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v. 22 FOR MOVIE LOVERS A leading source of independent entertainment for movie lovers, featuring handpicked, award-winning independent films, classic movies, documentaries, and foreign films. PROGRAM HIGHLIGHTS • “The Netflix for Indie Film” - The Wall Street Journal • “A streaming rabbit hole worth falling down” by The New York Times, Glenn Kenny • Keyframe, Fandor’s digital publication of written and video editorial content, including interviews, film reviews, and video essays. • Thousands of hours of content available in a library of exceptional, handpicked independent movies, documentaries, classic movies, and foreign films. • Critically acclaimed films available from multiple international film festivals including Cannes, SXSW, Sundance Film Festival, TIFF, Tribeca Film Festival, and Venice International Film Festival. • Libraries of rare subgenres, including avant-garde, coming of age, film noir, old dark house, sword and sandal, and claymation. CHANNEL STATISTICS 4K & INDEPENDENT BRAND NEW LIBRARIES TITLES COMING 2021 60/40% 400K+ SOCIAL MEDIA M/F SPLIT COMMUNITY AVAILABLE ON CONTACT [email protected] UNFILTERED, UNSCRIPTED, UNREAL REALITY Over 350 hours of high-end British reality content, coupled with brilliant international reality programming - loved by millions of viewers around the world Content selected, curated and constantly created by All3Media – one of the world’s leading independent production businesses Shows include the award-winning The Only Way Is Essex; heart-warming Kids and Counting; and our attention-grabbing So... Extreme programming slot, featuring a catalogue of our most outlandish shows The So… Real channel is brought to you by the makers of television's best reality content - so you know there's always more to come Sometimes heartwarming, sometimes bizarre, sometimes provocative, always entertaining – So… Real from All3Media International Contact us at [email protected] .

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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease.
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Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences.
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Glenn-Garland-Editor-Credits.Pdf
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Valerio Bonelli Editor
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I Am Not Your Negro
Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone [email protected] [email protected] [email protected] [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House.
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2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
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Media Arts Resource List
Last updated 3/12/20 Media Arts Resource List A Non-Comprehensive Guide for Artist & Organizations Compiled by the National Endowment for the Arts Service Organizations & Professional Networks A-Doc A-Doc is a national network that works to increase the visibility and support of Asian Americans in the documentary field. The network is committed to sharing ideas and resources, providing mutual support and mentorship, and advocating for equity and diversity in the production and distribution of non-fiction storytelling. Alliance for Media Arts + Culture Committed to facilitating innovation, collaboration, strategic growth and cultural impact for the media arts field in the US and around the world. Through a suite of forward-thinking and inclusive programs, The Alliance holds space for a dynamic network of artists and organizations committed to powerful creative storytelling as an engine for transformation and the collective imagination. Alliance of Artist Communities An international association of artist residencies that offer time and space to develop new or ongoing works. With 70% of residencies serving visual artists, writers, composers, filmmakers, choreographers, and others, the filmmakers and media artists should regularly consider artist residencies as a way to work on projects. Additionally, organizations with residency programs for filmmakers or media artists should consider engaging with this network to stay on top of best practices in the contemporary arts field and beyond. Art House Convergence The Art House Convergence began in 2006 when the Sundance Institute invited 14 Art House theaters to the Sundance Film Festival. By 2008, the theaters decided to meet annually in Utah. Since then, the annual conference has grown to over 500 attendees and expanded to include regional seminars, industry events, and other programs throughout the year.
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2021 Sundance Film Festival
2021 SUNDANCE FILM FESTIVAL JANUARY 28 - FEBRUARY 3 SUNDANCE INSTITUTE is a nonprofit organization dedicated to the discovery and development of independent artists and audiences. Through its programs, the Institute seeks to discover, support, and inspire independent film, media, and interdisciplinary artists from the United States and around the world, and to introduce audiences to their new work. There will always be new terrain to explore as long as there are artists willing to take risks, who tell their stories without compromise. And Sundance will be here—to provide support and a creative community in which a new idea or distinctive view is championed. ROBERT REDFORD, PRESIDENT & FOUNDER The Sundance Film Festival is the premiere showcase for independent filmmakers. REIMAGINING THE TRADITIONAL LIVE FESTIVAL EXPERIENCE 2021 SUNDANCE ANCHORED BY A NEW DIGITAL PLATFORM FOR GLOBAL FILM FESTIVAL AUDIENCES TO ACCESS FILMS AND OFFSCREEN EXPERIENCES A REIMAGINED FESTIVAL INTRODUCING A DIGITAL PLATFORM WITH AN EXPANDED WITH PROGRAMMING IN GLOBAL AUDIENCE ADDITIONAL MARKETS ACROSS THE US Please note that our live plans are subject to change pending public health circumstances. 6 THE 2021 SUNDANCE FILM FESTIVAL WILL BE ACCESSIBLE IN A WAY IT NEVER HAS BEEN BEFORE. DIGITAL FESTIVAL CENTERED ON OUR VALUES OF ENGAGEMENT, INCLUSION, AND PLATFORM ENTERTAINMENT, GLOBAL AUDIENCES WILL BE ABLE TO VIEW OFFERING ACCESS TO ONLINE THE PROGRAM AND TAKE PART IN SCREENINGS AND EXPERIENCES TO A DISCUSSIONS AND SPECIAL LIVE BROADER AUDIENCE EVENTS ONLINE VIA A BRAND-NEW PLATFORM. 7 OUR OFFICIAL PARTNERS ARE CENTRAL TO THE FESTIVAL EXPERIENCE DIGITAL FESTIVAL PLATFORM PARTNER ACTIVATION The digital festival will offer opportunities to engage with artists and audiences globally.
