DOCSLIB.ORG

Modernist Sculpture and Culture: Historiographical Approaches and Critical Analyses

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Modernist Sculpture and Culture: Historiographical Approaches and Critical Analyses International scientific conference: Modernist Sculpture and Culture: Historiographical Approaches and Critical Analyses Faculty of Humanities and Social Sciences, University of Split 1 International scientific conference: Modernist Sculpture and Culture: Historiographical Approaches and Critical Analyses CONFERENCE PROGRAMME AND BOOK OF ABSTRACTS Faculty of Humanities and Social Sciences, University of Split Split, October 26-27, 2017 CONFERENCE PROGRAMME AND BOOK ORGANIZATION BOARD: OF ABSTRACTS Dalibor Prančević, Dora Derado, Božo Kesić CONTENTS — — ORGANIZER: ADMINISTRATIVE ASSISTANCE: University of Split, Faculty of Humanities and Jelena Novaković Social Sciences, Department of Art History — — PARTNER INSTITUTION: International scientific conference: Ivan Meštrović Museums, Split Modernist Sculpture and Culture: — Historiographical Approaches and KEYNOTE SPEAKERS: CONFERENCE INTRODUCTORY NOTE Critical Analyses (The conference is part Penelope Curtis Modernist Sculpture and Culture: Historiographical Approaches 5 of the research project Manifestations of Catherine Moriarty and Critical Analyses Modern Sculpture in Croatia: Sculpture on — the Crossroads between Socio-political PARTICIPANTS: Pragmatism, Economic Possibilities and Darija Alujević CONFERENCE PROGRAMME 7 Aesthetical Contemplation, which is fully Hans Bloemsma supported by the Croatian Science Foundation Margarida Brito Alves PROJECT INTRODUCTORY NOTE under the project no. IP-2016-06-2112) Dora Derado Split, October 26-27, 2017 Sanja Horvatinčić Dalibor Prančević: — Nataša Ivančević Manifestations of Modern Sculpture in Croatia: Sculpture on 11 VENUES: Agata Jakubowska the Crossroads between Socio-political Pragmatism, Economic > Faculty of Humanities and Social Sciences Božo Kesić Possibilities and Aesthetical Contemplation (Croatian Science in Split / Filozofski fakultet u Splitu, Shahar Knafo Conference Hall of the Centre Studia Ljiljana Kolešnik Foundation research project /IP-2016-06-2112/) Mediterranea / Konferencijska dvorana Karla Lebhaft Centra Studia Mediterranea Ana Kršinić Lozica PLENARY TALKS (Poljana kraljice Jelene 2/III floor, 21000 Split) Ivana Mance Penelope Curtis: > Meštrović Gallery / Galerija Meštrović Dalibor Prančević (Šetalište Ivana Meštrovića 48, 21000 Split) Patricia Rosas Modern Sculpture: Beginnings and Ends 33 — Tarquin Sinan Catherine Moriarty: SCIENTIFIC BOARD: Vinko Srhoj Sculpture on the Crossroads: Object, Context and Inquiry 34 prof.dr.sc. Aleksandar Jakir (Faculty of Svjetlana Sumpor Humanities and Social Sciences in Split), Ferenc Veress dr.sc. Ljiljana Kolešnik (Institute of Art History, Barbara Vujanović PRESENTATIONS Zagreb), doc.dr.sc. Dalibor Prančević (Faculty Davorin Vujčić Darija Alujević: of Humanities and Social Sciences in Split), Hélène Zanin Women Sculptors at the Spring Salon 1916-1928 40 dr.sc. Ivana Mance (Institute of Art History, Daniel Zec Hans Bloemsma: Zagreb), dr.sc. Sanja Horvatinčić (Institute of Art Olga Žakić History, Zagreb), mr.sc. Davorin Vujčić (Antun Giotto and Modernist Sculpture 42 Augustinčić Gallery, Klanjec), mr.sc. Daniel Zec Margarida Brito Alves / Patrícia Rosas: (Museum of Fine Arts, Osijek), Darija Alujević From Poetry to Sculpture: Salette Tavares 43 (Fine Arts Archives, Croatian Academy of Dora Derado: Sciences and Arts, Zagreb), Barbara Vujanović The “Readymade” Paradigm Shift 45 (Atelier Meštrović, Zagreb), Hélène Zanin (Université Paris Nanterre and École du Louvre), Sanja Horvatinčić: Božo Kesić (Arts Academy, Split), Dora Derado Rethinking the Monument. Dialogical and Anti-monumental 47 (independent researcher) Strategies of Yugoslav Memorial Practices Nataša Ivančević: The Turn of the Traditional Paradigm of Shaping Human Figure in 49 the Art of the Sixth Decade of the Twentieth Century 3 Agata Jakubowska: En-gendering Post-war Modern Sculpture. Maria Pinińska-Bereś 51 CONFERENCE INTRODUCTORY NOTE and Jerzy Bereś Božo Kesić: Modernist Sculpture