Concert: Gershwin by Request
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Grace Kawamura, Violin
Kennesaw State University College of the Arts School of Music presents Senior Recital Grace Kawamura, violin Judy Cole, piano Wednesday, May 1, 2013 8:00 p.m. Dr. Bobbie Bailey & Family Performance Center Morgan Concert Hall One Hundred Thirty-ninth Concert of the 2012-2013 Season Welcome to the Kennesaw State University School of Music The School of Music at KSU has dedicated, vibrant, and talented faculty and staff that are completely devoted to teaching, performing, scholar- ship, and serving our community. It is an incredibly exciting place to study, boasting state-of-the-art facilities with opportunities to produce and explore music in a dynamic place that is ahead of the curve for what it means to be a musician in the 21st century. Our students come from the leading musical honor organizations across the region and are poised to lead the cultural offerings and musical education in our area and beyond for years to come. We welcome you to attend a concert, meet our faculty and staff, and feel the energy and excitement that our students exude. We are fully commit- ted to our purpose as educators, performers, and scholars. We hope that you will find as much enjoyment in our product as we do in producing it. Welcome! For more information about the School of Music, please visit www.kennesaw.edu/music Please consider a gift to the Kennesaw State University School of Music. http://community.kennesaw.edu/GiveToMusic Kennesaw State University School of Music Audrey B. and Jack E. Morgan, Sr. Concert Hall May 1, 2013 Violin Sonata in G Major, K. -
Rona & Her Sketchy Friends
VISION RESIDENCY RONA & HER SKETCHY FRIENDS FEBRUARY 19 @ 7PM ET Featuring & Curated by Vision Resident RONA SIDDIQUI With the talents of MANIK CHOKSI, raja feather kelly, SADE NAMEI & ASSAL GHAWAMI RONA & HER SKETCHY FRIENDS FEBRUARY 19 @ 7PM ET Featuring & Curated by Vision Resident RONA SIDDIQUI HOODIE TRILOGY Created & Performed by RONA SIDDIQUI "FOLLOW A FOLLICLE" FROM SALAAM MEDINA: TALES OF A HALFGHAN Book, Music & Lyrics by RONA SIDDIQUI Animation by MANIK CHOKSI Directed by raja feather kelly Featuring SHERZ ALETAHA, MEETU CHILANA, JAMEN NANTHAKUMAR, JONATHAN RAVIV, LOUIS SALLAN, SHARONE SAYEGH IRAN MUSTACHE CRISIS Written, Directed, Edited & Performed by SADE NAMEI & ASSAL GHAWAMI THE ARTISTS WOULD LIKE TO THANK Sherz Aletaha, Thomas Dolan, Devanand Janki, Jonathan Raviv, Sharone Sayegh & Nandita Shenoy. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. We invite you to join us in acknowledging all of this as well as our shared responsibility: to consider our way forward in reconciliation, decolonization, anti-racism and allyship. -
Brass Chamber Music Library
B12.2c - Two Trombones 1 Locke One Dozen Duets 2 Lassus Two Fantasias 3 Hidas Intro & Fughetta 4 Bach/Miller Brass Duet Notebook B12.2f - Mixed Duets 1 Bach Invention #3 101.00 2 Bach Invention #13 101.00 B12.3a - Trumpet Trios 1 James Six Fanfares 300.00 Editions Marc Reift 2 arr Lichmann Trumpet Sonatas 300.00 manu 3 Nehlybel Musica Festiva 300.00 manu 4 arr Stewart Intrada 300.00 manu 5 Britten Fanfare St Edmundsbury 3000.00 Everyone reads score. 6 Kaisershot Tableau Royale 3000.00 8th Note 7 Kaisershot Solemnis Elegiac 3000.00 8th Note 8 Kaisershot Three and three quarters 3000.00 8th Note 9 Kaisershot Triplet Trove 3000.00 8th Note B12.3b - Horn Trios 1 Schneider 18 Trios 030.00 International 2 Wurm 30 trios 030.00 King 3 Nehlybel Musica Festiva 030.00 Cim 4 Shaw Tripperies 030.00 Hornists Nest 5 Walshe Divertimento #2 030.00 Hornists Nest 6 Various 30 selected works 030.00 Belwinn Mills 7 Stich 20 horn trios 030.00 Edition KW 8 Shaw Bach Trios 030.00 Hornists Nest 9 Mozart 3 Mozart Trios 030.00 8th Note # Kaisershot Three and three quarters 030.00 8th Note ## Kaisershot Marche Heroique 030.00 8th Note B12.3c - 3 Trombones 1 Byrd/Horton Carman's Whistle 003.00 Cim 2 Nehlybel Musica Festiva 003.00 Cim 3 Shaw Tripperies 003.00 Hornists Nest 4 Solomon Three Tableaux 003.00 Southern 5 arr Sauer Music fm the Renaissance 003.00 WIM 6 Hidas Interludio 003.00 Edito Musica Budapest 7 arr Christiansen 3 Chorale Preludes 003.00 No Score 8 arr Ostrander Suite for 3 Tbns 003.00 Edition Musicus 9 Kaisershot Marche Heroique 003.00 8th Note 8/22/17 -
