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Friedlander Dog's Best Friend PR March 2019
Andrew Smith Gallery Arizona, LLC. Masterpieces of Photography LEE FRIEDLANDER SHOW TITLE: Dog’s Best Friend Dates: April 27 - June 15, 2019 Artist’s Reception: DATE/TIME: Saturday April 27, 2019 2-4 p.m. “I think dogs are happy because people feed them fancy food, treat them nicely, pedicure and wash them, take them into their homes.” Lee Friedlander Andrew Smith Gallery, in its new location at 439 N. 6th Ave., Suite 179, Tucson, Arizona 85705, opens an exhibit by the eminent American photographer Lee Friedlander. The exhibit, Dog’s Best Friend, contains 18 prints of dogs and their owners, one of Friedlander’s ongoing “pet projects.” Lee and Maria Friedlander will attend the opening on Saturday, April 27, 2019 from 2 to 4 p.m., where the public is invited to visit with America’s most celebrated photographer and view “the dogs.” The exhibit continues through June 15, 2019. Lee Friedlander is one of America’s legendary photographers. Now in his eighties, he still photographs and makes his own prints in the darkroom as he has been doing for 60 years. In the 1950s he began documenting what he called “the American social landscape,” making pictures that showed how the camera sees reality (different from how the eye sees). In his layered compositions, what are normally understood to be separate objects; buildings, window displays, people, cars, etc., are perpetually interacting with reflective, opaque and transparent surfaces that distort, fragment and bring about surprising, often humorous conjunctions. Friedlander has been photographing virtually non-stop these many decades, expanding the vocabulary of such traditional artistic themes as family, nudes, gardens, trees, self-portraits, landscapes, cityscapes, laborers, artists, jazz musicians, cars, graffiti, statues, parks, advertising signs, and animals. -
Jimmy James About
JIMMY JAMES ABOUT The ONE & MANY VOICES of JIMMY JAMES - LIVE! AWARD WINNING ENTERTAINER! Singer-Songwriter of the global dance hit "FASHIONISTA" topping the BILLBOARD Dance Charts with OVER 20 MILLION VIEWS on YouTube from fan-made videos (from the album 'JAMESTOWN' on iTunes & Amazon). Jimmy James has worked with some of the world's best dance music producers including Chris Cox, Barry Harris, The Berman Brothers, IIO, Eric Kupper, Thomas Gold and more...most of whom have also produced and remixed for Cher, Madonna, Britney Spears, Whitney Houston - to name a few. In addition to being a recording artist, Jimmy James is an Award-Winning Entertainer known for his lively stunning musical cabaret shows featuring his Live Legendary Vocal Impressions. James, an ever-evolving Performance Artist, carries the legacy of his past as the world's greatest Marilyn Monroe impersonator. Although he retired his Marilyn act in 1997, his visual illusion of her is still considered the best there ever was. He garnered numerous national television appearances on the most popular talk shows of the 80s and 90s. By 1996 he landed on a giant Billboard in the center of Times Square as Marilyn Monroe, Judy Garland and Bette Davis with Supermodel Linda Evangelista. Additionally, his 1991 ad as Marilyn Monroe with horn-rimmed glasses for l.a. Eyeworks is passed "New York performance artist Jimmy James [song around the internet and copied repeatedly for tattoos and art galleries everywhere. The ad image shot by Greg Gorman may be THE most misidentified photo of Marilyn Fashionista] is so darn clever, it's hard not to offer Monroe ever. -
PETER LINDBERGH: the Unknown a Breathtaking Story in Photographs and an Innovative New Chapter in Fashion Photography
SCHIRMER/MOSEL VERLAG WIDENMAYERSTRASSE 16 • D-80538 MÜNCHEN TELEFON 089/21 26 70- 0 • TELEFAX 089/33 86 95 e - mail: press@schirmer- mosel.com Munich, March 2011 PRESS RELEASE PETER LINDBERGH: The Unknown A breathtaking story in photographs and an innovative new chapter in fashion photography Internationally-known German fashion photographer Peter Lindbergh was born in 1944 and grew up in Duisburg. During the eighties, he revolutionized his métier with his iconic images of Linda Evangelista, Naomi Campbell, Cindy Crawford, Tatjana Patitz, Nadja Auermann and other supermodels. His photographs sought to capture the personality, character, and identity of the models — and not just the glitter and glamour. In doing so, Lindbergh laid the foundation for the “supermodel” phenomenon that swept the globe. Peter Lindbergh: Peter Lindbergh’s new project, The Unknown, represents yet another innovative The Unknown The Chinese Episode chapter in the field of fashion photography. His exhibition at the Ullens Center for With an Interview by Jérôme Sans Contemporary Art in Beijing (1 April through 22 May 2011) consists of huge murals 200 pages, 89 plates that are reproduced in our new photo book Peter Lindbergh: The Unknown. The Chinese ISBN 978-3-8296-0544-1 English edition with German Episode (200 pages, 89 plates). Lindbergh’s extraordinary images are displayed within supplement an unusual framework and from a novel perspective for fashion photography: The € 49.80; (A) 51.20; sFr 70.90 Unknown is a photographic “serial novel” of fashion shootings set against the backdrop of a fictitious landing of beings from outer space. Peter Lindbergh commenced this visual tour de force in 1990, and he has pursued it with cineastic intensity to the present day. -
