Monday, Wednesday and Friday, 12-12.50 P.M
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
South Central Modern Language Association
South Central Modern Language Association 73rd Annual Conference November 3-5, 2016 Sheraton Dallas Hotel Dallas, Texas SCMLA CONFERENCE PROGRAM A PDF version of this program is available on our website: www.southcentralmla.orG South Central Modern Language Association University of Oklahoma 780 Van Vleet Oval Kaufman Hall 203 Norman, OK 73019 Phone: (405) 325-6011 Fax: (405) 325-3720 Email: [email protected] Web: www.southcentralmla.orG 1 TABLE OF CONTENTS 2016 Executive Committee ........................................................... 3 Special Thanks .............................................................................. 4 Conference Hosts ......................................................................... 5 Friends of SCMLA ......................................................................... 6 Sustaining Departmental Members .............................................. 7 SCMLA Life and Honorary Members ............................................. 8 2016 Conference Exhibitors .......................................................... 9 Schedule of Events ..................................................................... 10 Summary of Conference by Session Type .................................... 11 Conference Program ................................................................... 19 Reminder to Chairs ..................................................................... 79 2017 SCMLA Deadlines .............................................................. 80 SCMLA Grants, Awards and Prizes ............................................. -
The History of Gyalthang Under Chinese Rule: Memory, Identity, and Contested Control in a Tibetan Region of Northwest Yunnan
THE HISTORY OF GYALTHANG UNDER CHINESE RULE: MEMORY, IDENTITY, AND CONTESTED CONTROL IN A TIBETAN REGION OF NORTHWEST YUNNAN Dá!a Pejchar Mortensen A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2016 Approved by: Michael Tsin Michelle T. King Ralph A. Litzinger W. Miles Fletcher Donald M. Reid © 2016 Dá!a Pejchar Mortensen ALL RIGHTS RESERVED ii! ! ABSTRACT Dá!a Pejchar Mortensen: The History of Gyalthang Under Chinese Rule: Memory, Identity, and Contested Control in a Tibetan Region of Northwest Yunnan (Under the direction of Michael Tsin) This dissertation analyzes how the Chinese Communist Party attempted to politically, economically, and culturally integrate Gyalthang (Zhongdian/Shangri-la), a predominately ethnically Tibetan county in Yunnan Province, into the People’s Republic of China. Drawing from county and prefectural gazetteers, unpublished Party histories of the area, and interviews conducted with Gyalthang residents, this study argues that Tibetans participated in Communist Party campaigns in Gyalthang in the 1950s and 1960s for a variety of ideological, social, and personal reasons. The ways that Tibetans responded to revolutionary activists’ calls for political action shed light on the difficult decisions they made under particularly complex and coercive conditions. Political calculations, revolutionary ideology, youthful enthusiasm, fear, and mob mentality all played roles in motivating Tibetan participants in Mao-era campaigns. The diversity of these Tibetan experiences and the extent of local involvement in state-sponsored attacks on religious leaders and institutions in Gyalthang during the Cultural Revolution have been largely left out of the historiographical record. -
Does a “Chinese” Woman Become a “Feminist”?