and Culture: Echoes of Socialist Modernism in Croatian Public Monuments of 52 the ‘90s and 2000s Historiographical Approaches and Critical Shahar Knafo: New Material, New Techniques, New Terminology 54 Analyses Ljiljana Kolešnik: The Politics of Kineticism and the “Ideology” of New Tendencies 56 Ana Kršinić Lozica: Modern sculpture and its chronological, spatial, and terminological (re) Beyond Visible: The Different Modernism of Vera Dajht Kralj 58 defining poses a permanent challenge to researchers. Hence, this Ivana Mance: conference is conceived as a platform for considering wider contextual Art Colonies and Art Symposiums in Late Socialist Yugoslavia – the 60 boundaries in sculptural production between the last decades of the 19th Factory of Sculpture for Communal Use century and the mid-1970s such as: social conditions, historico-political Tarquin Sinan: events, economic circumstances and aesthetic demands. Special The New Generation; Behind or Ahead of the Times. What Is the 62 attention will be given to the phenomena in the field of sculpture excluded Place of This Sacrificed Generation in British Sculpture? from the dominant art historical narratives, such as gender issues and Vinko Srhoj / Karla Lebhaft: similar particular perspectives. Furthermore, the conference will include Public Sculpture: The Symbolic in the Gap Between the Figurative 64 a discussion on a variety of forms in which sculpture is manifested and and Abstract produced; from traditional models and procedures such as casting, Svjetlana Sumpor: chiselling, carving, to conceptual turns and the creation of a brand new The Unusual Kinship of the Modern and Naïve / Petar Smajić 67 visual language of sculpture as well as terms used to describe it. Thus, the Ferenc Veress: platform will support critical evaluations and analyses of the approaches Escape from the Communist Block: Victor Roman’s Case (1937-1995) 69 employed in modern sculpture production up to now, and attempt to Barbara Vujanović: suggest or define new art historical insights as well as methodologies used Art, Friendship and Politics. Meštrović’s Contacts with Czech 71 in research and analyses of modern sculpture. Politicians and Artists Davorin Vujčić: Furthermore, the focus of attention will be on geographic and national Sculptures by Antun Augustinčić in the Function of Cultural 72 spaces outlining various influences, exchanges or clashes in which the Diplomacy movements of sculptors and their work through different European and Hélène Zanin: global political and cultural geographies can be tracked (in the form of A Heated Argument: The Quarrel Between Albert Elsen and 73 exhibitions, acquisitions, and public reception). It will be important to Rosalind Krauss about Rodin’s Multiples and Posthumous Casts in highlight the category of “publicness” and “visibility” of sculpture and ways the 1980s in which it is achieved; from public monuments as the most representative Daniel Zec: mediators of complex socio-political and economic factors, to chamber Typological Classification of Portrait Sculpture as a Contribution to 75 sculptures most frequently mediated via temporary exhibitions and means the Research of the Manifestations of Modern Sculpture in Croatia of technical reproduction (catalogues, books, newspapers, etc.), from their Olga Žakić: making and installation in public spaces, to their destruction and potential The Representation of the Concept of Darwinism in Sculpture in 77 rehabilitation/historisation. the Works of Simeon Roksandić 4 5 The themes of the conference presentations will be related to the following issues: CONFERENCE PROGRAMME — how to define modern sculpture’s temporal boundaries; — which political, social and economic factors determine modern sculpture production and in what ways; DAY 1 — where sculpture stands in relation to dominant cultural concepts 26/10/2017 (Thursday) in specific socio-political paradigms and what happens to it after a paradigm shift; 15:00 Location: Faculty of Humanities and Social — what comparative models of sculptural production exist in Europe Sciences in Split / Filozofski fakultet u and the world and how and why connections are