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Florian Heesch Voicing the Technological Body Some Musicological Reflections on Combinations of Voice and Technology in Popular Music ABSTRACT The article deals with interrelations of voice, body and technology in popular music from a musicological perspective. It is an attempt to outline a systematic approach to the history of music technology with regard to aesthetic aspects, taking the iden- tity of the singing subject as a main point of departure for a hermeneutic reading of popular song. Although the argumentation is based largely on musicological research, it is also inspired by the notion of presentness as developed by theologian and media scholar Walter Ong. The variety of the relationships between voice, body, and technology with regard to musical representations of identity, in particular gender and race, is systematized alongside the following cagories: (1) the “absence of the body,” that starts with the establishment of phonography; (2) “amplified presence,” as a signifier for uses of the microphone to enhance low sounds in certain manners; and (3) “hybridity,” including vocal identities that blend human body sounds and technological processing, where- by special focus is laid on uses of the vocoder and similar technologies. KEYWORDS recorded popular song, gender in music, hybrid identities, race in music, presence/ absence, disembodied voices BIOGRAPHY Dr. Florian Heesch is professor of popular music and gender studies at the University of Siegen, Germany. He holds a PhD in musicology from the University of Gothenburg, Sweden. He published several books and articles on music and Norse mythology, mu- sic and gender and on diverse aspects of heavy metal studies. -
Looking for Vocal Effects Plug-Ins?
VOCAL PITCH AND HARMONY PROCESSORS 119 BOSS VE-20 VOCAL PERFORMER Designed from TC-HELICON VOICELIVE 2 VOCAL the ground up for vocalists, using some of the finest HARMONY AND EFFECTS PEDAL SYSTEM technology available, this easy-to-use pedal will help A floor-based vocal processor with an easy-to- you create vocals that are out of this world! Real-time use, completely re-designed interface. Great for pitch correction and 3-part diatonic harmonies can creative live performances. Features a “wizard” be combined with 38 seconds of looping and special button to help you find the right preset quickly, stompbox access to 6 effect blocks, effects such as Distortion, Radio, and Strobe for unique 1-button access to global tone, pitch, and guitar effects menus. Up to 8 voices with performances. Provides phantom power for use with condenser microphones and is MIDI keyboard control or 4 doubled harmonies. Control harmonies with guitar, MIDI, powered by an AC adapter or (6) AA batteries. Accepts ¼” or XLR input connections or MP3 input. Has a new effects section that includes separate harmony, doubling via the rear panel combo jack and offers L/R XLR and ¼” phone/line outputs. blocks, reverb, and tap delay. Also has a special effects block for more extreme ITEM DESCRIPTION PRICE effects such as “T-Pain”, megaphone and distortion. Global effects include tone, VE20.......................... Vocal performer pedal ................................................................. 279.00 pitch correction, and guitar effects. Adaptive gate reduces mic input when you're not singing and use your feet for digital mic gain. All effects may be used simultane- NEW! ously. -
Stuart Ayres MEDIA RELEASE
Stuart Ayres Minister for Jobs, Investment, Tourism and Western Sydney MEDIA RELEASE Saturday, 13 June 2020 NEW MUSIC EVENT BRINGS 1,000 GIGS TO SYDNEY AND NSW — HUGE BOOST FOR TOURISM AND ARTISTS A new music event will bring 1,000 COVID-safe gigs to Sydney and regional NSW in November, giving Australian artists a welcome boost and turbocharging live music venues across the state. Great Southern Nights is a NSW Government initiative delivered by its tourism and major events agency Destination NSW in partnership with the Australian Recording Industry Association (ARIA) to support the recovery of the live music, entertainment and hospitality industries. Minister for Jobs, Investment, Tourism and Western Sydney Stuart Ayres said the gigs would be a welcome antidote to the challenges presented by COVID-19, bushfires and the prolonged drought. “This celebration of outstanding Australian artists and incredible live music venues across NSW gives us all something to look forward to, from event-goers to industry,” Minister Ayres said. “We’ll be able to get out and see Sydney and regional NSW come to life with some of Australia’s top acts including Jimmy Barnes, Paul Kelly, Missy Higgins and Tones and I alongside emerging artists in unexpected places. “We’re inviting venues across NSW, from the bush to the city, to nominate to be involved in this exciting new event. “With the NSW Government’s 24-hour economy strategy set to reinvigorate Sydney’s nightlife, Great Southern Nights will be a big step forward for our state’s live music and hospitality community that has been hit hard in recent times.” Among the 20 headline acts to play across the music event are (in alphabetical order): • Jimmy Barnes • Birds of Tokyo • Missy Higgins • The Jungle Giants • Paul Kelly • Thelma Plum • The Presets • Amy Shark • Tash Sultana • The Teskey Brothers • Tones and I • The Veronicas Established and emerging local Australian artists will present 1,000 gigs, curated by ARIA and an industry advisory committee across a multitude of venues around NSW. -