Towards an Ethics of Transnational Encounter, or “When” Does a “Chinese” Woman Become a “Feminist”? Shu-Mei Shih differences: A Journal of Feminist Cultural Studies, Volume 13, Number 2, Summer 2002, pp. 90-126 (Article) Published by Duke University Press For additional information about this article http://muse.jhu.edu/journals/dif/summary/v013/13.2shih.html Access provided by University of Toronto Library (17 Aug 2013 09:07 GMT) shu-mei shih Towards an Ethics of Transnational Encounter, or “When” Does a “Chinese” Woman Become a “Feminist”? To begin, two narratives: A Chinese woman who had rehearsed for the lead role in the model opera “Red Azalea” [Dujuan shan] during the waning years of the Cultural Revolution in the 1970s decided to emigrate to the U.S.1 Upon arriving in 1984, she struggled to learn the English language and to make a living. In the span of a few short years, she successfully mastered English sufficiently to accom- plish the unlikely task of writing a bestselling autobiographical novel, Red Azalea, named after the opera. The autobiography chronicles the traumas of the Cultural Revolution from a female perspective and clearly proclaims that America is the end of the author’s search for freedom and self-expression as a woman. Another Chinese woman, who in the 1980s had single-handedly created the discipline of “women’s studies” in the hinterland of China, the city of Zhengzhou in Henan Province, and had freely drawn from Western feminist classics in her writings, was invited to come to an academic conference on Chinese feminism in 1992 at Har- vard University. -
Fall 2002 Course Guide TABLE of CONTENTS
WOMEN, GENDER, SEXUALITY STUDIES PROGRAM UNIVERSITY OF MASSACHUSETTS AMHERST Fall 2002 Course Guide TABLE OF CONTENTS This catalog contains descriptions of all Women’s Studies courses for which information was available in our office by the publication deadline for pre-registration. Please note that some changes may have been made in time, and/or syllabus since our print deadline. Exact information on all courses may be obtained by calling the appropriate department or college. Please contact the Five-College Exchange Office (545-5352) for registration for the other schools listed. Listings are arranged in the following order: Women, Gender, Sexuality Studies Core Courses Courses offered through the Women, Gender, Sexuality Studies program Women of Color Courses Courses that count towards the Woman of Color requirement for UMass Amherst Women, Gender, Sexuality Studies undergraduate majors and minors. Departmental Courses Courses offered in other UMass departments and programs. All courses listed except 100-level automatically count towards the the major. Component Courses Courses offered in other University Departments and Programs. In order to have these courses count towards the major or minor students must focus their paper(s) or project(s) on gender. Continuing Education Courses at UMass Graduate Level Five-College Options: Amherst College Hampshire College Mount Holyoke College Smith College Please note that updates to this guide are available on the website. www.umass.edu/wost/courseinfo.htm WOMEN’S STUDIES PROGRAM COURSE DESCRIPTION GUIDE ADDENDA AS OF 8/15/02 CORRECTIONS WOST 301 – Theorizing Women’s Issues – Taught by Kreimild Saunders New description: Theorizing Feminist Issues will begin with a discussion of the grand theories of second wave feminism on patriarchal domination, women’s oppression and subordination in society in generally. -
A Wretched Idealist”: Tragedy in “Love Must Not Be Forgotten” Daijuan Gao [email protected]
Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) Spring 5-15-2016 “A Wretched Idealist”: Tragedy in “Love Must Not Be Forgotten” Daijuan Gao [email protected] Follow this and additional works at: http://scholarship.shu.edu/dissertations Part of the Chinese Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Gao, Daijuan, "“A Wretched Idealist”: Tragedy in “Love Must Not Be Forgotten”" (2016). Seton Hall University Dissertations and Theses (ETDs). 2182. http://scholarship.shu.edu/dissertations/2182 Abstract Since its publication in 1979 and the ensuing controversy it evoked about the morality of an extramarital love affair (albeit platonic), Zhang Jie’s short story, “Love Must Not Be Forgotten” has continued to captivate readers and literary scholars. While the values of Zhang’s story, with its challenges to traditional ethics and its provocation of female consciousness, have been acknowledged by critics and commentators, examination of the aesthetics of the story’s tragic effect has thus far remained marginal. “Love” engendered pity and fear in readers, particularly during the time following the Cultural Revolution when the lives of Chinese people were firmly constrained by both established conventions and Communist ideology. It especially resonated with people who were miserable in their loveless marriages as it had provided them with a script of their own stories. The root of the tragedy in “Love” is multifaceted. While Zhong Yu’s unwavering Romantic ideals, the cadre’s “hamartia” (marrying his wife out of a sense of duty), and the confinement of society’s orthodox values all contribute to the tragic affair, chance and destiny also play a pivotal role in the characters’ lives. -