established between Splitu, Conference Hall of the Centre Studia some geographical and cultural territories; Mediterranea / Konferencijska dvorana Centra — in which specific geographical locations the greatest exchanges Studia Mediterranea between the sculptors’ ideas in the designated period took place; (Poljana kraljice Jelene 2/III. floor, 21000 Split) — how to perceive the idea of a dominant centre and a passivized periphery today and in what measure and how it is possible to 15:00 – 15:40 Welcome speeches, introductory notes, 40 min transgress this idea on the examples of sculptural works in specific conference opening. national and/or cultural spaces; 15:40 – 16:40 Keynote presentation + discussion: 60 min. — what the role and nature of modern portrait sculpture is and to what Penelope Curtis extent it is possible to consider it a reflection/generator of social and Modern Sculpture: Beginnings and Ends political networking and cultural diplomacy; (Moderator: Dalibor Prančević) — which specific narratives are related to sculpture and in what degree they are important for its comprehension and “orientation” in the 16:40 – 17:00 Coffee break 20 min. process of translation between different semantic contexts; — what kind of language is used to describe modern sculpture and what 17:00 – 18:00 Keynote presentation + discussion: 60 min. kind of thesaurus can be generated in that sense; Catherine Moriarty — how sculpture
Load more

Recommended publications
  • International Conference Security of Historical Cities 2018.- Challenges of Tourism Split, 16 – 17 March 2018
    International conference Security of Historical Cities 2018.- Challenges of Tourism Split, 16 – 17 March 2018 Security of Historical Cities 2018. - Challenges of Tourism In addition to the many benefits for the communities where it takes place, tourism carries many risks both for the local community and tourists, as well as for the preservation of valuable historical legacies. Such risks require answers – how to protect people and their property, how to preserve heritage, and how to enable sustainable development of the community labouring under tourism exploitation conditions, as well as those issues concerning the specific conditions of cities with an historical heritage. Experts and practitioners from different countries and cultures of Europe and America, with a profound and wide experience, will discuss these very issues at the Conference on Security of Historic Cities in 2018. Big Security Award 2017 Best Partnership for Security Project – Initiative of the Year The 2017 Big Security Award given by the Croatian Association of Security Managers in the category of “Partnership for Security, the Initiative of the Year,“ was awarded by an expert jury for the best rated project – the 1st International Conference on “Security of Historic Cities,” held in March in Split. The award was received by the representatives of the Croatian Association of Historical Cities and the Regional Club of IPA Split-Dalmatia, who were also the co-organizers of the conference. The topic announced for the conference on the Security of Historic Cities in March
    [Show full text]
  • Međunarodne-Studije-2018.Pdf
    Međunarodne studije International Studies godina 18, broj 1–2, 2018. volume 18, number 1–2, 2018 ISSN 1332-4756 (Print) ISSN 2459-623X (Online) MEĐUNARODNE STUDIJE 18 (1-2), 2018. Nakladnik Libertas međunarodno sveučilište Glavni urednik Vladimir Filipović Izvršni urednik Josip Lučev Tajnik časopisa Bruno Korea Gajski Uredništvo Sonja Brlečić Valčić Stipe Buzar Ivan Grdešić Ivan Miloloža Jadranka Polović Uredničko vijeće Luka Brkić, Fakultet političkih znanosti Sveučilišta u Zagrebu Tvrtko Jakovina, Filozofski fakultet Sveučilišta u Zagrebu Tvrtko Jolić, Institut za filozofiju, Zagreb Đana Luša, Fakultet političkih znanosti Sveučilišta u Zagrebu Josip Mihaljević, Hrvatski institut za povijest, Zagreb Petar Popović, Fakultet političkih znanosti Sveučilišta u Zagrebu Međunarodno uredničko vijeće Nerzuk Ćurak, Univerzitet u Sarajevu, Bosna i Hercegovina Jacob Dahl Rendtorff, Roskilde University, Danska Ivan Dodovski, University American College Skopje, Sjeverna Makedonija Josip Glaurdić, University of Luxembourg, Luksemburg Bogomir Kovač, Univerza v Ljubljani, Slovenija Andrej Krickovic, National Research University Moscow, Rusija Andreas Nölke, Goethe University Frankfurt, Njemačka Stefano Pilotto, Univerity of Trieste, Italija Costas Stratilatis, University of Nicosia, Cipar Časopis je referiran u: ProQuest Worldwide Political Science Abstracts, Sociological Abstract, Social Services Abstracts HRČAK – Portal znanstvenih časopisa Republike Hrvatske (MZOŠ, Srce & HIDD) INTERNATIONAL STUDIES 18 (1-2), 2018. Publisher Libertas International
