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Filmmaking Camp Taught by Hans Rosenwinkel & Andrew Bateman
Filmmaking Camp Taught by Hans Rosenwinkel & Andrew Bateman The following camp will be held between the hours of 9:00 AM – 4:00 PM Monday-Friday with an hour lunch and around 2 hours of free work time. The participants will engage with our camp instructors and other participants via ZOOM and Canvas accounts. Course Description Students will create their own films and experience every step of film production from story premise inception, scriptwriting and pre-duction planning all the way through filming, editing and screening. This online taught class will provide a customized and individual experience for each student and provide an environment to learn about lighting, sound, location scouting, production design, cinematography, editing, graphics, and color correction. Students may also have the opportunity to work remotely in teams guided by experienced faculty and filmmakers. All filmmaking equipment is software and app based to simulate a high-end camera shot on a smart phone or tablet type device, as well as a variety of editing programs that can be accessed to work together in this unique virtual setting. Technology Details & Requirements: In order to participate in the Filmmaking Camp students will need a computer, camera/phone and internet access for the two weeks. Other than that, the instructors have set the camp up to be extremely flexible with software needs. Below are examples of different types of software that students may be able to use if they are interested. You do NOT need to download or install any software prior to the camp starting. The instructors will explain in more detail at camp. -
Davinci Resolve & Adobe Premiere
COLOR CORRECTION GUIDE – DAVINCI RESOLVE & ADOBE PREMIERE (v2) If you haven't already - Create Account in DaVinci Resolve (User Name & Password) In Locked Project, duplicate your Premiere Sequence. Rename it: “xxF3_FF01.proj” Create a NEW PROJECT. Call it “xxF3_Finishing.prproj”. This is a blank project. Project should look like this in Finder: Import your “FF01” Sequence. This will give you a clean, more efficient project file. File Import > Select PR Project > Pick “Import Selected Sequences” > Choose “FF01” In “Finishing” Project, duplicate “FF01”. Name the sequence: "XXF3_ToResolve" Duplicate >>>> Rename it Export H264 QUicktime of “FF01” (locked cut) for your Final QC Reference Video. (to use as Reference after clips are colored – it will be one of your final steps) QT H264 1920x1080, 24P Put in Folder: XXF3_Title/Editorial/DaVinci Resolve/XXF3_FromResolve In “ToResolve” Sequence: Delete Front Sequence, Audio, all uncolored material - leave ONLY clips for coloring. You may need to Unlink your Audio / Video - Select all, right-click “Unlink” Consolidate all footage by dropping down layered clips. If it isn’t visibly in the cut, it shouldn’t go to Resolve. Transitions, reframes, and special overlays will translate. Before: After: Export an H264 QUicktime of this consolidated Sequence for “Offline Video” Path: Editorial/DaVinci Resolve/XXF3_ToResolve/REF_H264_Offline “XXF3_OfflineRef.mov” (QT H264 1920x1080, 24P) Export Final CUt Pro XML - File > Export > Final Cut Pro XML Save to: XXF3_Title/Editorial/DaVinci Resolve/XXF3_ToResolve/“XXF3_FF01.xml” Open DaVinci Resolve - Log In if you haven't already In DaVinci Resolve: Create a New Project - File > Import XML (AAF, EDL, XML) Your XML will be Importing into it – you’ll choose the settings then. -
Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
Kwasi Ofori Berko Capstone Thesis
Digital Technology Art for a Car Advertising Agency Kwasi Ofori Berko BSc. Information Systems Science (2014) Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Art in Digital Arts in the Welch Center for Graduate and Professional Studies of Goucher College November 21th, 2019 ____________________________ Advisor signature 2 I authorize Goucher College to lend this thesis, or reproductions of it, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Copyright © 2019 by Kwasi Ofori Berko All rights reserved 3 Acknowledgements I would like to thank my capstone committee – Professor Paul Lempke, Professor Andrew Bernstein, and Professor Javier Molina - for guiding me with their knowledge, experience, and encouragement throughout this process. I am sincerely grateful to Mr Kwasi Gyimah Asante and Dr Kofi Owusu-Boaitey, my Uncles, advisers and mentors, for their support in all aspects of my academic career. I would like to thank all of the faculty and staff of the Graduate Programs in Digital Arts department as well as the Associate Director for International Students Center for Race, Equity and Identity, Karen Sykes. Thank you as well to all of my classmates who have walked this journey with me. 4 Abstract Kantanka is the first ever automobile manufacturing company in Ghana which assembles and produces made in Ghana vehicles. The company which has been around for many years now, has caught media attention that resulted in investors providing funding in the company. Simultaneously, many Ghanians and neighboring countries have patronized the Kantanka automobile products. -
