The Case Histories of Hemingway and the Fitzgeralds
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Hemingway, Literalism, and Transgender Reading Author(S): Valerie Rohy Source: Twentieth Century Literature, Vol
Hemingway, Literalism, and Transgender Reading Author(s): Valerie Rohy Source: Twentieth Century Literature, Vol. 57, No. 2 (Summer 2011), pp. 148-179 Published by: Duke University Press Stable URL: https://www.jstor.org/stable/41698740 Accessed: 09-06-2019 22:06 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Duke University Press is collaborating with JSTOR to digitize, preserve and extend access to Twentieth Century Literature This content downloaded from 137.122.8.73 on Sun, 09 Jun 2019 22:06:57 UTC All use subject to https://about.jstor.org/terms Hemingway, Literalism, and Transgender Reading Valerie Rohy F rom the 1980s to the turn of the twenty-first century, Hemingway studies underwent a fundamental revision, as new scholarship revealed unimagined complexities in the gendered life of the iconically masculine author. Reflecting the author s commodified persona, Hemingway s bi- ography always enjoyed a special status, but the confluence of his life and work reached a new intensity when an edited portion of The Garden of Eden appeared in 1986. Hemingway's manuscripts for the novel, expansive but unfinished at his death in 1961, showed the depth of his interest in homosexuality and the mutability of gender.1 As published, The Garden of Eden describes a young American couple on their honeymoon in Spain and the south of France in the 1920s; David is a writer distracted by his wife's exploration of masculinity, racialized fantasy, and lesbianism.2 Early in the narrative, Catherine surprises her husband with a haircut "cropped as short as a boy's" (14) explaining "I'm a girl, But now I'm a boy too" (15). -
An American Writer Ernest Hemingway's Life Style and Its
НАУЧНИ ТРУДОВЕ НА РУСЕНСКИЯ УНИВЕРСИТЕТ - 2009, том 48, серия 6.3 An American writer Ernest Hemingway’s life style and its influence to his creative activity Ruslan Mammadov Abstract: This dissertation work gives a deeper view of the literary style and philosophy of Ernest Hemingway - the American short story writer, novelist, non-fiction writer, journalist, poet, and dramatist. Mainly, it focuses on the connection between the life of Ernest Hemingway and his literary works. He enjoyed life to the fullest and wanted to show that he could do whatever he wanted and it is truly obvious that these facts deeply influenced to his future career, his creativity and private life. This paper examines reflections of the author’s childhood on his works and the effects of women’s special role on his life and creativity and on the moral and ethical relativism of Hemingway's characters. It also studies the importance and the influence of World War I on his short stories and novels. What’s more, it studies his thirst for cultural knowledge which has left indelible signs in all of his works. The aim of this research is to find out essential features of the writer’s literary activity and to explain why the above coupled with the essential messages on the concept of wealth and goodness, portrayed in Hemingway's novels, are some of the reasons why his works have been rendered classics of the American literature. Key words: Ernest Hemingway INTRODUCTION Every man`s life ends the same way. It is only the details of how he lived and how 1 he died that distinguishes one man from another. -
December 20, 2019 Vol. 123 No. 51
VOL. 123 - NO. 51 BOSTON, MASSACHUSETTS, DECEMBER 20, 2019 $.35 A COPY A Very Merry Christmas Santa Arrives by Helicopter to our Readers and Advertisers from the staff of the Post-Gazette at Christopher Columbus Park in the North End Pam Donnaruma by Matt Conti, NorthEndWaterfront.com Joan Smith Santa Claus arrived Sunday Marie afternoon, December 8th, by Simboli Joanne Fraser Mrs. helicopter on the Christopher Chris Hanson Murphy Columbus Park in the North End, Boston to the cheers of hundreds who gathered. Frances Fitzgerald This is the first (and only?) Bobby Franklin year the Santa landing was at Christopher Columbus Park because Langone Park and Puopolo Fields are under renovation. The event is dedicated in memory of James “Jimmy” Pallotta and sponsored by Taste of the North End, North End Athletic Association, Nazzaro Center, North End Against CampochiaroLouie Drugs and Mayor’s Office of GraffeoDom Tourism and Special Events. Buon Natale! (Photo by Matt Conti, NorthEndWaterfront.com) David Rosario Trumbull (Additional photos next week) Scabin Ally Samantha Josephine John Christoforo