    [Show full text]
  • Fall 201720172017
    2017 2017 2017 2017 Fall Fall Fall Fall This content downloaded from 024.136.113.202 on December 13, 2017 10:53:41 AM All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). American Art SummerFall 2017 2017 • 31/3 • 31/2 University of Chicago Press $20 $20 $20 $20 USA USA USA USA 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T 1073-9300(201723)31:3;1-T reform reform reform reform cameras cameras cameras cameras “prints” “prints” “prints” “prints” and and and and memory memory memory memory playground playground playground playground of of of Kent’s of Kent’s Kent’s Kent’s guns, guns, guns, guns, abolitionism abolitionism abolitionism abolitionism art art art art and and and and the the the the Rockwell literary Rockwell Rockwell literary literary Rockwell issue literary issue issue issue Group, and Group, and Group, and Group, and in in in in this this this this Homer—dogs, Homer—dogs, Homer—dogs, Place Homer—dogs, Place Place Place In In In In nostalgia Park nostalgia nostalgia Park Park nostalgia Park Duncanson’s Duncanson’s Duncanson’s Duncanson’s Christenberry the Christenberry S. Christenberry the S. the S. Christenberry the S. Winslow Winslow Winslow Winslow with with with with Robert Robert Robert Robert Suvero, Suvero, Suvero, Suvero, William William William William di di di Technological di Technological Technological Technological Hunting Hunting Hunting Hunting Mark Mark Mark Mark Kinetics of Liberation in Mark di Suvero’s Play Sculpture Melissa Ragain Let’s begin with a typical comparison of a wood construction by Mark di Suvero with one of Tony Smith’s solitary cubes (fgs.
    [Show full text]
  • Muzejsko-Galerijska Djelatnost
    Republika Hrvatska Ministarstvo kulture Muzejsko-galerijska djelatnost Pregled odbijenih programa po statusu ustanove Godina od: 2012 Godina do: 2012 Programska djelatnost: Muzejsko-galerijska djelatnost Grad: [Svi gradovi] Status: Odbijen Europska kultura: [Sve] Natječajna kategorija: [Sve] Zagreb, 4/17/2012 Drţavna ustanova Odobreno: Akademija (HAZU) Hrvatska akademija znanosti i umjetnosti, Hrvatski muzej arhitekture Izloţba "Arhitekt Kornelije Budinić - Cornelio Budinich" 0,00 kn Izloţba "Raša" 0,00 kn Monografija "Arhitekt Kornelije Budinić - Cornelio Budinich" 0,00 kn Ukupno: 0,00 kn Hrvatska akademija znanosti i umjetnosti, Strossmayerova galerija starih majstora Publikacija "Slike Muke i Uskrsnuća u Strossmayerovoj galeriji" 0,00 kn Ukupno: 0,00 kn Hrvatska akademija znanosti i umjetnosti, Zavod za znanstveni i umjetnički rad u Osijeku Znanstveni skup "Stara knjiga - kulturno-povijesno i znanstveno izvorište" 0,00 kn Ukupno: 0,00 kn UKUPNO:Akademija (HAZU) (5) 0,00 kn Društvo ili udruga u kulturi Katedra Čakavskog sabora Grobnišćine Vodič kroz Zavičajni muzej Grobnišćine 0,00 kn Ukupno: 0,00 kn Udruga "Vasko Lipovac" Inventarizacija fundusa ateljea Vaska Lipovca 0,00 kn Preventivna zaštita dijela fundusa ateljea Vaska Lipovca - crteţi 0,00 kn Ukupno: 0,00 kn UKUPNO:Društvo ili udruga u kulturi (3) 0,00 kn Državna ustanova Arheološki muzej Istre, Pula Izloţbe i izdavaštvo Arheološkog muzeja Istre od 1902. do 2011. godine 0,00 kn Kunfini i znamenja 0,00 kn Pula, Sv. Teodor. Depozit amfora 0,00 kn Zbornik radova: XII MEĐUNARODNI KOLOKVIJ O RIMSKOJ PROVINCIJALNOJ 0,00 kn UMJETNOSTI Ukupno: 0,00 kn Arheološki muzej Narona, Vid Muzejski vodič na francuskom jeziku 0,00 kn Rimska noć u Naroni 0,00 kn Ukupno: 0,00 kn Stranica 2 od 20 Drţavna ustanova Odobreno: Arheološki muzej u Splitu Ante Piteša i Arsen Duplančić: Monografija "Zvonik splitske katedrale Sv.
