DOCSLIB.ORG

The Ursinus Weekly, January 11, 1965

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Ursinus Weekly, January 11, 1965 Ursinus College Digital Commons @ Ursinus College Ursinus Weekly Newspaper Newspapers 1-11-1965 The rsinU us Weekly, January 11, 1965 Craig S. Hill Ursinus College Helen Simmons Ursinus College John Bradley Ursinus College Sue Hartenstine Ursinus College Candace Sprecher Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/weekly Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Hill, Craig S.; Simmons, Helen; Bradley, John; Hartenstine, Sue; Sprecher, Candace; Anderson, Alexis C.; Atkinson, George; Walker, Samuel; Dingman, Carlton; Murphy, Marianne; and Rader, Linda, "The rU sinus Weekly, January 11, 1965" (1965). Ursinus Weekly Newspaper. 238. https://digitalcommons.ursinus.edu/weekly/238 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus Weekly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Craig S. Hill, Helen Simmons, John Bradley, Sue Hartenstine, Candace Sprecher, Alexis C. Anderson, George Atkinson, Samuel Walker, Carlton Dingman, Marianne Murphy, and Linda Rader This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/weekly/238 r5tnu~ hlp Number 12 Volume LXIV MONDAY, J ANUARY 11, 1965 Football Players Receive Ursinus to. Send Weekly Names Faculty Forum to Present DelegatIon Sam Walker Concert, Lecture Recital Awards at Banquet To Model UN Sports Editor 20th Century American Music, Subject Ursi.nus College has been ask­ by Helen Simmons N a ta lie Hind eras, ins tructor o f a dvance d piano s tu­ ed t.o participate In the Model Taklng over the realm of dents at the Philadelphia Musical Academy with an out­ Tony Motto Gels All-ECAC sports writing on the WeekJ y U.N. to be held i.n New York staff, is Sam Walker, a senior standin u con cert r ecor d in E urope a nd the F a r E ast over Last Tuesday night, U rsinus held its annual football City, March 4 5 and 6, as the the pas~ decade, will appear Wednesday, J an uary 13, at banquet upstairs in Freeland Hall. delegation from Ecuador. 8:30 p.m, in Bomberger H all, Ursinus College, I~ a Plano The purpose of the Model U.N. L ectur e-Recital o n 20th Century Amencan MUSIC, It was Is to create an understanding of the objectives ot the U.N. and announced by Dr. E ugene H . Miller. director of the the difficulties which it faces. F aculty F o r u m . Philippines; and to Niger ia ~s a The growing instability of the Additional Forum programs representative of the AmerIcan United Nations is expected to are scheduled for February 10. Society for American Culture. when Dr. Samuel H. l\hller, dean Included in her overseas IUn­ set the tenor for the Model As- I of the Harvard Divinity SCbool, eraries was a four-month as­ sembly. wHl lecture on "An Interpreta- signment by the state Depart­ Opening Address tion of 20th Century American ment for recitals, seminars with The Model Assembly begins at Literature," and on March 10, music teachers and students, It h e U.N. building wit h an ad­ when Dr. Julius Seelye Bixler, lectures in conservatories and dress to the delegates by a dis­ president emeritus of Colby Col- in State Deparment auditori­ tin guished diplomat. Sir Hugh lege and an authority on the urns. Concurrent with this as­ Foote, former governor of Cy­ American philosopher William signment she was commissioned prus was t h e guest last year. James, will lecture on "Pragma­ The fu ture policy of th e assem­ tism." This was the character­ Football award winners, from left to right: Gene Swann (co­ captain), Bill Degenhardt, Dave Raub (co-captain) , Tony Motto, bly Is determined at block meet­ istic word In the James philoso­ Joe Rhilc and ltich Miller. Ings in which delegates vie tor phy which, a-ecordlng to Dr. 1 the relatively few opportunIties Miller, had a major Influence on , Wha t the tea m lacked in pres- These were Motto, Da ve Ra ub, to h ave their resolut ions debat­ - educational theory In the first tlge on the fi eld, It m ade up tor t h e Southern division's Indlvldu­ ed in the general assembly. Sa m Walker, half of this century. "Weekly" Sports Editor Tuesday night as out of four- a l rushing leader with a n aver­ These debates