BOSS' Ultimate 16-Track Studio
BR-1600CD Digital Recording Studio BOSS’ Ultimate 16-Track Studio. .......................................................................... .......................................................................... The BR-1600CD Digital Recording Studio combines BOSS’ famous, easy-to-use interface Easy Multitrack Recording Build Your Own Backing Tracks with eight XLR inputs for recording eight tracks simultaneously. This affordable 16-track .......................................................................... .......................................................................... recorder comes loaded with effects for guitars and vocals—including COSM® The BR-1600CD includes eight sweet-sounding XLR microphone The BR-1600CD now includes separate Drum, Bass and Loop Overdrive/Distortion, Amp Modeling and a new Vocal Tool Box—plus convenient PCM inputs with phantom power. Use them to mic up a drum set or to Phrase tracks for creating complete backing arrangements. The record your entire band in a single pass. Recording eight tracks Drum and Bass tracks come with high-quality PCM sounds. The drum and bass tracks, a 40GB hard drive, CD-R/RW drive and USB port. It’s the perfect at once is easy, thanks to a new “Multi-Track” recording mode— Loop Phrase track can be loaded with user samples, or you can way to record your band. just pick your inputs and start recording while taking advantage choose from a collection of loop phrases pre-loaded onto the of powerful channel effects like a compressor, 3-band EQ and hard disk. Using these -
Pitch-Shifting Algorithm Design and Applications in Music
DEGREE PROJECT IN ELECTRICAL ENGINEERING, SECOND CYCLE, 30 CREDITS STOCKHOLM, SWEDEN 2019 Pitch-shifting algorithm design and applications in music THÉO ROYER KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF ELECTRICAL ENGINEERING AND COMPUTER SCIENCE ii Abstract Pitch-shifting lowers or increases the pitch of an audio recording. This technique has been used in recording studios since the 1960s, many Beatles tracks being produced using analog pitch-shifting effects. With the advent of the first digital pitch-shifting hardware in the 1970s, this technique became essential in music production. Nowa- days, it is massively used in popular music for pitch correction or other creative pur- poses. With the improvement of mixing and mastering processes, the recent focus in the audio industry has been placed on the high quality of pitch-shifting tools. As a consequence, current state-of-the-art literature algorithms are often outperformed by the best commercial algorithms. Unfortunately, these commercial algorithms are ”black boxes” which are very complicated to reverse engineer. In this master thesis, state-of-the-art pitch-shifting techniques found in the liter- ature are evaluated, attaching great importance to audio quality on musical signals. Time domain and frequency domain methods are studied and tested on a wide range of audio signals. Two offline implementations of the most promising algorithms are proposed with novel features. Pitch Synchronous Overlap and Add (PSOLA), a sim- ple time domain algorithm, is used to create pitch-shifting, formant-shifting, pitch correction and chorus effects on voice and monophonic signals. Phase vocoder, a more complex frequency domain algorithm, is combined with high quality spec- tral envelope estimation and harmonic-percussive separation to design a polyvalent pitch-shifting and formant-shifting algorithm. -
Stuart Ayres MEDIA RELEASE
Stuart Ayres Minister for Jobs, Investment, Tourism and Western Sydney MEDIA RELEASE Monday, 3 August 2020 APPLICATIONS OPEN FOR GREAT SOUTHERN NIGHTS MUSIC EVENT Music venues across the state can now apply for support to host a gig as part of NSW’s industry-leading new music event, Great Southern Nights, in November. Venues from Tamworth to Tumbarumba, Byron Bay to Bermagui are encouraged to submit a live music event to be included in the program of 1,000 COVID-safe gigs. Minister for Jobs, Investment, Tourism and Western Sydney Stuart Ayres said the Australian-first initiative had already attracted widespread industry support. “The response to Great Southern Nights has been overwhelmingly positive. It’s clear that this game-changing event will have a huge impact on many industries which is why we want 50 per cent of gigs to be in regional NSW and the other half in greater Sydney,” Minister Ayres said. “We had more than 700 venues register interest to be involved, so we hope all of these and more apply to be in the program to showcase their area and local talent. “There’s no more authentic experience than celebrating Australian music in a country pub, local bar or beachfront club. This is what Great Southern Nights is all about – bringing people together in a safe way to enjoy our signature hospitality, awesome talent and the unique communities across Sydney and regional NSW.” Venues must be able to demonstrate they have previously hosted gigs and put forward their suggested talent when applying to be in the program. -