    [Show full text]
  • Zanemareni Kipar Oscar Nemon
    OBLJETNICE 10 KVARTAL II - 4 - 2005 ZANEMARENI KIPAR Dalibor PranËeviÊ OSCAR NEMON S ljedeÊe godine navrπava se sto godina od izloæba u Hrvatskoj, ostao je neodreen. roenja Oscara Nemona, prema naπem sudu Anglofoni kritiËari, s druge strane, uglavnom neopravdano zapostavljenog hrvatskog kipara prepoznaju ime Oscara Nemona, viπe ili manje dvadesetog stoljeÊa. Doduπe, umjetnikovo ime uspjeπno interpretirajuÊi njegovu umjetniËku nije nepoznato hrvatskim piscima o umjetnosti aktivnost i prireujuÊi izloæbe njegovih radova.5 - o njemu su pisali povjesniËari umjetnosti Nadalje, iznimna su bila zalaganja savjetnice mahom vezani uz osjeËki ambijent,1 dok ga za kulturu pri Ambasadi Republike Hrvatske u Gamulin u svom pregledu Hrvatsko kiparstvo Londonu, Flore Turner, koja su u prosincu 2001. XIX. i XX. stoljeÊa sasvim izostavlja.2 Mediji su godine rezultirala zanimljivom izloæbom Oscar kiparu posvetili prostor prilikom inauguracije Nemon, Osijek 1906 - Oxford 1985 (Croatian portreta Sir Winstona Churchilla πto ga je Alice Cultural Centre, London). Tom je prilikom bilo Nemon Stuart Hiller,3 jedna od nasljednica kipa- moguÊe vidjeti pojedine kiparove radove, kao i rove ostavπtine i voditeljica Nemonove zaklade, fotografije njegovih javnih spomenika, te doku- poklonila Veleposlanstvu Velike Britanije u Zag- mentarne fotografije iz umjetnikova atelijera rebu. Pisalo se tada o zanimljivostima iz Nemo- πto ih je snimio umjetnikov sin Falcon Nemon nova æivota, odnosno o njegovim poznanstvima Stuart. Zanimljivom se pokazala suradnja Flore s vaænim liËnostima dvadesetog stoljeÊa, kao i Turner s ljudima involviranim u interpretaciju o skoroj izloæbi kiparova djela prigodom stote Nemonova æivota i djela, prvenstveno suradnja obljetnice njegova roenja. Pred nekoliko godina s meunarodnim savjetnikom za muzeje najavljena je i opπirna monografija s relevantnim Peterom Cannon Brookesom, koji je napisao tekstovima o njegovu æivotu i djelu.4 No, godina kratak tekst u deplijanu izloæbe.