Ansel Adams by Ross Loeser February 2010
Ansel Adams By Ross Loeser February 2010 Ansel Adams is one of the most fascinating people of the 20th Century… a photography pioneer whose art captured the imagination of millions of ordinary people. Most of the information in this paper is from his autobiography – written in the last five years of his life. I found the book a joy to read. Adams (1902-1984) was born in San Francisco and lived most of his life in that area. For his last 22 years he lived in Carmel Highlands. Some key formative events in his early life were: In 1916, when he was 14, he influenced his family to go on vacation in Yosemite after reading the book, In the Heart of the Sierras by J.M. Hutchens. During that trip, he received his first camera – a Kodak Box Brownie. He returned to Yosemite every year of his life thereafter.1 He was hired as a “darkroom monkey” by a neighbor who operated a photo finishing business in 1917, which enabled him to learn about making photographic prints. As he grew up, one major focus was music – the piano. “By 1923 I was a budding professional pianist…”2 On a bright spring Yosemite day in 1927, Adams made a photograph that was to “change my understanding of the medium.” The picture was of Half Dome, and titled “Monolith, The Face of Half Dome.” The full story is included later in this paper, but, in a nutshell, he captured how he felt about the scene, not how it actually appeared (e.g. -
Gigi Hadid Photographed by Helena Christensen Exclusively for the May 2019 Issue of Vogue Czechoslovakia
Gigi Hadid photographed by Helena Christensen exclusively for the May 2019 issue of Vogue Czechoslovakia The May issue of VOGUE CS features a photo shoot with one of the most sought after models in the world - Gigi Hadid. It is the first time Gigi has invited a magazine to her family farm located near New York. Helena Christensen, the Danish supermodel and icon of the nineties - who is also a successful photographer, shot the American model there for the Czechoslovak edition of the world‘s most important fashion magazine. Gigi wore clothes from several Czech fashion designers throughout the cover story. “I am delighted that thanks to the friendship of Eva Herzigova, Helena Christensen and Gigi Hadid, we could photograph Gigi in her secret place, where she has not yet invited any other photographer or jour- nalist. We tried to show Gigi as she’s never been seen before, with her horses, in a place she loves,” says Andrea Běhounková, Editor-in-Chief of Vogue CS. “I wanted her to be as much of herself as possible on her farm among horses, surrounded by nature. Gigi finds not only inspiration, but above all peace and security, in this environment. I wanted to capture her essence, the little girl that still remains in her. The wind blows in her hair, her eyes are full of expectations that something special will happen,” says Helena Christensen. Gigi Hadid personally invited Helena Christensen and the Vogue CS team to her farm located near New York which she shares with her mother and siblings. To capture the intimate and dreamlike atmosphere of the place, Helena Christensen combined digital photography with expired Polaroids. -
W Phone 800.251.HAIR(4247) 740 SW 34Th St. Web Salonservicesnw
THE MAN BEHIND THE BRAND: “YOU HAVE TO HAVE FUN WITH HAIR. IT’S A GREAT ACCESSORY – PLAY WITH IT.” Serge Normant is undeniably one of the leading hairstylists the fashion industry today. Top fashion magazines, including Harper’s Bazaar, W, Allure, Elle and Vogue, regularly book Serge Normant for cover sittings, fashion and beauty stories. Serge began his career in Paris under Bruno Pittini from the Jacques Dessange Salons, and after much success he moved to New York to pursue freelance work. He has worked with an extensive range of advertising clients including Chanel, Estee Lauder, Clairol, L'Oreal, Lancôme, Tiffany & Co., Ralph Lauren, Gucci, Dolce & Gabbana, Celine and Yves Saint Laurent. He has never defined women by categories, but embraces their differences to highlight their unique features. It is this curious, open-minded approach that he brings to his iconic, editorial work and his celebrity clientele. It has allowed him to create styles specific to each client. He works regularly on celebrities such as Julia Roberts, Sarah Jessica Parker, Sofia Vergara, Blake Lively, Julianne Moore, Katy Perry and Elizabeth Hurley, as well as supermodels Gisele Bündchen, Iman, Christy Turlington, Linda Evangelista, Cindy Crawford to name a few. High performance collection of products makes dream hair a reality. After a multi-decade career of intimately styling the manes of some of the world's most dynamic women, from the girl next door to the biggest names in entertainment, fashion, and music, Serge has always maintained the utmost respect and appreciation for women and has a great sense of what they want and need. -