are the prima ry Miss Hinderas,-her profes­ teen playing positions to be age of 5.3 yar ds per car ry, a nd accomplishments of the Model political science major from sional name although she is awarded on the first team All Bill Degendardt, t h e leading pass U. N. and man y adopted resolu­ Haverford, Pa. Sam plans to at- married and mother of a 14- Middle Atlantic Conference 'receiver in t h e Sout hern Dlvls­ tions have preceded similar on es tend Law School next year and mon th old daughter,-was born I Southern Division, Urslnus gar- Ion for the second consecutive passed by the U.N. itself. hopes to eventually practice in in Oberlin, Ohio, of gifted mus­ nered three. It was a nigh t of year wi t h thirty- nine receptions Each pa rticipating college Philadelphia. leal parents, an d herself ap­ "firsts." For the first time In t h e for 537 ya rds and six touchdowns sen ds six votin g delegates and Sam is well qualified for his peared. in public first at the age school's history, one of Its stu- a nd also this year's leading n umerous non-voting a ltern ates. new pOSition because of his in- of three. At age five she appear­ dents was presented t h e Eastern I scorer with forty-four points. The International Relations terest In sports and his previous ed in a theatre program with College Athletic Conferen ce All- The captains for n ex t year as Club, which has been p reparing experience in writing for the veterans Mickey Rooney and Sophomore Aw ard. The awa rd voted by the members of the for Ursin us's participation in the Weekly. Among h is articles Ted Healy and was offered a iWent to Tony Motto, who, after team were Gen e Swann, offens­ Model Assem bly will give each prin ted in the Weekly, are the contract to travel with their a successful freshman year re- Ive a nd defensive end, and Dave member of th e delegation a fi eld 1964 P re-Homecoming coverage, troupe, but her mother declin ed turned thIs year to climb a little Raub who a lternated between In EcuadorIan lite to study in various sports arUcles and oth er t he offer and continued train- higher on the ladder of success. half 'and fullback. The most preparation . miscellaneous news. ing her already precocious The awards were presented by valuable player award went to Students interested in par­ Campus Activities daugh ter in the f undamentals ICoach Whatlcy. After Motto's Bill Degenhardt. The a wa rd for ticipatIng sh ould contact Dr. Sa m's diverse interests are of piano. !honor the members of the all most service to the team by a Zucker, faculty advisor to t he characterized by his va rious First Recital !MAC Southern division team gra duating senior went to J oe Internationa l Relations Club. cam pus activities. He is a broth- Natalie Hinderas, from Ursinus were announced . (Con tinued on page 3) er of Zeta Chi fraternity, active At t h e age of eight Miss R en - Forum Solois t deras gave her first full-length Three Placed in in in tramural sports, a nd h as recital in Cleveland and shor tly as P hU adelphia's Honorary Am­ Pre·Meds to Hear se rved on several da nce COffi- a fterward was admit t ed to the bassador of G oodwill carrying World's Fair mtttees. In addit ion, Sam is a I f th t th Teaching Positions special studen ts group at t h e greet n gs rom e mayor 0 e member of the Messiah chorus, f It I It I I t h Invites College Two Sacred Heart Oberlin Conservatory of Music. mayors 0 cap aces n e h ·11 Young Democrats, and Vice- . I !sIted The following se nlor s w a Wl Presiden t of t he I.C.G. Her unusual talent resulted in count ries S 1e v . Pathologists complete their work t his mont h h 'ner orellestra l debut a t age Miss Hlnderas Is a m ember of Talent to Perform Ouring his sophomore year, e hU d I " ' t Alii wHl start teach ing jobs in these served a s a Sophomore Ruler, twelve as soloist wi t h th e Cleve- the P a e pU.J ~ Ar a nce: Hailed as the "Star of the On Thursd ay, Janua ry 14, at sch ools in February: and received t h e honor of being lan d Women 's Symphony when the Philadelphia Composers ..show" at the World's Fa ll', the 7 :30, the Brownback-Anders Pre­ Betsy Pearson, Abington, Pa. chosen an alterna te winner for sh e played t h e Greig Con cer to.