English Version
ENGLISH VERSION Table of Contents Introduction .................................................... page 4 Using & Understanding the Effect ..............page 22 Quick Start .......................................................page 6 Using the Effects ............................................page 23 Adaptive Shape EQ ......................................................page 23 Using Two VoiceTone Pedals ....................... page 12 Adaptive Compression ...............................................page 24 De-ess ..................................................................................page 25 Front & Back Panel Descriptions ............... page 13 Pitch Correction .............................................................page 26 Understanding Live Engineer Effects .........page 27 Setup Configurations ....................................page 16 Phantom Power ..............................................................page 16 Understanding Pitch Correction ................page 31 Standard Setup ................................................................page 17 Main/Monitor ...................................................................page 18 Sound Engineer Setup .................................................page 19 FAQ & Troubleshooting ...............................page 33 Advanced Setup .............................................................page 2 Specifications ..................................................page 35 TC Helicon Vocal Technologies Ltd. Manual revision 1.0 – SW – V 1.0 | Prod. -
What Is a Sequencer − Defined
What Is A Sequencer − Defined By Peter Lawrence Alexander / August 16, 2008 This article gives a simplified explanation of what a MIDI sequencer is. A sequencer today is a software program that records MIDI data of a musical performance from a MIDI Controller. A MIDI controller can be a MIDI keyboard, a guitar controller, a violin controller (as produced by Zeta), a MIDI wind instrument (often called an EWI), or a MIDI brass instrument. When music is recorded in tempo or “live” it’s called real time recording. If a hardware MIDI controller isn’t available, a sequencing program enables the user to literally key punch (data entry) music information into the program. This is called step-time. Sequencers also give tools to edit and correct performances. Sequencers are also found in MIDI keyboards and some are still available as separate hardware units. Modern software sequencers do more than record data. These programs are now complete music production suites which include: • a sequencer with editing features • a music notation program • an audio engine for digital recording • an internal “virtual” mixing board • a complete audio effects rack containing reverb, EQ, compressors, chorus, delays, limiters, expanders, flangers, phasers, guitar and bass amp modeling, vocal editing software (de-essers and pitch correction), gain, and more • fully programmable virtual synthesizers (software versions of hardware MIDI keyboards) • virtual samplers • virtual drum machines • loop patterns Pricing of these programs ranges from free (GarageBand which is included in every new Mac), to $495US and up. The main sequencing programs include Cubase (Mac and PC), Digital Performer (Mac only), Logic (Mac only), and Sonar (PC only). -
Australian Electronic Dance Pioneers - the PRESETS - Launch Lyrical Masters Challenge with Adobe Creative Cloud Via BRING
Press Contacts Celest Lim Adobe +65 6511 9959 [email protected] Anushka Shrivastava / Emelyne Sng Text100 for Adobe +65 6603 9000 [email protected] FOR IMMEDIATE RELEASE Australian Electronic Dance Pioneers - THE PRESETS - Launch Lyrical Masters challenge with Adobe Creative Cloud via BRING The Presets - Kim Moyes and Julian Hamilton (L-R) Singapore — 19 February 2019 — With their latest album HI VIZ still burning bright in the minds of electronic music lovers across the world, THE PRESETS have begun the hunt to find Australia and Asia’s top creative talent. The band are unleashing the lyrics of fan favourite track ‘Tools Down’ from HI VIZ to budding designers, typographers and motion graphics superstars, inviting them to bring their lyrics to life and create a video for the track. The Presets and their long time visual collaborator, Jonathan Zawada, are challenging creatives to design each of the 100+ lyrics to create a truly unique, user-generated lyric video using Adobe Creative Cloud. Opening up the opportunity for creatives to collaborate marks a new milestone for the band, known for their iconic music videos. The 100+ winning entrants will be selected by The Presets, Zawada and Adobe and will receive a year’s subscription of Adobe Creative Cloud as well as a signed copy of their artwork by Moyes and Hamilton. The video will be released early May 2019. The band took to social media to issue the challenge today – view HERE. Said Kim Moyes and Julian Hamilton, “We are pumped to hand over the lyrics of Tools Down to creatives to help put together this lyric video. -
Design of a Pitch Quantization and Pitch Correction System for Real-Time Music Effects Signal Processing