RED Workflows with Final Cut Pro X White Paper June 2012 White Paper 2 RED Workflows with Final Cut Pro X
RED Workflows with Final Cut Pro X White Paper June 2012 White Paper 2 RED Workflows with Final Cut Pro X With the continuing popularity of the RED® family of cameras (www.red.com), Final Cut Pro X editors have been looking for proven workflows with REDCODE® RAW files. This white paper outlines how professional production companies are achieving excellent results when recording with RED cameras, editing in Final Cut Pro X, and finishing in applications such as DaVinci Resolve. This document outlines a complete RED-based post-production workflow, following the steps below: 1. Transcode REDCODE RAW files to Apple ProRes using REDCINE-X® PRO. 2. Batch sync audio and video files. 3. Import synced files into Final Cut Pro X. During import, Final Cut Pro X can automatically create lightweight Apple ProRes 422 (Proxy) files for editing. Or, if you have a lot of footage and multiple editors, you can use Compressor to create the Apple ProRes 422 (Proxy) files. 4. Edit and lock picture with Final Cut Pro X. 5. Export an XML file of the project from Final Cut Pro X. 6. Color grade the project in DaVinci Resolve using either high-quality Apple ProRes or R3D RAW files. You can relink the project XML file to the original R3D files in either REDCINE-X PRO or DaVinci Resolve. 7. Export an XML file from DaVinci Resolve and import it back into Final Cut Pro X. 8. Export a final master from Final Cut Pro X. This method combines the best of both worlds—the speed of editing with Apple ProRes on a wide variety of notebook and desktop systems, and the color grading advantages of RAW when finishing. -
Davinci Resolve 11 Menus and Keyboard Shortcuts
GUIDE - DAVINCI RESOLVE 11 MENUS & KEYBOARD SHORTCUTS DaVinci Resolve 11 Menus and Keyboard Shortcuts • Shortcut descriptions are for Mac OS X. • Windows and Linux use “Control” instead of “Command” and Alt instead of “Option”. • Shortcuts are page specific. Menu Shortcut DaVinci Resolve About DaVinci Resolve Preferences.. Command Comma Services > Hide DaVinci Resolve Command H Hide Others Option Command H Show All Quit DaVinci Resolve Command Q File New Project… New Bin Shift Command N New Timeline Command N Save Project Command S Save Project As… Shift Command S Import Project… Command I Import AAF, EDL, XML… Shift Command I Import Batch List from EDL… Capture Export Project… Command E Export AAF, XML… Shift Command O Project Manager… Project Settings… easyDCP > Import License and Certificates… Request License and Certificates… Import KDM/Digest Expert Server Certificate Full Resolution Decode Half Resolution Decode Quarter Resolution Decode Consolidate DCP Timeline… About easyDCP… Collaboration > Publish All Changes Option Shift T Publish Changes for Selected Clips Shift Command T 1 GUIDE - DAVINCI RESOLVE 11 MENUS & KEYBOARD SHORTCUTS Menu Shortcut File Cont. Update All Clips Option Shift U Update Selected Clips Shift Command U Revert All Clips Revert Selected Clips Reload Project Auto Update Edit Undo Command Z Redo Shift Command Z Cut Command X Copy Command C Paste Command V Paste Attributes Option V Select All Command A Deselect All Shift Command A Delete Selected Delete Delete With Ripple Shift Delete Pointer A Trim T Blade B Razor Command B Insert/Overwrite Action > Insert F9 Overwrite F10 Replace F11 Place On Top F12 Fit To Fill Shift F11 Append At End Shift F12 Select Clips Forward On This Track Y Select Clips Forward On All Tracks Option Y Select Nearest Clip/Gap Shift V Linked Selection Shift Command L Clip Link Option Command L Clip Enable D Split clip Command BackSlash 2 GUIDE - DAVINCI RESOLVE 11 MENUS & KEYBOARD SHORTCUTS Menu Shortcut Edit Cont. -
10 Best Free Video Editing Software Review and Download