Load more

Recommended publications
  • The New York Concert Singers
    THE MASK New World Records 80547 New York Concert Singers Virgil Thomson (1896–1990) led a double life—as a composer and a critic. Besides bringing a highly original and typically American sensibility to his musical works, he was for many years a respected voice of high musical taste as chief music critic for the New York Herald Tribune. When he wrote that he admired the music of Erik Satie for its "consequence, quietude, precision, acuteness of auditory observation, gentleness, sincerity, and directness of statement," he might have been describing his own personality as a composer. Despite Thomson's years of study in Paris and musical collaborations with European intellectuals, the influence of nineteenth-century American church and popular music gives this Missouri-born composer's music a decidedly Midwestern accent. Thomas Campion (1567–1620) is one of the great poets of the English language, and he set his own poetry to music in dozens of solo songs accompanied by lute. In the original, solo version of "Four Songs to Poems by Thomas Campion" (composed in the summer of 1951), Virgil Thomson re- created the sound-world of the Elizabethan lute song with a voice and harp; in the choral arrangement, there is also something of the sensuous blending of voices that one hears in an Elizabethan consort of viols. Both versions make subtle use of an obbligato clarinet and viola— these two instruments, which sound in the same pitch range as the human voice, provide "other voices" of melodic commentary; they also recede and blend with the harp to enhance the lute effect.
    [Show full text]
  • Natalie Hinderas and Leota Palmer Papers
    Natalie Hinderas and Leota Palmer papers G94.025 Finding aid prepared by Celia Caust-Ellenbogen and Faith Charlton through the Historical Society of Pennsylvania's Hidden Collections Initiative for Pennsylvania Small Archival Repositories. Last updated on April 28, 2014. African American Museum in Philadelphia Natalie Hinderas and Leota Palmer papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 6 Controlled Access Headings..........................................................................................................................6 - Page 2 - Natalie Hinderas and Leota Palmer papers Summary Information Repository African American Museum in Philadelphia Creator Hinderas, Natalie Title Natalie Hinderas and Leota Palmer papers Call number G94.025 Date [bulk] 1940-1989 Date [inclusive] 1904-1993
    [Show full text]
  • NWHP 2016 Democratic Convention
    Welcome Democratic Delegates and Visitors to Philadelphia! Learn here how Pennsylvania has written women back into American history and the value of “Remembering the Ladies” as Abigail Adams cautioned us March 31, 1776. NATIONAL WOMEN’S HISTORY PROJECT 2016 DEMOCRATIC DELEGATE CONVENTION GUIDE TO WOMEN’S HISTORY ASSETS In Philadelphia and Pennsylvania NATIONAL WOMEN’S HISTORY PROJECT 2016 Democratic Delegate Convention Guide To Women’s History Assets in Philadelphia and Pennsylvania The National Women’s History Project (NWHP) is a nonprofit, nonpartisan organization whose mission is to recognize and celebrate the diverse and historic accomplishments of women by providing informational services and educational and promotional materials. We work to Write Women Back Into History. What You Should Know About Pennsylvania Women. The Democratic Party is about to nominate the first woman as any major party nominee, an historic FIRST. Pennsylvania women have been leaders in just about every field of endeavor. Several firsts belong to Pennsylvania women, including the first woman industrialist, Rebecca Lukens (1794-1854), who took over her family’s iron business in 1825; Pearl Buck (1892-1973), the first woman to win both the Nobel and Pulitzer prizes in literature; Betsy Ross (1752-1836), viewed as the first to make an American flag; Dolley Payne Todd Madison (1768-1849), who pioneered the first public role for a First Lady; Loretta Perfectus Walsh (1896-1925), the first woman allowed to serve as a woman in any of the U.S. armed forces in a role other than a nurse in 1917; Violet Oakley (1874- 1961), the first woman to receive a commission for her murals in 1900; Crystal Bird Faucett (1894-1965), the first African-American woman elected to a state legislature in 1938, and C.
    [Show full text]
  • TAYLOR-MASTERSREPORT-2017.Pdf (156.6Kb)
    Copyright by X’ene S. Taylor 2017 The Report committee for X’ene S. Taylor Certifies that this is the approved version of the following report: Classically Black APPROVED BY SUPERVISING COMMITTEE: ________________________________________ Charles Carson, Supervisor __________________________________________ Andrew Dell’Antonio, Co-Supervisor Classically Black by X’ene S. Taylor Report Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Masterr of Music The University of Texas at Austin August 2017 Classically Black X’ene S. Taylor, M.M. The University of Texas at Austin, 2017 SUPERVISORS: Charles Carson, Andrew Dell’Antonio This master’s report will revisit Saidiya Hartman’s account of how to 1) combat violence found in the archives and 2) mitigate silences imposed on marginalized bodies in her essay, “Venus in II Acts.” This work contributes to public musicology because it impacts the way scholars interact with musicians who are historically othered. Through attention to the lives and works of Philippa Schuyler, Hazel Scott and Nina Simone, I ask critical questions like how can we view these pianists’ lives in a way that does not reinforce canonic violence. I simultaneously weave my personal narrative into this discussion as I find myself occupying the spaces of researcher, performer and all the interstices found within the classical piano tradition. Through the work of Hartman, as well as Julia J. Chybowski, Karen Chilton and Elizabeth Taylor Greenfield, I argue that Venus is a pianist like Schuyler, Scott and Simone whose usefulness is often tied to diversity within classical music's canon.