Establish Your Own Named Program
THE ASCAP FOUNDATION LEGACY SOCIETY NAMED PROGRAMS The ASCAP Foundation offers naming opportunities for those interested in establishing a custom program named after themselves or a loved one. We are proud of the musical greats who have chosen to establish programs in their name and the many families that have memorialized loved ones’ achievements by creating and funding a named program. ASCAP Foundation Legacy Society Named Programs include those of: Harold Adamson, Robert Allen, Chein Garcia Alonso, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Caesar, Sammy Cahn, Harry Chapin, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, George and Ira Gershwin, Jay Gorney, Morton Gould, W.C. Handy, Jerry Herman, Fred Ho, Bart Howard, Molly Hyman, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jack Norworth, Cole Porter, Louis Prima, Didier Lean Rachou, Joe Raposo, Irwin Robinson, Richard Rodgers, Betty Rose, David Rose, Mark Snow, Stephen Sondheim, Deems Taylor, Virgil Thomson, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others. ESTABLISH A NAMED PROGRAM OF YOUR OWN Keep alive your name and legacy or honor that of a loved one, for today's music community and for those of the next generation. The named program can be tailored to your wishes as encompassed within the mission of The ASCAP Foundation. When you establish a Named Program at The ASCAP Foundation, you become part of The ASCAP Foundation Legacy Society in recognition of your generosity and commitment (unless you choose to remain anonymous). -
N E W S L E T T E R Summer 2004
Strengthening the importance of music in our life and culture since 1940 Summer 2008 N E W S L E T T E R NATIONAL MUSIC COUNCIL’S 2008 AMERICAN EAGLE prior to the luncheon. This year’s program, entitled Still the Great Ambassador: AWARDS HONOR LORIN Reaching Out to the World Through MAAZEL AND TOM CHAPIN. Music featured a panel moderated by music industry attorney and counsel to the The American music community came Songwriters Guild of America Charles together to honor Maestro Lorin Maazel and Sanders. The panel included Mr. Amram, singer/songwriter Tom Chapin at the renowned European composer and National Music Council’s 27th annual recording artist Nenad Bach, Korea Society American Eagle Awards luncheon at New President and former U.S. State York’s Edison Ballroom last Thursday, June Department Asia expert Evans Revere, and 5th. The Council’s coveted American Eagle International Diplomat, Humanitarian and Award is given each year in celebration of Concert Promoter Mo Sacirbey. The panel an individual's career-long commitment and addressed the benefit and need for cultural contribution to the nation’s musical culture. exchange among nations to promote peace and good will. Video of the symposium can The presentations included tributes to the be viewed on the NMC website, honorees by the legendary composer/ www.musiccouncil.org. conductor/musician David Amram, and beloved New York radio host and co- founder of the music industry’s premier anti- poverty charity, World Hunger Year (WHY), Bill Ayres. The award given to Mr. Maazel, in part commemorating his recent concert series in North Korea with the New York Philharmonic, read “To Lorin Maazel in recognition of his tremendous contributions to American musical culture and his dedication to seeking world peace through cultural understanding.” Mr. -
99 Stat. 288 Public Law 99-86—Aug. 9, 1985
99 STAT. 288 PUBLIC LAW 99-86—AUG. 9, 1985 Public Law 99-86 99th Congress Joint Resolution To provide that a special gold medal honoring George Gershwin be presented to his Aug. 9, li>a5 sister, Frances Gershwin Godowsky, and a special gold medal honoring Ira Gersh- [H.J. Res. 251] win be presented to his widow, Leonore Gershwin, and to provide for the production of bronze duplicates of such medals for sale to the public. Whereas George and Ira Gershwin, individually and jointly, created music which is undeniably American and which is internationally admired; Whereas George Gershwin composed works acclaimed both as classi cal music and as popular music, including "Rhapsody in Blue", "An American in Paris", "Concerto in F", and "Three Preludes for Piano"; Whereas Ira Gershwin won a Pulitzer Prize for the lyrics