Bennett Di Censo Molinari Symynkywicz Annual North End Christmas Fund Luncheon Sal Giarratani Marianna Bisignano by Matt Conti, NorthEndWaterfront.com Richard Girard Plante Molinari Daniel Richard Preiss Di Censo Bob Mary DiZazzo Morello News Briefs by Sal Giarratani Words of Wisdom “Worry a little bit every day and in a lifetime you will lose a couple of years. If something is wrong, fi x it if you can. But train yourself not to worry. Worry never fi xes anything.” — Mary Welsh Hemingway NSA Phone Spying Falls Out of Favor on Capitol Hill A couple of weeks back, both senior Republicans and Democrats have said they support ending the NSA’s surveillance tool that collects information about U.S. -
Ernest Hemingway's Awareness of Other Writers
HEMINGWAY'S AWARENESS OF OTHER WRITERS ; -; ERNEST HEMINGWAY'S AWARENESS OF OTHER WRITERS By JOHN BLAIR HEMSTOCK, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University September 1979 MASTER OF ARTS (1979) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: Ernest Hemingway's Awareness of Other Writers AUTHOR: John Blair Hemstock, B.A. (University College, University of Toronto) SUPERVISORS: Professor J.D. Brasch Professor W.G. Roebuck NUMBER OF PAGES: vii, 128. ii ABSTRACT This thesis demonstrates Ernest Hemingway's awareness of other writers, both past and contemporary to him. It collates Hemingway's references to other writers as culled from a variety of biographical and critical sources. It serves as a reference work for the study of Hemingway's statements on otherw:ri ter:s, while seeking to establish them in a properly objective context. This thesis does not attempt to present Hemingway's credentials as a masterful critic. Its aim is more toward developing an understanding of Hemingway's opinions and perceptions in order to further a scholarly study of his ovm:'canon. As the body of Hemingway criticism becomes increasingly more textual and less biographical, the need to examine Hemingway's literary statements becomes correspondingly more crucial. iii I wish to express my deep appreciation for~ the interest and advice of Professors J.D. Brasch and W.G. Roebuck. Both men undertook the direction and supervision of this thesis while otherwise occupied with major projects of their own. I wish to further thank Dr. -
Hemingway and the Influence of Religion and Culture
HEMINGWAY AND THE INFLUENCE OF RELIGION AND CULTURE ____________ A Thesis Presented to the Faculty of California State University Dominguez Hills ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Humanities ____________ by Jeremiah Ewing Spring 2019 Copyright by Jeremiah Ewing 2019 All Rights Reserved This work is dedicated to my father, Larry Eugene Ewing, who finished his Master’s in Liberal Arts in 2004 from California State University, Sacramento, and encouraged me to pursue my own. iii ACKNOWLEDGEMENTS My thanks to Dr. Lyle Smith who helped and guided me through the process. iv TABLE OF CONTENTS PAGE COPYRIGHT PAGE .......................................................................................................... ii DEDICATION ................................................................................................................... iii ACKNOWLEDGEMENTS ............................................................................................... iv TABLE OF CONTENTS .....................................................................................................v ABSTRACT ....................................................................................................................... vi CHAPTER 1. INTRODUCTION ...........................................................................................................1 New Historicism ......................................................................................................1 The Cultural Context and Overview -
Three Paths to Religious Integration in Ernest Hemingway's
THREE PATHS TO RELIGIOUS INTEGRATION IN ERNEST HEMINGWAY’S WAR FICTION A DISSERTATION IN English and Humanities Consortium Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by TIMOTHY JAMES PINGELTON B.A., University of Missouri-Kansas City, 1994 M.F.A., San Diego State University, 1997 Kansas City, Missouri 2018 © 2018 TIMOTHY JAMES PINGELTON ALL RIGHTS RESERVED THREE PATHS TO RELIGIOUS INTEGRATION IN ERNEST HEMINGWAY’S WAR FICTION Timothy James Pingelton, Doctor of Philosophy Degree University of Missouri-Kansas City, 2018 ABSTRACT My dissertation studies religiosity in Ernest Hemingway’s war fiction in terms of how his soldier characters connect to the divine. The means to understanding this