Be Fabulous (Or Else) Roxanne Lowit Discusses Her New Exhibition of Photos from Behind-The-Fashion-Scene
Be Fabulous (Or Else) Roxanne Lowit discusses her new exhibition of photos from behind-the-fashion-scene. December 17, 2013 1:56 PM | by Ann Binlot The legendary fashion and celebrity photographer Roxanne Lowit found her calling in the late ‘70s when her friend, the late fashion illustratorAntonio Lopez, gave her an Instamatic 110 camera. Soon after, Lowit, who had been working as a textile designer, established the art of backstage photography when she became one of the first to document the hectic scene behind the scene at a Halston show. “I didn’t look like a photographer,” recalled Lowit. “Photographers had these big safari jackets on with huge cameras and lenses hanging off them, and I was much thinner, and wore dresses then and color, and was quite stylish.” Lowit would go on to capture the fashion world at close range, from the Bacchanalian nights when Yves Saint Laurent and Karl Lagerfeld ruled the Paris fashion scene — “People would dance all night and think they’d live forever,” she remembered — to the height of supermodel stardom in the ‘90s to John Galliano’s Dior couture shows in the aughts to the drag queen scene of the twenty-tens. Now, her photos from the last four decades are the subject of the exhibition “Roxanne Lowit: Be Fabulous,” on view through January 18, 2014, at Steven Kasher Gallery in New York. In one iconic image from 1990, supermodels Christy Turlington, Linda Evangelista, and Naomi Campbell fool around in a bathtub at the Ritz in Paris. “I don’t know how they got in there, if they got in themselves, or if I encouraged it, or what,” said Lowit. -
A Photojournalist's Field Guide: in the Trenches with Combat Photographer
A PHOTOJOURNALISt’S FIELD GUIDE IN THE TRENCHES WITH COMBAT PHOTOGRAPHER STACY PEARSALL A Photojournalist’s Field Guide: In the trenches with combat photographer Stacy Pearsall Stacy Pearsall Peachpit Press www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education. Copyright © 2013 by Stacy Pearsall Project Editor: Valerie Witte Production Editor: Katerina Malone Copyeditor: Liz Welch Proofreader: Erin Heath Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Photo: Stacy Pearsall Cover and Interior Design: Mimi Heft Notice of Rights All rights reserved. No part of this book may be reproduced or trans- mitted in any form by any means, electronic, mechanical, photocopy- ing, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Peachpit was aware of a trade- mark claim, the designations appear as requested by the owner of the trademark. -
Photography: a Survey of New Reference Sources
RSR: Reference Services Review. 1987, v.15, p. 47 -54. ISSN: 0090-7324 Weblink to journal. ©1987 Pierian Press Current Surveys Sara K. Weissman, Column Editor Photography: A Survey of New Reference Sources Eleanor S. Block What a difference a few years make! In the fall 1982 issue of Reference Services Review I described forty reference monographs and serial publications on photography. That article concluded with these words, "a careful reader will be aware that not one single encyclopedia or solely biographical source was included... this reviewer could find none in print... A biographical source proved equally elusive" (p.28). Thankfully this statement is no longer valid. Photography reference is greatly advanced and benefited by a number of fine biographical works and a good encyclopedia published in the past two or three years. Most of the materials chosen for this update, as well as those cited in the initial survey article, emphasize the aesthetic nature of photography rather than its scientific or technological facets. A great number of the forty titles in the original article are still in print; others have been updated. Most are as valuable now as they were then for good photography reference selection. However, only those sources published since 1982 or those that were not cited in the original survey have been included. This survey is divided into six sections: Biographies, Dictionaries (Encyclopedias), Bibliographies, Directories, Catalogs, and Indexes. BIOGRAPHIES Three of the reference works cited in this survey have filled such a lamented void in photography reference literature that they stand above the rest in their importance and value. -
Download the Free Pdf of Volume I