Spring 2011 Course Guide TABLE of CONTENTS
WOMEN, GENDER, SEXUALITY STUDIES PROGRAM UNIVERSITY OF MASSACHUSETTS AMHERST Spring 2011 Course Guide TABLE OF CONTENTS This catalog contains descriptions of all Women’s Studies courses for which information was available in our office by the publication deadline for pre-registration. Please note that some changes may have been made in time, and/or syllabus since our print deadline. Exact information on all courses may be obtained by calling the appropriate department or college. Please contact the Five-College Exchange Office (545-5352) for registration for the other schools listed. Listings are arranged in the following order: Options in Women's Studies .................................................................................................................. 1-3 Undergraduate and Graduate Programs explained in detail. Faculty in Women, Gender, Sexuality Studies .................................................................................. 4-5 Women, Gender, Sexuality Studies Core Courses ............................................................................ 6-8 Courses offered through the Women, Gender, Sexuality Studies program Women of Color Courses ..................................................................................................................... 9-13 Courses that count towards the Woman of Color requirement for UMass Amherst Women, Gender, Sexuality Studies undergraduate majors and minors. Departmental Courses ..................................................................................................................... -
Web Films Cleaned Up
CHINA DAILY HONG KONG EDITION Thursday, May 31, 2018 Film | LIFE 19 s part of recent makers were producing work review of its content that was just on the edge of quality, iQiyi — one crossing the line of what is of China’s leading allowed. online A mediastreaming plat “Their productions are forms — reported that it has WEB FILMS based on where the bottom removed more than 1,000 line of current regulation is,” titles from its website. Yang notes. “And they some The move was revealed ear times crossed that line, which lier this month at the iQiyi is why we had to keep with Technology & Entertainment CLEANED UP drawing uploaded films.” World Conference by Yang To avoid such problems in Xianghua, vicepresident of the future, Yang says a new the company. A new focus on quality over quantity has seen the committee will be established Many of the films were to evaluate new projects from Nobel Literature Prize winner Mo Yan shares the behindthe uploaded as early as 2014, the leading streaming platform iQiyi remove more than the beginning of their crea scenes stories of the upcoming documentary series, Literary year when the term “internet tion, rather than simply Hometowns. FENG YONGBIN / CHINA DAILY feature film” was first used by 1,000 videos from its servers and develop a better appraising them when the iQiyi to describe the growing films are complete. industry for films exclusively way of vetting content. Wang Kaihao reports. Then committee members tailored to, and created for, the will include many experi internet. -
Representations of Chinese Masculinity in Chinese Australian Literature 1978-2008
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2012 Representations of Chinese masculinity in Chinese Australian literature 1978-2008 Zhong Huang University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Huang, Zhong, Representations of Chinese masculinity in Chinese Australian literature 1978-2008, Doctor of Philosophy thesis, School of English Literatures and Philosophy, University of Wollongong, 2012. -
University of Notre Dame Du Lac P016A090028 (PDF)
