was innovative and smart, but as his mind was tainted and as he turned against non-Aryans over time, the possibility of using his brilliance to be an artist slowly drifted from his mind. He was originally a young man who moved to Vienna to become an artist, but his dreams changed to something completely different. On April 20, 1889, Adolf Hitler was born in Braunau am Inn, Austria-Hungary, a town located on the borders of Austria and Hungary. He was the fourth child of the marriage of Alois Hitler, a custom official who was 51 years old at the date of Adolf’s birth and his wife was 28. Adolf had a sister, Paula; a half brother, Alois; and a half sister, Angela. Six years after Adolf’s birth, his father retired and moved to Linz, Austria where Adolf received good marks in elementary school, but he did not do well in high school. Adolf’s harsh, short-tempered father was angry about how poorly he did in high school and wanted him to become a civil servant, not an artist like his son wanted to. Later, he wrote: “I yawned and grew sick to my stomach at the thought of sitting in an office, deprived of my liberty; ceasing to be the master of my own time and being compelled to force the content of a whole life into blanks that had to be filled out” (Haugen, 20). -
Musner on Hamann, 'Hitler's Vienna: a Dictator's Apprenticeship'
H-Urban Musner on Hamann, 'Hitler's Vienna: A Dictator's Apprenticeship' Review published on Wednesday, September 1, 1999 Brigitte Hamann. Hitler's Vienna: A Dictator's Apprenticeship. New York, Oxford: Oxford University Press, 1999. xx + 482. $ 35.00 (cloth), ISBN 978-0-19-512537-5. Reviewed by Lutz Musner (IFK Internationales Forschungszentrum Kulturwissenschaften, Vienna) Published on H-Urban (September, 1999) Brigitte Hamann is an independent scholar and recognized specialist in nineteenth and twentieth century Austrian history who became widely known for her work on Empress Elisabeth of Austria[1]. In this volume on the Viennese years of Adolf Hitler, she presents an empirically rich account of the cultural and social history of Austro-Hungary's imperial city in the last years before World War I, as well as its impact upon Hitler. Her basic objective is to provide an interpretative frame of the sources of the racist, anti-Semitic, and totalitarian dimension of Hitler's personality and politics. The monograph deals with Hitler's early development in three main parts. The first part outlines his childhood and family background in the Austrian province of Upper Austria and its capital, Linz, where Hitler attended high0 school. Aside from the portrayal of complicated family relations, characterized by a caring mother and a harsh father demanding absolute obedience, Hamann sketches the cultural and political climate of turn-of-the-century Linz. Linz was heavily influenced by the political tensions and the ongoing disintegration of the late multinational Habsburg empire which resulted in severe conflicts between "clericalists" and Habsburg loyalists on one side, libertines and German nationalists on the other. -
Factors Affecting the German Decision Not to Invade the Iberian Peninsula, 1940-1945
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1958 Factors affecting the German decision not to invade the Iberian peninsula, 1940-1945 Gerard F. Rutan The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Rutan, Gerard F., "Factors affecting the German decision not to invade the Iberian peninsula, 1940-1945" (1958). Graduate Student Theses, Dissertations, & Professional Papers. 2310. https://scholarworks.umt.edu/etd/2310 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. FACTORS AFFECTING THE GERMAN DECISION NOT TO INVADE THE IBERIAN PENINSULA, 1940-1945 by Gerard Francis Rutan B. A. Montana State University, 1957 Presented in partial fulfillment of the requirements for the degree of Master of Arts MONTANA STATE UNIVERSITY 1958 Approved by: Chairman, Board of Examiners Dean, Graduate School AUG 1 81958 Date UMI Number: EP34253 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI UMI EP34253 Copyright 2012 by ProQuest LLC.