Copy Right www.imelfin.com 10 best free video editing software review and download What are the best free video editing software? In this post, you are bound to find the best video editing freeware to your taste. When we want to create a personal video, burn a DVD, or upload to YouTube/other video-sharing sites, we will need free video editing software to crop, edit subtitles, insert audio, and add other effects. So what is the best free video editing software? What is the easiest video editing software to use? This post covers a list of the best video editing software, you will be able to edit your videos free on Windows, Mac or Linux. 10 best free video editing software review and download 1. ezvid free video editing software 1 Copy Right www.imelfin.com ezvid is open-source video editing software applicable to Windows XP (SP3), Vista, Win 7/8. It is fast, easy-to-use and functional. Besides video editing, it can also be used as a voice recorder and screen recorder. As with video editing, ezvid enables you to resize, add text/images. Powerful functions along with the revolutionary screen drawing feature have made ezvid one of the best video editing freeware. ezvid video editing software free download 2. Windows Movie Maker 2 Copy Right www.imelfin.com Windows Movie Maker offers a simple solution to beginners to create or edit videos. You can drag and drop images, videos as well as the real-time screenshots/videos to the timeline and add titles, credits, video/transition effects as you like. -
Software Guide (PDF)
Animation - Maya and 3ds Max: autodesk.com. freesoftware/ Operating system: All Educational institutions can access a range of software for 3D modelling, animation and rendering. Free trial available. Games - Synfig: synfig.org/ Operating system: All Twine: twinery.org/ - Vector-based 2D animation suite. Operating system: All Easy-to-create interactive, story-based game - Three.Js: threejs.org/ engine. Add slides and embed media. Coding Operating system: Web-based knowledge is not required. Create animated 3D computer graphics on a web browser using HTML. - GameMaker: yoyogames.com/gamemaker Operating system: Windows and macOS - Blender: blender.org/ Simple-to-use 2D game development engine. Operating system: All Coding knowledge is not required. Free trial Easy-to-use software to create 3D models, available. environments and animated films. Can be used for VFX and games. - Unreal Engine: unrealengine.com/en-US/ what-is-unreal-engine-4 - Stop Motion Studio: cateater.com/ Operating system: Web-based Operating system: Windows, macOS, Andriod Advanced game engine to create 2D, and iOS 3D, mobile and VR games. Knowledge of Stop-motion animation app with in-app programming is not required. purchases. - Playcanvas: playcanvas.com Operating system: Web-based Simple-to-use 3D game engine using HTML5. Create apps faster using Google Docs-style realtime collaboration. Learn how to use your work to build a - Unity: unity3d.com/ portfolio and get a job: Operating system: Windows and macOS screenskills.com/building-your-portfolio Easy-to-use game engine for importing 3D models, creating textures and building Software guide environments. Find a job profile that uses your skills: Free software to help you develop screenskills.com/job-profiles Chatmapper: chatmapper.com/ your skills and create a portfolio - Operating system: Windows for the film, TV, animation, Software for writing non-linear dialogue, ideal VFX (visual effects) and games industries for games. -
Avid Artist | Dnxiq
Avid Artist | DNxIQ Avid Artist | DNxIQ™ is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Available as standalone hardware or bundled with industry-standard Media Composer® software, Avid Artist | DNxIQ enables you to capture, monitor, and output media quickly—in the highest quality possible. And because the interface, which includes hardware by Blackmagic Design, is designed to be open and flexible, you can use it with Avid and other creative tools too. Only Avid Artist | DNxIQ includes Audio Punch-in for Media Composer via the front panel mic input, and baseband hardware encoding of Avid DNxHR media. Capture and play back stunning high-resolution video Key features Create and deliver rich, detailed media in the highest quality imaginable, from • Capture and play back SD, HD, Ultra HD, 2K, and first ingest to final output. Avid Artist | DNxIQ features advanced 12G-SDI, 4K media optical and HDMI 2.0 connections that enable you to work with HD, 2K, • Edit faster and more efficiently with onboard media Ultra HD, and 4K material. It supports frame rates up to 60 fps, bit depth up encoding and conversion to 12 bits, and 2D or stereoscopic 3D media. And because it comes jam- • Work with your favorite creative tools, including packed with a wide array of analog and digital connections, it can be used Media Composer, DaVinci Resolve, Apple Final Cut with just about every camera, deck, display, and device you have or want. Pro, and Adobe Premiere Pro • Connect a wide range of video and audio gear Create with your favorite video and audio tools through a host of connections, including: With support for an ever-growing list of Avid and third-party media tools, Avid • Four sets of 4 SDI connectors—4 in, 4 loop, Artist | DNxIQ is an easy and ideal fit for any production environment. -