Design of a pitch quantization and pitch correction system for real-time music effects signal processing Corey Cheng*† *Massachusetts Institute of Technology, 617-253-2268, [email protected] †EconoSonoMetrics, LLC, [email protected] Abstract— This paper describes the design of a practical, real- can be done with a myriad of different time- and frequency- time pitch quantization system intended for digital musical domain methods, some of which have become very intricate. effects signal processing. Like most modern pitch quantizers, this These estimators are at the heart of many other sophisticated system can be used to pitch correct and even reharmonize out-of- musical signal processing techniques such as music tune singing to alternative musical scales simultaneously (e.g. transcription, multiple fundamental tracking, and source major, minor, diminished, etc.) Pitch Quantization can also be intentionally exaggerated to produce distinctive effects separation [6][8]. processing which results in an emotionally inflected and/or However, the purpose of this paper is to show how some “robotic” sound. This system uses intentionally simple signal very simple, low-complexity methods can be used to create a processing algorithms which make real-time processing possible practical pitch quantization system which can produce pitch on constrained devices. In particular, we employ tools such as an corrected, pitch shifted, and/or reharmonized audio with octave resolver and range limiter, grain boundary expansion and quality approaching currently available commercial methods. contraction, and transient detection to enhance the performance With some careful tuning “tricks” we show that more of our system. complex methods are unnecessary, and that these simpler methods can produce a system suitable for real-time I. -
Judging Panel Bios
JUDGING PANEL BIOS Ivan Zavada is a composer, multimedia programmer and designer who works in computer music and electronic music theory at Sydney Conservatorium of Music. His research focus is on the interactive relationship between image and sound within the realm of digital music. Zavada creates innovative multi-sensorial events that incorporate sophisticated audiovisual techniques to express artistic individuality in the digital era. His work Chronotope is an example of the vast creative potential available through new mediums of artistic expression, the work was premiered at the Galileo Galilei Planetarium in Buenos Aires at Understanding Visual Music Symposium and Fulldome Festivals in Germany and Brazil. His visual music works were recently featured in festivals and international symposia in Australia, Argentina, Brazil, Canada, France, Germany, Greece, Japan, Macedonia and USA. Ivan Zavada was born in Montreal Canada and started his musical career as a violinist. Daniel Blinkhorn is an Australian electroacoustic composer and sound artist and is currently a Scholarly Teaching Fellow in composition and music technology at the Conservatorium of Music, University of Sydney. He is an ardent location field recordist, embarking upon a number of recording expeditions throughout Africa, Alaska, Amazon, West Indies and Cuba, Europe, Middle East, Mexico, Madagascar, Australia and the high Arctic/ North Pole region of Svalbard. His creative works have received multiple international composition awards and, although self-taught in electroacoustic music and digital media Daniel has formally studied composition at a number of Australian universities. Benjamin Carey is a Sydney-based saxophonist, composer and technologist. His recent research and practice incorporates equal parts performance, composition and the development of musical software systems. -
Australia Council Support for Music
Inquiry into the Australian music industry Submission 98 AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION TO THE STANDING COMMITTEE ON COMMUNICATIONS AND THE ARTS INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY OCTOBER 2018 1 Inquiry into the Australian music industry Submission 98 Committee Secretary Standing Committee on Communications and the Arts PO Box 6021 Parliament House Canberra, ACT 2600 Dear Secretary, The Australia Council for the Arts welcomes the opportunity to provide this submission to the Inquiry into the Australian Music Industry. As the Australian Government’s principal arts funding and advisory body, the Council invests in artistic excellence through support for all facets of the creative process; increases awareness about the value of the arts; and is committed to the arts being more accessible to all Australians. Conducting, commissioning and publishing research into, and about, the arts is a key function under the Australia Council Act 2013.1 This submission outlines the role Council plays in supporting and promoting the diverse, excellent and energetic contemporary music culture. We would welcome the opportunity to discuss this further with you. Yours sincerely, Tony Grybowski Chief Executive Officer Australia Council for the Arts 1 Australia Council Act 2013 s.9 (Aust) 2 Inquiry into the Australian music industry Submission 98 Contents Executive summary 4 AUSTRALIA COUNCIL SUPPORT FOR MUSIC 7 FACTORS CONTRIBUTING TO GROWTH AND SUSTAINABILITY 9 Music practice 9 Disruption and resilience 11 Live music 14 Festivals 15 National