9 volume 1 200 DiffusionUnconventional Photography Articles: Profiles: Group Showcase: I’m Often Asked... An Ironic Manifesto Jeffrey Baker Pamela Petro Formerly & Hereafter by Zeb Andrews by Dr. Mike Ware Tina Maas Sika Stanton Plates to Pixels Juried Show Praise for Diffusion, Volume I “Avant-garde, breakthrough and innovative are just three adjectives that describe editor Blue Mitchell’s first foray into the world of fine art photography magazines. Diffusion magazine, tagged as unconventional photography delivers on just that. Volume 1 features the work of Jeffrey Baker, Pamela Petro, Tina Maas and Sika Stanton. With each artist giving you a glimpse into how photography forms an integral part of each of their creative journey. The first issue’s content is rounded out by Zeb Andrews’ and Dr. Mike Ware. Zeb Andrews’ peak through his pin-hole world is complimented by an array of his creations along with the 900 second exposure “Fun Center” as the show piece. And Dr. Mike unscrambles the history of iron-based photographic processes and the importance of the printmaker in the development of a fine art image. At a time when we are seeing a mass migration to on-line publishing and on-line magazine hosting, the editorial team at Diffusion proves you can still deliver an outstanding hard-copy fine art photography magazine. I consumed my copy immediately with delight; now when is the next issue coming out?” - Michael Van der Tol “Regardless of the retrospective approach to the medium of photography, which could be perceived by many as a conservative drive towards nostalgia and sentimentality. -
The Curriculum
Intergenerational Digital Photography Workshop Curriculum About this Curriculum With funding from The Brookdale Foundation, Generations United worked with professional photographer, Annie Levy to pilot the intergenerational photography workshop during the summer of 2007 with two organizations in New York – the Carter Burden Center for the Aging and DOROT. This curriculum is based on the lessons learned from the two pilot projects. About Generations United Generations United (GU) is the national membership organization focused solely on improving the lives of children, youth, and older people through intergenerational strategies, programs, and public policies. GU represents more than 100 national, state, and local organization and individuals. Since 1986, GU has served as a resource for educating policymakers and the public about the economic, social, and personal imperatives of intergenerational cooperation. GU acts as a catalyst for stimulating collaboration between aging, children, and youth organizations providing a forum to explore areas of common ground while celebration the richness of each generations. For more information, visit www.gu.org. About Annie Levy Annie Levy is a photographer and creative director who documents, and brings to life, the experience and stories of ordinary people through the art of portraiture in its variety of forms – image/text, exhibit/installation, presentation/performance. With a special focus on the lives of older and young people, she is committed to creating works for both innovative and traditional venues that inspire, educate and influence public opinion and perception. Examples of Ms. Levy’s work have been featured at the United Nations and The Frick Collection for their “Art of Observation” program. -
The Museum of Modern Art Dedicates Erna and Victor Hasselblad Photography Study Center
)** The Museum of Modern Art For Immediate Release THE MUSEUM OF MODERN ART DEDICATES ERNA AND VICTOR HASSELBLAD PHOTOGRAPHY STUDY CENTER October 21, 1985, New York King Carl XVI Gustaf of Sweden, Officers of the Museum and of the Erna and Victor Hasselblad Foundation, and members of the Museum's Trustee Committee for Photography today were among the guests at the formal dedication of the Erna and Victor Hasselblad Photography Study Center. "Today...is an important day for Sweden and for the Hasselblad Foundation," said Alf Akerman, chairman of the Board of the Hasselblad Foundation. "A new channel has been formed for contacts and a cultural gate has been opened which we hope will be of importance for further development of good relations between our countries." William S. Paley, chairman of the Board of Trustees, The Museum of Modern Art, stated, "We are both grateful and proud that the Hasselblad Foundation has made this extraordinary gift. We are grateful for what it enables our Study Center to do. We are proud of the international recognition it represents. And we are also proud that our Study Center now bears so distinguished a name." Although the Department of Photography has maintained a study center since 1964, its greatly expanded new facility is named in honor of the Hasselblads, as a gesture of gratitude to the Foundation that bears their names. An unprecedented gift from the Foundation will enable the Department of Photography to sustain and expand its capacity for sharing its rare resources and research materials with the larger photography community. John Szarkowski, director of the Department of Photography, has described this community as "an international audience, transcending national or regional perspectives." Since the Department of Photography first made its collection, library, and supporting archives available to the public for study, it has devoted an increasing amount of thought and attention to its study center.