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American Independent Cinema 1St Edition Pdf, Epub, Ebook
AMERICAN INDEPENDENT CINEMA 1ST EDITION PDF, EPUB, EBOOK Geoff King | 9780253218261 | | | | | American Independent Cinema 1st edition PDF Book About this product. Hollywood was producing these three different classes of feature films by means of three different types of producers. The Suburbs. Skip to main content. Further information: Sundance Institute. In , the same year that United Artists, bought out by MGM, ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on a studio's ability to package and release their work. Yannis Tzioumakis. Seeing Lynch as a fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi Rick marked it as to-read Jan 05, This change would further widen the divide between commercial and non-commercial films. Thanks for telling us about the problem. Until his so-called "retirement" as a director in he continued to produce films even after this date he would produce up to seven movies a year, matching and often exceeding the five-per-year schedule that the executives at United Artists had once thought impossible. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence.
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The Question Concerning the Cooptation of the Sundance Film Festival: an Analysis of the Commodification of Independent Cinema
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 12-2009 The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema Matt Dee Cottrell Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the Sociology Commons Recommended Citation Cottrell, Matt Dee, "The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema" (2009). All Graduate Theses and Dissertations. 485. https://digitalcommons.usu.edu/etd/485 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THE QUESTION CONCERNING THE COOPTATION OF THE SUNDANCE FILM FESTIVAL: AN ANALYSIS OF THE COMMODIFICATION OF INDEPENDENT CINEMA by Matt Dee Cottrell A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in Sociology Approved: _______________________ _______________________ Christy Glass Richard S. Krannich Major Professor Committee Member _______________________ _______________________ Richley Crapo Byron R. Burnham Committee Member Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2009 ii Copyright Matt Dee Cottrell 2009 All Rights Reserved iii ABSTRACT The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema by Matt Dee Cottrell, Master of Science Utah State University, 2009 Major Professor: Dr. Christy Glass Department: Sociology, Social Work & Anthropology The Sundance Film Festival has transformed from being a fringe festival to a leading showcase for independent cinema.
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9–30 August 2017 Nziff.Co.Nz
NELSON 9–30 AUGUST 2017 NZIFF.CO.NZ NZIFF0517_Nelson-1_1.indd 1 11/07/17 2:29 PM TICKET PRICES GENERAL INFORMATION ✪ OPENING FILM – My Year with Helen WEBSITE – www.nziff.co.nz Doors open at 7.30 pm. Film starts at 8.00 pm. Register on our website to customise your view of NZIFF, select your favourite films, send films to your friends, and create your own schedule. The site also features an at-a-glance » All tickets $25.00 planner that shows you exactly when each movie is scheduled to start and finish. A CODED SESSIONS Sessions starting after 5.00 pm weekdays and all weekend sessions. www.facebook.com/nzfilmfestival » Adults $16.50 www.twitter.com/nzff » Film Society/Students* $13.50 » Children (15 and under)/Senior Citizens (65+) $11.50 www.youtube.com/nzintfilmfestival B CODED SESSIONS Sessions starting before 5.00 pm weekdays. www.instagram.com/nziff » Adults/Film Society/Students $13.50 GENERAL ENQUIRIES » Senior Citizens (65+) $11.50 For daily screening times, phone State Cinemas Nelson Festival Information Line » Children (15 and under) $11.50 (03) 548 0808 *CONCESSION DISCOUNTS (Students/Film Society) CENSORSHIP CLASSIFICATION Students and Film Society members are entitled to purchase one ticket per session at the discount rate. Student/ Membership ID is required – please ensure you bring it with you to the venue to present to staff on request; failure to G – Suitable for general audiences do so will result in the full price being charged for attendance. The concession price is not available to those holding PG – Parental guidance recommended for younger viewers Film Society three-film sampler cards.
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