Hardware Selection and Configuration Guide Davinci Resolve 15
Hardware Selection and Configuration Guide DaVinci Resolve 15 PUBLIC BETA The world’s most popular and advanced on set, offline and online editing, color correction, audio post production andDaVinci visual Resolve effects 15 — Certified system. Configuration Guide 1 Contents Introduction 3 Getting Started 4 Guidelines for selecting your OS and system hardware 4 Media storage selection and file systems 9 Hardware Selection and Setup 10 DaVinci Resolve for Mac 11 DaVinci Resolve for Windows 16 DaVinci Resolve for Linux 22 Shopping Guide 32 Mac systems 32 Windows systems 35 Linux systems 38 Media storage 40 GPU selection 42 Expanders 44 Accessories 45 Third Party Audio Consoles 45 Third Party Color Grading Panels 46 Windows and Linux Systems: PCIe Slot Configurations 47 ASUS PCIe configuration 47 GIGABYTE PCIe configuration 47 HP PCIe configuration 48 DELL PCIe configuration 49 Supermicro PCIe configuration 50 PCIe expanders: Slot configurations 51 Panel Information 52 Regulatory Notices and Safety Information 54 Warranty 55 DaVinci Resolve 15 — Certified Configuration Guide 2 Introduction Building a professional all in one solution for offline and online editing, color correction, audio post production and visual effects DaVinci Resolve has evolved over a decade from a high-end color correction system used almost exclusively for the most demanding film and TV products to become the worlds most popular and advanced professional all in one solution for offline and online editing, color correction, audio post production and now visual effects. It’s a scalable and resolution independent finishing tool for Mac, Windows and Linux which natively supports an extensive list of image, audio and video format and codecs so you can mix various sources on the timeline at the same time. -
The Best Video Editing Tools When You Are on a Budget
The Best Video Editing Tools When You Are on a Budget Way back in 2012, when I wrote the initial version of the How to Make Videos for YouTube book (available on Amazon), there were virtually no affordable video editors available for Windows. How the times have changed. Now there are so many choices that it’s actually hard to choose. There are options that are extremely easy to get started with. There is software that will take you a lifetime to fully understand all of their features. Any of the editors below will give you access to special effects that were only available to the big movie studios 8 years ago. All of that comes for free or very little money. It’s a great time to be making and editing videos. The Big 3 This first set of 3 video editors are all open source and rival most of the commercially available software. They are still in active development, so they will be better every year, and you’ll get all of that for absolutely free. They are available for Windows, Mac and Linux and are easy to install. Kdenlive Figure 1: Kdenlive Kdenlive is the proverbial grand-daddy of them all. It has been around for a long time. But only fairly recently has it become easy to install on Windows. 1 It has all the features you’d expect from a video editor. A timeline to arrange everything, a big effects library, preview functionality and export to any format you will need. https://kdenlive.org/ Shotcut Figure 2: Shotcut If you know any other video editor, you’ll find the Shotcut interface very familiar. -
How to Use AVIDEMUX
How to use AVIDEMUX The open source video editing Software For complete beginners Kayo de Bellis How to use Kayo de Bellis Realitas Ltd How to use Avidemux ® Published by Realitas Ltd London – United Kingdom www.realitas.co.uk Copyright © 2016 by Realitas Ltd, London All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions Coordinator,” at the address on Realitas website www.realitas.co.uk or to [email protected]. Realitas Ltd www.realitas.co.uk Trademarks: Realitas Limit of liability/disclaimer of warranty: the publisher and the author make no representations or warranties about the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising here from. The fact that an organization or website is referred to in this work as a citation and a potential source of further information does not mean that the author or the publisher endorses the information the organization or website may provide or recommendations it may make.