    [Show full text]
  • Osijek Portfolio of Potential Jewish Heritage Related Tourism Products, Services and Attractions
    R E D I S C O V E R Osijek portfolio of potential Jewish heritage related tourism products, services and attractions R E D I S C O V E R Osijek portfolio of potential Jewish heritage related tourism products, services and attractions IMPRESSUM CONTRACTING AUTHORITY: Grad Osijek /City of Osijek ON BEHALF OF CONTRACTING AUTHORITY: Ivian Vrkić, Mayor SERVICE PROVIDER: RICL Obrt za savjetovanje i usluge Kralja P. Svačića 62, Osijek AUTHOR: Jesenka Ricl Content 1. Short abstract about the Rediscover project 7 1.1 Content of the portfolio 8 2. Workshop outputs within the product development workshop 10 series (Evaluation) 2.1 Inventory workshop in Osijek 10 2.2 Capacity building workshop in Osijek 10 2.3 Match-making workshop in Osijek 11 3. Profile of the City of Osijek and the surroundings 14 3.1 Tourism traffic of Osijek-Baranjacounty and city of Osijek. 15 3.2 Tourism development plans in Osijek-Baranja county and city of Osijek 17 3.2.1 S.O.S. Subotica Osijek Secession Tourist Route 18 3.2.2 Stara Pekara / Old Bakery 18 4. Status of Jewish Cultural Heritage products and services 20 4.1 Historical survey 20 4.2 Basis of tourism offer of the city of Osijek 22 4.3 Tourism portfolio development 30 4.3.1 Infrastructure development 32 4.3.2 Human potential development 32 4.3.3 Market segmentation 33 4.4 Product segmentation according to specific niches 37 4.4.1 Thematic guided tours (in Croatian, English) 37 4.4.2 Ambient performances – living history (in Croatian, English) 38 4.4.3 Exhibition of Weissmann collection – Museum of Slavonia 38 4.4.4 Museum of Personal Stories 39 4.4.5 Promotional materials with sales potential 39 4.4.6 Educational programmes 40 4.4.7.
    [Show full text]
  • Vasko Lipovac Grafike Ic Rt Ež I
    06. X. - 07. XII. 2015. - SPLIT Uvod za VII. Splitgraphic 2015. grafičkim smotrama, što ju je učinilo jednom od značajnijih umjetnica na suvremenoj grafičkoj sceni. Akromatski Grafika kao vizualni jezik današnjice linorezi Marte Lech zasnivaju se na ocrtavanju predmeta i interijera pomoću snopa iscrtane bijele svjetlosti. Radovi Marte Lech odgovaraju grafici kao vizualnom jeziku današnjice – dijalogu suvremenosti grafičkog znaka i Splitgraphic bijenale se 2015. godine organizira po sedmi put, s temom “Grafika kao vizualni jezik tradicionalnosti grafičke tehnike. današnjice”. Grafički medij danas prelazi granice postavljene u prošlosti i ograničenja tradicionalnih shvaćanja. Radovi koje smo zaprimili i koji su odabrani za skupnu izložbu pozicioniraju grafiku unutar suvremne umjetnosti Osobito smo ponosni što će se predstaviti dio velikog i iznimnog opusa Vaska Lipovca (Nagrada “Marko naglašavajaći važnost grafičkog znaka, svijest o reprodukciji, multi-originalnosti i demokratičnosti samog medija. Marulić” za rad na temu mora, I. Splitgraphic 2003) u sklopu ovogodišnjeg Splitgraphica u Staroj gradskoj vijećnici, nakon njegove samostalne izložbe 1996. u galeriji Studio Naranča i izložbe “Grafičke igre” 2007. u sklopu III. Splitgraphic se ove godine sastoji od tri skupne izložbe, središnje skupne izložbe, studentske selekcije i Splitgraphic bijenala. Izložba grafika i crteža Vaska Lipovca organizirana je u suradnji s Ateljeom Lipovac. Uz grafike skupne izložbe litvanske grafike, te dvije samostalne izložbe, Marte Lech i Vaska Lipovca. i crteže u prizemlju Stare gradske vijećnice bit će postavljena skulptura “Plavo stablo”, koje je bilo postavljeno u Središnja skupna izložba se već tradicionalno od 2007. godine održava u prostoru Stare gradske Galeriji Studio Naranča 1996. godine, a kao javna skulptura u Vukovarskoj ulici ispred Ateljea Vaska Lipovca.