    [Show full text]
  • Concert: Gershwin by Request
    Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 2-21-1989 Concert: Gershwin By Request Leon Bates Benjamin Matthews Eddye Pierce Young Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Bates, Leon; Matthews, Benjamin; and Young, Eddye Pierce, "Concert: Gershwin By Request" (1989). All Concert & Recital Programs. 7659. https://digitalcommons.ithaca.edu/music_programs/7659 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Ithaca College School of Music ITHACA- ITHACA COLLEGE CONCERTS '88-'89 GERSHWIN BY REQUEST LEON BATES, Plano BENJAMIN MATTHEWS, Bass-Baritone EDDYE PIERCE YOUNG, Soprano WAYNE SANDERS, Plano "An Evening of the Music of George Gershwin" Three Preludes I. Allegro ben ritmato e deciso II. Andante con moto e poco rubato Ill. Allegro ben ritmato e deciso Three Songs Fascinatin' Rhythm Somebody Loves Me Liza Leon Bates Selections from Porgy and Bess Summertime A Woman Is a Sometime Thing My Man's Gone Now I Got Plenty o'nuttin' Strawberry Chant Bess, You Is My Woman Now Benjamin Matthews, Eddye Pierce Young, Wayne Sanders INTERMISSION Three Songs The Man I Love I Got Rhythm Strike Up the Band Leon.Bates Selections from Porgy and Bess It Takes a Long Pull to Get There There's Boat Oat's Leavin' Soon for New York I Love You Porgy Oh Lawd, I'm on My Way Benjamin Matthews, Eddye Pierce Young, Wayne Sanders Rhapsody in Blue (solo piano version) Leon Bates * * * * * WALTER FORD HALL AUDITORIUM Tuesday, February 21, 1989 8:15 p.m.
    [Show full text]
  • National Endowment for the Arts Annual Report 1979
    National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1979. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1980 1 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs Deputy Chairman’s Statemen~ 8 Dance 10 Design Arts 30 Expansion Arts 50 Folk Arts 84 Literature 100 Media Arts: Film/Radio/Television 118 Museum 140 Music 172 Opera-Musical Theater 202 Special Projects 212 Theater 222 Visual Arts 240 Policy and Planning Challenge Grants 272 Evaluation 282 International/Fellows 283 Research 286 Special Constituencies 288 Office for Partnership Executive Director’s Statement 296 Education (Artists-in-Schools) 299 Federal-State Partnership (State Programs) 305 Intergovernmental Activities 312 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement A Common Cause for the Arts isolated rural coraraunities to the barrios and Perhaps nothing is raore enviable--or raore ghettoes of our inner cities. The dreara---that daunting--than the opportunity to raake a prac­ of access for all Araericans to the best in art-­ tical reality out of a visionary dreara. I happen is becoraing reality. to have this unusual privilege. As special assist­ But reality, as we all know, is a thorny ant to Senator Claiborne Pell frora 1963 to thing, with catches, snares and tangles.
    [Show full text]
  • MU Newsletter, January 29, 1987 Office Ofni U Versity Relations
    Marshall University Marshall Digital Scholar MU Newsletter 1987-1999 Marshall Publications 1-29-1987 MU NewsLetter, January 29, 1987 Office ofni U versity Relations Follow this and additional works at: http://mds.marshall.edu/oldmu_newsletter Recommended Citation Office of University Relations, "MU NewsLetter, January 29, 1987" (1987). MU Newsletter 1987-1999. Paper 43. http://mds.marshall.edu/oldmu_newsletter/43 This Article is brought to you for free and open access by the Marshall Publications at Marshall Digital Scholar. It has been accepted for inclusion in MU Newsletter 1987-1999 by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. r«J.! NEWSLETTER ••••• OFFICE OF UNIVERSITY RELATIONS • HUNTINGTON, WEST VIRGINIA 25701 • JANUARY 29, 1987 Speakers set for Black History Month Appearances by a commiss ioner on the United States to her position on the Civil Ri ghts Commission by a fed- Commission on Civil Rights and a world renowned clas- eral court, after being dismissed by Pres ident Reagan. sical pianist will highlight Marshall University's obser- She is a former president of the American Historians vance of Black History Month this February. Association and previously se rved as the United States Dr. Mary F. Berry, a commissioner on the United States assistant secretary for education in the Department of Commission on Civil Rights and a professor of history Health, Education and Welfare. She has received numer- and law at Howard University, will be a guest speaker ous honorary degrees and awards in recognition of her at Marshall University on Thursday, Feb.