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE UNDERGRADUATE INTERNATIONAL STUDIES AND FOREIGN LANGUAGE CFDA # 84.016A PR/Award # P016A090028 Grants.gov Tracking#: GRANT10294036 OMB No. 1840-0796, Expiration Date: 08/31/2010 Closing Date: APR 30, 2009 PR/Award # P016A090028 **Table of Contents** Forms 1. Application for Federal Assistance (SF-424) e1 2. Standard Budget Sheet (ED 524) e5 3. SF 424B - Assurances Non-Construction Programs e7 4. Disclosure of Lobbying Activities e9 5. 427 GEPA e10 Attachment - 1 e11 6. ED 80-0013 Certification e13 7. Dept of Education Supplemental Information for SF-424 e14 Narratives 1. Project Narrative - (Abstract Narrative...) e15 Attachment - 1 e16 2. Project Narrative - (Project Narrative...) e17 Attachment - 1 e18 3. Project Narrative - (Other Narrative...) e59 Attachment - 1 e60 Attachment - 2 e59 Attachment - 3 e71 Attachment - 4 e115 Attachment - 5 e116 4. Budget Narrative - (Budget Narrative...) e115 Attachment - 1 e116 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. Page numbers created by the e-Application PDF functionality will be preceded by the letter e (for example, e1, e2, e3, etc.). PR/Award # P016A090028 U.S. DEPARTMENT OF EDUCATION OMB Control Number: 1890-0004 BUDGET INFORMATION NON-CONSTRUCTION PROGRAMS Expiration Date: 06/30/2005 Applicants requesting funding for only one year should complete the Name of Institution/Organization: column under "Project Year 1." Applicants requesting funding for multi- University of Notre Dame du Lac year grants should complete all applicable columns. -
Representations of Chinese Masculinity in Chinese Australian Literature 1978-2008
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2012 Representations of Chinese masculinity in Chinese Australian literature 1978-2008 Zhong Huang University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Huang, Zhong, Representations of Chinese masculinity in Chinese Australian literature 1978-2008, Doctor of Philosophy thesis, School of English Literatures and Philosophy, University of Wollongong, 2012. -
Remapping the Past Leiden Series in Comparative Historiography
Remapping the Past Leiden Series in Comparative Historiography Editors Axel Schneider Susanne Weigelin-Schwiedrzik VOLUME 3 Remapping the Past Fictions of History in Deng’s China, 1979–1997 By Howard Y.F. Choy LEIDEN • BOSTON 2008 Sections of Chapter 2 have appeared in previous publications under the following titles and special thanks are due to the editors and anonymous reviewers: “‘To Construct an Unknown China’: Ethnoreligious Historiography in Zhang Chengzhi’s Islamic Fiction,” Positions: East Asia Culture Critique 14.3: 687–715. Copyright 2006. All rights reserved. Used by permission of the publisher, Duke University Press. “Historiographic Alternatives for China: Tibet in Contemporary Fiction by Tashi Dawa, Alai, and Ge Fei,” American Journal of Chinese Studies 12.1 (2005): 65–84. “In Quest(ion) of an ‘I’: Identity and Idiocy in Alai’s Red Poppies,” forthcoming Spring 2008 in Modern Tibetan Literature and Social Change, ed. Lauran Hartley and Patricia Schiaffini-Verdani (Duke University Press). This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Choy, Howard Y. F. (Howard Yuen Fung) Remapping the past : fictions of history in Deng’s China, 1979–1997 / By Howard Y.F. Choy. p. cm. – (Leiden series in comparative historiography) Includes bibliographical references and index. ISBN 978-90-04-16704-9 (hbk. : alk. paper) 1. Chinese fiction–20th century–History and criticism. I. Title. II. Title: Fictions of history in Deng’s China, 1979–1997. PL2443.C4455 2008 895.1’090052–dc22 2008011344 ISSN 1574-4493 ISBN 978 90 04 16704 9 Copyright 2008 by Koninklijke Brill NV, Leiden, The Netherlands. -
View / Download 3.7 Mb
The People’s Republic of Capitalism: The Making of the New Middle Class in Post-Socialist China, 1978-Present by Ka Man Calvin Hui Program in Literature Duke University Date:_______________________ Approved: ___________________________ Rey Chow, Supervisor ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ Robyn Wiegman ___________________________ Leo Ching Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Literature in the Graduate School of Duke University 2013 i v ABSTRACT The People’s Republic of Capitalism: The Making of the New Middle Class in Post-Socialist China, 1978-Present by Ka Man Calvin Hui Program in Literature Duke University Date:_______________________ Approved: ___________________________ Rey Chow, Supervisor ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ Robyn Wiegman ___________________________ Leo Ching An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Literature in the Graduate School of Duke University 2013 Copyright by Ka Man Calvin Hui 2013 Abstract My dissertation, “The People’s Republic of Capitalism: The Making of the New Middle Class in Post-Socialist China, 1978-Present,” draws on a range of visual cultural forms – cinema, documentary, and fashion – to track the cultural dimension of the emergence