    [Show full text]
  • VULAS 1984 Šime VULAS (Drvenik Veli 1932)
    Šime VULAS 1984 Šime VULAS (Drvenik Veli 1932) Galerija Adris Obala Vladimira Nazora 1 Rovinj • Rovigno 28 ožujka / marzo / march 02 lipnja / giugno / june 2013 1 2 DRVO I SVETO Zapisi o Vulasu i njegovu djelu Igor Zidić I. Moguća su i različita rodoslovlja u istoj obitelji. Hrvatsko moderno kiparstvo možemo, primjerice, slijediti prema datumima rođenja njegovih prvaka i majstora; no toj se kronologiji osoba suprotstavlja načelo prioriteta djela pred djelatnikom, pa ćemo vođeni tim obzirom uspostaviti mjerodavniju kronologiju učinaka. Od te, do osebujne i, svakako, bizarnije kronologije srodnika kratak je put. Na što sve pomišljamo kad apostrofiramo rodoslovlje po srodnosti? Oslanjajući se na kronologiju učinaka mi smo u prilici prepoznati onoga s kojim je nešto počelo, pa se odvija i traje – dok prepoznatljivo traje. Što je to „što traje“ stanovito vrijeme i što je dostatno da se – prema njemu – odredi identifikacijski kod: kako obiteljski, tako i nacionalni? Prvo što vrednujemo svakako su novina i kredibilitet kiparske forme, koje privlače i motiviraju okolinu – napose mlađe kolege, učenike ili sljedbenike, izaziva ih na rad u naznačenoj, majstorovoj orbiti, ali i potiče na vlastite inačice pruženoga modela. Drugo, što iz kiparske prakse deduciramo, sprega je majstorstva s Žena / Donna / Woman, 1957 materijalom. Što znači sprega, što znači majstorstvo s obzirom na tvorivo? Znači, dobru i najbolju suradnju s materijalom s kojim se radi, znači razumijevanje i poštivanje specifičnosti materijala u svrhu njegova najsretnijega i najsvrsishodnijega korištenja. Kad ga se majstorski tretira i najništavniji kiparski materijal – Ružićev papir, npr. – moćno progovori; kad ih se loše tretira i skupocjeni materijali – zlato ili pentelikonski mramor – šute.
    [Show full text]
  • Robert Morris, Minimalism, and the 1960S
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
    [Show full text]
  • Early 20Th Century Continued
    Early 20th Century- Chapter 21 Artist: Henri Matisse Title: The Joy of Life Movement: Fauvism Period: Early 20th Century Description: Fauvism (les fauves=wild beasts)- pure hues, lines freed from descriptive roles, and simplified shapes all together create a lively rhythm in the composition Artist: Matisse Title: Harmony in Red (The Red Room) Movement: Fauvism Period: Early 20th Century Artist: André Derain Title: London Bridge Movement: Fauvism Period: Early 20th Century Artist: Ernst Ludwig Kirchner Title: Street, Berlin Movement: German Expressionism- The Bridge group Period: Early 20th Century Artist: Kandinsky Title: Blue Mountain Movement: German Expressionism- The Blue Rider group Period: Early 20th Century Artist: Kandinsky Title: Composition IV Movement: German Expressionism Period: Early 20th Century Description- his painting evolved toward a an absence of representational subject matter in order to concentrate on the expressive potential of pure form comparable to the free language of music Artist: Picasso Title: Les Demoiselles D’Avignon Movement: Early Cubism Period: Early 20th Century Description: Cubism’s influences- African masks and African reliquary figures Kota Reliquary figure, Africa Picasso, Les Demoiselles D’Avignon, 1907, oil on canvas, beginning of Dan mask, Cubism; Picasso is interested only in the forms of African art, not the Africa meanings of uses of African art Artist: Braque Title: Houses at L’Estaque Movement: Early Cubism Period: Early 20th Century Description: Cubism’s influences- the Post-Modernist painter