    [Show full text]
  • In 1971, After the Release of Pianist Natalie Hinderas
    NWCR721 Gay American Composers David Del Tredici: Fantasy Pieces (1960) ................ (9:28) 10. I – Adagio ................................................. (1:56) 11. II – Poco allegretto ................................... (1:37) 12. III – Allegro minacciando (…Diabolique) (1:25) 13. IV – Largo ................................................ (4:34) David Del Tredici, piano 14. Robert Maggio: Desire-Movement from Two Quartets (1993) ........................................... (7:28) Bart Feller, Kathleen Nester, flute; Fred Sherry, Jonathan Spitz, cello; Bradley Lubman, conductor 15. Conrad Cummings: In the Department of Love (1988) ......................................................... (3:59) Text by James Sienna Cummings Ensemble: Dora Ohrenstein, soprano; Larry Adams, baritone; Gregory Fulkerson, violin; Daryl Goldberg, cello; Andrew Sterman, woodwinds; Conrad Cummings, keyboard 16. William Hibbard: Bass Trombone, Bass Clarinet, Harp (1973) .......................................... (8:01) Jon English, bass trombone; Charles West, bass clarinet; Motter Forman, harp; William Hibbard, 1. Robert Helps: Hommage à Rachmaninoff (1972) (2:13) conductor Robert Helps, piano 17. Jerry Hunt: Excerpt from Transform 2. Lee Hoiby: “I Was There” from Five Songs (Stream) (1977) ................................................... (3:16) on Poems of Walt Whitman (1988) ..................... (3:03) Jerry Hunt, voice and original instruments Peter Stewart, baritone, Lee Hoiby, piano 18. Lou Harrison: Serenade for Betty Freeman & Lou Harrison:
    [Show full text]
  • National Endowment for the Arts Annual Report 1981
    National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1981. The fiscal year covered in this report preceded my tenure as chairman. Respectfully, F.S.M. Hodsoll Chairman The President The White House Washington, D.C. May 1982 Contents Chairman’s Statement 3 The Agency and Its Functions 4 National Council on the Arts 5 Programs 6 Dance 8 Design Arts 38 Expansion Arts 64 Folk Arts 118 Inter-Arts 140 International 166 Literature 170 Media Arts: Film/Radio/Television 192 Museum 228 Music 282 Opera-Musical Theater 358 Theater 374 Visual Arts 406 Policy and Planning 462 Challenge Grants 464 Endowment Fellows 474 Research 478 Special Constituencies 480 Office for Partnership 486 Artists in Education 488 Partnership Coordination 497 State Programs 500 Financial Summary 505 History of Authorizations and Appropriations 507 I , i li,ili~il|illlililil|liilil ill, i ,,I, llili,, lil I i iill,a liiilili,L,,i I i,i,i i,i,i ..... ii, 3 Chairman’s Statement sympathetic to the very real needs of our cultural What follows reflects much more than an outline of programs and a listing of grants. Rather, it organizations." Calling on us to redouble our efforts to leverage new private support for the presents a picture ~f the vitality of America’s artistic life--stretching from Alaska to Florida, arts, the President quoted Henry James: "It is art that makes life, makes interest, makes impor­ from Maine to Hawaii.