for "Of Thee I Sing", the first lyricist ever to receive such prize; Whereas Ira Gershwin composed the lyrics for major Broadway productions, including "A Star is Born", "Lady in the Dark", "The Barkleys of Broadway", and for hit songs, including "I Can't Get Started", "Long Ago and Far Away", and "The Man That Got Away"; Whereas George and Ira Gershwin collaborated to compose the music and lyrics for major Broadway productions, including "Lady Be Good", "Of Thee I Sing", "Strike Up the Band", "Oh Kay!", and "Funny Face"; Whereas George and Ira Gershwin collaborated to produce the opera "Porgy and Bess" and the 50th anniversary of its first perform ance will occur during 1985; Whereas George and Ira Gershwin collaborated to compose -
Nikki Chooi with Stephen De Pledge Michael Hill International Violin Competition
Nikki Chooi with Stephen De Pledge Michael Hill International Violin Competition This recording is an element of the First Prize of the Michael Hill International Violin Competition, won by Nikki Chooi in June 2013. The Michael Hill International Violin Competition aims to recognise and encourage excellence and musical artistry, and to expand performance opportunities for young violinists from all over the world who are launching their professional careers and who aspire to establish themselves on the world stage. Since its inauguration in 2001, the ‘Michael Hill’ Winning performance with has achieved global standing as a competition, Auckland Philharmonia Orchestra, and elevated to international recognition June 2013 a succession of young violinists. It delivers wraparound New Zealand hospitality and a genuine commitment to the development of every participating artist. George Gershwin Born Brooklyn, New York, 26 September 1898 Died Hollywood, California, 11 July 1937 Three Preludes Allegro ben ritmato e deciso Andante con moto e poco rubato Allegro ben ritmato e deciso George Gershwin was the second son of Russian immigrant parents and grew up in the densely populated area of the Lower East Side in New York, where he was in close contact with both European immigrants and African-Americans, and where young George’s well-developed street skills earned him a reputation of being rather wild. Around 1910 the Gershwin family acquired a piano, ostensibly for the eldest child, Ira, to learn. However, George was the first to use the instrument when it arrived and his parents were amazed to discover that he had learned to play on a friend’s ‘player piano’. -
The New York Concert Singers
THE MASK New World Records 80547 New York Concert Singers Virgil Thomson (1896–1990) led a double life—as a composer and a critic. Besides bringing a highly original and typically American sensibility to his musical works, he was for many years a respected voice of high musical taste as chief music critic for the New York Herald Tribune. When he wrote that he admired the music of Erik Satie for its "consequence, quietude, precision, acuteness of auditory observation, gentleness, sincerity, and directness of statement," he might have been describing his own personality as a composer. Despite Thomson's years of study in Paris and musical collaborations with European intellectuals, the influence of nineteenth-century American church and popular music gives this Missouri-born composer's music a decidedly Midwestern accent. Thomas Campion (1567–1620) is one of the great poets of the English language, and he set his own poetry to music in dozens of solo songs accompanied by lute. In the original, solo version of "Four Songs to Poems by Thomas Campion" (composed in the summer of 1951), Virgil Thomson re- created the sound-world of the Elizabethan lute song with a voice and harp; in the choral arrangement, there is also something of the sensuous blending of voices that one hears in an Elizabethan consort of viols. Both versions make subtle use of an obbligato clarinet and viola— these two instruments, which sound in the same pitch range as the human voice, provide "other voices" of melodic commentary; they also recede and blend with the harp to enhance the lute effect. -
A Most Average Musical