connection is in refining how the characters express the utility of this connection and how these features fit into larger structural ideals. I argue that the wartime characters integrate with the divine through various methods: by contact with nature, by enacting a ritual, or by embodying Christian manliness. I base my dissertation on relevant phenomenological theories but also considers broader structural-functional theories, and I form the approach on structuralism in that I look at both single works and at the war fiction as a whole as well as looking for connections between literature and culture. Furthermore, I look to the theories of Northrop Frye in analyzing this literature because Frye’s structuralism allows for genre-bending oeuvres such as Hemingway’s. I argue that, contrary to much literary criticism, the Hemingway wartime protagonists are theists who seek the divine in times ii of conflict, but, unlike the notion of “no atheists in the foxholes,” these characters harbor their religiosity not situationally but throughout their lives. -
Synastry Report for Mary Welsh Hemingway
Synastry Report for Mary Welsh Hemingway Mary Welsh Hemingway Ernest Hemingway Sunday Apr 05, 1908 Friday Jul 21, 1899 05:00:00 AM CST +06:00 08:00:00 AM CST +06:00 Walker, MN Oak Park,IL 094W35'13" 47N06'05" 087W47'00" 41N53'00" Report For Mary Welsh Hemingway Moon Mary Welsh's Moon in Ernest's 10th House You may be called on to help promote Ernest either socially or professionally, and you could do well in business together. You are likely to be a good sounding board that Ernest feels comfortable bouncing ideas off to mutual benefit. Mary Welsh's Moon Conjunction Ernest's Midheaven You naturally promote Ernest without necessarily meaning to. What you hear you like and you pass it on. Ernest should be glad of that and listen to what you have to say for general self-benefit. And, of course, you'll be the first to say that. Mary Welsh's Moon Square Ernest's Ascendant You may have some difficulty at first picking up on Ernest's physical moves, so that you wind up stepping on each other's toes. To keep in step, learn the steps, don't just assume you know them. It will take a little more time. Sun Mary Welsh's Sun in Ernest's 8th House In some kind of strange fashion, it may seem to Ernest that you are something lost, to be reclaimed, perhaps even to go into debt for. Just make sure you are not also the one Ernest borrows from, unless you truly want to be. -
The Sun Also Sets1
BOGA: Basque Studies Consortium Journal Volume 3 | Issue 1 Article 1 October 2015 The unS Also Sets William A. Douglass Center for Basque Studies, University of Nevada, Reno Follow this and additional works at: http://scholarworks.boisestate.edu/boga Part of the Basque Studies Commons Recommended Citation Douglass, William A. (2015) "The unS Also Sets," BOGA: Basque Studies Consortium Journal: Vol. 3 : Iss. 1 , Article 1. https://doi.org/10.18122/B2GT54 Available at: http://scholarworks.boisestate.edu/boga/vol3/iss1/1 The Sun Also Sets1 William A. Douglass, PhD Professor Emeritus Center for Basque Studies, University of Nevada, Reno I Ernest2 Hemingway (1899-1961) began his writing career as a journalist, accepting a job right out of high school as a reporter for the Kansas City Star. In 1918 he volunteered for service in World War One with the Red Cross and ended up being wounded seriously by an artillery shell when driving an ambulance on the Italian front. While recuperating for some months in a Milan hospital he became infatuated with a nurse who was eight years his elder. In 1920 he worked briefly for the Toronto Daily Star before accepting employment in Chicago as a writer for the agricultural journal Cooperative Commonwealth. It was there that he met his first wife, Hadley Richardson, also eight years older than he, and in December of 1921 the couple embarked for Europe where Ernest was to cover European affairs from Paris for the Toronto Star Weekly--as a feature writer rather than foreign 1 There is seemingly nothing “new” to be said about Ernest Hemingway—whether the man or the writer. -
Ernest Hemingway 1899-1961