    [Show full text]
  • R. NATHANIEL DETT New World Records 80367 Piano Works DENVER OLDHAM
    R. NATHANIEL DETT New World Records 80367 Piano Works DENVER OLDHAM As a black musician of his time, Robert Nathaniel Dett (1882-1943) had options for the evolution of his talent. Most readily, he could write songs for minstrel shows (as did James Bland and Ernest Hogan), ballads for the parlor (Gussie Davis), or instrumental Gebrauchsmusik (Frank Johnson). Had he participated in the idioms which evolved during his youth, he might have turned to musical theater, or created blues or ragtime pieces. With the exception, however, of After the Cakewalk, a ragtime piece, his lifework centered upon spirituals, as did that of his older contemporary Harry Burleigh (1866-1949), and the use of folkloric ideas. Two individuals provided substantial impetus for Dett's exploration of Afro-American compositional sources during his youth: Antonin Dvořák, who had counseled Americans to look to their own roots for the basis of a native school, and the Afro-Britisher Samuel Coleridge-Taylor (1875-1912), whose respect for the music of both native and black Americans was manifest even before his visits to the United States. Dett (who chose to be known as R. Nathaniel) was born in a suburb of Ontario's Niagara Falls, a terminus on the underground railroad for escaped slaves. His mother's family had been Canadian residents for at least two generations, and his father was a first-generation expatriate. "I played the piano ever since I can remember; no one taught me, I just picked it up: I used to follow my two older brothers to the house while their lessons were in progress," he recalled.
    [Show full text]
  • School Catalog, 1960-1961
    ,P2, ™<5-*S The Philadelphia Conservatory of Music eighty-fourth season 1960-1961 Digitized by the Internet Archive in 2010 with funding from Lyrasis Members and Sloan Foundation http://www.archive.org/details/schoolcatalog196061phil The Philadelphia Conservatory of Music FOUNDED, 1877 Main Line Studio Main School INCORPORATED, 1884 The Rittenhouse, 52 East Lancaster Ave. 216 South Twentieth Street Ardmore, Penna. Philadelphia 3, Penna. Telephone, LOcust 7-6215 William Ezerman, President Board of Directors Allison R. Drake Allison R. Drake, Dean Maria Ezerman Drake Willem Ezerman Maria Ezerman Drake, Director Merle S. Schaff Harry E. Sprogell A. Hendrik Drake, Assistant Director Catalogue 1960-1961 EIGHTY-FOURTH SEASON Hendrlka S. Jurrjens Mary V. Hagerty Nancy Hall Secretary to Director Assistant Secretaries "The best insurance against material losses is the education that develops inner resources. Olga Samaroff Stokowslci THE PHILADELPHIA CONSERVATORY OF MUSIC The oldest chartered Music School in the State of Pennsylvania EIGHTY-FOURTH SEASON While highly endowed institutions provide opportunities for Not only to teach professional players, but also to start a free musical education to a limited number of outstanding the musical training of children in the right way, to teach talents, the task of offering a thorough musical training to the layman to enjoy the art of music, to prepare capable the general public on a sane and sound basis cannot be ne- teachers and give them a valuable musical background, glected if music is to take its rightful place in the civic and is the aim of The Philadelphia Conservatory of Music. national life of the United States.
    [Show full text]
  • Georgewalkergreat American Orchestral Works Vol
    “An American master...”– AmericAn recOrd Guide GeorgeWalkerGreat American Orchestral Works Vol. 3 Acknowledgments Many thanks to Nancy Dodge for her generous support. Special thanks to Frank Schramm for his splendid cover photo. Rochelle Sennet photo from Steven Barston Photography. Dmitry Kousov photo by Pavel Greenwald. The recording of the Piano Concerto was made possible by a grant from the University of Illinois Research Board. Piano Concerto and Dialogus for Cello and Orchestra recorded December 2010, Warsaw, Poland. Remaining works recorded May, 2011 in Urbana, Illinois. Editing and Mastering: Christopher Ericson All works published by Lauren Keiser Music. www.albanyrecords.com TROY1334 albany records u.s. Icarus in Orbit Concerto for Piano » Rochelle Sennet, piano Dialogus for Cello » Dmitry Kouzov, cello 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 Abu for Narrators & Chamber Ensemble Da Camera for Piano Trio, Harp, Celesta, String Orchestra & Percussion albany records u.k. box 137, kendal, cumbria la8 0xd tel: 01539 824008 © 2012 albany records made in the usa Sinfonia da Camera Sinfonia Varsovia ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. Ian Hobson, conductor Concerto for Piano and Orchestra The Composer The Piano Concerto was composed in 1975 for the late Natalie Hinderas, a brilliantly gifted pianist. George Walker has achieved an international reputation through the dissemination of recordings of The concerto was commissioned at the suggestion of Robert Shaw, conductor of the Atlanta Symphony. his own music and the solo piano repertoire of works ranging from Scarlatti to his own piano sonatas. A grant from the National Endowment for the Arts funded the proposal.
    [Show full text]