The 10-Minute Musicals Collection LIBRETTO A MOST AVERAGE MUSICAL Book & Lyrics Music Based on a Jonathan Bob Kelly Screenplay by Keebler Talia Berger Licensing Agent Licensing Agent Music Theatre International Music Theatre International 423 West 55th Street, 2nd Floor 423 West 55th Street, 2nd Floor New York, NY 10019 New York, NY 10019 T: +1 (212) 541-4684 T: +1 (212) 541-4684 www.mtishows.com www.mtishows.com A MOST AVERAGE MUSICAL Book & Lyrics by Jonathan Keebler Music by Bob Kelly Based on a screenplay by Talia Berger Copyright © 2020 Theatre Now New York. Licensing Agent All Rights Reserved, Music Theatre International Cover Design: Andre Padayhag 423 West 55th Street, 2nd Floor Layout: Ben Van Buren (Yonkers International Press) New York, NY 10019 T: +1 (212) 541-4684 www.mtishows.com WWAIT!AIT! BEFORE REHEARSING COPYRIGHT WWARNINGARNING (SOME THINGS NEVER CHANGE) All music, lyrics and dialogue from the Play contained in this book are the property of the Authors and are fully protected by copyright. YYourour organization’s perfoormance license prohibits making any changes of any kind to the Play, including: • changes of music, lyrics, dialogue, sequence of songs and/or scenes, time period, setting, characters or characterizations or gender of characters in the Play; • adding new material (such as scenes or framing devices, characters or songs from any other version of the Playy,, including films); • omitting or adding any music, lyrics or dialogue. Any unauthorized changes shall constitute a willful infringement of the authors’ copyright and may subject your organization to civil liabilities and criminal penalties under the United States Copyright Act and other applicable statutes. -
Oscar Hammerstein II Collection
Oscar Hammerstein II Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2014565649 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018003 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Oscar Hammerstein II Collection Span Dates: 1847-2000 Bulk Dates: (bulk 1920-1960) Call No.: ML31.H364 Creator: Hammerstein, Oscar, II, 1895-1960 Extent: 35,051 items Extent: 160 containers Extent: 72.65 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2014565649 Summary: Oscar Hammerstein II was an American librettist, lyricist, theatrical producer and director, and grandson of the impresario Oscar Hammerstein I. The collection, which contains materials relating to Hammerstein's life and career, includes correspondence, lyric sheets and sketches, music, scripts and screenplays, production materials, speeches and writings, photographs, programs, promotional materials, printed matter, scrapbooks, clippings, memorabilia, business and financial papers, awards, and realia. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Brill, Leighton K.--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973. Crouse, Russel, 1893-1966. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Indesign Template Standard Jewelbox Eight Page
InDesign Template Standard Jewelbox Eight Page Booklet document size: 9.5” x 4.719” (L->R) Panel1 Panel2 front 4.75” 4.75” back 4.75” 4.75” Hieght: 4.719” *Design must bleed 1/8” beyond trim. ACD-71290 Notes.indd 1 3/4/14 8:50 PM ACD-71290 GEORGE Gershwin (1898-1937) MUSIC FOR VIOLIN AND PIANO Suite from Girl Crazy (1930), arranged by Eric Stern (b. 1952) (2012) WORLD PREMIER RECORDING 1. “But Not for Me” [2:37] 2. “Bidin’ My Time” [3:22] 3. “Embraceable You” [1:54] 4. “I Got Rhythm” [2:09] Three Preludes for Piano (1926), transcribed by Jascha Heifetz (1901-1987) 5. I. [Allegro ben ritmato e deciso] (1940) [1:51] 6. II. Andante con moto e poco rubato (1944) [3:29] 7. III. Allegro ben ritmato e deciso (1942) [1:39] Short Story (1925), arranged by Samuel Dushkin (1891-1976) 8. Andantino con fantasia; Allegretto scherzando [2:37] An American in Paris (Excerpts) (1928), WORLD PREMIER RECORDING transcribed by Jascha Heifetz (1901-1987), completed from the original sketches by Ayke Agus (b. 1949) (2000) 9. Allegretto grazioso; Tempo Blues, Andante, ma con ritmo deciso; Allegro (con anima) [5:09] “Love Walked In” (1938) [from The Goldwyn Follies], arranged by Eric Stern (b. 1952) (2012) WORLD PREMIER RECORDING 10. Freely; Meno Mosso e Rubato [3:50] “Nice Work If You Can Get It” (1937) [from A Damsel in Distress], arranged by Eric Stern (b. 1952) (2012) WORLD PREMIER RECORDING 11. With a Bouncy Swing [2:15] Selections from Porgy and Bess (1935) transcribed by Jascha Heifetz (1901-1987) (1944) 12.