Ernest Hemingway 1899-1961 Biography Early Life and Death ● Ernest Hemingway - full name Ernest Miller Hemingway - was born on July 21, 1899. ○ He disliked his given name because he associated it with Oscar Wilde’s play The Importance of Beıng Earnest. ● His parents, Clarence Edmonds Hemingway and Grace Hall-Hemingway, were a physician and musician, respectively. ○ Ernest Hemingway professed to hating his mother, though biographers point out that he took after her energy and enthusiasm. ○ She insisted that he learn to play the cello and though it was initially a source of conflict, he later admitted that the music lessons were beneficial to his writing. ● The family owned a summer home called Windemere in Northern Michigan, where his father taught him to hunt, fish, and camp. These early experiences in nature instilled a passion for outdoor adventure and living in remote or isolated areas. ● Hemingway attended Oak Park and River Forest High School. ○ He took part in various sports, excelled in English, and performed in the school orchestra. ○ He contributed to and edited the school's newspaper and yearbook under the pen name Ring Lardner, Jr. ● After leaving high school (1917), Hemingway went to work for The Kansas Cıty Star. ○ He relied on the Star's style guide as a foundation for his writing: "Use short sentences. Use short first paragraphs. Use vigorous English. Be positive, not negative." ● On July 2, 1961 Hemingway committed suicide with a shotgun, as had his father and two of his siblings. The Hemingway family Windmere In early 1918, Hemingway signed on to become an ambulance driver in Italy. -
William Walton Interviewer: Meghan Floyd Desnoyers Date of Interview: March 30, 1993 Place of Interview: New York, New York Length: 175 Pages
William Walton Oral History Interview – JFK#1, 3/30/93 Administrative Information Creator: William Walton Interviewer: Meghan Floyd Desnoyers Date of Interview: March 30, 1993 Place of Interview: New York, New York Length: 175 pages Biographical Note Walton was a journalist, author, painter and longtime friend to the Kennedy and Hemmingway families. He served as New York City coordinator during the 1960 Presidential campaign, and was Chairman in the Commission of Fine Arts from 1963- 1971. In this interview, he discusses his work on the 1960 campaign with the JFK, his friendship with Hemingway and his family, and the development of the JFK Presidential Library and Museum. Access Open Usage Restrictions According to the deed of gift signed June 16, 1994, copyright of these materials has been assigned to the United States Government. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
An Analysis of Ernest Hemingway's "The Garden of Eden"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1989 Change in the sea| An analysis of Ernest Hemingway's "The Garden of Eden" Hartley L. Pond The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Pond, Hartley L., "Change in the sea| An analysis of Ernest Hemingway's "The Garden of Eden"" (1989). Graduate Student Theses, Dissertations, & Professional Papers. 1767. https://scholarworks.umt.edu/etd/1767 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUBSISTS, ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR. MANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE 1989 A Change in the Sea: An Analysis of Ernest Hemingway's The Garden of Eden by Hartley L.H. Pond B.A., Connecticut College, 1980 Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts UNIVERSITY OF MONTANA 1989 Approved by: Chairman, Board of Examiners UMI Number: EP34015 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Hemingway's Venetian Muse Adriana Ivancich
HEMINGWAY‘S VENETIAN MUSE ADRIANA IVANCICH A CONTRIBUTION TO THE BIOGRAPHY OF ERNEST HEMINGWAY BY JOBST C. KNIGGE New Version 2012 Humboldt University Berlin (Open Access) 2012 1 2 Foreword In summer 1961 I was on my first holiday in Italy, when I was hit by the news that Ernest Hemingway had shot himself. Shortly after I saw a story in an Italian magazine titled “Hemingway e le donne” (Hemingway and the Women). There were pictures of his four official wives and also photos of a young Venetian girl, called Adriana Ivancich. It was written, that Hemingway had fallen madly in love with her, while on a holiday in northern Italy. I spent my own beach holiday at a newly developed resort on a sandy peninsula at the mouth of the Tagliamento river called Lignano Sabbiadoro. Only later I understood that I had stayed only some miles south of the place, where Hemingway and Adriana first met. I always had been fascinated by the fairy tale town of Venice and when I read Hemingway’s novel “Across the River and into the Trees” I liked the atmosphere he evoked in the city and the surrounding lagoon during winter time. The love story I considered rather pathetic and unconvincing. While I was living in Italy the name Ivancich appeared here and there. A friend who knew Adriana in her youth, when both stayed on holiday on Capri, told me of her suicide in 1983.1 Two years later I read Bernice Kert’s book “The Hemingway Women”, with a long chapter on Adriana.