    [Show full text]
  • Faculty of Humanities and Social Sciences University of Zagreb Art and Politics in the Modern Period Conference Proceedings
    Faculty of Humanities and Social Sciences University of Zagreb Art and Politics in the Modern Period Conference Proceedings PUBLISHED BY PROOFREADING Faculty of Humanities and Social Sciences, Jeremy F. Walton University of Zagreb, Croatia FF-press TECHICAL ASSISTANCE Patricia Počanić FOR THE PUBLISHER Vesna Vlahović-Štetić COVER AND LAYOUT DESIGN Maja Brodarac EDITORS Dragan Damjanović COMPUTER LAYOUT Lovorka Magaš Bilandžić Marko Maraković Željka Miklošević Boris Bui Jeremy F. Walton EDITION REVIEWERS 300 Tamara Bjažić Klarin (Zagreb) Julija Lozzi Barković (Rijeka) PRINTED BY Matej Klemenčič (Ljubljana) Denona, Zagreb Lidija Merenik (Belgrade) Milan Pelc (Zagreb) Markian Prokopovych (Durham) ISBN 978-953-175-643-3 A catalogue record for this book is available from the National and University Library in Zagreb under CIP code 001046414. The book is financially supported by the Ministry of Science and Education of the Republic of Croatia, City of Zagreb's Office for Culture, Art History Department of the Faculty of Humanities and Social Sciences, University of Zagreb, Max Planck Institute for the Study of Religious and Ethnic Diversity, The Foundation of the Croatian Academy of Sciences and Arts. mpimmg EDITED BY Dragan Damjanović Lovorka Magaš Bilandžić Željka Miklošević Jeremy F. Walton Zagreb, 2019 7 Introduction: Intersections of Art and Politics 15 Portraits of Artists as Political Subjects and Actors 17 Angelina Milosavljevic-Ault AN ARTIST IN AND OUT OF THE SYSTEM IN EARLY MODERN FLORENCE. SOCIAL CONTEXT AND THE STRUGGLE FOR ESTABLISHMENT
    [Show full text]
  • 21.Umjetnička Galerija
    G r a d s k o v i j e ć e KLASA: 401-01/20-05/02 URBROJ: 2117/01- Dubrovnik, Na temelju članka 32. Statuta Grada Dubrovnika („Službeni glasnik Grada Dubrovnika“ broj 4/09, 6/10, 3/11, 14/12, 5/13, 6/13 – pročišćeni tekst i 9/15), Gradsko vijeće Grada Dubrovnika na ___ sjednici, održanoj__________________, donijelo je Z A K L J U Č A K 1. Prihvaća se izvješće o radu javne ustanove Umjetnička galerija Dubrovnik za 2019. godinu s pripadajućom financijskom dokumentacijom. 2. Izvješće o radu javne ustanove Umjetnička galerija Dubrovnik za 2019. godinu čini sastavni dio ovog zaključka. Predsjednik Gradskog vijeća mr.sc.Marko Potrebica DOSTAVITI: 1. Upravni odjel za poslove gradonačelnika, ovdje 2. Upravni odjel za kulturu i baštinu, ovdje 3. Umjetnička galerija Dubrovnik, Frana Supila 23, 20000 Dubrovnik 4. Pismohrana l \ IO\ I~-- urnjetnicka galerija dubrovnik museum of modem art dubrovruk IZVJEŠĆE O RADU UMJETNIČKE GALERIJE DUBROVNIK ZA 2019. GODINU Dubrovnik, siječanj 2020. SADRŽAJ 1. ANALIZA SADAŠNJEG STANJA 3 2. SKUPLJANJE I ZAŠTITA MUZEJSKE GRAĐE 5 2.1 Kupnja 5 2.2 Darovanje 7 2.3 Izlučivanje iz zbirke 15 2.4. Zaštita 30 2.4.1 Preventivna zaštita 30 2.4.2. Restauracija (izvođači radova: vlastita radionica/ 30 vanjski suradnici) 3. DOKUMENTACIJA MUZEJSKE GRAĐE 30 3.1 Inventarna knjiga 30 3.2 Katalog muzejskih predmeta 30 3.3 Fototeka 30 3.4 Dijateka 31 3.5 Videoteka 31 3.6 Hemeroteka 31 3.7 Stručni arhiv 32 3.8 Ostalo 32 4. KNJIŽNICA 32 4.1 Nabava 32 4.2 Stručna obrada knjižničnog fonda 32 4.3 Zaštita knjižnične građe 32 4.4 Služba i usluge za korisnike 33 5.
    [Show full text]